|Femmes Fatales||Nov 9 2021|
Hepburn brings a special kind of style to Hollywood.
We don't smoke, but Katherine Hepburn sure makes smoking look good in this RKO promo photo shot by Ernest Bachrach in 1935. Though she had a long and storied career, this early shot is pretty much her iconic image. Prints of it are even sold on Wal-Mart's website. Hepburn is incomparable. Her must-watch films include Bringing Up Baby, Adam's Rib, The Philadelphia Story, The African Queen, Long Day's Journey into Night, The Lion in Winter, the groundbreaking Guess Who's Coming to Dinner (which inspired an excellent reggae song by Black Uhuru), and On Golden Pond.
You can sum up Hepburn's output by saying she was nominated for a Best Actress Oscar twelve times and won a quartet, the most ever. The Oscar has failed to stay as relevant as it could have over recent decades, and the Academy has made some embarrassing Best Picture choices (Forrest Gump over Pulp Fiction—really?), but it's always been a reliable measure of acting quality, so Hepburn's four wins are meaningful. The one thing she didn't do was make a lot of pulp style movies. One that looks as if it qualifies is the 1946 drama Undercurrent. We'll circle back to that and the divine Miss H. in a bit.
RKO Radio PicturesBringing Up BabyAdam's RibThe Philadelphia StoryThe African QueenLong Day's Journey into NightThe Lion in WinterGuess Who's Coming to DinnerOn Golden PondUndercurrentSuddenlyLast SummerKeeper of the FlameAcademy AwardKatherine HepburnErnest Bachrach
|Vintage Pulp||Jun 25 2015|
I have dysentery, I’m covered with mosquito bites, and there’s a leech on my balls. Next time let’s do the all-inclusive cruise.
Above, a thoroughly pulped out cover for C.S. Forester’s 1935 adventure tale The African Queen, published in this Bantam paperback edition in 1949. This is a great book with a letdown of an ending, in our opinion, but when John Huston made it into a film in 1951 he greatly improved the last act and the result was an all-time cinema classic. The beefcakey art here is by Ken Riley.