Next stop—the b-movie circuit.
In Hollywood Boulevard Candice Rialson arrives in Tinseltown with dreams of stardom and is immediately conned into being the getaway driver for a robbery. As she screeches away from the bank with alarms wailing, she asks her partners in crime, “But where are the cameras?” That pretty much sets the tone of the film. She later becomes a stuntwoman and bumbles her way from one bizarre scenario to the next. There are some laughs here, but the same way you would laugh at a vaudeville routine, or a favorite uncle’s oft-repeated fishing story—i.e., you understand it’s supposed to be funny, and that alone is a bit amusing, but mostly it’s just tiring. Surprisingly, Rialson went on to appear in Moonshine County Express, Chatterbox (yes, it’s about a talking vagina), and other exercises in ’70s schlock. That’s a testament to Rialson's talent, or sheer luck, or both, because Hollywood Boulevard would have killed most actress’s careers. It premiered in the U.S. today in 1976.
We must have sex on the brain, because everything we see reminds us of it.
Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.
, The Health Spa
, Bob and Carol and Ted and Alice
, Marilyn and the Senator
, Expose Me Lovely
, Maraschino Cherry
, Love Play
, Natalie Wood
, Annette Haven
, Nina Fause
, Maria Arnold
, Kay Parker
, Jennifer Welles
, Inge Hegeler
, Constance Money
, poster art
With the sweet often comes bitter.
La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.
If much more of this movie comes true we’re all in serious trouble.
Like any self-proclaimed seer of the future, H.G. Wells gets some predictions correct in his screenplay for Things To Come. World War II? Check. Indiscriminate aerial bombing of civilians? Check. The movie continues to the year 2036, by which time Earth is ruled by a single world government. He’s going to get that one wrong—it’s corporations that will rule the world by then if people don’t wake up (in a very real sense, the subset of corporations known as banks have already displaced many Western governments). Much has been written about the movie so we won’t get into it in detail. We mainly wanted to show you the wonderful promo poster above with its art deco spaceship and battle suit. The movie is worth seeing for visions like these alone, and director/designer William Cameron Menzies really deserves a lot of credit for bringing them to life. Things To Come opened in Europe in February 1936, and made its way to the U.S. today the same year.
He may be her pimp, but he certainly isn’t her boss.
In Italian a “magnaccio” is a pimp, and Il magnaccio deals with a pimp nicknamed the Little Prince who is loved by his live-in prostie, but whose affection he either ignores or violently rebuffs. When she disappears the Prince replaces her, but she’s never far from his mind, and this being giallo we know disappearances don’t last. And indeed she turns up again, seemingly by chance, and the dysfunctional lovers get a chance to resolve unfinished business—assuming they don’t kill each other first. The movie stars Franco Citti, Riccardo Salvino, Elina de Witt, and Silvana Venturelli, who we last saw in the Radley Metzger mind trip Esotika Erotika Psicotika.
There’s confusion online about whether Il magnaccio premiered in 1967 or 1969. IMDB says ’69, but a lot of Italian sites say ’67. We say it was 1969. We went outside the film universe, located the soundtrack album, and found that it was released today in 1969. The promo poster above, which is what we really wanted to talk about, was painted by Giovanni di Stefano. He obviously is not the Italian con artist Giovanni di Stefano (though he would fit nicely on Pulp Intl.) nor, even more obviously, the fifteenth century sculptor Giovanni di Stefano. This particular Giovanni di Stefano—who according to all evidence has one of the most common names to be found in Italy—is yet another very good illustrator whose original work goes for exorbitant amounts of money today. We plan to show you more of his output later.
, Arvo Film
, Il magnaccio
, Giovanni di Stefano
, Franco Citti
, Riccardo Salvino
, Elina de Witt
, Silvana Venturelli
, poster art
The only real murders committed may have been of the animals.
Murders in the Zoo is a brisk little sixty-two-minute thriller for which you see two excellent promos above. A dealer in large animals uses the menagerie he’s recently procured in Asia to dispose of his wife’s suitors. The cast is good, especially Kathleen Burke as the straying spouse. You’ll notice she’s called The Panther Woman on the posters. That’s a reference to her role as a woman bred from a panther in the previous year’s hit thriller Island of Lost Souls, and here she retains a hint of animal cunning that makes her the most watchable cast member. Other aspects of the film are less watchable. Zoos are sad affairs even today, but during the 1930s they were tawdry places rife with choke collars and tiny cages. Watching Murders in the Zoo explains why today’s productions have the American Humane Association on set defending the animals’ wellbeing.
Late in the proceedings, the villain tries to facilitate his escape from justice by (spoiler alert) releasing all the big cats from their cages, triggering a feline free-for-all of slashing claws and gnashing fangs. This is no special effect, folks. The sequence is brief and uses footage from two angles to extend the running time, but still, injuries surely resulted. At the least, the leopard that was held down and gnawed on by a lion probably had PTSD until the end of its days. Sometimes we point out scenes in vintage cinema that fall into the could-not-be-filmed-today category, and usually those exemplify the visionary artistry of the past. What is mostly exemplified by Murders in the Zoo’s cat scrum is the cruelty of the human species. But from a purely cinematic perspective it’s a powerful scene, and indeed, the entire zoo setting heightens the overarching dread. As 1930s movies go, Murders in the Zoo is an excellent one. It premiered in the U.S. today in 1933.
