That's no lady—that's Brigitte Bardot.
Above, an iconic poster painted by Giorgio Olivetti for the 1957 Brigitte Bardot comedy Una parigina, originally released as La Parisienne. The Bardot figure here was the first femme fatale graphic ever used as the symbol of Pulp Intl., which some of you may remember. Olivetti painted two promos for the film. The second one, just below, is less famous, but still beautiful. We talked about this movie over the summer, and in short it's Bardot running around Paris creating Monroesque chaos among the male population, though with a winkingly more adult subtext than in your average Monroe romp. In other words, there's a hint here and there that Bardot actually gets laid. We don't think that ever happened in Marilyn's comedies. If you're curious about the movie, or interested in seeing the nice U.S. poster—which also features Bardot in her famous red dress—have a look here.
Don't look now but you're soaking in it.
Above, an amazing Japanese poster for the French adult film Orgies en cuir noir, which was known in the U.S. as Water Blue. It starred Anna Lombardi, Annick Chatel, Elinia Martinelli, Eva Jaeger, and Minouche, and it's a ridiculously low budget effort about a bdsm sex cult ensconced in a Parisian basement. The group lures a woman into its circle and, after feeding her what appears to be ecstasy, introduces her to assorted carnal variations. The movie is notable for its pansexual content, including gay and transexual scenes. You can find it online if you care to, but we don't recommend it—the copy we saw looks like it spent months soaking in the enema water that features prominently in the plot. Just enjoy the poster art. The movie premiered in France today in 1984.
She made him an offer he couldn't refuse.
Above is a nice piece of promo art for Hot Cars, an obscure little flick some people classify as a film noir, but which we think of as a basic crime melodrama. A Culver City used car salesman's lofty ethics get him fired from a used car lot, but hired at another whose owner is looking for employees with “honest faces and honest souls to go along with them.” But there's more than meets the eye going on here. There's a stolen car ring working Southern California and our honest John begins to suspect it's his new employer's lot the autos are being funneled through. His suspicions are quickly confirmed—his boss wanted an honest face as a front for the crooked lot. Honest boy quits in a huff, but with a sick son and medical bills piling up he has to go crawling back, and from there he just gets in deeper and deeper. The film is nothing special, but statuesque Joi Lansing plays the owner's femme fatale wife, and she's the real heat in Hot Cars. At just an hour in length the movie comes with a discount in time expenditure, so with Lansing as part of the package it's a deal you shouldn't refuse. It premiered in the U.S. today in 1956.
Hi, I'm Joi. I see you've noticed I'm sizzling hot.
You'd give your right arm to have a woman as hot as me and we both know it.
You realize the drink is just going to make me look even hotter, right?
If you think I'm smoking hot at twenty-six, just wait until I hit my late thirties.
That heat in your chest isn't indigestion. It's me. It's my hotness.
I'm hot, but often quite approachable too. Like now.
I'm going to ruin your life, but hotly, so you'll mostly love it.
I may be a bum but that's Sergeant Bum to you.
Above, an Italian promo poster painted by Luigi Martinati for the U.S. adventure flick South Sea Woman, with Burt Lancaster and Virginia Mayo. In Italy it was called Il sergente Bum! There's no Italian release date known. We did a little write-up of the film you can see at this link, and you can check out more of Martinati's brilliant brushwork here.
A scooter made for three.
Above, a goofy promo poster for Anaba arashi with Eiko Yanami, Akane Kawasaki, and Kaoru Sono. This is an obscure one. The Japanese title would translate to something about storms, but the movie was called in English Three Mischievous Girls, or possibly Naughty Three Woman Gang, and it premiered in Japan today in 1971. We'll dig around and see if we can find out more on this one. See several more nice Eiko Yanami posters by clicking her keywords below.
This is your screenwriter's brain on drugs.
The poster you see above is the U.S. promo for the b-flick Free Grass, aka Scream Free!, aka Street Drugs, which starred Richard Beymer and Lana Wood in a drug drenched counterculture road adventure. We won't mince words—this movie is godawful. It's painful to admit, since we're pro-counterculture guys here at Pulp Intl., but in terms of writing, editing, directing, scoring, and especially acting, this movie is off-the-charts terrible. Basically a hippie runs afoul of the law when a cop is killed during a Mexican drug deal, and has to evade narcotics agents while trying to keep his flower child girlfriend safe. Besides Beymer and Wood there are other semi-famous performers here, such as Casey Kasem and Russ Tamblyn, and it's amazing any of them ever showed their faces in public again after this turkey hit cinemas.
Like most drug movies, Free Grass borrows Jefferson Airplane's concert lighting for drug trips and club sequences, but just when the hypnovisuals start to dazzle your brain terrible dialogue rudely ejects you back into reality. And to think, four guys were needed to write the movie. We can only assume they took the title literally and wrote the entire script while ripping bong hits of Mexican weed. There's one draw here—the uniquely beautiful Wood, who would reach her high water mark, cinematically speaking, as Plenty O'Toole in the 1971 James Bond movie Diamonds Are Forever. Here, unfortunately, she reaches her low water mark wearing a cheap ash blonde wig and spending the last few reels of screen time tied to a bed.
