Vintage Pulp May 10 2015
SHOCKING PINK
The only real shock is how bad the movie is.


1977’s Porno Shock was originally released in West Germany as Der Ruf der blonden Göttin, but was also known as Porno gola profonda, The Call of the Blonde Goddess, and Voodoo Passion. Indeed, there’s voodoo involved, as the film was shot in Haiti, and every film shot there involves voodoo. The movie was directed by Jesús Franco under his Manfred Gregor pseudonym, and starred Vicky Adams, better known as Nanda Van Bergen or sometimes Muriel Montosse. Supporting her were Ada Tauler, aka Annie Sand, Karine Gambier, Siegrid Sellier, Jack Taylor, and others.

Basically, a woman arrives on Haiti to visit her husband who works there, uncovers what seems to be an incestuous relationship between hubby and his sister, has some detailed erotic nightmares, and begins to believe she’s fallen under the influence of a voodoo curse. Probably the only thing you’ll fall under the influence of in this mostly atrocious softcore production is the dancing of Vicky Adams, who as a white voodoo priestess spends long stretches of screen time gyrating naked in the woods. Even the fact that she has to share these scenes with sundry male dancers and their stubby penises doesn't detract from her extreme, er, watchability. You can see for yourself right here at about minute 24:00, minute 38:00, and minute 103:00. Not that we kept track.

But lest we forget, Pulp Intl. is mainly dedicated to art, and the only reason we’re talking about Porno Shock is because the two English language posters above—and obviously the Italian one at right—were painted by Mafé, an Italian master illustrator who five years after we first learned about him remains a total mystery. We have no full name on him, no biography, nothing. But what we do have is more of his work, and you can see that here, here, and here. We also have more of his posters in our hard drive and we’ll get those up in a bit. Meanwhile, help us out Italian friends—who is this guy?

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Vintage Pulp Apr 30 2015
DOOZY OF A FLOOZY
New girl in town gets local Cajuns ragin’ in 1959 shlockfest.


In Louisiana Hussy Nan Peterson washes up in a backwater bayou town and within seconds every male resident loses his gumbo over her. She’s shady as hell but all it takes is a glimpse of cleavage and a coy smile and the guys forget all that. Ah, for the good old days when men bore no responsibility for their sexual behavior. Here’s a dialogue exchange that takes place between two bumpkins named Pierre and Jacques:
 
“I should have told Lilly the very first night what she was.”
 
“Telling your wife that you tried to make love to another woman on your wedding night? It wouldn’t be nice, would it, Pierre?”
 
“Is that what she told you?”
 
“She didn’t have to tell me. I saw you myself.”
 
“She forced her love on me! Jacques, she’s a tramp! A nymphomaniac!”
 
Yup, we men just go where these things between our legs tell us. You don’t blame a compass for pointing north, do you? Of course not. But you will deserve blame if you watch this movie. It isn’t even a film noir, like some websites claim. It’s just a low rent drama—a tacky one. The poster, on the other hand, is one of the all-time greats.

And speaking of men following their dicks, we recently asked a couple of friends which post on Pulp Intl. was their favorite. Did they pick our informative exposés of mid-century celebs, or erudite true crime articles, or innumerable pieces of rare art? Nope. They picked this one. 

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Vintage Pulp Apr 27 2015
LIFE'S A BEACH
Being rich and without responsibility can be so dreadfully boring.

Above is a colorful Japanese poster for the American drama Love Has Many Faces, which starred Lana Turner and Cliff Robertson. In Japan it was called Akapuruko no dekigoto, which means something like “Acapulco Happening,” and indeed the film takes place on and around the beaches of Acapulco and follows a troubled marriage after the body of one of the husband’s friends washes ashore. Turner did much better during her career than this sun-splashed, gigolo-laden, jet-set melodrama, but it’s still worth a gander for her fans (or fans of expensive resort wear), and has a good bullfighting scene near the end. It played in Japan for the first time today in 1965.

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Vintage Pulp Apr 25 2015
ONE WAY STREET
Next stop—the b-movie circuit.

In Hollywood Boulevard Candice Rialson arrives in Tinseltown with dreams of stardom and is immediately conned into being the getaway driver for a robbery. As she screeches away from the bank with alarms wailing, she asks her partners in crime, “But where are the cameras?” That pretty much sets the tone of the film. She later becomes a stuntwoman and bumbles her way from one bizarre scenario to the next. There are some laughs here, but the same way you would laugh at a vaudeville routine, or a favorite uncle’s oft-repeated fishing story—i.e., you understand it’s supposed to be funny, and that alone is a bit amusing, but mostly it’s just tiring. Surprisingly, Rialson went on to appear in Moonshine County Express, Chatterbox (yes, it’s about a talking vagina), and other exercises in ’70s schlock. That’s a testament to Rialson's talent, or sheer luck, or both, because Hollywood Boulevard would have killed most actress’s careers. It premiered in the U.S. today in 1976.

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Modern Pulp Apr 23 2015
JOY OF SEKKUSU
We must have sex on the brain, because everything we see reminds us of it.

Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.

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Vintage Pulp Apr 19 2015
SUGAR CRASH
With the sweet often comes bitter.

La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.

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Vintage Pulp Apr 17 2015
DAYS OF FUTURE PAST
If much more of this movie comes true we’re all in serious trouble.

