She can Seymour in the cards than you can.
Playing the virgin tarot reader Solitaire in 1973's James Bond film Live and Let Die, British actress Jane Seymour wore probably a dozen hairstyles, but we don't remember this one. It's ridiculous, but when you're beautiful you can get away with it. Since shifting her career into top gear with Bond, she's racked up acting credits in something like 170 films and television shows. While she's appeared on the silver screen plenty, she truly made her mark in television, playing everything from an Old West physician in Dr. Quinn, Medicine Woman to Lady Brett Ashley in a mini-series of The Sun Also Rises. There's little doubt she's one of the more enduring small screen stars of her generation. We doubt even Solitaire saw that coming.
Laced up tight and ready for action.
British actress Jacqueline Jones appears in the above promo image made for 1965 her comedy/thriller The Intelligence Man. Jones accumulated about forty credits during her career, appearing in such movies as Jungle Street Girls and The Cool Mikado, and on television shows such as The Avengers and The Scales of Justice. This is a great shot, bouffant hair, lace top, pink background, and all.
Movie stars were always willing to give each other a hand.
Once again we've been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. The just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950's Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won't get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder. Diana Dors smacks Patrick Allen blurry in 1957's The Long Haul. Mob boss George Raft menaces Anne Francis in a promo image made for 1954's Rogue Cop. Bud Abbott gets aggressive with Lou Costello in 1945's Here Come the Co-Eds. Jo Morrow takes one from black hat Jack Hogan in 1959's The Legend of Tom Dooley. Chris Robinson and Anita Sands get a couple of things straight about who's on the yearbook committee in Diary of High School Bride. Paul Newman and Ann Blyth agree to disagree in 1957's The Helen Morgan Story. Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General. What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill. Claudia Cardinale slaps (or maybe punches—we can't remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King. Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We're thinking it was probably even more tense after this moment. Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954's Carnival Story. Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta. Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964's Schwejk's Flegeljahre, aka Schweik's Years of Indiscretion. Elizabeth Ashley gives Roddy McDowall a facial in in 1965's The Third Day. Tony Anthony slaps Lucretia Love in 1972's Piazza pulita, aka Pete, Pearl and the Pole.
André Oumansky goes backhand on Lola Albright in 1964's Joy House. Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught. This looks like a real slap, so you have to credit the actresses for their commitment. It's from 1961's Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands. Gloria Grahame finds herself cornered by Broderick Crawford in 1954's Human Desire. Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.” There are a few slaps in 1939's Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard. Virginia Field takes one on the chin from Marshall Thompson in Dial 1119. Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970's Two Mules for Sister Sara.
She always manages to make a solid point.
French actress Corinne Le Poulain, who you see here armed and pleased with herself, is a bit obscure due to acting largely on television, however, she did make such cinematic efforts as 1969's Un jeune couple, aka A Young Couple, 1970's La provocation, and 1973's Les anges. This photo was made for her hit show Sam et Sally in 1978. The beautiful madmemoiselle Corinne will return soon.
Whew! I'm getting tired. But there you have it—the letter Y. Next up is my finale—the letter Z!
Georgine Darcy shows her dancing flexibility in this promo image made in 1954, around the time she was making her debut in Rear Window. She appeared in a few other films, among them Women and Bloody Terror, and guested on about a dozen television shows—Mike Hammer and Peter Gunn come to mind—but she'll probably always be remembered as Miss Torso from Hitchcock's classic. The only thing is, they should have called her character Miss Everything, because she's got it all.
She can Rigg a solution to any problem.
British actress Diana Rigg stars on this Flickr sourced cover of 1968's Lijken in Actie, which was a Dutch translation of John Garforth's The Laugh was on Lazarus, a novel derived from Rigg's hit television show The Avengers. She played the indomitable Emma Peel, who kicked ass with great counterculture style while partnered with the older and more conservative Patrick Macnee. The lettering that says De Wrekers, is not the title. That translates literally as “the avengers,” so it's just letting book buyers know they're looking at an adaptation of the show. The title is at the bottom.
This was the second of four Avengers novels by Garforth. As befits a show that had grown more fantastical each year, the story here deals with people being raised from the dead for nefarious purposes. You'll notice that the cover is signed. Dick Bruna is attributed with its creation, because by 1968 we've entered the age where graphic design is occasionally being considered creditable art. The most artful part of this is actually his signature, but okay, nice work. It's hard to go wrong when you start with an unbeatable photo of one of the most popular television spies of the era.
