|Vintage Pulp||Oct 15 2019|
More for the doctor sleaze bin, Roy Benard Sparkia's Doctors & Sinners, from 1960 for Pyramid Books. Sparkia was prolific in this genre, but he also wrote Build My Gallows High, which was the basis of one of the great films of the 1940s, the film noir Out of the Past, which starred Robert Mitchum.
|Vintage Pulp||Feb 17 2019|
Even if you haven't read Honey West we bet you've heard of her. This Girl for Hire is the first novel starring one of the first female private eyes in popular literature. It was originally published in 1957, spawned ten sequels, a 1965 television show, and even a 2013 graphic novel. All of that began with This Girl for Hire, so we read it, and it's pretty bad. Not every published book—even popular ones—possess style or merit, and this one's buzz is undeserved. The plot is a bore, the humor is obvious, the dialogue needs a serious polish, and the sexiness so boldly touted in the rear cover blurb simply doesn't materialize. And finally—the cardinal sin—we don't get the impression matters improve in later novels. For better along these lines we recommend Peter O'Donnell's Modesty Blaise adventures. They deliver eroticism and action and most of them are actually pretty good. In fact, This Girl for Hire made us immediately retreat to our Blaise stash just to remind ourselves this concept could be done well. See below.
|Vintage Pulp||Oct 11 2018|
In Dead End two crooked cops end up with a million dollars in dirty money and decide to ditch their jobs and flee the country. But their law enforcement colleagues are after them, so first they hole up in an old Prohibition hideout to let the heat dissipate. How long will they stay in this little room? As long as it takes. The older cop Doc suggests months. The younger cop Bucky is going crazy in days. You know for a certaintly that this partnership isn't going to end well. Lacy is up and down as a writer but this is him on the upswing. Originally published as Be Careful How You Live in 1959, this Pyramid paperback appeared in 1960 with cover art by Ernest Chiriaka.
|Vintage Pulp||Oct 10 2018|
Above is another cover for Ed Lacy's breakthrough detective thriller Room To Swing, with the hero lurking on a fire escape. They should change the names of those things, considering how often they're used for things other than escaping fires. The art here is by an unknown, and like the previous cover (though we didn't point it out at the time) shows a white detective. Or one that can be taken for white. But the main character Toussaint Marcus Moore is black. In fact he's so dark even his girlfriend gives him a hard time about it. Clearly both publishing companies knew the book would sell fewer copies with an identifiably black cover star. The whitewash is an ironic side note to a book that directly discusses racism, but mid-century book covers, even those having nothing to do with race, often deceived consumers, so this is not an anomaly. Both covers are high quality art pieces. See the other one here.
|Vintage Pulp||Sep 17 2018|
Room to Swing won Lacy the coveted Edgar Award, though we wouldn't say the book is brilliantly written. But it takes readers into fresh territory for a detective novel, and Toussaint is portrayed humanistically and empathetically. The book exemplifies the idea that it's possible for anybody to write about anybody else, regardless of race. Unfortunately, it wasn't a luxury that was often afforded to any but white writers back then, but it certainly should have been. All sorts of insights might have been possible. Room to Swing has plenty of those, and if you can find this Pyramid paperback edition with Robert Maguire cover art, all the better.
|Vintage Pulp||Feb 10 2018|
We've talked before about the amazing Harlan Ellison. We came to know him as an unparalleled sci-fi writer, but later discovered he was also a juvenile delinquency author. These gang stories were obscure curiosities for us, but through running Pulp Intl. we've since learned that Ellison's juvie fiction is a much discussed and much collected part of his output. Above you see the rare 1958 Pyramid Books edition of his first novel Rumble, later published as Web of the City, with an amazing cover by Spanish artist Rudy De Reyna. Consider this an Ellison trial run that made it into the light of day. Anyone familiar with him knows this will be a strange and violent tale, but the craftsman who gave the world stories like “All the Birds Come Home To Roost” is not yet in evidence. Plotwise, the protagonist Rusty is leader of a street gang and wants out while he's still young enough to make something of his life. Quitting is a savage and harrowing ordeal. Staying out is impossible thanks to his little sister, whose involvement with the gang pulls Rusty back into the life. Ellison is a guy who once claimed he never revised his work. That isn't true because Rumble was cut down and cleaned up by him, and became Web of the City. Everyone says the revised version is much better. Without having read it, we suspect they're right.
|Vintage Pulp||May 1 2017|
We've talked about French author Louis-Charles Royer and mentioned the staying power of his novels, which enjoyed many English language reprints throughout the 1950s. Love Camp is Royer doing what he does best, which is exploring sexual niches and conjuring up romance in far flung locales. The story is as the art depicts—women are chosen for the honor of attempting to mate with Nazi soldiers in order to breed a master race. The program was known as Lebensborn, or Fount of Life, and was under control of the SS. The book interweaves the lives of characters brought to a lakeside monastery for some state sponsored bonin'. Some of them fall in love, others struggle with shame, one fights to preserve a female friend's virginity, and so forth, while the doctor who runs the show manages to knock up an eager young recruit only to later reject her and blame her pregnancy on another soldier. It's all exactly as titillating as it sounds, with women paraded naked before men, a lesbian matron having her way with rejected recruits, nude exercise sessions, and other indulgences, all under the dark Nazi aegis. There were many naziploitation books written during the mid-century period, and while it's probably a good thing the trend died, it really did lend itself quite well to exploring perversion and evil. But considering the Nazis' real world toll, such lightweight books can only minimize the horror. The Pyramid paperback you see here is from 1953 with art by Julian Paul.
|Vintage Pulp||Jul 13 2016|
The 1959 mystery Crime Cop was written by Larry Holden, which was a pseudonym used by author Lorenz Heller. Why he didn't want to call himself Lorenz Heller is the real mystery, as that's about as writerly a name as one could hope to have. Actually, he did publish under his own name one time when he debuted in 1937, but soon chose new identities, including Burt Sims, which was reserved for his television writing. In this novel cops Flavin and Gilman hunt a strangler. The cover art, which is battered but beautiful (just like us!), is by Harry Schaare.
|Vintage Pulp||May 17 2016|
“A first novel that holds little promise of a future.” Thus concluded one 1949 review of Katherine Everard's Cry Shame!, aka A Star's Progress. This assessment is funny because Everard was a pseudonym used by American literary treasure Gore Vidal, who'll be remembered far longer than any of his critics. Cry Shame! tells the story of a girl who becomes a stripper in New Orleans at age thirteen, a wife for a much older man at age fourteen, a Hollywood starlet as an adult, and finally—thanks to romantic misfortune—a broken woman. Today's critics claim they can see touches of Vidalian genius in various details of the book. Of course they can. This Pyramid edition comes complete and unabridged—except for the bottom half inch of the cover cut off by some shoddy work at the printer—with art by Harry Bennett.
|Vintage Pulp||Nov 17 2015|
Above, a classic piece of good girl art by illustrator Frank Cozzerelli for Si Podolin's Devil's Cargo, 1955, from Pyramid-Giant. The book is about a solder of fortune and an “Arab bellydancer” who team up in Marseilles to smuggle stolen weapons into French Morocco. It was written around the time of a lot of unrest there, which gives it some extra spice, and Morocco finally gained independence a year later.