Hollywoodland Dec 26 2018
STAR GAZING
Good weather, excellent visibility, with a 100% chance of Santa.


What says Christmas more than 72 degrees and mostly clear? These photos were made at the 1950 Santa Claus Lane Parade, a decades long Los Angeles tradition, which we bet was never cancelled due to weather. Actually, it was cancelled several times—during World War II due to blackout restrictions. Otherwise, smooth sailing. At some point the name of the event was changed to the Hollywood Christmas Parade, but it still takes place today. The extravaganza's route begins on Hollywood Boulevard and turns onto Sunset. The above shots feature, from top to bottom, show business luminaries Eddie Cantor, Jack Benny, Jimmy Durante, Peggy Lee, Leo Carrillo, Phil Harris, Alice Faye, Red Skelton, and William Bendix.

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Vintage Pulp Jan 30 2018
DARK BLUE
Los Angeles homecoming goes awry for Alan Ladd.


The Blue Dahlia is often cited as a top film noir, but it really isn't. That didn't matter to the Hollywood movers and shakers who nominated Raymond Chandler's screenplay for an Oscar, but we suspect the nod was for stringing together hard boiled dialogue, since it certainly wasn't for stringing together a coherent plot. The movie tells the story of a vet who returns home to find his wife cheating with the shady owner of a Hollywood nightclub. When she's murdered, the husband is sought by police, but he goes fugitive and attempts to find the real killer. With pretty boy Alan Ladd in the lead, plus support from Veronica Lake, William Bendix, and the beautiful Doris Dowling, The Blue Dahlia has a lot going for it, including a cool nocturnal vibe, but a script too reliant on improbable occurrences and Lake's flat performance in a basically ornamental role keep it from being upper echelon. It's worth a watch just to see Bendix go bathouse crazy every time he hears what he calls “monkey music,” but go into it knowing there are at least twenty better films in the genre. 

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Vintage Pulp Jan 11 2018
ALL IN THE SAME BOAT
Bankhead and Co. try to deal with an ocean of differences.


The best thing about Lifeboat is Tallulah Bankhead. Simple as that. Top billed, tasked with bringing a complex character to life, and working in a film with huge expectations because it was written by literary laureate John Steinbeck and helmed by internationally renowned director Alfred Hitchcock, she delivers the goods. If you haven't seen it, it's an adventure and character study about a group of cruise ship passengers who survive a German u-boat attack and find themselves adrift on the Atlantic Ocean. There's a tinge of war propaganda to it, a touch of we're-humans-and-the-other-side-aren't, but when you consider that Germany was a genocidal regime, and news reports had been touching on this fact for two years (though visual evidence wouldn't appear until after May 1945) Lifeboat is remarkably subtle in that regard.

Anyway, if you ever want to see a star go full nova, check this film out—Bankhead is funny, bitter, sly, ironic, desperate, and more, helped along by reliable old William Bendix, as well as Hume Cronyn, Mary Anderson, and Walter Slezak in a pivotal role. And I guess we don't have to tell you one of Hitchcock's most famous stories came from this movie, the one about his camera accidentally getting upskirt shots of a pantyless Bankhead, and the question of whether the problem was one for hair, make-up, or wardrobe.

The poster above is a really nice piece of mid-century promo art and we spent a lot of computer time trying to discover who painted it, but to no avail. That wasn't a surprise, though. It's a painted version of the photo-illustration used on the panel length promo you see below, which means it's basically a copy job that numerous artists could have executed. But it's still nice compositionally, with its beautiful blue coloration, bright yellow title, and diagonal arrangement of faces. Lifeboat premiered in the U.S. today in 1944.

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Vintage Pulp Jan 23 2016
TIGHT SPOT
No place to run, no place to hide.


Today the Noir City Film Festival in San Francisco will be screening The Dark Corner, a movie that starts fast and keeps up a breakneck pace throughout, telling the story of small-time detective who is tormented and eventually framed by an unknown enemy. The script, which is credited to five writers, is filled with entertaining jargon, and treats viewers to one of the better quotes from the film noir canon when Mark Stevens references the title with, “I feel all dead inside. I’m backed up in a dark corner and I don’t know who’s hitting me.”

Lucille Ball, top-billed, is pitch perfect as Stevens’ secretary, love interest, and driving force, and William Bendix, who made a career out of tough-and-volatile, nails his role even more solidly than usual here. You also get good work from Clifton Webb and femme fatale Cathy Downs. Atypically violent, and brilliantly wrapped in shadows and cut by black silhouettes by director Henry Hathaway and director of photography Joseph MacDonald, The Dark Corner is what watching film noir is all about. Favorite line: after a character is pushed thirty-one floors to his death a witness on the street gestures at a high window and remarks to a policeman, “Brother, he came out of there like a hot rivet. You know it’s a funny thing, I never yet seen one of those guys bounce.” A must-see. 

