Good day sunshine.
So, did you notice that server switch yesterday? The one where our site went down for about twelve hours? Well, we’re making it up to you with this 1971 photo of German actress Doris Arden. She falls squarely into the b-movie category, having appeared in such amusing efforts as Graf Porno und seine Mädchen, Der Sex-Agent, and Eros Center Hamburg. Hopefully she appeals to your Eros center, as well. We also hope our new server arrangement ends our problem with periodic website outages. That’ll mean fewer posts like the one above where we try to ingratiate ourselves with you, but hey, with the good always comes some bad.
Someone’s going to pay for what happened—in full, plus interest.
This poster for Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701 promotes the first film in what today might be called a franchise reboot. Meiko Kaji established the character of Prisoner 701 in four hit films, and a few years after she left Toei Company decided to resurrect the series with Yumi Takigawa in the lead. Framed for murder, she ends up in a women’s prison where she’s harassed, sexually assaulted, and marked for death. A prison riot finally gives her the chance at revenge, and lets just say she takes full advantage.
She feels even less forgiving once she escapes, meaning she has a score to settle with the men who railroaded her in the first place. You know what to expect, so we don’t really need to go into detail. The poster above is an ekibari, which we gather means it was made for subway walls, and it’s in bo style, which seemingly means two pieces. Below we have the bo-ekibari in its separate, very cool sections, with Takigawa giving the stare of death that’s usually the last sight of her enemies’ lives. Shin joshuu sasori: 701-gô premiered in Japan today in 1976.
, Toei Company
, Shin joshuu sasori: 701-gô
, New Female Prisoner Scorpion: 701
, Yumi Takigawa
, Meiko Kaji
, poster art
, pinky violence
She’s dreaming of the day when she gets to change out of that ridiculously uncomfortable outfit.
Above, an alternate promo for Yoru no saizensen: Tôkyô onna chizu, aka Secret Zone of Tokyo. This one is nice, but the previous version is one of the coolest Japanese posters we’ve seen.
It’s exotic, erotic, and psychotic—but is it good?
When Radley Metzger’s softcore movie The Lickerish Quartet was released overseas, its Italian distributors rightly decided that was a stupidish title for a movie and changed it to Esotika Erotika Psicotika. Unfortunately, Esotika Erotika Psicotika sounds glossier and more sophisticated than what you ultimately receive here. What you get is a rich, jaded couple and their surly son who watch 16-millimeter porno loops in their castle for thrills. One night they go out and encounter a motorcycle stunt rider who resembles a woman in one of the loops. They invite her back for what they hope will be a night of debauchery, but which turns out to be less conventional fuck than extended mindfuck. It quickly becomes apparent why the movie opened with a Luigi Pirandello quote pondering the nature of reality, as time and space soon become malleable, leading toward an ending that questions the truth of everything that came before.
The movie received good reviews when released, but we suspect much of that owes to its novelty and Metzger’s previous successes with Camille 2000 and The Dirty Girls. In other words, it hasn’t aged well. It’s like that summer you wore an orange shirt and your friends lauded you for experimenting with your wardrobe, but later you saw a photo of that night and realized you looked like a traffic cone with shoes. Like that shirt, this movie was a bold experiment that made sense at the time but seems a bit silly now. On the plus side, it’s shot on location at Balsorano Castle in L’Aquila, Italy, so at least the audience was able to indulge its fantasies of running away to Abruzzo. Esotika Erotika Psicotika, with Silvana Venturelli, Erika Remberg, and others, premiered in Italy today in 1972.
, The Lickerish Quartet
, Esotika Erotika Psicotika
, Camille 2000
, The Dirty Girls
, Radley Metzger
, Silvana Venturelli
, Erika Remberg
, Luigi Pirandello
, poster art
, movie review
There is no escape from Hell thanks to the internet.
