Vintage Pulp Sep 30 2016
Tropical storm Anita blows into Port-au-Prince.

Set in Haiti, the Italian thriller Al tropico del cancro follows the story of a doctor who invents a powerful hallucinogenic drug that interests various parties who believe it to be priceless. In addition to being a giallo, some people consider this film a classic of—what would you call it?—not blaxploitation, but that unofficial sub-genre of movies (which we also wrote about yesterday in assessing Emmanuelle IV) in which white women go to the tropics and jettison their inhibitions. Though the promise of Renato Casaro's brilliant poster art undoubtedly draws many viewers to the film, star Anita Strindberg's interracial coupling is a highly stylized hallucination or dream, ancillary to the plot. She gives it her theatrical best, though, gangbangy subtext and all. The scene was bold in 1972's racial landscape—and still is today, which shows you how little progress we've made in half a century.

Strindberg is a favorite around Pulp Intl. She was one of our early femmes fatales—in fact the one that made us decide to feature the occasional frontal nude on the site. Otherwise we wouldn't have been able to share this shot. Under a ridiculous crown of sculptural ’70s hair, she's all high cheekbones, icy eyes, and a recurved mouth. Everything below her neck looks good too, although she sports a pair of early breast implants, but hey—her body her choice. Her nordic looks juxtapose nicely against Haiti's tropical setting. She's a gleaming alien there, which is important for the sense of disconnection her character feels as the various male cast members busy themselves trying to outsmart each other to acquire the drug formula.

Al tropico del cancro features awesome location shooting in Port-au-Prince, not only in the streets and estates, but in unlikely locales like a functioning abattoir where island beef production is depicted in full gore. Cows aren't the only animals that fare poorly, so be forewarned. The movie eventually ends in foot chases and gunshots, as greed for the formula triggers a spate of violence. Reaching this climax isn't the most gripping ride, but we've been on worse. We recommend the movie for fans of Strindberg, as well as for people interested in historic Port-au-Prince, much of which—the prized Cathédrale de Port-au-Prince, the capital building, the parliament, et al—was destroyed in a 2010 earthquake. Al tropico del cancro premiered in Italy today in 1972.


Modern Pulp Sep 29 2016
Once again Brazil brings the freak out of an unsuspecting visitor.

This chirashi mini-poster, of which you see both sides above, was made to promote the Japanese release today in 1984 of the softcore epic Emmanuelle IV, spawn of a franchise that just gave and gave and gave, to the tune of seven direct theatrical sequels, plus dozens of television films and at least thirty other cinematic excursions of close or distant relation. This one will really make you wonder what happened to the big budget softcore movie. It's fun, engaging, highly budgeted, and a consistent turn-on.
Since Emmanuelle's original portrayor Sylvia Kristel was by now deemed too old to be the title ingénue, the writers decided to send her away to Brazil for rejuvenating surgery. She opens the film, gets on a plane, and when she emerges from her full body treatment, she looks like twenty-four-year-old Swedish actress Mia Nygren. Wanting to test out this new chassis, Nygren runs amok in Rio de Janiero and environs, as Brazil's tropical heat and wanton ways wreak havoc on a yet another white girl's psyche. By the end of the second reel she's a full-on nympho.
Emmanuelle IV is a cut above regular sexploitation—it's brilliantly shot in city and jungle, competently acted, and absolutely chock full of lithe hot bodies. Besides Kristel and Nygren, the parade of world-class beauties include Deborah Power, Sophie Berger, Dominique Troyes aka Marilyn Jess, and Sonja Martin. There was no porn in the original release, but x-rated scenes were shot and did appear in the French DVD version. But of the red hot goddesses mentioned above, only Jess went all the way, which is just as well—in a film as elegant as this, it would be a shame to see hairy-assed dudes climbing all over the entire female cast like monkeys. Or maybe that's just us.
We have some images below, and should explain, their sheer number reflect our love for this movie. We first saw it on cable in our youth and it stayed with us. Whenever asked why we live abroad, we always credit high-brow literature and cultural curiosity and everything to do with the brain. But when we're truthful we have to admit stuff like Emmanuelle IV had an influence too. Even if people in exotic lands didn't act that crazy, the places existed. We had to see them. And you know what we found? People do act that crazy.


