Vintage Pulp Nov 17 2014
THE SCORPION'S STING
Someone’s going to pay for what happened—in full, plus interest.

This poster for Shin joshuu sasori: 701-gô, aka New Female Prisoner Scorpion: 701 promotes the first film in what today might be called a franchise reboot. Meiko Kaji established the character of Prisoner 701 in four hit films, and a few years after she left Toei Company decided to resurrect the series with Yumi Takigawa in the lead. Framed for murder, she ends up in a women’s prison where she’s harassed, sexually assaulted, and marked for death. A prison riot finally gives her the chance at revenge, and lets just say she takes full advantage.

She feels even less forgiving once she escapes, meaning she has a score to settle with the men who railroaded her in the first place. You know what to expect, so we don’t really need to go into detail. The poster above is an ekibari, which we gather means it was made for subway walls, and it’s in bo style, which seemingly means two pieces. Below we have the bo-ekibari in its separate, very cool sections, with Takigawa giving the stare of death that’s usually the last sight of her enemies’ lives. Shin joshuu sasori: 701-gô premiered in Japan today in 1976. 

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Vintage Pulp Oct 19 2014
ZONED OUT
She’s dreaming of the day when she gets to change out of that ridiculously uncomfortable outfit.


Above, an alternate promo for Yoru no saizensen: Tôkyô onna chizu, aka Secret Zone of Tokyo. This one is nice, but the previous version is one of the coolest Japanese posters we’ve seen.

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Vintage Pulp Sep 29 2014
ESOTIK DANCE
It’s exotic, erotic, and psychotic—but is it good?


When Radley Metzger’s softcore movie The Lickerish Quartet was released overseas, its Italian distributors rightly decided that was a stupidish title for a movie and changed it to Esotika Erotika Psicotika. Unfortunately, Esotika Erotika Psicotika sounds glossier and more sophisticated than what you ultimately receive here. What you get is a rich, jaded couple and their surly son who watch 16-millimeter porno loops in their castle for thrills. One night they go out and encounter a motorcycle stunt rider who resembles a woman in one of the loops. They invite her back for what they hope will be a night of debauchery, but which turns out to be less conventional fuck than extended mindfuck. It quickly becomes apparent why the movie opened with a Luigi Pirandello quote pondering the nature of reality, as time and space soon become malleable, leading toward an ending that questions the truth of everything that came before.

The movie received good reviews when released, but we suspect much of that owes to its novelty and Metzger’s previous successes with Camille 2000 and The Dirty Girls. In other words, it hasn’t aged well. It’s like that summer you wore an orange shirt and your friends lauded you for experimenting with your wardrobe, but later you saw a photo of that night and realized you looked like a traffic cone with shoes. Like that shirt, this movie was a bold experiment that made sense at the time but seems a bit silly now. On the plus side, it’s shot on location at Balsorano Castle in L’Aquila, Italy, so at least the audience was able to indulge its fantasies of running away to Abruzzo. Esotika Erotika Psicotika, with Silvana Venturelli, Erika Remberg, and others, premiered in Italy today in 1972. 

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Vintage Pulp Jun 28 2014
THE NOT SO GREAT ESCAPE
There is no escape from Hell thanks to the internet.


This amazing Italian poster is for a cuddly little piece of nazisploitation called Perversion, which was originally made in France as Nathalie rescapée de l'enfer, and known in the English speaking world as Nathalie: Escape from Hell. A poster like this cries out for us to watch the film, and luckily we were able to track it down and screen it. The art pretty much nails it. A French farmer’s daughter is captured by the Nazis and sent to a castle brothel, where she endures the usual sexploitation degradations—gropings, whippings, and uninvited advances from a domineering, leather-clad queen bee named Helga Hortz. A love connection develops between Nathalie and a German officer, and when the affair comes to light Helga decides it’s time to hortz poor Nathalie. This is a really bad movie. It’s the type of flick that includes lengthy sequences of the villains going Mwah hah hah hah hah hah! All it needed was Monty Burns rubbing his gnarled hands together and intoning, “Smithers, release the hounds.” On the plus side, star Patrizia Gori gives it her all, and the supporting cast includes Barbara Moose and Brigitte Lahaie. Perversion aka Nathalie rescapée de l'enfer premiered in France today in 1978.

Sigh. How on Earth did I end up in this clusterfuck of a movie?
 
I once did Molière at the Comédie-Française. That was a great summer.
 
Oh God, who am I kidding? That was the best summer of my life.
 
This is my agent’s fault. I’m going to push him off the top of the Sacré-Cœur.
 
Shit—did I remember to put cat food in the bowl this morning?
 
Well, it’ll have a short, deeply embarrassing run in cinemas, and then maybe I’ll spend a few years in Canada, and when I get back this abomination will have been forgotten forever.
 

Wait—so this internet thing you’re talking about will be globally available and filled with every shitty old movie ever made?


