Hepburn brings a special kind of style to Hollywood.
We don't smoke, but Katherine Hepburn sure makes smoking look good in this RKO promo photo shot by Ernest Bachrach in 1935. Though she had a long and storied career, this early shot is pretty much her iconic image. Prints of it are even sold on Wal-Mart's website. Hepburn is incomparable. Her must-watch films include Bringing Up Baby, Adam's Rib, The Philadelphia Story, The African Queen, Long Day's Journey into Night, The Lion in Winter, the groundbreaking Guess Who's Coming to Dinner (which inspired an excellent reggae song by Black Uhuru), and On Golden Pond.
You can sum up Hepburn's output by saying she was nominated for a Best Actress Oscar twelve times and won a quartet, the most ever. The Oscar has failed to stay as relevant as it could have over recent decades, and the Academy has made some embarrassing Best Picture choices (Forrest Gump over Pulp Fiction—really?), but it's always been a reliable measure of acting quality, so Hepburn's four wins are meaningful. The one thing she didn't do was make a lot of pulp style movies. One that looks as if it qualifies is the 1946 drama Undercurrent. We'll circle back to that and the divine Miss H. in a bit.
The ballad of Gwili the kid.
Gwili Andre's, née Gurli Andresen's seven-film Hollywood career wasn't what you'd call significant, but this photo certainly makes the Danish born actress look like a top star. We love the stage name Gwili. It's inspired. However, we gather that her acting generated some savage reviews. The above photo was shot in 1932 by famed lensman Ernest Bachrach early in Andre's career.
With husbands like these who needs enemies?
Mary Jo Tarola was born in Portland, Oregon in 1928 and by 1952 had established herself in Hollywood, first under the milquetoast moniker Linda Douglas, then under her own far more interesting name. Just two years into her career she married producer Pasquale “Pat” DiCicco. Not well known now, DiCicco was a bootlegger and pimp who became mafia boss Lucky Luciano’s lieutenant in Tinseltown. He was infamously abusive toward women—one dust-up with his first wife Thelma Todd led to her having an emergency appendectomy, and another with his second wife Gloria Vanderbilt involved him slamming her head into a wall. Tarola’s promising film career ended with her marriage to DiCicco, but at least she left behind a few choice artifacts like the above photo by photographer Ernest Bachrach. It dates from 1952 or 1953.