Vintage Pulp Dec 9 2021
SAMBA DO CRIME
It's a carnaval of mayhem in Brazil.


We wanted to call attention one last time to an interesting Facebook page dedicated to vintage crime paperbacks published in Brazil by Edições de Ouro and Editora Tecnoprint. We started our webpage in 2008 and back then we had a lot of company. Somehow or other, regretfully, we've outlasted many of them. Maybe in the age of Twitter and Instagram, blogs with actual words have died. But for that reason it's exciting to see someone launch something new—especially dedicated to such an exotic (from our point of view) niche of paperback style. It was actually launched in 2017, but we saw it only recently. We can tell you this—we love Brazil, have been there for carnaval, and if we'd known these books were down there we'd have brought back more than just a long lasting cachaça hangover. We knew Brazil had produced some pulp style paperbacks—much of the art was repurposed from U.S. editions—but we didn't know it was this extensive. Carnaval 2022? Well, probably not. But one day, return we will, to old Brazil.

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Vintage Pulp Nov 2 2021
MOORE ALL THE TIME
American femme fatale turns up down Rio way.


Okay, let's try this again. Last week we posted this book and thought it had Peggy Cummins on the cover, but after having a short nap we awoke and saw that this was clearly not Cummins. Thanks for the e-mails, by the way, but we beat you to it. Hah! Anyway, you know by now one of our favorite ways to highlight Hollywood actresses is to note their usage on foreign paperback covers. This cool example from Brazil's Edições de Ouro was made for Irving Le Roy's Berlim: Os Pecados de Bárbara, and that's none other than Cleo Moore—not Peggy Cummins—having a smoke and a look around. The image comes from her classic 1953 film noir One Girl's Confession, a movie we talked about a while ago. This book was first published in France as Aventure Est-Ouest by Éditions Fleuve Noir in 1956, so it represents a cross-pollination of a different type—we've seen material move from the U.S. to many countries, but from France to Brazil is a new one for us. Le Roy, by the way, was aka Robert Georges Debeurre, and we've shown you one of his books before, here. The above image came from the Brazilian Facebook page we pointed out not long ago.

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Vintage Pulp Sep 15 2021
A GOODIS TIME IN BRAZIL
Sun, sand, samba—and a high stakes bank heist. The perfect trip to Rio.


Above is the third cover we've found for the entertaining Davis Goodis novel The Burglar, but the first foreign edition. It's from Brazil, published by Edições de Ouro, and the cover star is actress Anne Francis from a promo image made when she was filming Girl of the Night in 1960. The cover, which we've touched up just a little, came from a Facebook page we recently found and highlighted that's dedicated to Edições de Ouro and Editora Tecnoprint. Once again, it's a page you should keep tabs on.

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Vintage Pulp Aug 28 2021
COLLECT FROM BRAZIL
Never leave a blonde on hold.


This is one tasty photo cover. It was was made for Bruno Fischer's A Bela Assassina, which is a Portuguese translation of The Lady Kills, put out in 1951 by the Brazilian publisher Edições de Ouro, and is number five in its series Seleção Criminal. We've little doubt the cover star is a known actress, by the way, but we can't place her. Feel free to clue us in. It took us a while to figure out where this came from, but we finally traced it to a Facebook page dedicated to Brazilian vintage paperbacks. There's some nice stuff over there calling your name, so it's certainly worth a look. You can also see another Bruno Fischer book from Brazil here.

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Mondo Bizarro Jul 22 2021
TO SPITE HIS FACE
Lord of the Rings fan raises his game, lowers his life prospects.


An interesting item began popping up online yesterday about Fernando Franco de Oliveira, an avid Lord of the Rings fan from Brazil who made himself look like an orc with the help of tattoos, dermal implants, and surgery—including an operation to remove his nose. The result is what you see above, and well, it's both atrocious and very sad. We liked the Lord of the Rings trilogy, but it's junior high literature. Imaginative and well written to be sure, but a typical person aged twelve to fourteen—like we were when we first came across it—would be able to read the books and enjoy them. Same with the movies. They're officially rated for filmgoers aged thirteen and up.

