Modern Pulp Sep 18 2016
AMAZON KINDLED
Another blonde stirs up trouble in the benighted jungle.


Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
 
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.

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Vintage Pulp Sep 16 2016
MAKE LOVE NOT WAR
In The French Love we learn that what the French love is sex.


Random Japanese poster art today, a promo for The French Love, starring Jacques Fugie, Eva Saint (not to be confused with Eva Marie Saint), and others. Fugie, Saint and all the other actors listed as performers here were pseudonyms, but ones fabricated especially for the Japanese market. Thus you won't find any reference to an Eva Saint or Jaques Fugie anywhere else. The French Love actually starred Herman Ryan, Catherine Franck, Patricia Hermenier, and Rod Cameron in the story of an American journalist hooking up with two French flight attendants in Paris while covering the diplomatic meetings leading up to the treaty that ended the Vietnam War. Heady times, no? Leave it to the French to mix social commentary with smut. The movie was directed by José Bénazéraf, a softcore veteran who helmed something like a hundred erotic films between 1963 and 1999, as well as starring in some. Release dates on The French Love, aka merely French Love vary—many sources say 1972, but we think it was 1973.

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Vintage Pulp Sep 3 2016
MEDICAL SINNER
Upon examination this movie is really bad.


We suspect 90% of women—if not more—would assume this poster is for an obscure Japanese horror movie. They'd be wrong, though, because it's actually for a lighthearted made-in-West Germany erotic film called Obszönitäten, aka Obscenities, aka Confessions of a Male Escort, which premiered today in 1971. The promo art, which is completely different from the European or U.S. art, is symptomatic of the Japanese penchant for violent imagery in erotica. We've talked about it before, and we're still trying to figure it out. The movie, though, isn't violent, at least not until the end, briefly. It's a slapstick comedy about a gynecologist who is rendered impotent, and offers a gigolo named Johnny the kingly sum of 100,000 DM for his penis, which the doctor has the ability to transplant to himself. 100,000 DM was about $27,000 back when this film was made. Would you take an offer like that? No, neither would we. Plus our girlfriends would kill us if we suddenly turned up with tiny, uncircumcised dicks. No offense to the uncut but the girls have made their preferences clear. Getting back to the movie, the only real obscenity is how bad it is. Please skip it.

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Vintage Pulp Aug 30 2016
THE FAST AND THE FURIA
Sarli does sexploitation with a South American flair.


Isabel Sarli was a gigantic sex symbol in her home country of Argentina, and throughout Latin America as well, renowned for her boobs and smoldering ferocity. Furia infernal showcases both to great effect. She plays a dancer coveted by a rich pervert, who promptly kills her husband and kidnaps her to some snowswept mountainous retreat where sheep bleat continuously and everyone wears chaps and stubble. This all happens pretty quickly—within the first eight minutes of running time. After all, why delay when what everyone wants to see is how Sarli will use wits and tits to escape imprisonment? Both come in handy, and eventually Sarli's oily tormentor, his rugged but stupid sons, assorted henchmen and a sheep or two are deservedly dispatched. Sarli, as was her trademark, squeezes a few masturbatory nude frolics into all this melodrama, including one in a bath and another in a meadow. She was a throwback star. In an era when actresses were getting ever thinner she looked as if she could have used Marilyn Monroe as a toothpick. Her director and husband Armando Bo thought she looked best in nature, and he was right—she was as lush and dark as an old growth forest. We won't say Furia infernal is good, but Sarli certainly is. The movie premiered in Argentina today in 1973.

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Vintage Pulp Aug 11 2016
MAKO AMENDS
Apologies for the omission, Miss Michiyo.


