Vintage Pulp Jul 25 2015
STEWING IN HER JUICES
Christina Hart offers a special type of in-flight service.

This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.

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Vintage Pulp Jul 14 2015
WHERE SANITY DIES
Wanna go out with me Friday? Oh, you’re committing suicide that night? How about Thursday?

Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most film noirs, Where Danger Lives is well regarded today, but it’s strictly second tier—watching Mitchum stagger around for half the movie making bad decisions because of a concussion just didn’t engage us, but more importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950. 

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Vintage Pulp Jul 7 2015
NANA HEY HEY
If you’re going to have an empty life, at least make it a beautiful one.

La poupée d’amour played in the U.S. by the silly title Take Me, Love Me, but was originally released in Sweden as Naná, after the Emile Zola novel from which it’s adapted. Director Mac Ahlberg and cinematographer Andréas Winding deserve credit for making the film look fantastic, star Anna Gaël is certainly beautiful, and the cabaret numbers are entertainingly staged, but on the whole we found this one a bit tedious. The movie is basically ’70s arthouse porn and, thanks to some coupling by Gaël’s body double, still qualifies today as adult cinema, but only barely. Zola’s Naná ended up covered with pustules and dying in agony; this movie wouldn’t dare harsh on its own groovy high to that extent, but Gaël does find happiness elusive, as do her lovers. If you watch the movie you may find enjoyment elusive, but in purely visual terms, it’s a real treat. The Belgian promo poster, also a treat, was painted by Loris, an illustrator whose online presence is small, which means we can’t tell you anything about him/her—not even a full name. But he/she did paint other nice promos, and we may dig some of those up later. La poupée d’amour premiered in France/Belgium today in 1970.

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Vintage Pulp Jul 4 2015
SUMMER MOON
Shine on you crazy diamond.


There’s some confusion online about whether this promo poster for Moon over Miami was painted by Alberto Vargas. Jan-Christopher Horak’s book Saul Bass: Anatomy of Film Design states: “Virtually all movie poster design work remained anonymous, although a few well-known designers received contracts, including Alberto Vargas for Moon over Miami.” On the other hand, several auction sites claim Vargas only worked on the print ads, and that the artist who painted the poster was charged with emulating the Vargas style. So there you go—cleared that right up, no? Well, we tend to believe Vargas would not have received a contract simply for print ads. What would the point of that be? So we think this piece is his.

In any case, we’ve always loved the poster and it prompted us to finally watch the film. Guess what? It’s just what you’d expect from looking at the art—goofy, gooey, and terminally good-natured. None of that is particularly pulp, but hey, crazy as it sounds, some filmmakers actually prefer to downplay death and mayhem. Betty Grable stars here as a woman determined to marry a millionaire. She sets up at a Miami hotel with her sister and aunt, and pretends to be rich herself, with the aim attracting the proper suitors. Confusion ensues, enlivened by musical numbers. Grable proves in this movie why she was a star, as does the object of her destiny Don Ameche, and excellent support comes from Carole Landis and Charlotte Greenwood. We don’t generally go for this sort of film, but we liked this one, as did our girlfriends. Now back to death and mayhem. Moon over Miami premiered in the U.S. today in 1941.

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Vintage Pulp Jul 2 2015
DRIVING TEST
Scenes from the class struggle in film noir.

This nice piece was painted by French artist Emmanuel Gaillard for Une femme dangereuse, which was originally released in 1940 as They Drive by Night. The movie, which is adapted from A. I. Bezzerides’ 1938 novel Long Haul, deals with two wildcat truckers caught in the American class struggle—you know, that thing all the millionaire pundits on television tell you doesn’t exist? The drivers want to rise above their station, but find many obstacles in their way, including leasing companies, fruit buyers, competing truckers, road accidents, injuries, fatigue, and eventually, murder. While the world-against-the-working-man aspect is interesting, the best part is watching George Raft and Humphrey Bogart play the two hard luck drivers. The movie also boasts the excellent Ann Sheridan, as well as film noir icon Ida Lupino in full-on crazy mode. But like the several trucks onscreen that veer off the road, the movie itself lurches into melodrama at the end. Une femme dangereuse had its French premiere today in 1947.

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Vintage Pulp Jun 29 2015
CROWN JEWEL
An Affair to beat all affairs.


These two posters for The Thomas Crown Affair are among the more visually pleasing Japanese promos for Western films we’ve come across, both versions managing to capture the style and mood of the movie quite nicely. Directed by Norman Jewison, The Thomas Crown Affair was his follow-up feature to the bravura Oscar winner In the Heat of the Night and showed him in masterful command of his already razor sharp craft. And Faye Dunaway and Steve McQueen aren’t too shabby either, as what begins as enmity between a career thief and a genius investigator quickly becomes one of cinema history's most enjoyable mating dances.

Even if you’ve seen 1999’s redundant though palatable remake with Pierce Brosnan and Rene Russo, Jewison’s radiant original is still a must see, and it’s different in enough details to keep viewers guessing. Direction, cinematography, editing, music, production design, wardrobe, and script all combine self-consciously and expertly as if in an irresistibly decadent multi-layer cake baked by a top pastry chef. Good through and through, The Thomas Crown Affair opened in Japan today in 1968.


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Vintage Pulp Jun 29 2015
SPARE THE RODS
It isn’t really a racing movie, but it is a bit of a drag.