Greetings, Earthling. Take me to your leading purveyor of glitter.
This promo photo features Hungarian actress Catherine Schell, and it was made for the cheeseball British television series Space: 1999, about the trials and troubles of the inhabitants of a moon colony after a massive explosion blows the moon out of Earth's orbit. As the survivors hurtle through space they encounter strange phenomena and new lifeforms. Schell played an alien named Maya from the planet Psychon, and could transform herself into anything organic, including, seemingly, an aficionado of intricate beadwork. She played Maya for twenty-five episodes, and is also well known for appearances in films such as On Her Majesty's Secret Service and Moon Zero Two. This shot is from 1975.
Fresh from the factory.
The 1964-1965 New York World's Fair brought eighty nations, almost fifty corporations, and a hundred restaurants together to occupy one hundred and forty pavilions built across more than six hundred acres in the borough of Queens. To say that sounds fun is an understatement. We'd love to have been there, especially to see the New York City of that era, but nobody has invented a time machine yet. If we could have gone to the Fair, though, we'd have made sure to run across U.S. actress, model, and singer Joi Lansing, above, who made a publicity appearance as the Queen of Candy outside the Chunky Candy Pavilion.
By the fall of 1964, which is when she posed for the photo, she was a longtime celebrity who had never quite made it big. That's easy to guess, because a big star wouldn't have been slogging through New York's autumn rain trying drum up publicity for herself and a candy brand. Lansing had started in movies in 1947 when she was eighteen, and bounced between cinema and television, with many stops in the pages of tabloids. She never quite became a movie star, but she did forge a major television presence, and was eventually honored for her contributions to that medium by receiving a star on Hollywood's Walk of Fame.
We find her interesting because she had an unconventional sort of beauty, and she seems to pop up all the time in the materials we accumulate. Sadly, she died of cancer in 1972 when she was only forty-three. We have a fair amount of material on her in the website, including some interesting bikini shots here made when she was thirty-seven but looking twenty-five, an interesting paperback cover she appeared on here, a movie poster for one of her starring roles here, and a brilliant promo image showing her at her very best here.
Yes, we all saw your new boots, and for the last time—we all love them.
If you've never watched Japanese television but this person still seems familiar, it may be either because we used her in a collage several years ago, or because there are lots of high kicking images in Japanese posters and promo shots, and she reminds you of those. Either way, this is a fun image of Lisa Komaki, who rose to fame playing the character of Peggy Matsuyama the Momo Renjā, or Pink Ranger, on the hit tokusatsu series Himitsu Sentai Gorenger, which debuted in 1975. Komaki appeared in several short films and one other series, all along the same lines as Himitsu Sentai Gorenger, and was out of show business by 1979. But tokusatsu series represent a cult niche in popular Japanese culture, which means she's well remembered.
I heard this was a no Parkins zone. I'd like to have a word with you about that.
Canadian actress Barbara Parkins strikes a couple of fun poses in the above two promo images made when she was co-starring in The Kremlin Letter in 1970. She was mostly a television actress and is best remembered today for the soapy series Peyton Place, but she also appeared in the mostly forgotten but very interesting horror movie The Mephisto Waltz, and the Hollywood takedown Valley of the Dolls, which has become a cult fave. In total, she acted for almost forty years before retiring in 1998. We've seen quite a few shots of her, but we think these are the best.
The headlines that mattered yesteryear.
1954—Joseph McCarthy Disciplined by Senate
In the United States, after standing idly by during years of communist witch hunts in Hollywood and beyond, the U.S. Senate votes 65 to 22 to condemn Joseph McCarthy for conduct bringing the Senate into dishonor and disrepute. The vote ruined McCarthy's career.
1955—Rosa Parks Sparks Bus Boycott
In the U.S., in Montgomery, Alabama, seamstress Rosa Parks refuses to give her bus seat to a white man and is arrested for violating the city's racial segregation laws, an incident which leads to the Montgomery Bus Boycott. The boycott resulted in a crippling financial deficit for the Montgomery public transit system, because the city's African-American population were the bulk of the system's ridership.
1936—Crystal Palace Gutted by Fire
In London, the landmark structure Crystal Palace, a 900,000 square foot glass and steel exhibition hall erected in 1851, is destroyed by fire. The Palace had been moved once and fallen into disrepair, and at the time of the fire was not in use. Two water towers survived the blaze, but these were later demolished, leaving no remnants of the original structure.
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