Years ago we shared a poster for a Michiyo Mako roman porno flick and called her a “little known” actress. Well, live and learn. She wasn't little known—we knew little about Japanese film, is what the problem was. Now we know more, which is a benefit of maintaining this website, and we can report that Mako appeared in thirty movies between 1967 and 1976. Today we have promo posters for three of those to make up for giving her short shrift before. Top to bottom: Yorokobi no sekkusu, aka Sex of Joy or Nymph of Delight, Onna zakari: Mishitsu no yorokobi, aka Pleasure in the Secret Room, and 処女誘魔, for which we did not find a phonetic Japanese title. In English, these chracters would read something like Virgin Kidnapping Magic. More Mako posters later.
 
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Vintage Pulp Jun 23 2016
BOXED IN
Machine gun Margaret strikes again.

In the tropical Republic of San Rosario four beautiful nurses—Margaret Markov, Rickey Richardson, Andrea Cagan, and Laurie Rose—are kidnapped and forced to teach the healing arts to a revolutionary army so it can bring medical care to villages it liberates. While one of the nurses begins to agree with the captors, the others just want to escape. But when they do, they are captured by an army leader and what they learn prompts them to escape back to the revolutionaries' jungle compound to warn them of an impending government attack.
 
Scripted by Jonathan Demme and produced in the sweaty Philippines by sexploitation specialists New World Pictures, The Hot Box features most of the elements you expect from jungle sleaze, with perhaps less skin than the standard. But there's plenty of leering, drooling, and general depravity, followed by punching, kicking, stabbing, and Margaret Markov going cyclical with a machine gun. By the way, we'd not note this ordinarily, but post-massacre we'll add that mowing down people with machine guns is fine for cinema, but all other applications are idiotic and tragic. 
 
There's a debate online about whether this is a women-in-prison film. People often get obtuse online—of course it's a women-in-prison film. The nurses don't spend three reels inside a bamboo cage being hosed down with river water, but they are twice held against their will and escape both times. Textbook stuff. Do we recommend the film? Not quite. But Markov is always worth the time. Amongst a slate of atrocious performers, she can almost act. Almost. The Hot Box premiered in the U.S. today in 1972.
 

 
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Vintage Pulp Apr 26 2016
LIFE BEHIND BARBS
Nobody gets out of here alive.


We wrote about Spanish director Jesus Franco not long ago. Sort of. When we noticed another premiere date approaching for one of his films we thought we'd check it out. El reformatorio de las perdidas, originally titled Frauengefängnis, and called Barbed Wire Dolls in the U.S., is a nearly plotless exercise in sadism featuring Lina Ronay, Monica Swinn, and other overheated female convicts dealing with predatory guards and an evil wardeness. There's an escape, as usual in these Franco films, and as usual it fails. That's giving nothing away because the escape isn't the point—the nudity and sex are. Last time we discussed Franco we made a joke of it without really talking about the quality of his films. So here's the deal—they range from the arty to the ridiculous to the outright terrible. This one falls unambiguously into the latter category. That is all. Hey, but you gotta love that Spanish poster. Frauengefängnis premiered in West Germany today in 1976, and hit Spain and other countries in 1977.

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Vintage Pulp Apr 3 2016
DARKEST AFRICA
Once you go Black Emanuelle you never go back.

Javanese beauty Laura Gemser isn't black in the ethnic sense, but you know that going into Black Emanuelle, first of the Italian-made sexploitation series that borrowed the French Emmanuelle concept and took it to places its originators could never have imagined. Gemser could actually be half black or mostly black, going by skin tone alone, but in a way her being South Asian in real life becomes the whole point, as it makes all her love scenes titillatingly interracial, whether she's getting it on with Africans or white foreigners. This is the tamest of the series—before poor Emanuelle was beset by voodoo priests, cannibals, and worse. In addition to the honeyed Gemser in the starring role you get a scoop of vanilla Schubert on top—German actress Karin Schubert. We aren’t going to bother to tell you about the plot of this one—it follows the form of other movies about westerners who get freaky in the African bush and eventually leave with profound insights and fond memories (cue shot of dreamy eyed actress gazing out airplane window as dark, mysterious Africa recedes below). In addition to the Japanese poster above we were able to locate quite a few promo images, including two of Gemser and Schubert doing field tests of Newton’s laws of physical motion. See below. Black Emanuelle opened in Japan today in 1976. 

