|Vintage Pulp||Mar 24 2015|
|Vintage Pulp||Mar 22 2015|
|Vintage Pulp||May 22 2013|
This amazing Italian comic book cover for Ian Fleming’s Missione Royal, aka Casino Royale, with excellent cover art by Franco Picchioni, was printed in 1965. We found it over at the blog illustrated007, and there are other items there worth taking a look at if you’re inclined. Casino Royale was the first James Bond adventure written by Ian Fleming, but when it eventually hit the big screen in 1967 it was a Royale with cheese. Or more accurately, it wasn’t a Royale at all because it was a spoof that had nothing in common with Fleming’s work except the title and some characters. Still though, in its own way it was a good movie. But this cover reminds us that one thing we like about Bond as written by Fleming is his seriousness. Fleming more than once described Bond as having a “cruel mouth.” This doppleganger of Sean Connery has a cruel everything. No compassion in those eyes at all. We love it.
|Vintage Pulp||Feb 11 2013|
Above are three excellent posters for Dario Argento’s Il gatto a nove code, aka, Cat o’ Nine Tails. Only one bears a signature—P. Franco, who in everyday life was Franco Picchioni. We suspect he painted the others as well. With posters this great, plus Argento at the helm, we had to watch the movie, but while it’s a serviceable giallo with an interesting central murder mystery, it’s nothing to write home about. But it does have Karl Malden doing a bang-up job as a blind ex-newspaperman and James Franciscus as a solid lead.
And then there’s the heavenly French creature known as Catherine Spaak. You have to work pretty hard to somehow make a love scene featuring this stunner possibly the worst ever filmed, but Argento manages to make her romp with Franciscus as erotic as watching a hardware store clerk stack two wooden planks. Want your kids to avoid premarital sex? Have them watch this scene. They won’t even have a clue what happened.
The title of the movie refers to neither a cat nor a nine-tailed whip, but rather to the many leads that need to be investigated before the mystery can be unraveled. It could also describe Argento’s struggle to weave an involving narrative. In the end, even with his stylish direction framing the story, it’s Malden that carries this movie to the finish line. Plus he has a sword cane, which is always a bonus. Many Argento fans use the term “underrated” to describe this effort. That’s a euphemism for strictly average. Il gatto a nove code premiered in Italy today in 1971.