At one point Beymer, besieged by psychedelic lights and seriously bummer vibes, puts his fists to his temples and reels as if his head might explode. That's how we felt: “Why? Why? Why is this happening to us?” We count ourselves lucky not to have flung ourselves off our balcony before the credits rolled. But like all bad trips this one finally ended, and we hope to make it through our remaining years without flashbacks. Free Grass premiered in the U.S. in Detroit, Michigan today in 1969—and the city still hasn't recovered. But at least Lana is here to remind us there's goodness and beauty in the world. Choose life.
Rene Bond and friends make a Blanket statement about Southern California beach life.
It still sort of amazes us how many American porn movies made it all the way to Japan. Since pubic hair was illegal to show there back then, as was, needless to say, penetrative sex, the films would have been censored to local standards, making them a bit like cable softcore, but highly disjointed and very short. Yet the public must have craved these hacked up movies anyway because we have scores of Japanese posters for them. We hope to get around to sharing the entire group one day, but today we're focused on just this one—a promo for 1975's Beach Blanket Bango. While the title borrows from the classic teenybopper flick Beach Blanket Bingo, the movie is actually a sequel of sorts to a 1974 smut film called High School Fantasies, with most of the same cast members, though in different roles.
Rene Bond is the star attraction in this Southern California 1960s style sex romp but she doesn't star on the poster. She's there, though. That's her in the right background in an Annette Funicello style wig. For some reason the position of honor on the poster is given to Cindy Taylor, who plays a bit role. But the poster is attractive anyway. It's yet another example of how seriously Japanese film distributors took their erotica. Posters for porn were fully as interesting and well designed as those for mainstream movies. But nice as it is, since Bond doesn't get a proper showing, we've given her one below. Beach Blanket Bango opened in Japan today in 1975.
She's light years ahead of her time.
Pretty much every promo poster for Barbarella has been uploaded to the internet at this point, but this one is at least a bit rare. We aren't saying you haven't seen this shot of Jane Fonda in a fur coat before, but we sure hadn't. No need to write more about a movie that has been thoroughly covered by everyone and their nephew, so we'll just let the image speak for itself. And what the hell—we'll even add a few more below for good measure, with Fonda trying out a different ray gun in each. Barbarella, the best sex adventure ever set in the 41st century, opened in the U.S. today in 1968.
When the Belle rings it's time for everyone to get it up.
Above is a Japanese poster and a pamphlet front for the French sexploitation flick Laure, aka Forever Emmanuelle, which premiered in Japan today in 1976 after opening in Italy nine months earlier. We watched it, and first of all the movie looks great. It's crisp, bright, and colorful—three things you really want when Annie Belle is the star. We gather that the palpably high budget was due to an infusion of big studio money from Twentieth Century Fox via Cinecittà Studios, as they tried to cash in on the 1970s sexploitation phenomenon. None of this means the movie is good.
Emmanuelle flicks are chaste and atmospheric, more romance than raunch, and Laure is no exception. Belle plays a highly sexed minister's daughter running wild in the Philippines, from Manila to the jungly outer reaches. There's a plot having to do with searching for the isolated Mara tribe, but the movie is more a series of swinger lifestyle lectures and sexualized vignettes, such as when Belle drops her skirt so she can walk around in public wearing nothing but a shirt that flashes her muff, and when she gets laid in a bamboo hut that's being dragged through the woods by a dozen Filipino workers. She's wanted by everyone whose path she crosses, but it's Al Cliver who piques her interest, thanks to his unwillingness to attempt caging her or cooling her hot blood. At one point he announces, “Jealousy is an obscenity.” It takes quite a man to watch the woman he loves have explosive orgasms with every stranger who happens along.
Of special note is a co-starring turn from Thai/French personality Emmanuelle Arsan, who in 1959 anonymously published the book Emmanuelle, source of the film franchise. Or at least she was thought for years to have been responsible for the book. Her husband Louis-Jacques Rollet-Andriane is now considered the author. Arsan was also credited with directing Laure, or at least co-directing it, but that was Rollet-Andriane again, whose name isn't on the film for reasons too involved to go into here. Well, it's definitely Arsan playing the role of Myrte, adding to the film's visual allure by looking great naked at age forty-four. She can't act, but she's good at giving wise looks and secretive smiles. She's easy to buy as the source—or at least inspiration—for Emmanuelle, because she's a very sexy woman. Despite all the film's beauty, we aren't going so far as to recommend it generally, but for lovers of globetrotting softcore or fans of Annie Belle it's mandatory.
The headlines that mattered yesteryear.
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
1938—Lysergic Acid Diethylamide Created
In Basel, Switzerland, at the Sandoz Laboratories, chemist Albert Hofmann creates the psychedelic compound Lysergic acid diethylamide, aka LSD, from a grain fungus.
1945—German Scientists Secretly Brought to U.S.
In a secret program codenamed Operation Paperclip, the United States Army admits 88 German scientists and engineers into the U.S. to help with the development of rocket technology. President Harry Truman ordered that Paperclip exclude members of the Nazi party, but in practice many Nazis who had been officially classified as dangerous were also brought to the U.S. after their backgrounds were whitewashed by Army officials.
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