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Vintage Pulp Apr 2 2016
HELL HATH NO FUORI
You ever wonder what nuns wear under their habits? Neither do we. But some people do.


What is it about nuns? We’ve never paid them any mind, but seventies filmmakers sure found them irresistible. We’ve shared a few examples of the phenomenon over the years, such as here, here, and especially here. Educande fuori… femmine dentro was originally made in West Germany, where it was called Die Klosterschülerinnen, and later it appeared in English speaking countries as Sex Life in a Convent. We watched it, and it’s nunsploitation without much in the way of successful humor or eroticism. You've been duly warned. But the Italian poster, which you see above, is pretty cool. Also German actress Astrid Boner—her name kills us every time!—is in a co-starring role. And probably most worth mentioning is the fact that the miraculous Doris Arden gets top billing, and deservedly so. To reiterate, deservedly so. From 1972, this one.

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Vintage Pulp Mar 17 2016
ZELLEN OUT
For some directors pushing the envelope comes naturally.


Picture the scene: It’s 1978 and sexploitation director Jesús Franco, who has redefined sleaze cinema for the masses with fifty movies, including several in the women-in-prison genre for the West German market, is chilling on his terrace in Malaga, Spain soaking up the sun. He’s chatting with his frequent collaborator, producer Erwin Dietrich, about the next project, which they’re calling Frauen für Zellenblock 9. 

Jesús: "We can probably save money by using the old costumes from Frauen im Liebeslager. Same idea, right? Women all sweaty in some godforsaken prison."
 
Erwin: "We left those in Cyprus. Did I mention there’s a Frauen im Liebeslager theme restaurant where the old set used to be? I hear it’s real classy. Anyway, it would’ve cost too much to have that clothing shipped out here."
 
Jesús: "What about the things from Das Frauenhaus or Frauengefängnis? Where’s all that? And Frauen ohne Unschuld. That stuff too."
 
Erwin: "Warehouse fire. Suspicious circumstances. Insurance paid off, though. But shit, Jesús, why give the girls costumes at all? Just have them be naked the whole movie."
 
Jesús: "What? Are you nuts?"
 
Erwin: "I’m just saying—why bother? Audience wants skin, give them skin. Keep the girls chained up naked the whole time. And that escape scene of yours? Just have them do it naked."
 
Jesús: "They all get shot in the end. I can’t have them shot naked. That’s… I don’t know… eew."
 
Erwin: "They can be shot naked, trust me. We make it sexy. They get shot, lay them out like centerfolds."
 
Jesús: "Erwin, cut it out. I mean, I admit I’m intrigued by the idea artistically, but I don’t think the girls would go for it. It’s a little too crude."
 
Erwin: "Oh, and I suppose all the muff-diving scenes are Shakespeare? What are these girls—aspiring Catherine Denueves or something? Isn’t one of them a porn actress?"
 
Jesús: "Karine? Sure, but she’s hoping to go mainstream. Anyway, it’s the fucking jungle, Erwin. There are all kinds of thorns and sharp rocks out there. Spiders. Ticks. I can’t have them running around in all that with their great big bushes out. I mean…lice…you know? Although I am intrigued. Artistically, I mean."
 
Erwin: "Exactly. It’s art. Last Tango in Paris, right? Bertolucci has Brando shove butter up a girl’s poop chute and the critics go bananas."
 
Jesús: "That’s funny." *sigh* "But I’m no Bertolucci."
 
Erwin: "You’re right. You’re better. One day you’ll get a lifetime achievement award for all this filth, trust me. You’ll be remembered. The crazy risks you and the girls took will seem amazing to later generations."
 
Jesús: "You think so?"

Erwin: "I know so. In your own twisted way you’re a genius. So anyway—naked the whole movie, okay? Or at least the entire second half. Oh, and lots of sweat. And a shower orgy. And some torture. And some pee."


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History Rewind
The headlines that mattered yesteryear.
September 26
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.

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