What do you get the pulp fan who has everything?
We were poking around online and came across these two nude figurines by the French artist Alain Gourdon, aka Aslan. He's well known today as an advertising illustrator, paperback and magazine illustrator, and pin-up artist. He also modeled a hedonistic lifestyle, a sort of mini-Hefner existence (example here, and below)—which like Hugh Hefner's may have been partially staged for publicity purposes. But what is less known about Aslan, outside France, anyway, is his sculpture. However he was a heavy hitter in this area too, and had been since before he became famous as a pin-up artist. Way back in 1952, when he was only twenty-two, he won a prize for his sculpture. Later he sculpted a famous bronze bust of Brigitte Bardot as Marianne, the symbol of the French Republic, and he also sculpted a funerary statue for famed actress Dalida's tomb, as well as a bronze bust of her that was erected on the Place Dalida in 1997. So these figurines come as no surprise to us. We'd let these live on our desks, keeping our stray papers under control, but the prices are too rich for our blood. On the other hand, since it's Christmas, maybe we can receive them as gifts. Hmm... Okay, gotta run. We're going to talk to our girlfriends about these.
Say it! Say it louder, you swine! With onion soup you should drink only a basic vin blanc or possibly an aligoté!
It's a cliché, but one we've noticed to be true, that the French tend to be polemical in their opinions about artistic matters. Movies, literature, painting, architecture, all of these things are either magnificent or total shit. Which leads to some interesting discussions. The big chasm between us and one of our French friends happens to do with food and drink—typically Champagne versus cava, or rillettes versus paté. So for us, this cover for Coup de main reminded us of those discussions. Just for the record, E.E., here on our website where you can't argue—we think cava and paté are just dandy no matter what you say.
Coup de main is number fifty-five in Éditions du Grand Damier's Espionnage series, published in 1958, and written by Jaques Dubessy under the pseudonym Slim Harrisson. That's a name you see a lot in vintage French fiction because it was credited with nearly one hundred novels, and we assume few if any of them are total shit. In this particular book Harrisson's franchise hero Sam Morgan's adventures carry him from FBI headquarters in Washington, D.C. to Tangier, Lisbon, and beyond. The cover art here is by Alain Gourdon, aka Aslan, the towering figure of French paperback and pin-up illustration.
Look! Smooth as two baby peaches. Anywhere else you want me to shave?
Here's a nice cover for a Dutch paperback titled Nachtkatje, which translates as “night kitten,” written by Mike Splane, and published by Antwerp based Uitgeverij A.B.C. for its Collection Vamp in 1957. This publisher is not the same as Uitgeversmij, based in Rotterdam, Netherlands, and whose output we've shown you here and here. The cover on this is uncredited, but A.B.C.'s Vamp series often had Alain Gourdon art that had been modified from a previous form, and this piece has that look. Everything we just wrote, we learned with minimal research. Now comes the part where our research falls short. You might guess that this is a translated Mickey Spillane novel, but we can't confirm that. If it's a translated Spillane it's mighty short—just sixty-plus pages. Which presents a problem. Spillane's short stories weren't published in book form until after 1957, at least not in the U.S. So finding out if this is a Spillane short—which we actually doubt—will have to wait for more knowledgable people than us. See more covers in the same vein here.
Nana gives Turkey something to be thankful for.
We don't often find stuff from Turkey, but we ran across this item and thought it was worth a share. It's the cover of a pop culture magazine called Peri Kizi, which translates into English as “fairy,” as in a mystical creature from ancient folklore. The reason this caught our eye is because the cover star, billed as Nana Aslanoglu inside the magazine, is famed Lebanese born bellydancer and impromptu Rome stripper Kiash Nanah, who was also known as Aïché Nana. The photos feature her sporting a top added by censors, sadly, but the images are still quite nice. Almost forgotten in this millennium, Nanah was quite the sensation in her day. What did we mean by impromptu Rome stripper? Check here, uncensored.
There's nothing like the Aslan touch.
