Vintage Pulp Nov 23 2016
FORSA OF NATURE
Blood isn't the only thing this vampire wants to suck.

This Japanese poster was made to promote the run of the West German sexploitation movie Der Fluch der schwarzen Schwestern, which translates to “curse of the black sisters,” but which for its English release was titled The Devil's Plaything, as well as Plaything of the Devil and Vampire Ecstasy. Last time we saw Swedish sex symbol Marie Forså she was using a giant zucchini for something other than nutrition. Here phallic items prove useful yet again. Forså and three other women are stranded in a castle by a storm. The workers in this gothic pile are secretly priestesses intent upon engineering the rebirth of their vampire mistress who was put to death 400 years ago. The details don't really matter. Here's what you get: naked dancing girls, continual bongo drumming, dick shaped candles, and lots of softcore lezzie action, with occasional token guys mixed in for variety. It's of course tender young Forså who seems the most susceptible to the ancient vampiress. Can she escape with her soul intact? Only a viewing will answer that question for you. We won't recommend the movie but we'll say this much—it's ludicrous, but very sexy. Der Fluch der schwarzen Schwestern opened in West Germany in October 1973 and premiered in Japan today the same year.

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Vintage Pulp Nov 17 2016
701 CLUB
Yumi Yumi Yumi puts her knife in your tummy.

A couple a years ago we wrote briefly about and shared a poster for the Yumi Takigawa headlined pinku flick Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701. Above is another poster from the film, actually the standard poster, as opposed to the bo-ekibari, or horizontal two-piece we showed you before. It's a great image, as is the very Yumi shot of Takigawa below. See the other poster here.

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Vintage Pulp Nov 4 2016
INNOCENCE LOST
Xenophobia: Don't leave home without it.

The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.

Anyway, what we have here is a cautionary tale featuring beautiful young travelers and the pitfalls they encounter, slavery among them, with the various misadventures taking place in Hong Kong, London, Beirut, Paris and Rome. Arden gets the Beirut segment and it consists of her telling the local police her story: raped by her stepfather when she was fifteen, a runaway drifting from place to place, ending up in a harem where she becomes a sexual servant, enduring a year of bondage before her escape. Many sexploitation films are joyful or comical or contain messages of female empowerment—Die jungen Ausreißerinnen isn't one of those. You've been warned. After opening in West Germany earlier in the year it played in Japan for the first time today in 1972.

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Vintage Pulp Sep 30 2016
LOVE HAITI RELATIONSHIP
Tropical storm Anita blows into Port-au-Prince.


Set in Haiti, the Italian thriller Al tropico del cancro follows the story of a doctor who invents a powerful hallucinogenic drug that interests various parties who believe it to be priceless. In addition to being a giallo, some people consider this film a classic of—what would you call it?—not blaxploitation, but that unofficial sub-genre of movies (which we also wrote about yesterday in assessing Emmanuelle IV) in which white women go to the tropics and jettison their inhibitions. Though the promise of Renato Casaro's brilliant poster art undoubtedly draws many viewers to the film, star Anita Strindberg's interracial coupling is a highly stylized hallucination or dream, ancillary to the plot. She gives it her theatrical best, though, gangbangy subtext and all. The scene was bold in 1972's racial landscape—and still is today, which shows you how little progress we've made in half a century.

Strindberg is a favorite around Pulp Intl. She was one of our early femmes fatales—in fact the one that made us decide to feature the occasional frontal nude on the site. Otherwise we wouldn't have been able to share this shot. Under a ridiculous crown of sculptural ’70s hair, she's all high cheekbones, icy eyes, and a recurved mouth. Everything below her neck looks good too, although she sports a pair of early breast implants, but hey—her body her choice. Her nordic looks juxtapose nicely against Haiti's tropical setting. She's a gleaming alien there, which is important for the sense of disconnection her character feels as the various male cast members busy themselves trying to outsmart each other to acquire the drug formula.

