She was the original funny girl but her life was not all laughs.
U.S. born Fanny Brice, née Fania Borach, was a theater, radio, and film actress mainly remembered today as the creator and star of the radio comedy series The Baby Snooks Show. For a time she was one of the most popular performers in America. What makes Brice pulp worthy? She fell in love with her second husband Nicky Arnstein while he was serving time in Sing Sing prison for wiretapping. After his release she lived with him for six years before finally marrying him in 1919. In 1924 Arnstein was charged in connection with a Wall Street bond theft, and Brice used much of her wealth on a failed legal defense that ended with him going to Leavenworth Prison. After he got out three years later he disappeared and left Brice to care for their two children. A decade after Brice died in 1951 Barbra Streisand portrayed her in the Broadway musical Funny Girl, later adapted to cinema. Both the musical and movie play Brice life events a bit lighter than they must have been in reality, but both were huge hits and brought Brice's name back into the mainstream—right where she would have wanted it. The racy photo you see here is from around 1915.
This is one night everybody wants to forget.
The North American poster for the 1980 high school horror flick Prom Night is pretty straightforward—as you see below, it's a masked head and a knife, and was used in Canada, where the film was made, and in the U.S. The Japanese promo, on the other hand, has a beautiful image of Anne-Marie Martin rendered by airbrush artist Harumi Yamaguchi. It's almost like the Japanese distributors took this movie seriously.
Have you ever seen it? It's cheesy as hell and slow to develop, with a cop voiceover, wooden acting from performers who in real life were all in their mid-twenties, and a final unmasking of the killer that's an anti-climax. It's also a sad reminder that high-waisted pants, despite the fact that many women are wearing them again these last few years thanks to the fashion industry championing them, are really fuckin' ugly.
But for all those flaws, the movie is better than it has a right to be. Plus it has Jamie Lee Curtis and Leslie Nielsen, and they make up for a multitude of sins. Prom Night premiered as プロムナイト in Japan today in 1981. That translates directly, but we don't think Japanese schools have proms. Somehow the American concept is known, though, which makes us wonder if they learned it from the movie. If so, proms will not be getting popular in Japan anytime soon.
Florinda Bolkan is a textbook case of multiple epidermal disorder.
Una lucertola con la pelle di donna premiered in Italy in 1971 and in the U.S. as Lizard in a Woman's Skin today in 1973. It's a giallo—i.e. a thriller with mystery, slasher, detective, and psychological horror elements. Brazilian actress Florinda Bolkan stars, and she has a problem—she's having erotic dreams about her beautiful neighbor Anita Strindberg. The dreams disturb and arouse Bolkan, but she's working out her concerns in therapy. All well and good, until matters take a turn for the worse when she dreams about dispatching Strindberg with a knife, and later wakes to find that Strindberg has indeed been murdered in the exact fashion as in her nightmare.
The cops arrest her for the killing and send her to a mental hospital to await trial. But the case is hardly airtight. Loose ends include Bolkan's dream diary, an illicit affair, and a blackmail plot. The mental hospital is hardly airtight either. A stalker shows up intent on putting Bolkan out of commission. Eventually doubts arise in the case and Bolkan is sprung from the booby hatch, but who committed the murder? Well, below we have some production shots, and at bottom is a poster for the film's re-issue as Schizoid—a title that's a blatant spoiler. Actually, considering lizards change their skin by molting, the original title is a spoiler as well. Too clever by half, these Italian filmmakers, but the movie is still fun.
There's a thin line between love and hate.
Above is a poster we're reasonably sure you won't see anywhere else. It was made to promote a movie called 愛憎のからみ. The film never had a western release, but if it had it would have been called something like A Love Hate Relationship. It was from Aoi Film, another company that delved into softcore pink cinema during the 1960s and 1970s, and this one was directed by Taskashi Chiba and starred Yuri Izumi, who during a career encompassing dozens of screen credits would go on to become one of Japan's bondage queens. This is obviously a pretty obscure movie, since we can't come up with its rōmaji or romanized title. We also can't pinpoint its exact premiere date. But we know it appeared sometime this month in 1972. Below we've included some detail from the poster, and just for the fun of it we also have one of Izumi's many provocative bondage shots.
