|Vintage Pulp||Oct 22 2016|
|Vintage Pulp||Oct 20 2016|
Above, a colorful poster for Fûten Rôjin nikki, aka Diary of a Mad Old Man, with Sô Yamamura as a man recovering from a stroke and Ayako Wakao as the occasionally towel-clad young daughter-in-law whose presence inflames his libido. Far better and more serious than it sounds. The movie premiered in Japan today in 1962. We have a couple more promo images below, and you can see a few more Wakao posters for a different movie here.
|Femmes Fatales||Oct 20 2016|
This really nice promo shot of a gyrating Ann-Margret was made to promote the film Bus Riley's Back in Town, about a sailor who returns from three years abroad to find that his love has married another man. Notice how she hints at untying that laced up top of hers. 1965 on this unique image.
|Vintage Pulp||Oct 18 2016|
The Maltese Falcon is considered by most scholars to be the first major film noir. It was also one of the best, with legendary talents John Huston, Humphrey Bogart, and Peter Lorre coming together to make magic. Mary Astor was excellent too. This must-see film premiered in the U.S. today in 1941, but the poster above—one you don't see often—was made for its run in Australia. Put this film in the queue if you haven't seen it. And if you have, well, watch it again.
|Intl. Notebook||Oct 18 2016|
Above is one of our prouder acquisitions—a poster of Dutch actress Sylvia Kristel made to promote the film Emmanuelle. The piece has multiple fold lines, which we could remove from the digital reproduction if we wanted, but we like the lines. We're sharing this because Kristel died today four years ago and we think this shot is a nice reminder of what a lovely and ethereal star she was.
|Vintage Pulp||Oct 16 2016|
Do you think RKO Pictures actually went to Honduras to film Appointment in Honduras? Of course not. The movie, which premiered in the U.S. today in 1953, was mostly filmed at the Los Angeles County Arboretum & Botanic Garden. Too bad. We were looking forward to seeing what Honduras looked like before it became the disaster we personally know so well, a place of perpetual instability that at times has owned the highest murder rate in the world. We used to go there often, and we were there during one of its periodic political upheavals. Airports closed, bus companies shut, smoke and chaos filled the streets. We were stuck there for a week, but it wasn't all bad. We left San Pedro Sula, drove to the coast, then hopped a ferry—still operating thankfully—to Roatán. If you have to be trapped in a paralyzed country, choose one of its islands. Ah... memories.
|Modern Pulp||Oct 15 2016|
This beautiful and unusually designed poster was made for a 2008 Brigitte Bardot film retrospective in Japan. The event focused on her romantic movies and the slate consisted of Et Dieu... créa la femme, aka ...And God Created Woman, En effeuillant la marguerite, aka Plucking the Daisy, Une Parisienne, Les bijoutiers du claire de lune, aka The Night Heaven Fell, and Doctor at Sea. This is a frame-worthy piece of modern graphic design. Note how all the lines of text are set at slight angles, just a little something to dazzle the eye. Top work.
|Vintage Pulp||Oct 11 2016|
It's been a while since we checked in with The National Police Gazette, that most venerable of U.S. magazines, launched all the way back in 1845. Today we venture to the year 1919, one of its famed pink issues, with cover star Clarine Seymour. She's described as pretty by the editors, but before you smirk and say beauty standards have really changed in a hundred years, check out the inset photo at right. So you see, Gazette's cover doesn't capture Seymour at her best.
Beauty standards may be different but the human body hasn't changed in a hundred years. A lot of what beauty is has to do with clothing, hair, etc. As proof, we have some nude images from around 1920 that could have been made yesterday. We may post one of those later, just for the fun of it. Elsewhere in the Gazette you get the usual celebs, boxers, and news briefs, all offering a fascinating view onto what the U.S. looked like during the heyday of the pulp era, which according to most scholars began in the last few years of the 19th century. The society, the people, the pulp, and the Gazette would all become more recognizably modern in a few more decades.
|Vintage Pulp||Oct 9 2016|
Didn't we just see Erina Miyai a couple of days ago? Indeed we did. Her prison pinku flick Onna keimusho opened two days ago in 1978, and this effort, Danchizuma maruhi shuccho baishun, aka Apartment Wife: Secret Call Girl, premiered today in 1976. It's about a blackmail ring that uses illicit photos of an unfaithful wife to force her into prostitution, pretty basic Nikkatsu roman porno, sixteenth of twenty-one entries in the Apartment Wife series, a moneymaking franchise that lasted from 1971 to 1979. This one was the first of three go-rounds with Miyai. Hard to find, but interesting to watch.
|Modern Pulp||Oct 9 2016|
Above, two posters for Robo-geisha, or Robogeisha, as it was titled in the west. Only for the adventurous, this is low budget action gore, or maybe subversive shock sci-fi, or possibly transgressive black comedy. In any case, it's about a pair of orphaned sisters who compete as assassins after receiving cybernetic implants, are separated and exploited by a powerful corporation, and eventually are thrown together in a final duel. You get sword fights, machine guns, sparks and bloodspray and explosions, a walking castle, copious miniature/computer/stop action efx, and lots of shakycam—aka the budget filmmaker's crutch. If the whole bizarre counterculture spectacle is preposterous, well, you've been warned. Viewers generally react one of three ways—some like it; some want to like it because it will make them cool; and some dislike what they see as a sophomoric mess. We won't say which we were, but we'll note that even with the numerous references to films ranging from Godzilla to Ichi the Killer, Robo-geisha isn't as clever as it thinks it is. The smartest aspect of it is that director Noboru Iguchi and cohorts managed to create their own cinematic genre. That, no matter how you feel about the actual movie, is pure genius. Robo-geisha premiered in Japan today in 2009.