Vintage Pulp Dec 18 2023
SLAVES TO LOVE
You never know what you'll find if you go far enough up the Amazon.


Written, produced, and directed by Curt Siodmak, who was behind numerous monster features, including Bride of the Gorilla and Curucu, the tropical adventure Love Slaves of the Amazon, which premiered today in 1957, is a full color production about the search for a lost realm of warrior women and their priceless treasures. In order for the expedition to take place, semi-crazy Eduardo Ciannelli must convince staid Don Taylor that the Amazons exist. He reveals a golden statue as proof, which he'd obtained on a previous foray into the jungle, and after some back and forth, sufficient funds for the journey are obtained. Unfortunately, rumors of gold and diamonds have piqued the interest of local ruffians, who plan to hijack the expedition.

Are there actually Amazons? You bet. French actress Anna Maria Nabuco is their queen. Are there love slaves? Yup, one poor exhausted one, anyway, and Taylor looks ripe as a replacement as far as Nabuco is concerned. And is there treasure? There's that too. The movie's plusses include a pitched battle between the expedition and the hijackers while both their boats are mired in river mud, and various exteriors actually shot in Manaus, Brazil and the nearby rain forest. Additionally, the poster art by Reynold Brown is tops. On the minus side, we felt that intermittent veerings into comedy were pointless and unfunny. But on the whole, Love Slaves of the Amazons was better than we expected. Does that mean it was good? Define “good.”
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Vintage Pulp May 19 2018
A GIANT AMONG MEN
It's a man's man's man's world. Until now.


It was inevitable. You can't have a pulp website and not talk about the iconic GGA-influenced poster for Attack of the 50 Foot Woman. This masterpiece came from the brush of Reynold Brown, who also painted promos for Creature from the Black Lagoon, Spartacus, Ben-Hur, and—ironically—The Incredible Shrinking Man. But 50 Foot Woman is the one people remember. It's the one that appears on t-shirts, lithographs, refrigerator magnets and spoof posters to this day. And for good reason. It's a perfect promo piece, from the execution, to the chaotic scene depicted, to the giant's straddle-legged pose that titillatingly suggests the world's most shocking upskirt shot. It also makes the film look far better than it is. You'd never think the 50 Foot Woman of the poster is, onscreen, mainly a big foam hand and some weak projection work.

The movie premiered today in 1958. It was directed by Nathan Juran under the pseudonym Nathan Hertz, and while it's mediocre it isn't close to being one of the worst films of the period. People remember it because of Allison Hayes' character, an unhappy wife whose growth into a giant gives her all the physical power she could ever want, but none of the emotional strength she needs to deal with her philandering husband Harry.

She's desperately in love with him, though he's a heel. When she eventually hunts him down the film becomes a feminist parable. We don't think that aspect was intentional, but it's definitely there by virtue of a male screenwriter creating a colossal feminine problem then determining how his male characters react to her. Guess what? She's fifty feet tall and still can't break through the glass ceiling.

The 50 Foot Woman has the power to deal with dirty Harry in a way he understands—dominance. Good. But she's also mad as hell and has busted out of her social niche. Bad. There's no attempt to reason with or negotiate with this newly empowered woman. Because she brings upheaval to the world elimination is the only solution. Yes, this movie has almost everything—an examination of gender roles as they relate to money, a discussion of emotional violence within marriage, and ruminations about male privilege. The one thing it doesn't have is a budget—for efx, good actors, multiple takes, or anything else. But that's why it's so endearing. Like the random growth spurt central to the plot, everything significant about Attack of the 50 Foot Woman is a total fluke. 

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History Rewind
The headlines that mattered yesteryear.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
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