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Vintage Pulp May 21 2014
ZERO SUM GAME
Idle handcuffs are the Devil’s playthings.

We’re into the Japanese pile again today, but for a different type of poster, and a different type of movie. This rare promo is for Yukio Noda’s Zeroka no onna: Akai wappa, aka Zero Woman: Red Handcuffs, starring Miki Sugimoto. It’s a limited edition piece painted by the artist Shindo, who we can’t find much about, but who presumably was pretty famous. We’ll look into that. Anyway, we watched this movie recently, and we’d tell you all about it, but do you really need another blog review, even an extraordinarily (ahem) witty and erudite one? Thought not. It’s widely available, so search it out, queue it up, and enjoy it. Zeroka no onna: Akai wappa premiered in Japan today in 1974.

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Vintage Pulp Mar 6 2014
GIRL CAN'T HELP IT
Everybody loves Lindberg.


Above is a Japanese promo poster for the Swedish sexploitation classic Anita, aka Anita: Swedish Nymphet, which is the story of a young nymphomaniac. Let’s just say up front that we’re aware many people think nymphomania doesn’t exist, and is rather just a term coined by alarmed men to label women who didn’t obey their gender roles. Twenty-three-year-old Christina Lindberg plays a sixteen-year-old title character who fails to do exactly that, throwing convention aside and bedding everyone in sight, from friendly acquaintances to unknown, smudge-covered vagrants. Most of the encounters that don’t take place in an actual bed occur in a dirty tent she’s discovered near a downtown construction site. We loved these seductions in particular, because the set-ups were exactly the same as you’d find in a serial killer movie, with the guys casting a worried eye toward her tent and saying nervously, “Er, you want to do it in there?

Anyway, poor Anita has a dozen or so sexual encounters, all unfulfilling, and even gets run out of one town, perhaps undeservedly, before finally meeting a doctor who thinks he may be able to help. The doctor is played by an unrecognizably young Stellan Skarsgård—Alexander Skarsgard’s father, for you fans of True Blood—but who we prefer to think of as the villain from the 1998 Robert DeNiro actioner Ronin, a movie that for the first 100 of its 122 minutes is among the best spy thrillers ever made. Anita is much the same—the first 80 minutes or so are excellent and exceedingly serious sexploitation, but its inevitable path toward redemption for the lead character tries the patience just a bit. In the remake, if there ever is one, we suggest Anita dismember some guys in her tent. Considering their age and her obvious youth, they’d deserve it. Anita premiered in Sweden in 1973 and finally made its way to Japan today in 1976. 

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Vintage Pulp Feb 16 2014
THORNY SITUATION
Who said life couldn’t be a bed of roses?


Way back in 2009 two promos for Seijû gakuen were the first pinku posters we ever shared on Pulp Intl. Ah, the good old days. We got the title wrong and misspelled the name of the star, but other than that, what a glorious memory. When we located that pair of posters we also found two others, and now, years later, we’re getting around to sharing those too. Seijû gakuen was known in the West as School of the Holy Beast, and above you see a rare two panel horizontal poster. At that orientation it renders a little small here, so we’ve posted the panels seperately below:

 
The second poster we wanted to share is a somewhat less colorful effort, but still quite nice, with a splash of rose pink in the middle. You see that below:

 
In addition to starring Yumi Takigawa, Seijû gakuen had Emiko Yamauchi and Pulp fave Yayoi Watanabe, and as we mentioned in the previous post, it’s nunsploitation from Toie Studios. As you no doubt have deduced, Takigawa goes through all kind of indignities, and at one point is bound with vines and whipped across her naked torso by two nuns using bouquets of roses (and, more importantly, their thorns). It’s a bizarre and bloody but beautifully shot spectacle.


 
Lastly, just below, we’ve decided to share a promo image of Yumi Takigawa looking her radiant best. She spends a good portion of the movie wearing a nun’s habit that covers everything except her face. If Toei and director Norifumi Suzuki wanted a lead actress whose face could be isolated in that manner yet still hold an audience’s attention they succeeded. Seijû gakuen was Takigawa’s first film but not her last—she’s still quite busy as an actress, appearing mainly on television. Seijû gakuen premiered today in 1974.

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Vintage Pulp Dec 31 2013
MAID TO ORDER
L’età there be Lindberg.

Hard to believe it’s been two years since we last wrote about Christina Lindberg, but time flies. Her 1971 softcore sex romp L’età della malizia, aka Maid in Sweden, is a coming-of-age tale about a girl who goes to the big city to visit her aunt and gets into all sorts of sticky situations. There isn’t much to recommend here, as the plot is thin, the characters are flimsy, and some of the sexual encounters fall into the category of coercion. But the film is notable because it was the first time Lindberg appeared on American movie screens. For that reason many sites incorrectly describe the movie as her debut, but this was actually the third movie she had filmed, after 1970’s Rötmånad, aka What Are You Doing After the Orgy?, and 1971’s Exponerad, aka Diary of a Rape. Want two scary facts? Rötmånad in Swedish means “dog days” and Exponerad means “exposed.” The U.S. titles, which incorporate “orgy” and “rape” give an indication of what the American distributors of these films thought about American audiences. We like the impressionist Italian poster, though, and just so you don’t think we’re all high and mighty about the lowbrow nature of this movie, below is a nude promo of Lindberg. If you want to see an amazing array of posters and photos of Sweden’s most amazing export, click her keywords below.

