Above: a really nice promo image of Chinese actress and nightclub performer Mitsouko, first published in the French magazine Cinémonde today in 1967. Mitsouko's real name was Maryse Guy, but under her pseudonym she appeared in ten films, including Agent 077 - Mission Bloody Mary and—briefly—Thunderball. She made a number of interesting promo images, so she'll probably show up here again. 

Above: another primo promo of lovely U.S. actress Gloria Hendry. This one, like the others we've shared of her, was made for the 1971 James Bond movie Live and Let Die, in which she played undercover CIA agent Rosie Carver. 007 never had it so good. 

What is it about sports that all of them have so much terminology fit for sexual puns? Someone should do a study on that. Meanwhile, here you see British actress Eunice Gayson, who you remember as Sylvia Trench from the James Bond movies Dr. No (the source of this image) and From Russia with Love. In both films she serves as soft comic relief, as it were, when Sean Connery amusingly abandons her before they can consummate their lust. But that's probably why she survived both films—back then Bond's chance encounters usually were killed. 

We ran across this on mercadolibre.com. It's Ian Fleming's Goldfinger from Ediciones Albon, out of Colombia, published in 1964. The vendor was asking 200 for this. Pesos? No—dollars. That's a lot of plata. We'd rather spend the money on actual Colombian gold, so we took a pass. But we love the cover. 

Sean Connery made as many appearances in sixties and seventies tabloids as just about any celeb of his time period, so here he is again in an article promoting his role in Diamonds Are Forever, which would premiere just a couple of weeks after this December 1971 National Police Gazette hit newsstands. we talked a bit about the source novel for the film, and author Ian Fleming's troubles with his publishers. It's interesting, so check here if you wish.

In Gazette, Connery speaks of his futile struggle to portray James Bond as a balding hero, and quips about making his stylist thin his wigs so there was almost no point in wearing them at all. Connery said about Bond’s aging, “No one is immortal—not me, not you, and not James Bond.” It was a commendable sentiment, but naïve. Seems as though Connery didn’t realize United Artists had already branded Bond well beyond the point where the character was tethered to any concept of aging.

The studio proved that when it brought the much younger Roger Moore on the scene for 1973’s Live and Let Die. Moore would later give way to Dalton, who gave way to Brosnan, who gave way to Craig, as Bond himself remained eternally forty-ish through the passing years. Elsewhere in the Gazette you get a report on the hash capital of the world, the world’s greatest racing systems, and the usual assortment of random beauties in bathing suits. All that, plus hashish toasted cheese, below.

Probably needing no introduction, above, is Hawaii born actor Toshiyuki Sakata, who performed as Harold Sakata. We ran across this 1964 promo image on an auction site and had to share it. Sakata rose to fame initially as an Olympic weightlifter and professional wrestler, but was coaxed in front of the movie camera to play Oddjob in the film Goldfinger. He was one of Bond's most formidable foes, fighting with brute strength and his deadly top hat, which had a razor sharp steel brim that could take the head off a marble statue. Unfortunately, that same hat led to his character's demise when he was electrocuted inside Fort Knox. After that ugly death Sakata went on to amass more than thirty credits in cinema and television—a successful career by any measure. But he'll probably always be best known as Oddjob.