| Intl. Notebook | Sep 29 2020 |
This is the best Laff you'll have all day.
We've posted three issues of Laff magazine over the years, and we return to that publication today with an example from this month in 1946 featuring starlets, showgirls, and burlesque dancers of the highest order. You get Jane Russell, Adele Mara, Vera Ellen, and Myrna Dell, amongst others, but the winner in these pages is Acquanetta, aka the Venezuelan Volcano, who gets a striking tropical themed centerfold photo. In addition, you get a bit of sports coverage—specifically baseball, which is appropriate with the MLB playoffs starting tonight—as well as numerous cartoons.
These cartoons—the laffs in Laff magazine—tend to be sexist by today's standards, but then so is this entire website, really, which is an unavoidable side effect of focusing on vintage fiction, art, and photography. We hope the historical significance of the material overshadows all else. In any case, we included the cartoons despite their mostly lame humor, due to the fact that they're high quality illustrations well worth seeing. All that and more appears here in forty-plus scans and zooms, and you can see the other issues of Laff by clicking its keywords below.
LaffAdele MaraAcquanettaJane RussellMyrna DellVera EllenJoy SkylarHarry DanningDoreen DeMosDoris DeanPat HuttoVirginia Dewmagazine artburlesquebaseball
| Vintage Pulp | Apr 7 2017 |
French Polynesia gets whitewashed by tropical storm Hollywood.
This poster was made to promote the mostly forgotten b-picture Call of the South Seas, one of those Westerners-in-paradise flicks so popular during the mid-century period. The set-up here is simple: a roguish adventurer fetches up on a Pacific island looking for work. He takes a job at an exporting firm, but finds that his employers are paying the local Polynesians a pittance of the fortune being earned. The movie stars Janet Martin as Tahia, who's local but whose mother was French, grandmother was French, and great grandmother was French, a line of dilution strong enough to ensure that she possesses the needed racial purity to serve as love interest to co-star Allan Lane. While her blood has been whitewashed, her linguistics have not, leading to her delivering hilarious lines like, “I come because I very angry and if I don't let it out I burn all up inside.” The filmmakers had a grand old time making this movie, and the end result, clumsy though it may be, is non-malicious. It also has Adele Mara in a small part, and as a bonus she's wearing this. Call of the South Seas premiered in the U.S. today in 1944.
| Intl. Notebook | Mar 8 2017 |
It's never too late to go to Paris.
Above are some scans from Paris-Hollywood issue #56, published in 1949. Paulette Goddard is the cover star, sporting a crazy hair-do that makes her look a bit like she has horns. The cover text explains that the shot was made as a promo for her role in Les Naufrageurs des mers du sud, better known as Reap the Wild Wind, and we'll just assume the wild wind did that to her hair. The movie was made in 1942 but due to a little inconvenience called World War II did not play in France until later. Inside the issue you get Alexis Smith (described as a protégée of Errol Flynn), Jane Russell, Mary Kay Dodson, and the always lovely Adele Mara. The back cover goes to Janis Paige, who's posing in costume for her role in the western Cheyenne. We have more of these magazines in the website and you can see them by clicking the keywords “Paris-Hollywood” below.
FranceParis-HollywoodLes Naufrageurs des mers du sudReap the Wild WindCheyenneJanis PaigePaulette GoddardAlexis SmithAdele MaraMary Kay DodsonJane RussellErrol Flynncinema
| Femmes Fatales | Mar 5 2017 |
If you think it looks funny in a photo you she should see when I walk into a restaurant this way.
Above, hottie Adele Mara strikes some limber poses in two promos from the Republic Pictures b-feature Call of the South Seas. She plays a Polynesian dancer named Aritana, which must mean “lily white” in her language. But of course, in 1944 when the film was released, dark skinned performers were rarely part of Hollywood calculus. Mara loses points for authenticity, but the shots are still amazing.
| Femmes Fatales | Mar 23 2015 |
Even if she could fit in the slot she’d be returned due to lack of postage.
This nice shot shows American actress Adele Mara, née Adelaide Delgado, who got into show business when she was discovered in her early teens by bandleader Xavier Cugat, and performed with his orchestra as a singer and dancer. From there she naturally pursued roles in film and had a long career on the screen, appearing in such productions as Traffic in Crime, Passkey to Danger, Blackmail, and I, Jane Doe. This image is probably from around 1950.