The point is that neither the books nor movies are something to let influence your life to the extent that you get your eyeballs tattooed black and your ears crimped. There's not a lot to say about this other than that the obsessive quest for individuality on a planet of almost eight billion people has claimed another victim—a mentally ill one. Yes, yes, we know. You're not supposed to say things like that these days. You're supposed to be supportive and non-judgmental, but we can do what we want on our website, and we judge that de Oliveira is mental.

Being able to express himself rationally, de Oliveira can of course present the façade of a sane person, but his outward appearance makes a mockery of that, because to do what he's done is to deliberately destroy one's life, or—even worse—to not understand that to do it is to destroy one's life. True, he was never a beauty queen, as you see in the soft-bodied, monobrow dominant photo at right. But he still had a nose. And anyone with a nose has a shot at good things in life.

De Oliveira will of course tell you his existence is good, that people tell him he looks cool, that chicks dig it or he has a committed partner who loves it, that he was never happy until finding himself in this way, that it even earns him money, and anyone who hates on him is really the one with problems, but he'll be using his surgically forked tongue to lie through his vampire teeth. He's insane. End of story. He's even crazier than Caius Veiovis and that guy probably bites the heads off bats. All that said, we'd still rather hang out with Orc Boy than someone who bases their life upon Atlas Shrugged. At least he's decided to be a monster only on the outside.

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Vintage Pulp Feb 4 2021
IF NOT NAO WHEN
Everybody's gotta go sometime.


We don't find much Brazilian pulp, but above is an interesting—if battered—cover for Tarn Scott's, aka Walter Szot and Peter G. Tarnor's Não Me Deixem Morrer, which is a translation of their U.S. released 1957 kidnapping tale Don't Let Her Die, a book we read and enjoyed a few years ago. This was put out by the Rio de Janeiro based imprint Ediex for its Selecrimes series in 1964. We gather that Ediex was a branch of the Mexico City publisher Editormex Mexicana, and that the company released quite a few translations of English crime books during the 1960s.

The art, which is by an unknown, is a low rent copy of that found on the cover of 1958's The Lusting Drive by Ovid Demaris, which you see below. That cover is also uncredited, but some think it's by Ernest Chiriacka. We agree. In fact, we don't think there's any doubt. Not only is the style—particularly of the female face—a dead match, but Chiriacka was pumping out illos by the cartload for Gold Medal during the mid- to late-1950s. So we're going to go ahead and call this one a lock. We may share a few more Brazilian paperback covers in a bit. Stay tuned.
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Femmes Fatales May 28 2020
PROTECTIVE COVER
It's not an N95 mask but it's all I've got.


Visual references change. This is obviously a veil, but when we saw it the first thing that came to mind was mask. It's an elegant, somewhat erotic shot, which is no wonder, as veils are generally seen as sexy. Masks, meanwhile, are not, but might that change? There's already mask porn. Doesn't do anything for us, but maybe we're just not cutting edge enough. Anyway, this rare photo was made to promote the 1947 Groucho Marx comedy Copacabana, and the face behind the veil is that of legendary Portuguese-born Brazilian singer Carmen Miranda. We know what you're thinking. This can't be Carmen Miranda. But it is. In the film she's trying to hide her identity, which is why she's made-up so pale and is wearing a blonde wig. Her ruse worked, and not just in Copacabana—websites have misidentified this shot as everyone from Chili Williams to Lili St. Cyr.

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Vintage Pulp Apr 19 2020
GRADUATION DAY
Brigitte earns an advanced degree in espionage.


Above, ten more covers for the spy serial Brigitte in Accion, written by Lou Carrigan, aka Antonio Vera Ramirez, and published by Barcelona based Editorial Bruguera. The artist remains Brazilian illustrator José Luiz Benicio, and Brigitte Montfort, nicknamed Baby, remains the hottest CIA agent of the Cold War. Mid-1970s on these. See the earlier collection here.

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Vintage Pulp Dec 18 2019
POLIZIA BE ADVISED
The first step in any investigation is to get your translations right.