Like any self-proclaimed seer of the future, H.G. Wells gets some predictions correct in his screenplay for Things To Come. World War II? Check. Indiscriminate aerial bombing of civilians? Check. The movie continues to the year 2036, by which time Earth is ruled by a single world government. He’s going to get that one wrong—it’s corporations that will rule the world by then if people don’t wake up (in a very real sense, the subset of corporations known as banks have already displaced many Western governments). Much has been written about the movie so we won’t get into it in detail. We mainly wanted to show you the wonderful promo poster above with its art deco spaceship and battle suit. The movie is worth seeing for visions like these alone, and director/designer William Cameron Menzies really deserves a lot of credit for bringing them to life. Things To Come opened in Europe in February 1936, and made its way to the U.S. today the same year. 

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Vintage Pulp Apr 11 2015
MISSION: UNPIMPABLE
He may be her pimp, but he certainly isn’t her boss.


In Italian a “magnaccio” is a pimp, and Il magnaccio deals with a pimp nicknamed the Little Prince who is loved by his live-in prostie, but whose affection he either ignores or violently rebuffs. When she disappears the Prince replaces her, but she’s never far from his mind, and this being giallo we know disappearances don’t last. And indeed she turns up again, seemingly by chance, and the dysfunctional lovers get a chance to resolve unfinished business—assuming they don’t kill each other first. The movie stars Franco Citti, Riccardo Salvino, Elina de Witt, and Silvana Venturelli, who we last saw in the Radley Metzger mind trip Esotika Erotika Psicotika.
 
There’s confusion online about whether Il magnaccio premiered in 1967 or 1969. IMDB says ’69, but a lot of Italian sites say ’67. We say it was 1969. We went outside the film universe, located the soundtrack album, and found that it was released today in 1969. The promo poster above, which is what we really wanted to talk about, was painted by Giovanni di Stefano. He obviously is not the Italian con artist Giovanni di Stefano (though he would fit nicely on Pulp Intl.) nor, even more obviously, the fifteenth century sculptor Giovanni di Stefano. This particular Giovanni di Stefano—who according to all evidence has one of the most common names to be found in Italy—is yet another very good illustrator whose original work goes for exorbitant amounts of money today. We plan to show you more of his output later. 

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Vintage Pulp Mar 31 2015
THE CRUEL ZOO
The only real murders committed may have been of the animals.


Murders in the Zoo is a brisk little sixty-two-minute thriller for which you see two excellent promos above. A dealer in large animals uses the menagerie he’s recently procured in Asia to dispose of his wife’s suitors. The cast is good, especially Kathleen Burke as the straying spouse. You’ll notice she’s called The Panther Woman on the posters. That’s a reference to her role as a woman bred from a panther in the previous year’s hit thriller Island of Lost Souls, and here she retains a hint of animal cunning that makes her the most watchable cast member. Other aspects of the film are less watchable. Zoos are sad affairs even today, but during the 1930s they were tawdry places rife with choke collars and tiny cages. Watching Murders in the Zoo explains why today’s productions have the American Humane Association on set defending the animals’ wellbeing. 

Late in the proceedings, the villain tries to facilitate his escape from justice by (spoiler alert) releasing all the big cats from their cages, triggering a feline free-for-all of slashing claws and gnashing fangs. This is no special effect, folks. The sequence is brief and uses footage from two angles to extend the running time, but still, injuries surely resulted. At the least, the leopard that was held down and gnawed on by a lion probably had PTSD until the end of its days. Sometimes we point out scenes in vintage cinema that fall into the could-not-be-filmed-today category, and usually those exemplify the visionary artistry of the past. What is mostly exemplified by Murders in the Zoo’s cat scrum is the cruelty of the human species. But from a purely cinematic perspective it’s a powerful scene, and indeed, the entire zoo setting heightens the overarching dread. As 1930s movies go, Murders in the Zoo is an excellent one. It premiered in the U.S. today in 1933.

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Modern Pulp Mar 29 2015
BEASTLY BEHAVIOR
Learning to love yourself is the greatest love of all.

Tatsumi Kumashiro’s roman porno flick Shoujo shofu: kemonomichi was called Path of the Beast for its Western release, but the literal translation of the Japanese title is something like “Girl Whore Beast Road.” That sounds ridiculous, but it does sum up the plot. Yoshimura Ayako stars as a sex-loving twenty-something who has two horny lovers and thinks of herself as a whore because she can’t say no to either of them. She believes she inherited the trait from her equally sexual mother, and vows not to go down the same road of carnality. You see? Girl Whore Beast Road. Ayako’s assessment of herself may seem a little harsh—after all, if she loves to bone, what’s the problem? Well, reputational issues, obviously, as well as possessiveness issues on the part of her men—and those don't often end happily. But at least Ayako has ample fun in the midst of her anguish. She has sex on the beach, sex on a boat, sex in a shack, sex under the ruined pier, and even sex in a bed. It’s all softcore, of course—if you’ve never seen a roman porno movie, the sex scenes usually look like two people trying hold a water balloon between their torsos, and Shoujo shofu: kemonomichi holds to that tradition with plenty of writhing and wiggling. At some point Ayako learns to accept herself, if not her circumstances, and that’s really what the movie is about. Shoujo shofu: kemonomichi premiered in Japan today in 1980. 

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History Rewind
The headlines that mattered yesteryear.
May 23
1934—Bonnie and Clyde Are Shot To Death
Outlaws Bonnie Parker and Clyde Barrow, who traveled the central United States during the Great Depression robbing banks, stores and gas stations, are ambushed and shot to death in Louisiana by a posse of six law officers. Officially, the autopsy report lists seventeen separate entrance wounds on Barrow and twenty-six on Parker, including several head shots on each. So numerous are the bullet holes that an undertaker claims to have difficulty embalming the bodies because they won't hold the embalming fluid.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.

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