 Lee provides the style, Laffin provides the substance. 
We're back to Horwitz Publications and its appropriation of Hollywood stars for its covers. If you haven't seen those they're all worth a look because of their usage of rare images. On the above cover from 1957's Hired To Kill, the face belongs to Belinda Lee, and as always the taste of Horwitz editors is impeccable. But Lee wasn't long for this world. She was just establishing herself as one of Britain's best exports when she became a road casualty during an ill-fated 1961 drive from Los Angeles to Las Vegas.
Moving on to John Laffin, he was one of those authors whose brand was being a real-life adventurer. He was supposedly an ex-commando who was an expert with rifles, martial arts, and throwing knives, and who also spoke five languages. He'd visited thirty-two countries at the time of publication of this novel and was busy adding to the number, according to the rear cover text. And apparently he had been published in fourteen countries and five languages, which makes it a bit embarrassing we'd never heard of him.
We checked out his bibliography and sure enough, the guy wrote a pile of books. Many of them were war biographies and political analyses. He mainly focused on the British experience in World War I, but wrote everything from adventure fiction to an “expert”—i.e white guy's—analysis of the Arab mind. He sounds like an interesting fella, so we may look what's out there that we can acquire for a reasonable price and see what his fiction is like. If we do we'll report back.
 Oh! Heh heh. You had something on your shirt and I was... er... just going to stab it for you. 
It's been a while since we featured Michel Gourdon's work, so above you see a cover for L'évadée de Saint-Lazare by Pierre Souvestre and Marcel Allain, for Paris based publishers Éditions Robert Laffont, number 29 in its series Collection Rex. The book is about a ruthless criminal named Fantômas, who wears a blue mask and black gloves. He was one of the most popular creations in the history of French literature. Souvestre and Allain wrote thirty-two books about him between 1911 and 1913. That's not a typo. They wrote fast, about a book a month, and were greatly helped by the money earned by selling him to the movies, where he became a stalwart of France's early silent cinema. Éditions Robert Laffont republished the books during the 1960s, with Michel Gourdon illustrating all of them, and the above edition coming in 1963. Rear cover below. We'll probably get back to Fantômas later.
 They say it’s the best medicine. 
Above, the cover of Laff magazine from July 1952, featuring Kalantan, who began life as Mary Ellen Tillotson and earned success as a burlesque dancer. Laff also offers up images of opera singer Frances Yeend, model Eugenie Bennett, actress Joi Lansing (called “Joy” here), and others, all below. If you’re curious, you can see Kalantan shake her moneymaker here.
|
 |
The headlines that mattered yesteryear.
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters. 1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54. 1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
|
|
|
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here to give us your best shot.
|
|