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Vintage Pulp May 25 2015
WEB OF DECEIT
Was it self-defense or murder? That’s always the question.

Do embezzlers even exist anymore, or is all that legal now? That’s the first question we had about The Web. The second was whether it’s believable for a lawyer to accept a gig moonlighting as a bodyguard for a wealthy and arrogant businessman. Well, maybe, if he wants mainly to get close to his new employer’s hot secretary Ella Raines. And his plan seems to be working, too, but just when things are heating up between them he has to shift into bodyguard mode and ends up killing an intruder bent on ventilating the businessman. But was the shooting legit or was it all a set-up to eliminate a rival? The lawyer starts to have suspicions when the dead man’s daughter appears and accuses him of being a hired murderer. From her perspective, what else could he appear to be? Raines, Edmond O’Brien, William Bendix, Vincent Price, John Abbott, and Maria Palmer do tolerable work here, but director Michael Gordon hits a few snags. For example, he shoots a restaurant scene between O’Brien and Bendix on two different sets and splices the halves together. Did one set burn down? Did the budget not include provisions for continuity? You can spot that gaffe at about 45:00. There are others. If you don’t mind such details there’s enjoyment to be had here, but if you like technical proficiency in your cinema, perhaps steer clear. The Web premiered in the U.S. today in 1947.

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Vintage Pulp Aug 4 2014
INSIDE INFORMATION
Good things come in small packages.

Here’s a new addition to the ever expanding roster of mid-century tabloids on Pulp Intl.—Inside, which we mentioned in relation to our post on Liberace a while ago. Inside was a pocket-sized magazine that came to newsstands in 1955 thanks to New York City’s Dodshaw Publishing Corporation. It seems to have lasted only three years. This August 1955 issue, which was originally scanned and uploaded by Darwin’s Scans, features singer Mario Lanza, filmmaker Elia Kazan, and actors George Raft and Gail Russell, among other subjects. Because the print in a pocket publication is readable when scanned and enlarged, we’re going to let you check out the stories yourself. You can read a bit more about Inside here. Enjoy.


 
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Vintage Pulp Nov 6 2008
DON'T ASK, DON'T TELL
You want the truth? You can’t handle the truth.

Film noir star Kirk Douglas and heavyweight director William Wyler teamed up for Detective Story, a hard-edged police procedural based on a stage play by Sidney Kingsley. In the course of a day at a typical precinct house, a tough guy detective mixes it up with all sorts of lowlifes, saving particular scorn for an abortionist. Yep, our detective is feeling pretty high and mighty until he discovers his beloved wife was once the man’s patient. Oops. This laugh-a-minute joyride, which comes off a little stagy more than half a century later but is still worth a viewing, premiered today in 1951.

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History Rewind
The headlines that mattered yesteryear.
August 22
1950—Althea Gibson Breaks the Color Barrier
Althea Gibson becomes the first African-American woman to compete on the World Tennis Tour, and the first to earn a Grand Slam title when she wins the French Open in 1956. Later she becomes the first African-American woman to compete in the Ladies Professional Golf Association.
1952—Devil's Island Closed
Devil's Island, the penal colony located off the coast of French Guiana, is permanently closed. The prison is later made world famous by Henri Charrière's bestselling novel Papillon, and the subsequent film starring Steve McQueen and Dustin Hoffman.
1962—De Gaulle Survives Assassination Attempt
Jean Bastien-Thiry, a French air weaponry engineer, attempts to assassinate French President Charles de Gaulle to prevent Algerian independence. Bastien-Thiry and others attack de Gaulle's armored limousine with machine guns, but after expending hundreds of rounds, they succeed only in puncturing two tires.
August 21
1911—Mona Lisa Disappears
Leonardo da Vinci's masterpiece, the Mona Lisa, aka La Gioconda, is stolen from the Louvre. After many wild theories and false leads, it turns out the painting was snatched by museum employee Vincenzo Peruggia.
August 20
1940—Trotsky Iced in Mexico
In Mexico City exiled Russian revolutionary Leon Trotsky is fatally wounded with an ice axe (not an ice pick) by Soviet agent Ramon Mercader. Trotsky dies the next day.
1968—Prague Spring Ends
200,000 Warsaw Pact troops backed by 5,000 tanks invade Czechoslovakia to end the Prague Spring political liberalization movement.
1986—Sherrill Goes Postal
In Edmond, Oklahoma, United States postal employee Patrick Sherrill shoots and kills fourteen of his co-workers and then commits suicide.
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