Vintage Pulp Feb 4 2024
NOT IN HIS CORNER
Baby, stay down! I put a hundred bucks on the other guy!

Argosy magazine, the first of the pulps, running from 1882 to 1978, occasionally compiled its sports related short stories into a long format publication, and you see an example here—The Argosy Book of Sports Stories. This edition with cover art by John Walter Scott was published in 1953 with stories from Virgil Scott, William Campbell Gault, William Holder, Stewart Sterling, Scott Young, and others. We stopped highlighting Argosy long ago because it has little visual content aside from the covers, but we discussed it several times, and you can those posts here, here, here, and here.

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Vintage Pulp Jan 10 2024
LONG TIME NO C-NOTE
I'd have sex for free, but that would be irresponsible from a business perspective.


The 1962 Signet paperback of The Hundred-Dollar Girl has striking cover art by Jerry Allison, whose nice work we've seen before here, here, and here. William Campbell Gault's tale sees L.A. private dick Joe Puma investigating whether a boxing match was fixed, then finding himself in the middle of murder and an organized crime takeover of the fight racket. This is the second Puma we've read, and as with the previous book, he gets laid a couple of times, gets ko'd a couple of times, and beats up a couple of guys. All this is fine, but we haven't yet read the Gault novel that makes us sit up and go, "Ahh!" Certainly though, he's been good enough to make looking for that special book a pursuit we expect to pay off. We'll keep looking. In the meantime, if you want an L.A. crime read, you can do worse than The Hundred-Dollar Girl.  

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Vintage Pulp Aug 8 2023
GONE OVERBOARD
I see a tiny island! If we make it there we can recite captions from classic castaway cartoons until we're rescued!

We have another issue of Adam today, with a fun cover illustrating Ron Rawcliffe's story, “The Nine Strippers.” Obviously, with a title like that we had to read it, and it deals with a charter boat captain hired to take nine exotic entertainers upriver into the wilderness under mysterious circumstances, and it turns out they've been hired by an organized crime cabal. When the gathering is raided by federal police the captain must escape intact with bullets flying, strippers fleeing, and mafiosi trying to hijack his boat. Also in this issue of Adam you get fiction by Leonard Calhoun and John P. Gilders, plus a bit of boxing and a lot of models, including German born Israeli actress Helena Ronée just below, and French actress Catherine Rouvel in the feature "She Wins Them All." And circling back to the cover and its two potential castaways, look forward to this: we have another set of castaway cartoons coming up.

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Sportswire Apr 19 2023
LOUIS SHRUGGED
Hmm... not bad. Of course, the real test of strength is whether someone goes down when I bust them in the mouth.


Two titans of U.S. culture meet in this photo showing boxing champ Joe Louis examining the muscles of strongman Charles Atlas (née Angelo Siciliano) at Madame Bey's, a New Jersey camp for professional boxers. While Louis and Atlas are legends in their fields, Bey was an interesting personality too, though now mostly forgotten. Her camp was used by top rank boxers who needed to train for upcoming fights, and because the rules banned alcohol, swearing, women, etc., it was considered an ideal place to hone skills while shutting out distractions. The photo was made in 1938. 

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Vintage Pulp Dec 23 2022
DOWN AND OUT
Honey! Oh no! There goes your undefeated record! And in your very first fight!


This 1959 Berkley Books edition of the 1958 W.C. Heinz boxing novel The Professional has excellent Robert Maguire cover art of a boxer on the deck and a distressed woman looking on in horror. You'll also notice Ernest Hemingway's endorsement. Papa's fame led to his stamp of approval being highly coveted. We'd guess we've seen his name used this way on ten covers, but we bet there are more.
 
If you go by the reviews on this book, Heinz deserved all the praise he received for his tale of a middle-weight boxer trying to climb to the top. As an award winning sports writer he knew his stuff, and he collected other accolades to go with his anointment by Hemingway, winning the E. P. Dutton Award for best magazine story of the year five times, and earning the A. J. Liebling Award for boxing writing.
 
Over the decades Heinz had his work reprinted in dozens of anthologies and textbooks, so if you're into sports journalism he's one of the main dudes. We have a fair number of boxing covers in our website, and they tend to be amusing if you look at them just the right way. We won't link to them all, but if you want to see some good examples try here, here, here, here, here, and here.

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Vintage Pulp Nov 28 2022
FIXED RIGHT UP
For every job there's a perfect tool.