Dagli archivi della polizia criminale, which premiered in Italy today in 1973, falls into the category of Italian cinema known as poliziottesco. Apparently, this never had a U.S. release, since it lacks an English title, but the Italian title translates as “from the criminal police archives.” Sounds pretty straightforward. We gave it a watch and it's an incredibly cheesy thriller about the chase for microfilm containing information that could smash a Tunisian drug ring. The cops had it at one point, but the chief inspector stored it in the largest but least safe safe in town and it was immediately stolen by an opportunistic officer with predatory capitalist tendencies. Now the police are looking for him, the crooks are looking for him, and both the cops and robbers are taking bullets and beatings all over the place. The movie stars Edmund Purdom, a prolific but somewhat unknown actor, and has a supporting cast featuring Cleofe Del Cile, Sergio Ciani, Miriam Alex as an investigative journalist, bodybuilder Gordon Mitchell, and bodybuilt Zula, who does a nude dance number in what's supposed to be a Tunisian nightclub.

While Zula is a highlight, this production resides squarely in the atrocious category, and that's even without the disastrous English subtitles that were on the version we saw. A digression: back when we lived in Guatemala, Patrick Swayze's Road House would come on television occasionally. No idea why. The movie had been in cinemas more than a decade earlier. We guess Guatemaltecos loved Swayze's balletic moves and winning smile. Anyway, at one point Sam Elliot describes how dumb the clientele at his bar is, and tells Swayze, “This place has a sign hangin' over the urinal that says, 'Don't eat the big white mint.'” But whoever did the subtitles didn't hear “mint.” The translation they decided on was, “No te comas los grandes hombres blancos”—“Don't eat the big white men.” See what a difference that makes? And the movie was broadcast that way over and over, no correction ever made. The point is subtitles really matter. Dagli archivi della polizia criminale had really bad ones. A sampling below:

There's a gym for boxing in the nearby. In order to not get caught our men will wear some sweaters.

Look at him carefully, you have to do an oddjob on the side.

This time it's all my credit. Let me be thanked for compliments.

Don't be scared. I'm the best Teddy Webb's friend.

Miriam Alex: What sort of journalist would I be if I didn't pry into others' business? Ed Purdom: There's nothing to discover inside my business.

We did nothing but breaking his bones. If you resist the worse will happen.

What are we waiting to gun for him?

Maybe they even take offence it.

The seeing this was been the worse ever.*
 
*Actually, we made that one up. Don't watch this movie. It's really bad.

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Femmes Fatales Oct 24 2019
CATCHING A COUPLE OF Z'S
Feeling sleepy? Here's a little eye opener for you.


This photo came from a 1974 issue of the Italian edition of Playboy. It had a header in a cool custom font and a blurb below that, but we cleaned those off the image so you could focus on its star—the unusually lovely Brazilian model and actress Zula, who was aka Vera Lucia, and was born Vera de Oliveira. The text we wiped suggested Zula would be the next Zeudi Araya, but it never quite happened. Even so, the careers of the two Z's were similar. Both were afro-immigrants who played exotic fruit in Italo b-movies. Many women were tapped for roles of that type, regardless of ethnicity, because the 1970s were the heyday of gratuitous everything in Italian cinema. A few flicks transcended their genres to become well regarded, but unfortunately neither Zula nor Zeudi were in any of them. Zula transcended the hell out of photography in this shot, though, didn't she? She also rocked Alain Delon's world for a while, and if you've seen the young version of him, that's no surprise at all. For a look at the other Z check here.

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History Rewind
The headlines that mattered yesteryear.
January 19
1915—Claude Patents Neon Tube
French inventor Georges Claude patents the neon discharge tube, in which an inert gas is made to glow various colors through the introduction of an electrical current. His invention is immediately seized upon as a way to create eye catching advertising, and the neon sign comes into existence to forever change the visual landscape of cities.
1937—Hughes Sets Air Record
Millionaire industrialist, film producer and aviator Howard Hughes sets a new air record by flying from Los Angeles, California to New York City in 7 hours, 28 minutes, 25 seconds. During his life he set multiple world air-speed records, for which he won many awards, including America's Congressional Gold Medal.
January 18
1967—Boston Strangler Convicted
Albert DeSalvo, the serial killer who became known as the Boston Strangler, is convicted of murder and other crimes and sentenced to life in prison. He serves initially in Bridgewater State Hospital, but he escapes and is recaptured. Afterward he is transferred to federal prison where six years later he is killed by an inmate or inmates unknown.
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