|Vintage Pulp||Jul 31 2020|
Humphrey is pitch perfect as always but it's Edward who makes this movie sing.
Above, one of many promo posters for the classic drama Key Largo. This movie, as you doubtless know, is great. It hinges on Edward G. Robinson's bravura performance as a washed up gangster trying to make a comeback, but he gets ample onscreen help from co-stars Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Thomas Gomez, Claire Trevor, Dan Seymour, and others. And John Huston in the director's chair is no slouch bringing the foreground drama and hurricane background to life. Key Largo is often called a film noir. Is it though? Hmm... Bogart certainly fits the bill in terms of characterization, but since the movie lacks most other noir elements we're inclined to call it a straight crime drama. But that's just our opinion. It was first seen by the public at a Hollywood preview in mid-July 1948, and went into full national release today.
Key LargoHumphrey Bogart. Edward G. RobinsonLauren BacallThomas GomezLionel BarrymoreClaire TrevorDan SeymourJohn Hustonposter artcinema
|Vintage Pulp||Jul 30 2020|
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look.
Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
|Vintage Pulp||Jul 29 2020|
Mansfield and her crew try to steal a million.
This fantastic Belgian poster with lettering in French and Dutch was made for the 1957 film noir L'Ange des mauvais garçons, better known as The Burglar. Well, better known is relative. The movie is somewhat obscure but it shouldn't be—it's a film noir clinic, and this great promo, which was made for its run at the Ciné Capitole in Antwerp, befits such an artful movie. It's unsigned, so the creator will have to remain unrecognized for now. Conversely, we think the movie will garner more recognition as time passes. Jayne Mansfield co-stars but don't get your hopes up—she doesn't wear a black jumpsuit. Not even close. You can read more about the movie here.
BelgiumAntwerpL'Ange des mauvais garçonsThe BurglarDan DuryeaJayne Mansfieldposter artcinemafilm noir
|Vintage Pulp||Jul 28 2020|
There's nothing in her way except a huge red box.
Above you see a wonderful alternate cover for Nothing in Her Way by Charles Williams, with the great Robert McGinnis on the brush chores. We personally don't mind that Gold Medal covered McGinnis's femme fatale with a box of text, but we imagine McGinnis purists do. Considering this cover dates from 1963, it's perhaps a little too much to expect a publisher to feature a practically naked woman on a mainstream novel—and make no mistake, Charles Williams was a mainstream author who sold piles of books. Gold Medal obviously made concessions for the puritans, of which there have always been many in the U.S. But never fear. The case of the censored femme fatale was easy to solve. Just look below, where we've composited together a complete version, not to be found on any other website. Pretty good, no? We're not just pretty faces. See the earlier Gold Medal cover here.
|Vintage Pulp||Jul 28 2020|
Laura Gemser is a nun that likes to have fun.
Laura Gemser made more than fifty films, most of them of the erotic variety, which means we'll probably never run out of material on her to share. Above you see a Spanish poster for the her nunsploitation flick Sor Emanuelle, which was originally released in Italy as Suor Emaunelle. We already talked about the movie, but we wanted to share this unusual promo. We've never gotten the nun thing, we suppose because we aren't Catholic, or even religious for that matter, but for some reason these movies represent a full sub-genre of ’70s cinema. That being the case, it was only a matter of time before Gemser got into the habit.
She starred in this with Swiss actress Mónica Zanchi, who's billed as Mónika Zanchi. The two would pair up again a year later in Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals, another spectacularly bad sexploitation epic. In addition to the poster, we also—just because we can—wanted to share a couple of magazine images of Gemser and Zanchi, and those are just below. They're super naked. You've been warned. But these are beautiful shots. After its Italian opening in 1977 Sor Emanuelle premiered in Spain today in 1978. Check out our original write-up on the film here.
SpainItalySwitzerlandSor EmanuelleSuro EmanuelleSister EmanuelleLaura GemserMónica ZanchiMónika Zanchinudityposter artcinemasexploitationnunsnudity
|Vintage Pulp||Jul 27 2020|
Count yourself lucky if your girlfriend only gets grumpy when she's hungry.