This amazing Italian poster is for a cuddly little piece of nazisploitation called Perversion, which was originally made in France as Nathalie rescapée de l'enfer, and known in the English speaking world as Nathalie: Escape from Hell. A poster like this cries out for us to watch the film, and luckily we were able to track it down and screen it. The art pretty much nails it. A French farmer’s daughter is captured by the Nazis and sent to a castle brothel, where she endures the usual sexploitation degradations—gropings, whippings, and uninvited advances from a domineering, leather-clad queen bee named Helga Hortz. A love connection develops between Nathalie and a German officer, and when the affair comes to light Helga decides it’s time to hortz poor Nathalie. This is a really bad movie. It’s the type of flick that includes lengthy sequences of the villains going Mwah hah hah hah hah hah! All it needed was Monty Burns rubbing his gnarled hands together and intoning, “Smithers, release the hounds.” On the plus side, star Patrizia Gori gives it her all, and the supporting cast includes Barbara Moose and Brigitte Lahaie. Perversion aka Nathalie rescapée de l'enfer premiered in France today in 1978.
Sigh. How on Earth did I end up in this clusterfuck of a movie?
I once did Molière at the Comédie-Française. That was a great summer.
Oh God, who am I kidding? That was the best summer of my life.
This is my agent’s fault. I’m going to push him off the top of the Sacré-Cœur.
Shit—did I remember to put cat food in the bowl this morning?
Well, it’ll have a short, deeply embarrassing run in cinemas, and then maybe I’ll spend a few years in Canada, and when I get back this abomination will have been forgotten forever.
Wait—so this internet thing you’re talking about will be globally available and filled with every shitty old movie ever made?
, Nathalie rescapée de l'enfer
, Nathalie: Escape from Hell
, Patrizia Gori
, Barbara Moose
, Brigitte Lahaie
, poster art
, movie review
Idle handcuffs are the Devil’s playthings.
We’re into the Japanese pile again today, but for a different type of poster, and a different type of movie. This rare promo is for Yukio Noda’s Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto. It’s a limited edition piece painted by the artist Shindo, who we can’t find much about, but who presumably was pretty famous. We’ll look into that. Anyway, we watched this movie recently, and we’d tell you all about it, but do you really need another blog review, even an extraordinarily (ahem) witty and erudite one? Thought not. It’s widely available, so search it out, queue it up, and enjoy it. Zeroka no onna: Akai wappa premiered in Japan today in 1974.
, Zeroka no onna: Akai wappa
, Zero Woman: Red Handcuffs
, Yukio Noda
, Miki Sugimoto
, pinky violence
, poster art
Everybody loves Lindberg.
Above is a Japanese promo poster for the Swedish sexploitation classic Anita, aka Anita: Swedish Nymphet, which is the story of a young nymphomaniac. Let’s just say up front that we’re aware many people think nymphomania doesn’t exist, and is rather just a term coined by alarmed men to label women who didn’t obey their gender roles. Twenty-three-year-old Christina Lindberg plays a sixteen-year-old title character who fails to do exactly that, throwing convention aside and bedding everyone in sight, from friendly acquaintances to unknown, smudge-covered vagrants. Most of the encounters that don’t take place in an actual bed occur in a dirty tent she’s discovered near a downtown construction site. We loved these seductions in particular, because the set-ups were exactly the same as you’d find in a serial killer movie, with the guys casting a worried eye toward her tent and saying nervously, “Er, you want to do it in there?”
Anyway, poor Anita has a dozen or so sexual encounters, all unfulfilling, and even gets run out of one town, perhaps undeservedly, before finally meeting a doctor who thinks he may be able to help. The doctor is played by an unrecognizably young Stellan Skarsgård—Alexander Skarsgard’s father, for you fans of True Blood—but who we prefer to think of as the villain from the 1998 Robert DeNiro actioner Ronin, a movie that for the first 100 of its 122 minutes is among the best spy thrillers ever made. Anita is much the same—the first 80 minutes or so are excellent and exceedingly serious sexploitation, but its inevitable path toward redemption for the lead character tries the patience just a bit. In the remake, if there ever is one, we suggest Anita dismember some guys in her tent. Considering their age and her obvious youth, they’d deserve it. Anita premiered in Sweden in 1973 and finally made its way to Japan today in 1976.
Who said life couldn’t be a bed of roses?