In Ed Lacy's 1961 boxing drama The Big Fix, the fix is defnitely in, and in the worst way possible. Tommy Cork, a thirty-something middleweight boxer who in his prime battled Sugar Ray Robinson, becomes the pet project of a dilletante boxing manager who promises that with the best training, diet, and promotion Cork can reach the top again. Sounds good, but Tommy has unwittingly become the focus of a deadly scam, a plan to find some desperate boxer with a reputation for ugly losses, make a show of training him for high profile bouts, all the while taking out a life insurance policy on him, then having a hammerfisted accomplice kill him in the ring. Since the murder will happen before a crowd, there will be no suspicion of foul play, particularly for a pug known for fighting stubbornly and hitting the canvas hard.

But nothing is straightforward in Lacy's hands. Tommy's wife May, hopeful for a better life, gets into trouble with violent numbers runners, an aspiring writer sees the couple as the perfect pathetic characters to be the focus of a novel, an ex-boxer cop starts to get wise to the murder scheme, and other twists come from nowhere to infinitely complicate the tale. Despite the subplots, as readers you know the only fitting climax is one that takes place in the ring, and Lacy pushes the story inexorably toward that showdown, hapless Tommy facing off against a man who plans to kill him with a relentless assault, or if possible a single blow. If he's going to have help, he'll need to provide it himself. As usual, Lacy tells a good story. He's reliably full of excellent ideas. That also goes for Ernest Chiriacka, who painted the eye-catching cover.
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Modern Pulp Jun 12 2022
CLASH BY NIGHT
Caught between a rock and an ugly place.


A few days ago we wrote about the 1950 film noir Night and the City, and our poking around led to the discovery that the Blu-Ray edition comes with a box cover by one of our favorite modern artists Owen Smith. He first came to our attention because he painted covers for the Daniel Chavarría crime novels Adios Muchachos and Tango for a Torturer, and we see that he remains a unique stylist, perhaps even a modern pulp master. His depiction of star Richard Widmark trapped between tough guys Mike Mazurki and Stanislaus Zbyszko captures the essence of the movie without being an actual scene from it. We like the choice.

While Night and the City revolves around wrestling, it seems that Smith has been busy with another ring art—boxing. He's created quite a few works along those lines, and we've uploaded several below. We'd say he has the subject of men who've had the snot beaten out of them pretty well conquered. Finally, since we brought it up, we'd like to recommend—for adventurous readers—the aforementioned Chavarría novels. Due to our time living in Guatemala and traveling around the region we developed an interest in all things Cuba. He brings that island to life in a way few authors do. Read what we wrote about him here, and see more Smith here and here.

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Vintage Pulp | Sportswire Apr 29 2022
DOWN FOR THE COUNT
If a boxer falls when nobody hits him is it still a knockout?


We've been neglecting French promo art lately, so here'a a little something—a poster for Plus dure sera la chute, which is better known as The Harder They Fall. This was painted by Jean Mascii, whose work we last saw several years ago when we talked about the 1960 thriller Plein soleil. We recommend having a look at that to get a better sense of Mascii's skill. He created a very interesting portrait of Humphrey Bogart for this effort. This was Bogart's last movie. He filmed it while gravely ill, having been diagnosed with esophageal cancer, but did his work in legendary style, a true professional, working long hours, shooting retakes, and generally doing all he could to prevent his condition from affecting the production.

Bogart plays a struggling sports writer hired by shady fight promoter Rod Steiger to be the press agent for his new discovery—a gigantic but glass-jawed carnival strongman from Argentina named Toro Moreno. Steiger wants Bogart to sell Toro as the next great heavyweight contender, but in order to do so they need to send him on a bum-of-the-month tour to knock out a series of hapless opponents paid to take dives. After Toro has been built up in the press as the second coming of the heavyweight division, Steiger plans to make a bundle with a match against the champ, played by Max Baer. Bogart signs on for this ride because after all his work in the newspaper business he has nothing, and wants to finally make real money. But it could cost his reputation, and because Toro has no clue the fights he's winning are fixed, the scheme can only end with the poor overconfident dupe slaughtered by the champ.

Steiger would win an Academy Award in 1967 for In The Heat of the Night, and here, more than a decade earlier, you can see that achievement as almost inevitable as you watch him dominate the screen. He's simply great in this, and Bogart gives an excellent performance too, failing physically but soldiering onward, using that world weary mug of his to impart a lifetime's worth of fatigue and disappointment. The movie also features Jan Sterling. We had no idea she'd gone in for rhinoplasty, and at first weren't positive it was her. It is though, and after writing just recently how gorgeous she was we're sad she didn't see her own perfection and instead chose to go under the surgeon's knife. But her body her choice. She's good as always, here playing Bogart's conscience, trying to keep him from sliding down the slippery slope to amorality.

