Vintage Pulp Jan 23 2016
TIGHT SPOT
No place to run, no place to hide.


Today the Noir City Film Festival in San Francisco will be screening The Dark Corner, a movie that starts fast and keeps up a breakneck pace throughout, telling the story of small-time detective who is tormented and eventually framed by an unknown enemy. The script, which is credited to five writers, is filled with entertaining jargon, and treats viewers to one of the better quotes from the film noir canon when Mark Stevens references the title with, “I feel all dead inside. I’m backed up in a dark corner and I don’t know who’s hitting me.”

Lucille Ball, top-billed, is pitch perfect as Stevens’ secretary, love interest, and driving force, and William Bendix, who made a career out of tough-and-volatile, nails his role even more solidly than usual here. You also get good work from Clifton Webb and femme fatale Cathy Downs. Atypically violent, and brilliantly wrapped in shadows and cut by black silhouettes by director Henry Hathaway and director of photography Joseph MacDonald, The Dark Corner is what watching film noir is all about. Favorite line: after a character is pushed thirty-one floors to his death a witness on the street gestures at a high window and remarks to a policeman, “Brother, he came out of there like a hot rivet. You know it’s a funny thing, I never yet seen one of those guys bounce.” A must-see. 

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Intl. Notebook Jan 22 2016
THE ART OF KILLING
San Francisco welcomes murder and mayhem for the fourteenth time.

San Francisco's Noir City Film Festival remains one of the best of its type in the U.S. Its fourteenth incarnation kicks off today in San Fran with Rear Window and The Public Eye. The first isn't a noir, but fits comfortably on the festival program; the second is a sort of noir, though a newer one, and is an inspired choice, in our opinion. We just wonder whether people who pay for two films noir will be happy with those two selections on opening night. In any case, we take a peek at both films below. Other offerings this year include the Bogart vehicles The Two Mrs. Carrolls and In a Lonely Place, Screaming Mimi, Corridor of Mirrors, The Dark Corner plus more than twenty other titles, and we'll be taking a look at some of these films throughout the next week.

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Femmes Fatales Jan 9 2016
SCREAM PLAY
Okay, Cathy, let’s try it one more time. You’re really scared, okay? Really really scared. Like utterly terrified.

American actress Cathy Downs, shown here in a promo image made for the 1957 sci-fi epic The Amazing Colossal Man, gives the photographer her most convincing scream of terror. Somehow she got the part anyway. Don’t doubt her acting skills, though. She was in one of the best film noirs of all time—1946's The Dark Corner.

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History Rewind
The headlines that mattered yesteryear.
August 19
1953—Mohammed Mossadegh Overthrown in Iran
At the instigation of the CIA, Prime Minster of Iran Mohammed Mossadegh is overthrown and the Shah Mohammad Reza Pahlavi is installed as leader of the country.
August 18
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
August 17
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
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