|Vintage Pulp||Jul 25 2015|
This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.
|Vintage Pulp||Jul 14 2015|
Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most film noirs, Where Danger Lives is well regarded today, but it’s strictly second tier—watching Mitchum stagger around for half the movie making bad decisions because of a concussion just didn’t engage us, but more importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950.
|Vintage Pulp||Jul 7 2015|
|Vintage Pulp||Jul 4 2015|
There’s some confusion online about whether this promo poster for Moon over Miami was painted by Alberto Vargas. Jan-Christopher Horak’s book Saul Bass: Anatomy of Film Design states: “Virtually all movie poster design work remained anonymous, although a few well-known designers received contracts, including Alberto Vargas for Moon over Miami.” On the other hand, several auction sites claim Vargas only worked on the print ads, and that the artist who painted the poster was charged with emulating the Vargas style. So there you go—cleared that right up, no? Well, we tend to believe Vargas would not have received a contract simply for print ads. What would the point of that be? So we think this piece is his.
In any case, we’ve always loved the poster and it prompted us to finally watch the film. Guess what? It’s just what you’d expect from looking at the art—goofy, gooey, and terminally good-natured. None of that is particularly pulp, but hey, crazy as it sounds, some filmmakers actually prefer to downplay death and mayhem. Betty Grable stars here as a woman determined to marry a millionaire. She sets up at a Miami hotel with her sister and aunt, and pretends to be rich herself, with the aim attracting the proper suitors. Confusion ensues, enlivened by musical numbers. Grable proves in this movie why she was a star, as does the object of her destiny Don Ameche, and excellent support comes from Carole Landis and Charlotte Greenwood. We don’t generally go for this sort of film, but we liked this one, as did our girlfriends. Now back to death and mayhem. Moon over Miami premiered in the U.S. today in 1941.
|Vintage Pulp||Jul 2 2015|
|Vintage Pulp||Jun 29 2015|
These two posters for The Thomas Crown Affair are among the more visually pleasing Japanese promos for Western films we’ve come across, both versions managing to capture the style and mood of the movie quite nicely. Directed by Norman Jewison, The Thomas Crown Affair was his follow-up feature to the bravura Oscar winner In the Heat of the Night and showed him in masterful command of his already razor sharp craft. And Faye Dunaway and Steve McQueen aren’t too shabby either, as what begins as enmity between a career thief and a genius investigator quickly becomes one of cinema history's most enjoyable mating dances.
Even if you’ve seen 1999’s redundant though palatable remake with Pierce Brosnan and Rene Russo, Jewison’s radiant original is still a must see, and it’s different in enough details to keep viewers guessing. Direction, cinematography, editing, music, production design, wardrobe, and script all combine self-consciously and expertly as if in an irresistibly decadent multi-layer cake baked by a top pastry chef. Good through and through, The Thomas Crown Affair opened in Japan today in 1968.
|Vintage Pulp||Jun 29 2015|
Hot Rod Gang falls into that category of movies that are better known for their poster art than for the actual film. And the poster art is definitely brilliant—no dispute there—but the movie? Not so much. John Ashley plays a hepcat who gets in trouble for reckless driving and, due to the pursuit of the local strongarm cop, has to adopt a new identity. Thrown onstage by happenstance, this new identity—Jackson Dalrymple—becomes a rock and roll star. Where’s the hot rodding, you wonder? The movie is really a musical comedy with a bit of racing wrapped around, while uniformly atrocious acting bogs down the whole enterprise. The main attraction is watching early rocker Gene Vincent play himself and put on a couple of numbers. The film also features other, less adept, probably dubbed performances, including several by Ashley, who you may remember for his run of Mystery Science Theatre-worthy 1970s horror/action epics shot in the Philippines. In the end Hot Rod Gang all comes together in a rumble and a chase. We can't recommended it, but it’s amusing if you’re in the right frame of mind. Oh, and we almost forgot—our copy kicked off with the ad you see below. Hot rods indeed.
|Vintage Pulp||Jun 20 2015|
|Vintage Pulp||May 31 2015|
It’s probably fair to say Duello dans le monde, aka Ring Around the World has been pretty much forgotten in filmdom, but maybe it shouldn’t be. With a good premise, groovy-jazzy soundtrack, and location shooting in global hotspots like Bangkok, London, Hong Kong, and Rio de Janeiro, this was better than we had any right to expect. Richard Harrison investigates a series of seemingly natural deaths only to find that they were murders—in reality an assassin has shot the victims with pellets made of a frozen concoction that induces heart attacks. The pellets of course then melt and leave no trace behind.
|Vintage Pulp||May 27 2015|
The unusually beautiful French language poster above was made for the Belgian run of Aladin et la lampe merveilleuse, which was originally produced in the U.S. as A Thousand and One Nights. Some of the other posters for this set-in-Baghdad musical adventure are excellent too, such as the one you see at right (presumably made for the French run), but the version at top is the best—and rarest.
The art also manages to convey the mood of the movie quite accurately—it’s ninety minutes of cheeseball songs, Vaudevillian slapstick, and Cornel Wilde caught in the world’s silliest love triangle. All of this is slightly marred by the unfortunate sight of white actors hamming it up with brown shoe polish on their faces, but that's to be expected in a Middle-Eastern themed movie made during an era when actors of color were more-or-less barred from cinematic roles.
On balance, the movie is a real mood lifter, but the whole effort is just a little too stupidly sweet for us to truly call good, with a bit too much syrupy baritone crooning from Cornel Wilde (or more likely his voice double), and too much of the various love interests making cow-eyes at each other. But Evelyn Keyes as the troublemaking genie is a fun touch. She makes the movie worth it. Aladin et la lampe merveilleuse premiered in the U.S. in 1945, and played for the first time in France/Belgium today in 1949.