Next stop—the b-movie circuit.
In Hollywood Boulevard Candice Rialson arrives in Tinseltown with dreams of stardom and is immediately conned into being the getaway driver for a robbery. As she screeches away from the bank with alarms wailing, she asks her partners in crime, “But where are the cameras?” That pretty much sets the tone of the film. She later becomes a stuntwoman and bumbles her way from one bizarre scenario to the next. There are some laughs here, but the same way you would laugh at a vaudeville routine, or a favorite uncle’s oft-repeated fishing story—i.e., you understand it’s supposed to be funny, and that alone is a bit amusing, but mostly it’s just tiring. Surprisingly, Rialson went on to appear in Moonshine County Express, Chatterbox (yes, it’s about a talking vagina), and other exercises in ’70s schlock. That’s a testament to Rialson's talent, or sheer luck, or both, because Hollywood Boulevard would have killed most actress’s careers. It premiered in the U.S. today in 1976.
We must have sex on the brain, because everything we see reminds us of it.
Remember our last group of Japanese posters containing the English word “sex”? No? Go directly there. Also, perhaps visit here, here, and here. Now that you’re back, today we have another set of posters with sex in the text (you have to look closely at some of them, but it’s there). One Japanese word for sex is セックス, and the phonetic transvocalization of the English is “sekkusu,” but their poster artists often seem to prefer plain old sex. Why? Well, why do Americans use the French word “chauffeur” instead of saying, “that underpaid guy who drives my car”? Because it's cooler, that’s why. Most of these posters are for American x-rated films, but panel two, just below, is for the Natalie Wood movie Bob and Carol and Ted and Alice, which definitely isn’t x-rated. But it should have been. Because Natalie Wood. And, um, wood. On the other posters you get Kay Parker, Nina Fause, Maria Arnold, Jennifer Welles, Constance Money, Annette Haven, and Inge Hegeler. And if you want to know the titles, those are all on the posters in English too (though sometimes wrong, as in Expose Me Lovely which turns into Exporse Me Lovely), but it’s probably easier to just look at the bottom of the post, where we’ve listed them in order.
, The Health Spa
, Bob and Carol and Ted and Alice
, Marilyn and the Senator
, Expose Me Lovely
, Maraschino Cherry
, Love Play
, Natalie Wood
, Annette Haven
, Nina Fause
, Maria Arnold
, Kay Parker
, Jennifer Welles
, Inge Hegeler
, Constance Money
, poster art
It only takes one role to ensure you’ll never be forgotten.
Marcia McBroom’s film résumé is sparse—seven roles total, including in Willie Dynamite and the underrated The Bingo Long Traveling All-Stars & Motor Kings. She’ll likely never be forgotten, though, because she portrayed Petronella Danforth, one third of the beautiful girl group The Kelly Affair, later called The Carrie Nations, in the eternal camp classic Beyond the Valley of the Dolls. When we first saw the movie in college it helped make the distinction between bad and “bad” crystal clear. Today it remains a Friday night dorm room favorite and an indispensable gateway into the realm of bad-as-in-hilarious cinema. This photo dates from around 1970.
With the sweet often comes bitter.
La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.
If much more of this movie comes true we’re all in serious trouble.
Like any self-proclaimed seer of the future, H.G. Wells gets some predictions correct in his screenplay for Things To Come. World War II? Check. Indiscriminate aerial bombing of civilians? Check. The movie continues to the year 2036, by which time Earth is ruled by a single world government. He’s going to get that one wrong—it’s corporations that will rule the world by then if people don’t wake up (in a very real sense, the subset of corporations known as banks have already displaced many Western governments). Much has been written about the movie so we won’t get into it in detail. We mainly wanted to show you the wonderful promo poster above with its art deco spaceship and battle suit. The movie is worth seeing for visions like these alone, and director/designer William Cameron Menzies really deserves a lot of credit for bringing them to life. Things To Come opened in Europe in February 1936, and made its way to the U.S. today the same year.
Ah, I see it now. It rolled under the sofa.
First we had Danielle Darrieux showing her flexibility
on a trapeze, followed shortly thereafter by Joey Heatherton attempting a more advanced contortion
, now today American actress Constance Dowling—older sister of reliably awesome
actress Doris Dowling—shows she needs no device at all to turn herself into a pretzel. Dowling got her start on Broadway and later appeared in films such as Black Angel, Stormbound
, and the unforgettable sci-fi thriller Gog
. This pose is called a backbend today, but when the photo was made in 1944, it was known as a backstand. In either case, it looks like a pretty useful position.