In some ways she's a non-traditionalist.
Above, a nice geisha themed promo photo of Japanese actress Junko Fuji, star of scores of films spanning forty-five years. Among them: Kyokotsu ichidai, aka The Chivalrous Life, Bakuchi-uchi: socho tobaku, aka Big Time Gambling Boss, and the popular Hibotan bakuto aka Red Peony Gambler series. Fuji's showed no signs of slowing down and has another film on the slate for 2018. We don't have a date on this image, but figure late 1960s.
Theft becomes death in the blink of an eye.
Last week we shared a brilliant Italian poster for Stanley Kubrick's The Killing, and today you see the French and Belgian posters. The title is a double entendre that refers not only to murder but also to killing in the sense of a big score, which is why in France the movie was called L'ultime razzia, or “the last raid,” and in Belgium it was Coup manqué, which translates as “mis-hit,” as in badly striking a ball—i.e. missing a target. The Belgian poster also has a banner at the bottom with the title in Dutch—Mislukte opzet, or “failed set up.” Those titles, taken together, reveal exactly what happens in the film—a robbery goes terribly wrong. Both of these are very nice posters, fitting ror Kubrick's early masterpiece. The Killing opened in France today in 1956, and in Belgium shortly thereafter.
Mick doesn't quite get it done as real life Aussie outlaw Ned Kelly.
This poster was made to promote the western adventure Ned Kelly, a movie mainly remembered for having starred Rolling Stones frontman Mick Jagger as a real-life Aussie outlaw. Jagger hasn't done much cinematic acting and there's a reason why—he just doesn't have the knack. He seems to read his lines more than perform them, and director Terry Richardson did so much better with films like Tom Jones and The Loneliness of the Long Distance Runner. But the poster is unique, which made it worth a share. The movie premiered in Japan today in 1971.
Land of the free—except for the slaves.
First daddy, and now uncle. But the family theme is purely coincidental. Addio Zio Tom, aka Goodbye Uncle Tom, premiered today, so we're discussing it today. The last time we shared a poster for this Italian epic the art gave absolutely zero idea what the movie is about. The above poster is a bit more faithful to the subject matter. You can probably look at it and guess you're dealing with a film about slavery. We discussed it in great detail back in 2013, and concluded that it's a daring but flawed piece of cinema. You can read what we wrote at our earlier write-up, but even if you aren't interested in the movie go to see that first poster anyway. It's one of the most amazing promos we've ever shared.
If you think armed robbery is tough try surviving as a poster artist.
Rapina a mano armata is a title that would translate as “armored rampage,” but the movie being promoted by these spectacular Italian posters is actually none other than Stanley Kubrick's famed thriller The Killing. After debuting in the U.S. and Britain in early 1956, it opened in Italy today that same year. We discussed the film in detail a while ago. If you take a look at that post you'll immediately notice that once again the foreign promo art destroys the U.S. version. This is consistently true for most movies made after the mid-1960s because the studios began to jettison top notch promo artists in favor of simpler—and we assume cheaper—visual approaches. The foreign companies would follow suit, but not until later. European posters began to lose their pizzazz by the 1970s, and Japanese promos went the same direction by the early 1980s. Which leaves us where we are today—besieged by Photoshop jobs, all of which seem to feature a couple of large heads against some uninspiring background.
But we're here at least partly to celebrate the glories of vintage art, which means what you really want to know is who painted these particular masterpieces, right? It was Renato Casaro, whose work is consistently amazing. In fact he was so good that he survived as an illustrator well into the 1980s, painting iconic promos for the Arnold Schwarzenegger vehicles Conan the Barbarian and Red Sonja, and somewhat less iconic but no less brilliant posters for Sylvester Stallone's Cliffhanger and Over the Top. The Rapina a mano armata poster you see below is unsigned but we can be reasonably sure it was also a product of Casaro's hand, as it was common practice in Italy's movie industry for the commissioned artist to produce more than one version. If the above pieces aren't the best we've seen from Casaro they're sure close. You can see several more of his efforts by clicking his keywords below.
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