Hot Rod Gang falls into that category of movies that are better known for their poster art than for the actual film. And the poster art is definitely brilliant—no dispute there—but the movie? Not so much. John Ashley plays a hepcat who gets in trouble for reckless driving and, due to the pursuit of the local strongarm cop, has to adopt a new identity. Thrown onstage by happenstance, this new identity—Jackson Dalrymple—becomes a rock and roll star. Where’s the hot rodding, you wonder? The movie is really a musical comedy with a bit of racing wrapped around, while uniformly atrocious acting bogs down the whole enterprise. The main attraction is watching early rocker Gene Vincent play himself and put on a couple of numbers. The film also features other, less adept, probably dubbed performances, including several by Ashley, who you may remember for his run of Mystery Science Theatre-worthy 1970s horror/action epics shot in the Philippines. In the end Hot Rod Gang all comes together in a rumble and a chase. We can't recommended it, but it’s amusing if you’re in the right frame of mind. Oh, and we almost forgot—our copy kicked off with the ad you see below. Hot rods indeed.

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Vintage Pulp Jun 20 2015
OFFER OF A BRIBE
As far as we’re concerned the answer is still no.

We already wrote about 1949’s The Bribe and thought the movie was so-so. What isn’t so-so is the Belgian poster, which features text in both French and Dutch, and was used for the movie’s run as L'ile au complot. It’s so good it almost makes us want to watch the movie again. Almost… See our original write-up and some nice production photos here. 
 
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Vintage Pulp May 31 2015
LOW-YIELD BOND
Italian thriller offers viewers an entertaining world of trouble.


It’s probably fair to say Duello dans le monde, aka Ring Around the World has been pretty much forgotten in filmdom, but maybe it shouldn’t be. With a good premise, groovy-jazzy soundtrack, and location shooting in global hotspots like Bangkok, London, Hong Kong, and Rio de Janeiro, this was better than we had any right to expect. Richard Harrison investigates a series of seemingly natural deaths only to find that they were murders—in reality an assassin has shot the victims with pellets made of a frozen concoction that induces heart attacks. The pellets of course then melt and leave no trace behind.

We were drawn to this film by the excellent French language promo poster above painted by Giuliano Nistri, but were surprised to find a semi-competent thriller in the vein of James Bond. Interestingly, there’s a skydiving stunt here that predated the famous Moonraker opening sequence by more than a decade. The stunt isn’t exactly the same, but the idea is close, done low budget. The movie is probably too goofy and cheap to be called good, but on the whole it’s worth a look, and as a bonus it co-stars the wonderful Dominique Boschero. Originally released in Italy in 1966 and called Duello nel mondo, it opened in France as Duel dans le monde today in 1967. 
 
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Vintage Pulp May 27 2015
RUBBING ONE OUT
When Evelyn Keyes comes out of a lamp, is there really any need to wish for more?

The unusually beautiful French language poster above was made for the Belgian run of Aladin et la lampe merveilleuse, which was originally produced in the U.S. as A Thousand and One Nights. Some of the other posters for this set-in-Baghdad musical adventure are excellent too, such as the one you see at right (presumably made for the French run), but the version at top is the best—and rarest.

The art also manages to convey the mood of the movie quite accurately—it’s ninety minutes of cheeseball songs, Vaudevillian slapstick, and Cornel Wilde caught in the world’s silliest love triangle. All of this is slightly marred by the unfortunate sight of white actors hamming it up with brown shoe polish on their faces, but that's to be expected in a Middle-Eastern themed movie made during an era when actors of color were more-or-less barred from cinematic roles.

On balance, the movie is a real mood lifter, but the whole effort is just a little too stupidly sweet for us to truly call good, with a bit too much syrupy baritone crooning from Cornel Wilde (or more likely his voice double), and too much of the various love interests making cow-eyes at each other. But Evelyn Keyes as the troublemaking genie is a fun touch. She makes the movie worth it. Aladin et la lampe merveilleuse premiered in the U.S. in 1945, and played for the first time in France/Belgium today in 1949.

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History Rewind
The headlines that mattered yesteryear.
July 30
1935—Penguin Launched
Penguin Books is launched by Allen Lane and begins publishing cheap, no-frills paperbacks. Lane's idea of selling books not just in bookstores, but in train stations, pharmacies and corner stores, quickly revolutionizes the publishing market.
July 29
1957—Paar Takes Over Tonight Show
Today in 1957 Jack Paar begins hosting The Tonight Show. During Paar's five year stint, his unpredictable antics and strong comedic style help turn the program into a ratings juggernaut and a national institution.
1981—Charles and Diana Marry
Prince Charles and Lady Diana Spencer marry at St Paul's Cathedral before 3,500 invited guests and an estimated global television audience of 750 million, making it the most popular program ever broadcast.
July 28
1945—Plane Hits Empire State Building
A B-25 bomber crashes into the north side of the Empire State Building, between the 79th and 80th floors. One engine plows entirely through the structure, lands on a nearby apartment building, and sparks a fire that destroys a penthouse. The other engine falls down an elevator shaft. Fourteen people are killed in the incident.
1965—Vietnam War Heats Up
U.S. president Lyndon Johnson commits a further 50,000 US troops to the conflict in Vietnam, increasing the military presence there to 125,000. Johnson says about the increase, "I do not find it easy to send the flower of our youth... into battle."

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