There's another person who should be mentioned—Mike Lane as the lumbering Toro Moreno. This was his debut role, and you'd think there weren't many more parts out there for a guy standing 6'8”, but surprisingly he accumulated almost seventy acting credits, almost all on television, where he appeared in shows of every type, from Gunsmoke to Get Smart. Obviously, any vintage boxing movie involves mimetic acting, and the fighting here isn't realistic—quantum leaps in how to convincingly portray ring scenes came later—but they serve their purpose. And for boxing realists, the movie gets extra credit due to the presence of both Baer and Jersey Joe Walcott. The Harder They Fall opened in March 1956, and had its French premiere today at the 1956 Cannes Film Festival.
Fine, Toro, you're huge. Massive. Enormous. But you need to learn how to box or the champ is going to crush your face like a graham cracker.

Hi, champ! Before we start, I just want to say I'm probably your biggest admir—

I thought that whole graham cracker speech was just Bogie being colorful.

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Intl. Notebook Dec 22 2021
GODFATHER HOOD
If you shoot him, you better make sure he's dead.


The prop Daily Bugle newspaper we shared a while back from 2002's Spider Man got us thinking about these sorts of items, so we had a look around and found this newspaper made for the 1972 gangster epic The Godfather, which bears a headline about (spoiler alert) Vito Corleone's shooting. The paper is dated today in 1945. Corleone was of course played by Marlon Brando, and it was possibly the crowning achievement of a highly accomplished if occasionally controversial film career. Haven't seen the movie? All we can say is it's in no way overrated. And because realism is key in Hollywood, the paper has a rear cover with a story about boxer Tony Janiro beating Humberto Zavala on points, yesterday in 1945.

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Vintage Pulp May 30 2021
FUSSING AND FIGHTING
Please not his face! I like to sit on that!


The Pulp Intl. girlfriends thought our little subhead was vulgar, but that happens sometimes, because they have far more class than us. Sometimes they ask us why so many of our quips and puns are sexual. We're like, “Have you looked at the covers?” The sexual subtext is nearly always there. We just run with it. Anyway, here we have another issue of Adam magazine, this one published in May 1962, and we've lost count, is it the seventieth we've uploaded? *runs downstairs to consult researchers chained in windowless basement room* Yep, that's right. Seventy. We have probably thirty more unposted, and about a dozen we bought from Australia that may or may not arrive if the person who accidentally ended up with them really relinquishes them. Long story.

What's a short story is “Blood of a Gladiator,” which the above art by Phil Belbin was painted to illustrate. The tale is by Damon Mills and deals with a down-and-out ex-boxer who gets involved in a scheme to manage a hot new fighter and get him a title shot by any means necessary. Naturally there's a femme fatale. There always is. She's the sister of another fighter, and she complicates matters greatly, as femmes fatales always do. “Blood of a Gladiator” isn't the only boxing inside Adam, as the editors also offer readers a detailed story on American welterweight Freddie Dawson, aka the Dark Destroyer, who's remembered in Australia for decimating the ranks of local fighters while touring Down Under between 1950 and 1954. You also get a story on crocs (there's always a story on crocs), some unknown models, and plenty of cartoons. We have twenty-five scans below.
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Next Page
History Rewind
The headlines that mattered yesteryear.
March 04
1969—The Krays Are Found Guilty of Murder
In England, twins Ronald and Reginald Kray are found guilty of the murder of Jack McVitie. The Kray brothers had been notorious gangsters in London's East End, and for their crimes both were sentenced to life in prison, and both eventually died behind bars. Their story later inspired a 1990 motion picture entitled The Krays.
1975—Charlie Chaplin Is Knighted
British-born comic genius Charlie Chaplin, whose long and turbulent career in the U.S. had been brought to an abrupt end when he was branded a communist and denied a residence visa, is bestowed a knighthood at London's Buckingham Palace. Chaplin died two years later and even then peace eluded him, as his body was stolen from its grave for eleven weeks by men trying to extort money from the Chaplin family.
March 03
1959—Lou Costello Dies
American comedian Lou Costello, of the famous comedy team Abbott & Costello, dies of a heart attack at Doctors' Hospital in Beverly Hills, three days before his 53rd birthday. His career spanned radio and film, silent movies and talkies, vaudeville and cinema, and in his heyday he was, along with partner Abbott, one of the most beloved personalities in Hollywood.
March 02
1933—King Kong Opens
The first version of King Kong, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
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