Modern Pulp Sep 18 2016
Another blonde stirs up trouble in the benighted jungle.

Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.


Vintage Pulp Sep 16 2016
In The French Love we learn that what the French love is sex.

Random Japanese poster art today, a promo for The French Love, starring Jacques Fugie, Eva Saint (not to be confused with Eva Marie Saint), and others. Fugie, Saint and all the other actors listed as performers here were pseudonyms, but ones fabricated especially for the Japanese market. Thus you won't find any reference to an Eva Saint or Jaques Fugie anywhere else. The French Love actually starred Herman Ryan, Catherine Franck, Patricia Hermenier, and Rod Cameron in the story of an American journalist hooking up with two French flight attendants in Paris while covering the diplomatic meetings leading up to the treaty that ended the Vietnam War. Heady times, no? Leave it to the French to mix social commentary with smut. The movie was directed by José Bénazéraf, a softcore veteran who helmed something like a hundred erotic films between 1963 and 1999, as well as starring in some. Release dates on The French Love, aka merely French Love vary—many sources say 1972, but we think it was 1973.


Vintage Pulp Sep 3 2016
Upon examination this movie is really bad.

We suspect 90% of women—if not more—would assume this poster is for an obscure Japanese horror movie. They'd be wrong, though, because it's actually for a lighthearted made-in-West Germany erotic film called Obszönitäten, aka Obscenities, aka Confessions of a Male Escort, which premiered today in 1971. The promo art, which is completely different from the European or U.S. art, is symptomatic of the Japanese penchant for violent imagery in erotica. We've talked about it before, and we're still trying to figure it out. The movie, though, isn't violent, at least not until the end, briefly. It's a slapstick comedy about a gynecologist who is rendered impotent, and offers a gigolo named Johnny the kingly sum of 100,000 DM for his penis, which the doctor has the ability to transplant to himself. 100,000 DM was about $27,000 back when this film was made. Would you take an offer like that? No, neither would we. Plus our girlfriends would kill us if we suddenly turned up with tiny, uncircumcised dicks. No offense to the uncut but the girls have made their preferences clear. Getting back to the movie, the only real obscenity is how bad it is. Please skip it.


Vintage Pulp Aug 30 2016
Sarli does sexploitation with a South American flair.

Isabel Sarli was a gigantic sex symbol in her home country of Argentina, and throughout Latin America as well, renowned for her boobs and smoldering ferocity. Furia infernal showcases both to great effect. She plays a dancer coveted by a rich pervert, who promptly kills her husband and kidnaps her to some snowswept mountainous retreat where sheep bleat continuously and everyone wears chaps and stubble. This all happens pretty quickly—within the first eight minutes of running time. After all, why delay when what everyone wants to see is how Sarli will use wits and tits to escape imprisonment? Both come in handy, and eventually Sarli's oily tormentor, his rugged but stupid sons, assorted henchmen and a sheep or two are deservedly dispatched. Sarli, as was her trademark, squeezes a few masturbatory nude frolics into all this melodrama, including one in a bath and another in a meadow. She was a throwback star. In an era when actresses were getting ever thinner she looked as if she could have used Marilyn Monroe as a toothpick. Her director and husband Armando Bo thought she looked best in nature, and he was right—she was as lush and dark as an old growth forest. We won't say Furia infernal is good, but Sarli certainly is. The movie premiered in Argentina today in 1973.


Vintage Pulp Aug 11 2016
Apologies for the omission, Miss Michiyo.

Years ago we shared a poster for a Michiyo Mako roman porno flick and called her a “little known” actress. Well, live and learn. She wasn't little known—we knew little about Japanese film, is what the problem was. Now we know more, which is a benefit of maintaining this website, and we can report that Mako appeared in thirty movies between 1967 and 1976. Today we have promo posters for three of those to make up for giving her short shrift before. Top to bottom: Yorokobi no sekkusu, aka Sex of Joy or Nymph of Delight, Onna zakari: Mishitsu no yorokobi, aka Pleasure in the Secret Room, and 処女誘魔, for which we did not find a phonetic Japanese title. In English, these chracters would read something like Virgin Kidnapping Magic. More Mako posters later.