Here's something a bit different—a poster advertising an exhibition of work by the great French illustrator Aslan, also known as Alain Gourdon. It began today in 1977 in Paris at Art Concorde, a gallery of the era. There are probably still occasional exhibits of Aslan's work in France, but it's cheaper to see it on Pulp Intl. The better examples are here, here, here, and here, plus we wrote a little post when he died, which you can see here.
Cheapie tabloid shows the way to enriched health.
Above is the cover and below are some interior scans from National Informer Reader, an offshoot of the tabloid National Informer. It hit newsstands today in 1971. Generally the publication featured photographed models on its cover, but we've run across a few like this one with illustrations. There's another one in the same vein inside the paper, and of course both are uncredited, though they look like the work of Alain Gourdon, aka Aslan. Needless to say, if these drawings are the work of the famed French illustrator, the editors of Informer Reader are unlikely to have paid for them.
The centerpiece of this issue is the spread on Swami Sarasvati, a famous yoga teacher who was born in India but moved to Australia and in 1969 became the host of a yoga television show that aired five mornings a week. Informer Reader shares her “sexercises,” but this turns out to be the editors' salacious take on things—the Swami is merely offering relaxation and better health. It's interesting, though, that she posed in a bikini. Clearly she wasn't so zen a little self promotional skin was out of the question. You'll notice her Siamese cat makes an appearance. There's a video online of the Swami being interviewed, which you can see here, and amusingly, the cat makes an appearance there too.
Elsewhere in the issue readers get another installment of “I Predict” by seer Mark Travis. Never timid, this time around he warns that the U.S. and Soviet Union will develop lightning weapons to blast each other, that a member of the British parliament will be revealed as a modern Jack the Ripper, and that a famous Hollywood producer will be exposed as a drug kingpin. As a prognosticator you only have to be right one in ten times to impress people, but Travis isn't even giving himself a chance with these crackpot predictions. We have more Readers to upload, so we'll see if his anemic percentage improves. Scans below.
Even half covered and drained of color the art is easy to recognize.
The famed French illustrator Alain Gourdon, aka Aslan, saw his work reused in the unlikeliest places, including unlicensed on bootleg vinyl sleeves for The Cure and Joy Division. Today we thought we'd show you his art recycled in his native industry—publishing. The top cover for Ludwig Krauss's Les nuits bavaroises is from Éditions Les Presses de la Nuit and appeared in 1958, and the simplified second cover for Michel de Kerguen's Concerto pour un ange is from Les Éditions Gamma and appeared a year later. You can be sure the reworked Aslan was licensed, but none of the sites we visited seemed to realize it originated with him. So we're giving him official credit. Both covers are nice, but the first is truly brilliant.
In a New York minute everything can change.
Casanova à Manhattan is another novel in the dekobrisme style by the author for whom the adjective was coined, Maurice Dekobra. In this one a French count rescues a woman from a concentration camp, marries her, and spirits her away to New York City. He gets a job in a nightclub and she finds work as a chaperone of debutantes. Things go swimmingly until the count's sister-in-law turns up with designs to replace the wife. Dekobra was one of the most famous French authors of the 20th century. You can learn a bit more about him from our previous write-ups on him here and here, but the best way to know him is to read him. The cover art here was painted by Aslan, aka Alain Gourdon. He painted some of the most romantic covers and pin-ups of the last century, and some of the most erotic. We've been thinking about putting together a collection of his pin-ups, but have been hesitant because they're pretty explicit. Well, stay tuned. We may do it anyway. Meanwhile, check out our collection of paperback kisses here.
Sing? Are you serious? I can barely breathe in this outfit.
We never want to go too long without an offering from the great French pin-up and paperback artist Alain Gourdon, aka Aslan, so above we have his cover for Macadam Sérénade, a thriller written by Paul S. Nouvel for Éditions de l'Arabesque. Nouvel was a pseudonym. The man behind it was French journalist/author/translator/editor Jean-Michel Sorel, who also wrote as Larry Layne, Arnold Rodin, Silvio Sereno, Tugdual Marech, Jan Mychel, Jean-Michel, Yvon Brozonech, Swani Abdul Hamid (we love that one), and many other identities. In all he produced more than one-hundred forty novels—and probably could have squeezed in a couple more if he hadn't been so busy thinking of pen names. 1955 on this.
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