Above, Lizabeth Scott is smoking in more ways than one in this promo image shot for her 1948 film noir Pitfall. She was born Emma Matzo, if you can believe that, which makes her real name maybe the second worst in Hollywood history. But her career has to rank as one of the best in the sense that unlike most actresses she began with starring roles, debuting in 1945’s You Came Along, and later appearing in such classics as The Strange Love of Martha Ivers, Dead Reckoning and I Walk Alone. She last acted in 1972’s Pulp with Michael Caine, and today, aged 90, is retired and living in Southern California. 

This amazing Italian comic book cover for Ian Fleming’s Missione Royal, aka Casino Royale, with excellent cover art by Franco Picchioni, was printed in 1965. We found it over at the blog illustrated007, and there are other items there worth taking a look at if you’re inclined. Casino Royale was the first James Bond adventure written by Ian Fleming, but when it eventually hit the big screen in 1967 it was a Royale with cheese. Or more accurately, it wasn’t a Royale at all because it was a spoof that had nothing in common with Fleming’s work except the title and some characters. Still though, in its own way it was a good movie. But this cover reminds us that one thing we like about Bond as written by Fleming is his seriousness. Fleming more than once described Bond as having a “cruel mouth.” This doppleganger of Sean Connery has a cruel everything. No compassion in those eyes at all. We love it.

This sultry shot of American actress Pam Grier was made while she was filming the 1973 blaxploitation classic Coffy. It’s an image you see around the internet a bit, but Grier doesn’t have many quality promo photos out there, so we’re sharing it because, well, her presence only makes things better. Interestingly, it isn’t just Grier who doesn’t have many promo shots, but a lot of blaxploitation actresses. We’re thinking Tanya Boyd, Jeanne Bell, Tamara Dobson, Marki Bey, and other examples of pure hotness. We can only assume the shoestring production budgets in blaxploitation didn’t provide for much in the way of promotional materials. Truly a shame. 

Above are six beautiful covers for the magazine Thousand and One Nights, which was published out of Beirut, Lebanon, a city that was once known as the Paris of the Middle East. These issues are all circa mid-1930s, when the country was under French control. We don’t recognize all the actresses, but we can identify Jean Harlow in panel two and Mae West in panel four (no big trick there, since her name actually appears in English). You may remember we shared some covers from another magazine of the same name published in Japan. If you missed that, maybe click over there and have a look. It’s well worth it. As for the Lebanese Thousand and One Nights, we found about two dozen issues and they’re all quite interesting, especially the way the logo design changes each time. We’ll share more of these down the line. 

This publicity photo from Warner Bros. shows six members of the studio’s beauty chorus posing on a ladder that was part of a pirate ship being used in the 1933 Busby Berkeley musical Footlight Parade. This is not the first time this movie has been mentioned on Pulp Intl. We shared an excellent magazine cover related to it last year. Among the chorus girls who appeared in the film were nineteen-year-old Dorothy Lamour and twenty-two-year-old Ann Sothern, both just beginning their careers. The women above are not identified, but if we had to guess we’d say Lamour could be third from the top.

Above are a couple of scans from an issue of The National Police Gazette published this month in 1963 with cover star Ava Gardner. Gardner had been living in Spain and hadn’t been in a movie in three years, but was about to appear in the historical war drama 55 Days at Peking with Charleton Heston and David Niven. The Gazette discusses how she’d gotten fed up with the U.S.—particularly the American press. She had been particularly annoyed by the rumor that she was involved with Sammy Davis, Jr., a story that took flight after several magazines published photos of the two holding hands. When asked why she was returning to Hollywood after being out of circulation for so long, Gardner, in typically blunt fashion, replied, “I need the money.”

All Castro needs at that point is a Lacoste sweater and a fraternity paddle and his transformation into pure evil would be complete. But as fanciful as the story seems, Lisa really did exist. Her real name was Marita Lorenz and she was Castro’s live-in mistress for several months in 1959. While Lorenz herself never suggested she was ever raped by Castro, the two did have a falling out around the issue of her unplanned pregnancy, which was terminated in its sixth month. Lorenz later said the abortion was forced on her while she was drugged; Castro’s associates claim that she wanted it. Lorenz went on to join anti-Castro activists in the U.S., and on a fundraising visit with the deposed Venezuelan dictator Marcos Pérez Jiménez, became involved with him. She was still traveling to and from Cuba, and was recruited by the CIA for a Castro assassination attempt. But instead of poisoning his food, like she’d been instructed, she abandoned the plot, supposedly because she still felt strongly for him. Lorenz later wrote about all this in two autobiographies.

In 1977, Lorenz told the New York Daily News that she met Lee Harvey Oswald in autumn 1963 at a CIA safe house in Miami. She claimed she met him again weeks later along with a group of anti-Castro Cubans and they had Dallas street maps. We all know what happened next. Lorenz eventually testified about this before the House Select Committee on Assassinations, but her story was deemed unreliable. We suppose bouncing between two dictators and acting as a double agent will tend toraise a red flag with American congressmen, though these things have no bearing on whether she was telling the truth. It’s interesting though, isn’t it? You’d think that if a single man of his own accord assassinated another man the surrounding circumstances wouldn’t be so… labyrinthine. Yet lurking near the supposed black swan event of the Kennedy killing were double-agents like Lorenz, spooks like E. Howard Hunt, underworld figures like Eladio Ceferino del Valle and others. Just saying. In any case, we’ll have more from the Police Gazette and more on Fidel Castro soon.

Usually we take pains to post rare femme fatale images, if not shots that have never appeared on the internet before, but sometimes you gotta make exceptions, especially when there’s very little chance of improving on existing photos. Such is the case with the above images of American model and actress Joi Lansing in a skirted bikini. She posed in this suit a few times, and never have polka dots looked so good. In the 1950s there were the Monroes and Mansfields, but people who say actresses were generally more curvaceous are wrong. Curves were an ideal, but for every Monroe and Mansfield there were women like Linda Darnell and Joi Lansing who had what would today be considered ideal physiques. These shots are actually later Lansing, made for her role in the 1965 comedy Marriage on the Rocks, when she was thirty-seven years old.