Vintage Pulp Jun 23 2016
Machine gun Margaret strikes again.

In the tropical Republic of San Rosario four beautiful nurses—Margaret Markov, Rickey Richardson, Andrea Cagan, and Laurie Rose—are kidnapped and forced to teach the healing arts to a revolutionary army so it can bring medical care to villages it liberates. While one of the nurses begins to agree with the captors, the others just want to escape. But when they do, they are captured by an army leader and what they learn prompts them to escape back to the revolutionaries' jungle compound to warn them of an impending government attack.
Scripted by Jonathan Demme and produced in the sweaty Philippines by sexploitation specialists New World Pictures, The Hot Box features most of the elements you expect from jungle sleaze, with perhaps less skin than the standard. But there's plenty of leering, drooling, and general depravity, followed by punching, kicking, stabbing, and Margaret Markov going cyclical with a machine gun. By the way, we'd not note this ordinarily, but post-massacre we'll add that mowing down people with machine guns is fine for cinema, but all other applications are idiotic and tragic. 
There's a debate online about whether this is a women-in-prison film. People often get obtuse online—of course it's a women-in-prison film. The nurses don't spend three reels inside a bamboo cage being hosed down with river water, but they are twice held against their will and escape both times. Textbook stuff. Do we recommend the film? Not quite. But Markov is always worth the time. Amongst a slate of atrocious performers, she can almost act. Almost. The Hot Box premiered in the U.S. today in 1972.


Vintage Pulp Apr 26 2016
Nobody gets out of here alive.

We wrote about Spanish director Jesus Franco not long ago. Sort of. When we noticed another premiere date approaching for one of his films we thought we'd check it out. El reformatorio de las perdidas, originally titled Frauengefängnis, and called Barbed Wire Dolls in the U.S., is a nearly plotless exercise in sadism featuring Lina Ronay, Monica Swinn, and other overheated female convicts dealing with predatory guards and an evil wardeness. There's an escape, as usual in these Franco films, and as usual it fails. That's giving nothing away because the escape isn't the point—the nudity and sex are. Last time we discussed Franco we made a joke of it without really talking about the quality of his films. So here's the deal—they range from the arty to the ridiculous to the outright terrible. This one falls unambiguously into the latter category. That is all. Hey, but you gotta love that Spanish poster. Frauengefängnis premiered in West Germany today in 1976, and hit Spain and other countries in 1977.


Vintage Pulp Apr 3 2016
Once you go Black Emanuelle you never go back.

Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976. 


Next Page
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
Four Aslan Covers for Parme
History Rewind
The headlines that mattered yesteryear.
October 27
1994—U.S. Prison Population Reaches Milestone
The U.S. prison population tops 1 million for the first time in American history. By 2008 the U.S. Justice Department pegs the number of imprisoned at 2.3 million, and the overall U.S. correctional population, i.e. those in jail, prison, on probation or on parole, at 7.3 million, or 1 in every 31 adults.
October 26
1951—Churchill Becomes Prime Minster Again
The Conservative Party wins the British general election, making Winston Churchill prime minister for the second time. Churchill is nearly 76 at the time, making him the second oldest prime minister in history after William Gladstone. Churchill remains PM until 1955, when he steps down at 81 due to ill health.
1964—The Night Caller Is Executed
In Australia, Eric Edgar Cooke, who had earned the nickname Night Caller, is hanged after being convicted of murder. He had terrorized Perth for four years, committing 22 violent crimes, eight of which resulted in deaths. He becomes the last person to be executed in Western Australia.
October 25
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.

Advertise Here
Reader Pulp
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.

Pulp Covers
Pulp art from around the web
Pulp Advertising
Things you'd love to buy but can't anymore Vintage Ads
About Email Legal RSS RSS Tabloid Femmes Fatales Hollywoodland Intl. Notebook Mondo Bizarro Musiquarium Politique Diabolique Sex Files Sportswire