An itty bitty glimpse of Vitti is almost as good as the whole thing.
It’s not what you reveal, but how you do it. This shot showing about ten percent of actress Monica Vitti is one of the more provocative images we’ve seen of her. It comes from 1966 and was made when she was filming the adventure Modesty Blaise in Italy.
Russ Meyer turns what he loves most into a career.
This rare Japanese poster promotes the American movie French Peep Show, which was boob aficionado Russ Meyer’s first sexploitation film in a long, infamous series of them. Shot at Oakland, California’s El Rey Burlesk Theater, it was ostensibly a documentary about dancer Tempest Storm’s quest to make it as a performer, but of course was really just an excuse to film a burlesque show and use the medium of cinema to export it to the masses. The film is presumed lost, which is too bad, because in addition to Storm, it featured Lily Lamont, Terry Lane, Shalimar, Marie Voe, and others. The poster is composed of three famous shots of Storm, one of which we shared a while back, the others of which you see below. You can read a bit more about French Peep Show here. It premiered in the U.S. in 1950, but reached Japan this month in 1954.
, El Rey Burlesk Theater
, French Peep Show
, Russ Meyer
, Tempest Storm
, Lily Lamont
, Terry Lane
, Marie Voe
Even visionary filmmakers sometimes don't see clearly.
Vera Miles is most famous as the actress who gets to survive Alfred Hitchcock’s Psycho. She worked with Hitchcock on many films, but had other worthy roles, including in The Man Who Shot Liberty Valance, The Wrong Man, and just about every television detective series of the 1970s. She claims she was never able to never please Hitchcock because she wasn’t sexy enough. This shot proves Alfred needed glasses. It’s circa 1955.
He may be her pimp, but he certainly isn’t her boss.
In Italian a “magnaccio” is a pimp, and Il magnaccio deals with a pimp nicknamed the Little Prince who is loved by his live-in prostie, but whose affection he either ignores or violently rebuffs. When she disappears the Prince replaces her, but she’s never far from his mind, and this being giallo we know disappearances don’t last. And indeed she turns up again, seemingly by chance, and the dysfunctional lovers get a chance to resolve unfinished business—assuming they don’t kill each other first. The movie stars Franco Citti, Riccardo Salvino, Elina de Witt, and Silvana Venturelli, who we last saw in the Radley Metzger mind trip Esotika Erotika Psicotika.
There’s confusion online about whether Il magnaccio premiered in 1967 or 1969. IMDB says ’69, but a lot of Italian sites say ’67. We say it was 1969. We went outside the film universe, located the soundtrack album, and found that it was released today in 1969. The promo poster above, which is what we really wanted to talk about, was painted by Giovanni di Stefano. He obviously is not the Italian con artist Giovanni di Stefano (though he would fit nicely on Pulp Intl.) nor, even more obviously, the fifteenth century sculptor Giovanni di Stefano. This particular Giovanni di Stefano—who according to all evidence has one of the most common names to be found in Italy—is yet another very good illustrator whose original work goes for exorbitant amounts of money today. We plan to show you more of his output later.
, Arvo Film
, Il magnaccio
, Giovanni di Stefano
, Franco Citti
, Riccardo Salvino
, Elina de Witt
, Silvana Venturelli
, poster art
The headlines that mattered yesteryear.
In Detective Comics #27, DC Comics publishes its second major superhero, Batman, who becomes one of the most popular comic book characters of all time, and then a popular camp television series starring Adam West, and lastly a multi-million dollar movie franchise starring Michael Keaton, then George Clooney, and finally Christian Bale.
1953—Crick and Watson Publish DNA Results
British scientists James D Watson and Francis Crick publish an article detailing their discovery of the existence and structure of deoxyribonucleic acid, or DNA, in Nature magazine. Their findings answer one of the oldest and most fundamental questions of biology, that of how living things reproduce themselves.
1967—First Space Program Casualty Occurs
Soviet cosmonaut Vladimir Komarov dies in Soyuz 1 when, during re-entry into Earth's atmosphere after more than ten successful orbits, the capsule's main parachute fails to deploy properly, and the backup chute becomes entangled in the first. The capsule's descent is slowed, but it still hits the ground at about 90 mph, at which point it bursts into flames. Komarov is the first human to die during a space mission.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
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