Way back in 2009 two promos for Seijû gakuen were the first pinku posters we ever shared on Pulp Intl. Ah, the good old days. We got the title wrong and misspelled the name of the star, but other than that, what a glorious memory. When we located that pair of posters we also found two others, and now, years later, we’re getting around to sharing those too. Seijû gakuen was known in the West as School of the Holy Beast, and above you see a rare two panel horizontal poster. At that orientation it renders a little small here, so we’ve posted the panels seperately below:
The second poster we wanted to share is a somewhat less colorful effort, but still quite nice, with a splash of rose pink in the middle. You see that below:
In addition to starring Yumi Takigawa, Seijû gakuen had Emiko Yamauchi and Pulp fave Yayoi Watanabe, and as we mentioned in the previous post, it’s nunsploitation from Toie Studios. As you no doubt have deduced, Takigawa goes through all kind of indignities, and at one point is bound with vines and whipped across her naked torso by two nuns using bouquets of roses (and, more importantly, their thorns). It’s a bizarre and bloody but beautifully shot spectacle.
Lastly, just below, we’ve decided to share a promo image of Yumi Takigawa looking her radiant best. She spends a good portion of the movie wearing a nun’s habit that covers everything except her face. If Toei and director Norifumi Suzuki wanted a lead actress whose face could be isolated in that manner yet still hold an audience’s attention they succeeded. Seijû gakuen was Takigawa’s first film but not her last—she’s still quite busy as an actress, appearing mainly on television. Seijû gakuen premiered today in 1974.
, Toie Company
, Seijû gakuen
, School of the Holy Beast
, Norifumi Suzuki
, Yumi Takigawa
, Yaoi Watanabe
, Emiko Yamauchi
, pinky violence
, poster art
The Greek Isles work their strange magic yet again.
The above poster for Griechische Feigen, aka The Fruit Is Ripe, isn’t as artful as those we usually share, but we’re adding it to the site anyway because the movie is set in the Greek Isles—and you know we love the Greek Isles. This follows the same basic plot as other films set there, such as Summer Lovers, Lesbo, and many more—i.e., the landscape, lifestyle, and sense of timelessness bring out everyone’s inner freak. Griechische Feigen is classic sexploitation, well worth a viewing, and good for a laugh. It’s also of special note because it stars two early Pulp Intl. femmes fatales—Betty Vergès and Olivia Pascal, who you can see here and here. We don’t claim Griechische Feigen is a good film—we wouldn’t dare. But it’s certainly good inspiration for your travels, whether to Greece, or anywhere the sun shines bright on endless ocean and the nights last forever. It premiered in West Germany today in 1977.
L’età there be Lindberg.
Hard to believe it’s been two years since we last wrote about Christina Lindberg, but time flies. Her 1971 softcore sex romp L’età della malizia, aka Maid in Sweden, is a coming-of-age tale about a girl who goes to the big city to visit her aunt and gets into all sorts of sticky situations. There isn’t much to recommend here, as the plot is thin, the characters are flimsy, and some of the sexual encounters fall into the category of coercion. But the film is notable because it was the first time Lindberg appeared on American movie screens. For that reason many sites incorrectly describe the movie as her debut, but this was actually the third movie she had filmed, after 1970’s Rötmånad, aka What Are You Doing After the Orgy?, and 1971’s Exponerad, aka Diary of a Rape. Want two scary facts? Rötmånad in Swedish means “dog days” and Exponerad means “exposed.” The U.S. titles, which incorporate “orgy” and “rape” give an indication of what the American distributors of these films thought about American audiences. We like the impressionist Italian poster, though, and just so you don’t think we’re all high and mighty about the lowbrow nature of this movie, below is a nude promo of Lindberg. If you want to see an amazing array of posters and photos of Sweden’s most amazing export, click her keywords below.
The headlines that mattered yesteryear.
1930—Selassie Becomes Emperor
Haile Selassie I, whose birth name Tafari Makonnen and title "Ras" give the Rastafarian religion its name, is proclaimed emperor of Ethiopia. Selassie would become one of the most important leaders in African history, and earn global recognition through his resistance to Italy's illegal invasion of Ethiopia in 1935. Selassie died in August 1975 under disputed circumstances.
1984—Marvin Gaye Dies from Gunshot Wound
American singer-songwriter Marvin Gaye, who was famous for a three-octave vocal range which he used on hits such as "Sexual Healing" and "What's Going On," is fatally shot in the chest by his father after an argument over misplaced business documents. Gaye scored forty-one top 40 hit singles on Billboard's pop singles chart between 1963 and 2001, sixty top 40 R&B hits from 1962 to 2001, and thirty-eight top 10 singles on the R&B chart, making him not only one of the most critically acclaimed artists of his day, but one of the most successful.
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
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