We never considered the possibility that the bizarre Girl Diver of Spook Mansion wasn't the only weird ama movie made, but we're fast learning that these films—an ama is basically female pearl diver—were used as templates for all sorts of bizarre plots. Above you see two posters for Hitokui ama, which is known in English as Cannibal Ama, or sometimes Underwater Murder, and occasionally Man-Eating Girl Diver. It starred Yoko Mihara, and like her earlier outing in Spook Mansion, is currently unavailable to us. In fact, we don't think the movie has been released on DVD anywhere outside Japan. It's too bad, because the whole cannibal idea has us greatly intrigued, but sadly this is one we'll have to wait for. Hitokui ama premiered in Japan today in 1958.
JapanShintohoHitokui AmaCannibal AmaMan-Eating Girl DiverUnderwater MurderYoko Miharaposter artcinema
|Intl. Notebook||Jul 20 2020|
Or how we took the opportunity to travel while it was there.
We're taking a break to wander a bit. We were debating it, in this age of virus, but three factors swayed us. First, we're going entirely by car rather than mass transit. Second reason is that virus cases will certainly rise from here onward, so we probably won't be able to travel as safely later. And the third reason is if we haven't seen nature, hills, and empty ocean when and if a second wave of the virus comes through, we probably won't survive a new quarantine. Well, that's an exaggeration. We'd survive. But we might kill our neighbors.
Anyway, this is our shot at travel, so we're taking an all-day road trip to a distant peninsula and theoretically we'll be back in a week. As usual, we've selected a few posts for first time visitors to glance at. They represent a small cross section of more than 5,600 posts in the website, which probably encompass more than 30,000 pieces of art, much it seen online for the first time here. Some good items reside here, here, here, here, here, here, and here. Make yourself at home, but don't break anything.
|Vintage Pulp||Jul 20 2020|
She's going to get rich even if it costs everything you have.
Lionel White is a solid author, one we've enjoyed several times. In Marilyn K. he sets a challenge for himself. He takes the hoariest cliché—a stranded woman by the roadside with a suitcase—and runs with it as far and fast as he can. She's a mobster's girlfriend, the suitcase contains $350,000, she may have killed someone, she's possibly being chased by dangerous people, the hero should ditch her but she's a real sexpot, etc., etc. This is a film noir-style story in which the protagonist finds himself in deeper quicksand with each passing chapter. And as in film noir, he's moth-to-flame with a femme fatale who seems certain to destroy him. He needs to figure out if he's being set up, avoid murderous mobsters, try not to get arrested, and keep his dick in his pants long enough to have a good long think about all of the preceding. The last challenge is the hardest by far. In the end there's a twist—more of a switcheroo—that you'll see through immediately, after which the book resolves in suitably noir fashion. Despite some lapses this is a decent tale. But when White is on form, he's great. Marilyn K. is from 1960, and the cover art is by Harry Schaare.
|Vintage Pulp||Jul 20 2020|
Technically it's a two-three punch but who's counting?
Above are Japanese posters for two Hong Kong martial arts actioners from the immortal Bruce Lee—1971's Tang shan da xiong, aka The Big Boss, and 1972's Jing mo mun, aka Fist of Fury. You notice the numbers on these, 2, and 3. They didn't premier in Japan until 1974, which meant they showed there after 1973's worldwide hit Enter the Dragon. So when these two films finally traversed the East China Sea, they were cleverly marketed as Lee's second and third karate epics to fans rabid for more high kicking adventure. There's an alternate Jing mo min poster of far lesser quality than what you see above, but we've included it anyway, below. We have plenty more Lee in the site, so if you're interested click his keywords.
JapanHong KongTowa Co.Tang shan da xiongThe Big BossJing mo munFist of FuryThe Chinese ConnectionEnter the DragonHong Kongposter artcinema
|Vintage Pulp||Jul 19 2020|
We're not sure what mesdemoiselles are, but we'd like to meet one.
Remember those amazing front and rear covers of Nichigeki Music Hall magazine we showed you? We thought you'd like to see what's inside one. Below we have a 1955 cover, with its promise of “mesdemoiselles,” and some interior scans. We actually know what mesdemoiselles are, because we looked it up. It's the plural of mademoiselle. We're aways learning. The inside of this mag isn't as impressive as the outside, but how could it be? That's often the way it went in vintage publishing, where so much effort was put into luring buyers with pretty cover art. Exactly how pretty does this magazine get? Check our previous post.