Al tropico del cancro features awesome location shooting in Port-au-Prince, not only in the streets and estates, but in unlikely locales like a functioning abattoir where island beef production is depicted in full gore. Cows aren't the only animals that fare poorly, so be forewarned. The movie eventually ends in foot chases and gunshots, as greed for the formula triggers a spate of violence. Reaching this climax isn't the most gripping ride, but we've been on worse. We recommend the movie for fans of Strindberg, as well as for people interested in historic Port-au-Prince, much of which—the prized Cathédrale de Port-au-Prince, the capital building, the parliament, et al—was destroyed in a 2010 earthquake. Al tropico del cancro premiered in Italy today in 1972.

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Modern Pulp Sep 29 2016
ELLE OF AN ADVENTURE
Once again Brazil brings the freak out of an unsuspecting visitor.


This chirashi mini-poster, of which you see both sides above, was made to promote the Japanese release today in 1984 of the softcore epic Emmanuelle IV, spawn of a franchise that just gave and gave and gave, to the tune of seven direct theatrical sequels, plus dozens of television films and at least thirty other cinematic excursions of close or distant relation. This one will really make you wonder what happened to the big budget softcore movie. It's fun, engaging, highly budgeted, and a consistent turn-on.
 
Since Emmanuelle's original portrayor Sylvia Kristel was by now deemed too old to be the title ingénue, the writers decided to send her away to Brazil for rejuvenating surgery. She opens the film, gets on a plane, and when she emerges from her full body treatment, she looks like twenty-four-year-old Swedish actress Mia Nygren. Wanting to test out this new chassis, Nygren runs amok in Rio de Janiero and environs, as Brazil's tropical heat and wanton ways wreak havoc on a yet another white girl's psyche. By the end of the second reel she's a full-on nympho.
 
Emmanuelle IV is a cut above regular sexploitation—it's brilliantly shot in city and jungle, competently acted, and absolutely chock full of lithe hot bodies. Besides Kristel and Nygren, the parade of world-class beauties include Deborah Power, Sophie Berger, Dominique Troyes aka Marilyn Jess, and Sonja Martin. There was no porn in the original release, but x-rated scenes were shot and did appear in the French DVD version. But of the red hot goddesses mentioned above, only Jess went all the way, which is just as well—in a film as elegant as this, it would be a shame to see hairy-assed dudes climbing all over the entire female cast like monkeys. Or maybe that's just us.
 
We have some images below, and should explain, their sheer number reflect our love for this movie. We first saw it on cable in our youth and it stayed with us. Whenever asked why we live abroad, we always credit high-brow literature and cultural curiosity and everything to do with the brain. But when we're truthful we have to admit stuff like Emmanuelle IV had an influence too. Even if people in exotic lands didn't act that crazy, the places existed. We had to see them. And you know what we found? People do act that crazy.

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Modern Pulp Sep 18 2016
AMAZON KINDLED
Another blonde stirs up trouble in the benighted jungle.


Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
 
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.

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Vintage Pulp Sep 16 2016
MAKE LOVE NOT WAR
In The French Love we learn that what the French love is sex.


Random Japanese poster art today, a promo for The French Love, starring Jacques Fugie, Eva Saint (not to be confused with Eva Marie Saint), and others. Fugie, Saint and all the other actors listed as performers here were pseudonyms, but ones fabricated especially for the Japanese market. Thus you won't find any reference to an Eva Saint or Jaques Fugie anywhere else. The French Love actually starred Herman Ryan, Catherine Franck, Patricia Hermenier, and Rod Cameron in the story of an American journalist hooking up with two French flight attendants in Paris while covering the diplomatic meetings leading up to the treaty that ended the Vietnam War. Heady times, no? Leave it to the French to mix social commentary with smut. The movie was directed by José Bénazéraf, a softcore veteran who helmed something like a hundred erotic films between 1963 and 1999, as well as starring in some. Release dates on The French Love, aka merely French Love vary—many sources say 1972, but we think it was 1973.

