Vintage Pulp Jul 25 2015
STEWING IN HER JUICES
Christina Hart offers a special type of in-flight service.

This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.

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Vintage Pulp Jun 27 2015
PORTRAIT OF A LADY
Macario Gomez shows an ability to see the bigger wicker.

A couple of years ago we shared some posters by the Spanish artist Macario Gomez, including one rather creative effort for La mansion de la niebla, aka Murder Mansion. But commercial art isn’t always about creativity. This Gomez effort for Emmanuelle, which premiered yesterday in 1974 (and we meant to post it yesterday, except we got deeply involved in a deadly combo of beachy weather and white wine), is an almost exact reproduction of the photographed French promo poster, at right.

We say almost, because you can see that Gomez, whose distinctive signature appears at middle left on the poster, put actress Sylvia Kristel in a bigger wicker chair than in the photo. Or maybe it’s rattan. Whatever, they’re known as peacock chairs, and when they appear in promo art they’re reliable signifiers that what you’re going to get is softcore or sexploitation. They especially pop up during the 1970s and early 1980s. It might even be the same chair each time. In any case, we really like this poster from Gomez. It’s nothing more than a portrait made from a photo, true, but the final product is very nice, we think. As for the movie, we talked about it a bit way back in 2008. If you’re into romantic softcore, it’s pretty much mandatory.

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Vintage Pulp Apr 13 2015
PEEPING RUSS
Russ Meyer turns what he loves most into a career.

This rare Japanese poster promotes the American movie French Peep Show, which was boob aficionado Russ Meyer’s first sexploitation film in a long, infamous series of them. Shot at Oakland, California’s El Rey Burlesk Theater, it was ostensibly a documentary about dancer Tempest Storm’s quest to make it as a performer, but of course was really just an excuse to film a burlesque show and use the medium of cinema to export it to the masses. The film is presumed lost, which is too bad, because in addition to Storm, it featured Lily Lamont, Terry Lane, Shalimar, Marie Voe, and others. The poster is composed of three famous shots of Storm, one of which we shared a while back, the others of which you see below. You can read a bit more about French Peep Show here. It premiered in the U.S. in 1950, but reached Japan this month in 1954. 

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Femmes Fatales Dec 29 2014
ARDEN DESIRE
Good day sunshine.

So, did you notice that server switch yesterday? The one where our site went down for about twelve hours? Well, we’re making it up to you with this 1971 photo of German actress Doris Arden. She falls squarely into the b-movie category, having appeared in such amusing efforts as Graf Porno und seine Mädchen, Der Sex-Agent, and Eros Center Hamburg. Hopefully she appeals to your Eros center, as well. We also hope our new server arrangement ends our problem with periodic website outages. That’ll mean fewer posts like the one above where we try to ingratiate ourselves with you, but hey, with the good always comes some bad.

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Vintage Pulp Nov 17 2014
THE SCORPION'S STING
Someone’s going to pay for what happened—in full, plus interest.

This poster for Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701 promotes the first film in what today might be called a franchise reboot. Meiko Kaji established the character of Prisoner 701 in four hit films, and a few years after she left Toei Company decided to resurrect the series with Yumi Takigawa in the lead. Framed for murder, she ends up in a women’s prison where she’s harassed, sexually assaulted, and marked for death. A prison riot finally gives her the chance at revenge, and lets just say she takes full advantage.

She feels even less forgiving once she escapes, meaning she has a score to settle with the men who railroaded her in the first place. You know what to expect, so we don’t really need to go into detail. The poster above is an ekibari, which we gather means it was made for subway walls, and it’s in bo style, which seemingly means two pieces. Below we have the bo-ekibari in its separate, very cool sections, with Takigawa giving the stare of death that’s usually the last sight of her enemies’ lives. Shin joshuu sasori: 701-gô premiered in Japan today in 1976. 

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Vintage Pulp Oct 19 2014
ZONED OUT
She’s dreaming of the day when she gets to change out of that ridiculously uncomfortable outfit.


Above, an alternate promo for Yoru no saizensen: Tôkyô onna chizu, aka Secret Zone of Tokyo. This one is nice, but the previous version is one of the coolest Japanese posters we’ve seen.

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Vintage Pulp Sep 29 2014
ESOTIK DANCE
It’s exotic, erotic, and psychotic—but is it good?


When Radley Metzger’s softcore movie The Lickerish Quartet was released overseas, its Italian distributors rightly decided that was a stupidish title for a movie and changed it to Esotika Erotika Psicotika. Unfortunately, Esotika Erotika Psicotika sounds glossier and more sophisticated than what you ultimately receive here. What you get is a rich, jaded couple and their surly son who watch 16-millimeter porno loops in their castle for thrills. One night they go out and encounter a motorcycle stunt rider who resembles a woman in one of the loops. They invite her back for what they hope will be a night of debauchery, but which turns out to be less conventional fuck than extended mindfuck. It quickly becomes apparent why the movie opened with a Luigi Pirandello quote pondering the nature of reality, as time and space soon become malleable, leading toward an ending that questions the truth of everything that came before.