Learning to love yourself is the greatest love of all.
Tatsumi Kumashiro’s roman porno flick Shoujo shofu: kemonomichi was called Path of the Beast for its Western release, but the literal translation of the Japanese title is something like “Girl Whore Beast Road.” That sounds ridiculous, but it does sum up the plot. Yoshimura Ayako stars as a sex-loving twenty-something who has two horny lovers and thinks of herself as a whore because she can’t say no to either of them. She believes she inherited the trait from her equally sexual mother, and vows not to go down the same road of carnality. You see? Girl Whore Beast Road. Ayako’s assessment of herself may seem a little harsh—after all, if she loves to bone, what’s the problem? Well, reputational issues, obviously, as well as possessiveness issues on the part of her men—and those don't often end happily. But at least Ayako has ample fun in the midst of her anguish. She has sex on the beach, sex on a boat, sex in a shack, sex under the ruined pier, and even sex in a bed. It’s all softcore, of course—if you’ve never seen a roman porno movie, the sex scenes usually look like two people trying hold a water balloon between their torsos, and Shoujo shofu: kemonomichi holds to that tradition with plenty of writhing and wiggling. At some point Ayako learns to accept herself, if not her circumstances, and that’s really what the movie is about. Shoujo shofu: kemonomichi premiered in Japan today in 1980.
, Shoujo shofu: kemonomichi
, Path of the Beast
, 少女娼婦 けものみち
, Tatsumi Kumashiro
, Ayako Yoshimura
, roman porno
, poster art
, movie review
This trip sucks! Next time let’s just pay extra for first class!
The Mercenaries, aka Dark of the Sun isn’t a movie many remember, but we’re going to remember it, because this is a great pre-CGI action film—not perfect, but well above average. Based on Wilbur Smith’s novel Train from Katanga, and starring Rod Taylor, Jim Brown, Peter Carsten, and Yvette Mimieux, it tells the story of two mercenaries in the civil war-torn Congo hired to ride a military train upcountry, rescue a group of stranded people, and retrieve $50 million in uncut diamonds languishing in a time-locked safe. They have to do it within three days, which means making rushed preparations—notably, enlisting the aid of a dodgy ex-Nazi who commands the Congolese mercs needed to round out the mission. This Nazi is a really bad human, so it’s no surprise he gets into a chainsaw fight with the protagonist shortly after they meet. You’d think the hero would expect the unexpected from the guy after that—but no. The Japanese poster above, while not perfectly descriptive of the action, gets the mood of The Mercenaries across effectively, and it opened in Japan today in 1968.
, Train From Katanga
, The Mercenaries
, Dark of the Sun
, Rod Taylor
, Jim Brown
, Yvette Mimieux
, Wilbur Smith
, Peter Carsten
, poster art
, movie review
There’s always something doing in Big Town.
Above are two nice posters for the crime drama I Cover Big Town, starring Philip Reed and Hillary Brooke. The movie was one of four features spun off from the radio program Big Town, which aired from 1937 to 1952. I Cover Big Town was the second feature in the series, but since it and the first installment Big Town were filmed pretty much simultaneously, I Cover Big Town somehow managed to hit cinemas first in some cities, and today is listed on many websites as the opening installment of the Big Town quartet. In any case, what you get here is staff from a big city newspaper (the actual metropolis is never named) called Illustrated Press who get involved in various adventures with police and crime figures. In this chapter, which is barely an hour long, an embattled police chief is about to drummed out of his job for letting a murderer slip through his fingers. Ace reporter Lorelei Kilbourne helps the police solve a second murder, along the way uncovering blackmail and embezzlement, leading to the recapture of the first killer, and managing to save the chief’s hide. Strictly average stuff, but we do love the posters. For reasons that elude us, the film was renamed I Cover the Underworld when it was re-released in 1950. As I Cover Big Town it premiered in the U.S. today in 1947.
Mario de Berardinis makes the Mos of his considerable talent.
We’ve shared the work of Italian poster illustrator Mario de Berardinis several times and thought today would be a good day to revisit him. De Berardinis began painting movie posters in the late 1940s, but most of his output seems to have occurred during the 1960s and 1970s, when he created scores of brilliant promos, including the iconic Barbarella poster you see above. He usually signed his work Mos, or sometimes Almos, but some pieces bear his full name. He worked until his death in 1977, and his posters today are collectible and expensive. You can see three of our previous posts on De Berardinis here, here, and here. |
The headlines that mattered yesteryear.
1945—Mussolini Is Arrested
Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini's fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable.
1933—The Gestapo Is Formed
The Geheime Staatspolizei, aka Gestapo, the official secret police force of Nazi Germany, is established. It begins under the administration of SS leader Heinrich Himmler in his position as Chief of German Police, but by 1939 is administered by the Reichssicherheitshauptamt, or Reich Main Security Office, and is a feared entity in every corner of Germany and beyond.
1937—Guernica Is Bombed
In Spain during the Spanish Civil War, the Basque town of Guernica is bombed by the German Luftwaffe, resulting in widespread destruction and casualties. The Basque government reports 1,654 people killed, while later research suggests far fewer deaths, but regardless, Guernica is viewed as an example of terror bombing and other countries learn that Nazi Germany is committed to that tactic. The bombing also becomes inspiration for Pablo Picasso, resulting in a protest painting that is not only his most famous work, but one the most important pieces of art ever produced.
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
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