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Vintage Pulp Sep 3 2016
MEDICAL SINNER
Upon examination this movie is really bad.


We suspect 90% of women—if not more—would assume this poster is for an obscure Japanese horror movie. They'd be wrong, though, because it's actually for a lighthearted made-in-West Germany erotic film called Obszönitäten, aka Obscenities, aka Confessions of a Male Escort, which premiered today in 1971. The promo art, which is completely different from the European or U.S. art, is symptomatic of the Japanese penchant for violent imagery in erotica. We've talked about it before, and we're still trying to figure it out. The movie, though, isn't violent, at least not until the end, briefly. It's a slapstick comedy about a gynecologist who is rendered impotent, and offers a gigolo named Johnny the kingly sum of 100,000 DM for his penis, which the doctor has the ability to transplant to himself. 100,000 DM was about $27,000 back when this film was made. Would you take an offer like that? No, neither would we. Plus our girlfriends would kill us if we suddenly turned up with tiny, uncircumcised dicks. No offense to the uncut but the girls have made their preferences clear. Getting back to the movie, the only real obscenity is how bad it is. Please skip it.

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Vintage Pulp Aug 30 2016
THE FAST AND THE FURIA
Sarli does sexploitation with a South American flair.


Isabel Sarli was a gigantic sex symbol in her home country of Argentina, and throughout Latin America as well, renowned for her boobs and smoldering ferocity. Furia infernal showcases both to great effect. She plays a dancer coveted by a rich pervert, who promptly kills her husband and kidnaps her to some snowswept mountainous retreat where sheep bleat continuously and everyone wears chaps and stubble. This all happens pretty quickly—within the first eight minutes of running time. After all, why delay when what everyone wants to see is how Sarli will use wits and tits to escape imprisonment? Both come in handy, and eventually Sarli's oily tormentor, his rugged but stupid sons, assorted henchmen and a sheep or two are deservedly dispatched. Sarli, as was her trademark, squeezes a few masturbatory nude frolics into all this melodrama, including one in a bath and another in a meadow. She was a throwback star. In an era when actresses were getting ever thinner she looked as if she could have used Marilyn Monroe as a toothpick. Her director and husband Armando Bo thought she looked best in nature, and he was right—she was as lush and dark as an old growth forest. We won't say Furia infernal is good, but Sarli certainly is. The movie premiered in Argentina today in 1973.

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Vintage Pulp Aug 11 2016
MAKO AMENDS
Apologies for the omission, Miss Michiyo.


Years ago we shared a poster for a Michiyo Mako roman porno flick and called her a “little known” actress. Well, live and learn. She wasn't little known—we knew little about Japanese film, is what the problem was. Now we know more, which is a benefit of maintaining this website, and we can report that Mako appeared in thirty movies between 1967 and 1976. Today we have promo posters for three of those to make up for giving her short shrift before. Top to bottom: Yorokobi no sekkusu, aka Sex of Joy or Nymph of Delight, Onna zakari: Mishitsu no yorokobi, aka Pleasure in the Secret Room, and 処女誘魔, for which we did not find a phonetic Japanese title. In English, these chracters would read something like Virgin Kidnapping Magic. More Mako posters later.
 
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History Rewind
The headlines that mattered yesteryear.
December 08
1980—John Lennon Killed
Ex-Beatle John Lennon is shot four times in the back and killed by Mark David Chapman in front of The Dakota apartment building in New York City. Chapman had been stalking Lennon since October, and earlier that evening Lennon had autographed a copy of his album Double Fantasy for him.
December 07
1941—Japanese Attack Pearl Harbor
The Imperial Japanese Navy sends aircraft to attack the U.S. Pacific Fleet and its defending air forces at Pearl Harbor, Hawaii. While the U.S. lost battleships and other vessels, its aircraft carriers were not at Pearl Harbor and survived intact, robbing the Japanese of the total destruction of the Pacific Fleet they had hoped to achieve.
December 06
1989—Anti-Feminist Gunman Kills 14
In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.

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