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Vintage Pulp Oct 17 2013
GARDEN OF EATIN'
Laura Gemser ventures into uncharted territory in Emanuelle and the Last Cannibals.


Laura Gemser’s Emanuelle series started innocuously enough, but pretty soon she was running into slavers, zombies, and Amazon cannibals. It’s the latter she has to contend with in Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals, and she handles them and their voracious appetites for finger lickin’ good human meat the way she handles pretty much every obstacle in her movies—by getting naked. In truth, Gemser has nothing to fear from flesh eaters—she’s nothing but skin and bones. But of course her angular, stick-figure exoticism is her appeal, and you have to appreciate how gamely she wades into fetid swamps, battles murderous anacondas, and lets ham-fisted Italian dudes paw her tender parts.

She tries hard to breathe life into this one, and her co-stars Gabriele Tinti, Mónica Zanchi, Annamaria Clementi, and Nieves Navarro likewise give their all—including some innards, a uterus, and plenty of dignity—but the mixture of sex and gore is jarring, and the moments of Mondo Cane style shock documentary realism are totally inappropriate. Oh, and we’ll add that the “comical” scene in which a chimpanzee smokes a cigarette—and French style, no less—is just wrong.

We gather that this was a pioneering effort by director Joe D’Amato at genre mash-up, but being neither scary nor erotic, we can only shrug at the final result. However, on the plus side of the ledger you get a groovy score from Nico Fidenco, some lush tropical scenery, and several unintentionally funny “cannibal cam” sequences. In the end, the film imparts one important lesson, which is that there’s never a bad time to get your hump on, even when homicidal cannibals are lurking in the undergrowth. Above you see the movie’s nice Italian poster, painted by an unknown. Emanuelle e gli ultimi cannibali premiered in Italy today in 1977.

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Vintage Pulp Oct 11 2013
WILD CATS
Not only do they bite—the movie does too.


We’re pretty brave when it comes old sexploitation movies, but this one was really, really, really, really bad. Four students from some sort of adult girls school are raped one night when they’re out on the town and afterward they decide to fight back. They take martial arts, learn to shoot, dress up in black leather jackets (but virtually nothing else), hit the streets and beat the living shit out of the guys that attacked them. Revenge whets their appetites and, naming themselves the Black Alley Cats after their leather gear, they become urban vigilantes. There’s more to it—for instance a subplot involving illicit porn movies—but really the production is such a mess it seems rudderless. In tone it’s like a Japanese pinku flick, but not cleverly scripted, choreographed, shot, or edited.

However, there are a couple of things of note here: first, this may be the earliest reference to MDA in a motion picture, and yes, they’re talking about ecstasy, or MDMA, which was synthesized in 1910, made illegal all over the planet around 1970, became a popular party drug in the late 1980s and remains so today. Second, there’s a lot of muff on display here, both male and female. We differ at Pulp Intl. about muff. With respect to the female variety, one of us loves them, and the other doesn’t. But since the one who loves them is actually writing this entry, I’ll just mention that pubic hair is natural, which makes waxed or lasered pubes a fetish, not the other way around. Just getting that out there.
 
Anyway, Black Alley Cats is grindhouse of the rawest variety. It was originally rated X, and presumably still bears that designation. In a rational 2013 it would be re-rated an R, but that’ll never happen because nothing terrifies the greyhairs at the various ratings agencies around the globe like a visible black penis, and a big one at that. So X it is, which means youcan probably forget about getting the movie in your Netflix queue. But maybe that’s just as well. Black Alley Cats has some enjoyable aspects—notably Sunshine Woods, a supporting cast of hilariously irredeemable male sleazeballs, and those spectacular bushes (did we mention Sunshine Woods?)—but otherwise this is not a great effort. We have some murky stills below with actual—not made up—lines of dialogue. The movie premiered in West Germany under the English title Black Cats today in 1973.
 
“The third technique will be snatching the groin, destroying the groin, reaching in, ripping away. Ready? RIP!

“No, don’t stop. Keep licking me.”

“Rub his body. You’ve always wanted to touch a black man.”

“Take your panties off. You’re not going to need them tonight.”

“What the fuck are them honky bitches doing here?”

“At least they don’t cheat food money from their own people.”
 

“That motherfuckin’ son of a bitch. What in the hell kind of doctor is he?”

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History Rewind
The headlines that mattered yesteryear.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.

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