The movie received good reviews when released, but we suspect much of that owes to its novelty and Metzger’s previous successes with Camille 2000 and The Dirty Girls. In other words, it hasn’t aged well. It’s like that summer you wore an orange shirt and your friends lauded you for experimenting with your wardrobe, but later you saw a photo of that night and realized you looked like a traffic cone with shoes. Like that shirt, this movie was a bold experiment that made sense at the time but seems a bit silly now. On the plus side, it’s shot on location at Balsorano Castle in L’Aquila, Italy, so at least the audience was able to indulge its fantasies of running away to Abruzzo. Esotika Erotika Psicotika, with Silvana Venturelli, Erika Remberg, and others, premiered in Italy today in 1972. 

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Vintage Pulp Jun 28 2014
THE NOT SO GREAT ESCAPE
There is no escape from Hell thanks to the internet.


This amazing Italian poster is for a cuddly little piece of nazisploitation called Perversion, which was originally made in France as Nathalie rescapée de l'enfer, and known in the English speaking world as Nathalie: Escape from Hell. A poster like this cries out for us to watch the film, and luckily we were able to track it down and screen it. The art pretty much nails it. A French farmer’s daughter is captured by the Nazis and sent to a castle brothel, where she endures the usual sexploitation degradations—gropings, whippings, and uninvited advances from a domineering, leather-clad queen bee named Helga Hortz. A love connection develops between Nathalie and a German officer, and when the affair comes to light Helga decides it’s time to hortz poor Nathalie. This is a really bad movie. It’s the type of flick that includes lengthy sequences of the villains going Mwah hah hah hah hah hah! All it needed was Monty Burns rubbing his gnarled hands together and intoning, “Smithers, release the hounds.” On the plus side, star Patrizia Gori gives it her all, and the supporting cast includes Barbara Moose and Brigitte Lahaie. Perversion aka Nathalie rescapée de l'enfer premiered in France today in 1978.

Sigh. How on Earth did I end up in this clusterfuck of a movie?
 
I once did Molière at the Comédie-Française. That was a great summer.
 
Oh God, who am I kidding? That was the best summer of my life.
 
This is my agent’s fault. I’m going to push him off the top of the Sacré-Cœur.
 
Shit—did I remember to put cat food in the bowl this morning?
 
Well, it’ll have a short, deeply embarrassing run in cinemas, and then maybe I’ll spend a few years in Canada, and when I get back this abomination will have been forgotten forever.
 

Wait—so this internet thing you’re talking about will be globally available and filled with every shitty old movie ever made?


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Vintage Pulp May 21 2014
ZERO SUM GAME
Idle handcuffs are the Devil’s playthings.

We’re into the Japanese pile again today, but for a different type of poster, and a different type of movie. This rare promo is for Yukio Noda’s Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto. It’s a limited edition piece painted by the artist Shindo, who we can’t find much about, but who presumably was pretty famous. We’ll look into that. Anyway, we watched this movie recently, and we’d tell you all about it, but do you really need another blog review, even an extraordinarily (ahem) witty and erudite one? Thought not. It’s widely available, so search it out, queue it up, and enjoy it. Zeroka no onna: Akai wappa premiered in Japan today in 1974.

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Vintage Pulp Mar 6 2014
GIRL CAN'T HELP IT
Everybody loves Lindberg.


Above is a Japanese promo poster for the Swedish sexploitation classic Anita, aka Anita: Swedish Nymphet, which is the story of a young nymphomaniac. Let’s just say up front that we’re aware many people think nymphomania doesn’t exist, and is rather just a term coined by alarmed men to label women who didn’t obey their gender roles. Twenty-three-year-old Christina Lindberg plays a sixteen-year-old title character who fails to do exactly that, throwing convention aside and bedding everyone in sight, from friendly acquaintances to unknown, smudge-covered vagrants. Most of the encounters that don’t take place in an actual bed occur in a dirty tent she’s discovered near a downtown construction site. We loved these seductions in particular, because the set-ups were exactly the same as you’d find in a serial killer movie, with the guys casting a worried eye toward her tent and saying nervously, “Er, you want to do it in there?

Anyway, poor Anita has a dozen or so sexual encounters, all unfulfilling, and even gets run out of one town, perhaps undeservedly, before finally meeting a doctor who thinks he may be able to help. The doctor is played by an unrecognizably young Stellan Skarsgård—Alexander Skarsgard’s father, for you fans of True Blood—but who we prefer to think of as the villain from the 1998 Robert DeNiro actioner Ronin, a movie that for the first 100 of its 122 minutes is among the best spy thrillers ever made. Anita is much the same—the first 80 minutes or so are excellent and exceedingly serious sexploitation, but its inevitable path toward redemption for the lead character tries the patience just a bit. In the remake, if there ever is one, we suggest Anita dismember some guys in her tent. Considering their age and her obvious youth, they’d deserve it. Anita premiered in Sweden in 1973 and finally made its way to Japan today in 1976. 

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History Rewind
The headlines that mattered yesteryear.
July 30
1935—Penguin Launched
Penguin Books is launched by Allen Lane and begins publishing cheap, no-frills paperbacks. Lane's idea of selling books not just in bookstores, but in train stations, pharmacies and corner stores, quickly revolutionizes the publishing market.
July 29
1957—Paar Takes Over Tonight Show
Today in 1957 Jack Paar begins hosting The Tonight Show. During Paar's five year stint, his unpredictable antics and strong comedic style help turn the program into a ratings juggernaut and a national institution.
1981—Charles and Diana Marry
Prince Charles and Lady Diana Spencer marry at St Paul's Cathedral before 3,500 invited guests and an estimated global television audience of 750 million, making it the most popular program ever broadcast.
July 28
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."

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