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Pulp International - Richard+Smedley
Vintage Pulp Jan 28 2024
ABDUCTOR STRAIN
Liking this film will demand very hard work.


We're back to Cheri Caffaro quicker than you thought, finally taking a look at The Abductors, part of a trilogy of films, along with Ginger and Girls Are for Loving, in which she plays government agent Ginger McAllister. The character, who is no James Bond or Emma Peel (budget alone prevents that), usually lounges around sun-drenched climes, but occasionally is called in by her handler to deal with tough cases. This time she's needed to take down a sex trafficking ring. She recruits her pal Laurie Rose as bait, has her swallow a tracking chip, allows her to be kidnapped, and intends to follow her to the heart of the operation. But the plan doesn't quite work out—cut to Caffaro and Rose bound, gagged, and at the mercy of bad men.

Things look dire at that point. There's not much upside in being tied up in a basement in nothing but your panties. However Caffaro and Rose have two advantages. First, they both know karate or something. And second, they both love sex. They don't even have to fake it. These two can get off even with the flabbiest villains. And if their martial arts and sexual prowess don't bring down the crooks, they have outside help from an entire government funded crimefighting organization. In short—they'll be just fine. The movie is less so. In the end you can say about it exactly what you can say about the other two entries in the Ginger McAllister series: it's bad but interesting; it's surprisingly equal opportunity with its nudity; and it showcases a uniquely brave actress in Caffaro. The Abductors premiered today in 1972.
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Vintage Pulp Jan 13 2023
A SHOT AT SURVIVAL
Sometimes you have to hunt for something fun to do.


After watching the 1932 hunter-stalks-humans flick The Most Dangerous Game a few months ago we stumbled across a 1972 variation on the theme titled The Suckers. Both movies, surprisingly, were derived from the same source, a 1924 short story by Richard Connell. The Suckers stars Richard Smedley, Steve Vincent, Laurie Rose (aka Misty Dawn), and Sandy Dempsey, and the aforementioned variation is sex. We knew that going in, and we were thinking, hell, this might be fun—a classic pulp story adapted for the sexploitation-happy ’70s. But we were wrong. It turns out The Suckers had a $30,000 budget—which is infinitesimal even for a grindhouse flick—and the lack of expenditure shows across the entire spectrum of production, from acting, to staging and blocking, to pacing, to screenwriting and more.

In Connell's short story and the 1932 adaptation the unfortunate guests land on an evil guy's desolate island because their yacht runs aground. In The Suckers, the guests—who are models, an employee of the modeling agency, and his wife—show up voluntarily after being invited. They're soon running for their lives after being told by their host that their sole purpose for visiting is to be stalked by professional hunters. Obviously, there comes a point when they realize survival means fighting back. But they seem unlikely to manage that effectively. Why? Did we mention that they're models? And that the agency guy is a total schlub? Luckily, great white hunter Richard Smedley and his monobrow side with the prospective prey. He's a lardass but at least he has a rifle. With his help, the fashion plates just might make it back to the Garment District alive.

Even though The Suckers is a sexploitation movie, we expected the ratio of skin to action to be roughly equivalent, but the hunting scenes take up only about twenty minutes, while sex consumes about thirty minutes, a couple of sexual assaults take about ten, and bad dialogue fills out the rest of the running time. Except for one sex scene that manages to get pretty steamy the movie is a waste of all those aforementioned minutes. The film's main value, to us anyway, is as an example of what we're referring to whenever we point out that it wasn't just Japanese studios that explored unsavory themes during this period. The difference is those films were artfully made. The Suckers is just gratuitous and haphazard. Its failure is probably why it was later released as The Woman Hunt—because a certain segment of the male population would see it based on that title alone. Those who did were—you guessed it—suckers.
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History Rewind
The headlines that mattered yesteryear.
May 01
1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned.
1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R.
April 30
1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.
April 29
1945—Hitler Marries Braun
During the last days of the Third Reich, as Russia's Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden.
1967—Ali Is Stripped of His Title
After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon.
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