|Vintage Pulp||Jul 25 2015|
This Japanese poster for the American film The Stewardesses indicates that the movie played in 3D. That wasn’t the case only in Japan—it played in 3D globally and, because it was produced for about $100,000 and grossed $25 million, became the most profitable 3D film released up to that point. The movie was rated X, but it’s a non-porn film, with no actual sex to be found. Basically, star Christina Hart and her fellow stews party and get laid. That’s it. As a bonus for 60s-philes, there’s a psychedelic approach to the filming and some groovy music, along with Monica Gayle doing nude yoga, Hart making out with a stone bust and displaying one of cinema’s earliest bald groins, and various cast members enjoying lots of softcore nuzzling and wriggling. Does that sound your bag, man? Radical. The Stewardesses premiered today in 1969.
|Femmes Fatales||Jul 16 2015|
French actress/singer Danièle Graule, better known as Dani, appeared in about twenty movies beginning in 1964, including Un officier de police sans importance, aka A Police Officer without Importance, and La fille d'en face, aka The Girl Across the Way, and was last seen onscreen as recently as 2012. We’ve turned this watery image of her vertically because a horizontal orientation would make it too small to truly appreciate. You know the drill—drag, drop, and rotate for a better view. The shot is from the French magazine Lui and is from 1975.
|Vintage Pulp||Jul 14 2015|
Above is one of the great film noir posters—the three-sheet promo for Where Danger Lives (presumably de-seamed by some enterprising Photoshopper). The movie starred Robert Mitchum, Faith Domergue, and Claude Rains, and deals with a doctor who gets involved with a suicidal patient, a situation that simply can’t end well. Like most film noirs, Where Danger Lives is well regarded today, but it’s strictly second tier—watching Mitchum stagger around for half the movie making bad decisions because of a concussion just didn’t engage us, but more importantly there’s no real basis for his relationship with Domergue. Writing it into a script is not enough—the actors need to establish chemistry and heat to make recklessness understandable. When you start asking questions like, “But why would he have any interest in this crazy chick when he already has a great girlfriend?” you know the movie is fatally flawed. If you like noirs, you might be inclined to give this one’s failings a pass—after all, even so-so noir is better than 90% of what’s coming out of Hollywood today. And it has Mitchum, who’s also better than 90% of what’s coming out of Hollywood today. Where Danger Lives premiered in the U.S. today in 1950.
|Vintage Pulp||Jul 12 2015|
|Femmes Fatales||Jul 11 2015|
Born in Pakistan in 1940, Rosemarie Dexter, aka Rosemary Dexter, established an acting career mainly in Italy and appeared in about forty films between 1963 and 1976, including Casanova 70, For a Few Dollars More, and El desperado. This shot of her in an unusual ruffled swimsuit is from the late 1960s.
|Sex Files||Jul 10 2015|
USA gyaru pâto 5: Karei naru higi premiered in Japan this month in 1983, and it’s an example of an erotic movie made with an American star for the Japanese market, such as this excellent example we shared way back. The top billed actress on this one is Carol Frazer, who was better known in the U.S. as Nikki Randall, and is a veteran of more than 100 adult productions. She also maintained a presence on mainstream network television, and appeared twenty or so shows between 1973 and 1989. She's joined above by Japanese actress Mayumi Sanjo.
The last three words mean, among other things, “beauty,” “become,” and “ceremony.” So there you go—as best we can tell the movie is about a beautiful American sex worker, and some sort of figurative or literal change she undergoes. Usually, when we do this sort of piecemeal translation, someone who actually speaks Japanese writes in to correct us, so let’s hope that happens this time. In the meantime, just for the hell of it, we have a completely not-safe-for-work full-frontal promo image of Randall/Frazer below—not the raciest image we’ve ever shared, but very provocative.
|Femmes Fatales||Jul 8 2015|
This photo shows American actress Vikki Dougan, the woman who was known as “The Back.” We talked about her before, how she emphasized her back with low-cut dresses that, frankly, raise the question of why she wasn’t actually known as “The Crack.” Numerous Dougan photos show her from the rear, looking over her shoulder at the camera. This image shows that she looked equally good from the other side. It dates from 1957.
|Vintage Pulp||Jul 7 2015|
|Femmes Fatales||Jul 4 2015|
Above, the incomparable Marilyn Monroe in two promos made for U.S. Independence Day. Many actresses posed for similar July 4th shots, but these are two of the nicer ones. And she's wearing those Lucite platform heels again. Man, she absolutely lived in those. See here and here. Monroe made these photos in 1953 when she was filming How To Marry a Millionaire, the hit comedy in which she and two pals move into a fancy hotel and use it to attract rich suitors. Guess who played one of the other gold diggers and was actually top-billed in the film? Betty Grable. Why is that curious? Well, let’s just say Hollywood’s difficulty coming up with new ideas is not a new problem. See the next post.
|Vintage Pulp||Jul 4 2015|
There’s some confusion online about whether this promo poster for Moon over Miami was painted by Alberto Vargas. Jan-Christopher Horak’s book Saul Bass: Anatomy of Film Design states: “Virtually all movie poster design work remained anonymous, although a few well-known designers received contracts, including Alberto Vargas for Moon over Miami.” On the other hand, several auction sites claim Vargas only worked on the print ads, and that the artist who painted the poster was charged with emulating the Vargas style. So there you go—cleared that right up, no? Well, we tend to believe Vargas would not have received a contract simply for print ads. What would the point of that be? So we think this piece is his.
In any case, we’ve always loved the poster and it prompted us to finally watch the film. Guess what? It’s just what you’d expect from looking at the art—goofy, gooey, and terminally good-natured. None of that is particularly pulp, but hey, crazy as it sounds, some filmmakers actually prefer to downplay death and mayhem. Betty Grable stars here as a woman determined to marry a millionaire. She sets up at a Miami hotel with her sister and aunt, and pretends to be rich herself, with the aim attracting the proper suitors. Confusion ensues, enlivened by musical numbers. Grable proves in this movie why she was a star, as does the object of her destiny Don Ameche, and excellent support comes from Carole Landis and Charlotte Greenwood. We don’t generally go for this sort of film, but we liked this one, as did our girlfriends. Now back to death and mayhem. Moon over Miami premiered in the U.S. today in 1941.