Vintage Pulp Apr 22 2018
UNNECESSARY ROUGHNESS
That's not exactly the type of apology I had in mind, but I guess it'll have to do.


This is an interesting piece of cover art for Raymond Chandler's third Phillip Marlowe thriller The High Window, the novel that was filmed as Time To Kill with Marlowe rewritten as another character, then filmed several years later as The Brasher Doubloon, with Marlowe restored. The book originally appeared in 1942, and the above painting by James Meese fronted Pocket Books' 1955 edition. Without reading it, one might assume this is Marlowe being punchy, but it's actually a bad guy named Alex Morny laying into his wife/accomplice-in-crime Lois. In the narrative Marlowe is lurking nearby, but he doesn't intervene because he's contemptuous of criminals, whether male or female.

Marlowe generally sticks up for underdogs. He particularly hates the abuse of authority. When two cops give him a hard time for being uncooperative he reminds them why he's that way by refreshing their memories concerning a case he investigated where a spoiled heir shot his secretary then killed himself. The cops closed that case with the official finding that the opposite had happened—the secretary had shot the heir before turning the gun on himself, and they did it to spare the heir's powerful father public embarrassment. The cops ask an annoyed Marlowe what difference it makes. They were both dead, so who cares?

Marlowe: “Did you ever stop to think that [his] secretary might have had a mother or a sister or a sweetheart—or all three? That they had their pride and their faith and their love for a kid who was made out to be a drunken paranoiac because his boss's father had a hundred million dollars? Until you guys own your own souls you don't own mine. Until you guys can be trusted every time and always, in all times and conditions, to seek the truth out and find it and let the chips fall where they may—until that time comes [I will not trust you].”

We've paraphrased a bit because the specifics aren't needed here, but it's a great speech. Countless sociological and criminological studies reveal that justice is still meted out mildly upon some groups, and severely upon others, more than half a century after Chandler wrote those lines. And the fact that a two-tiered justice system exists is so accepted these days it's banal to even point it out. But Marlowe tended to rail against corruption, even if doing so caused him problems. To resist was part of his personal code, and the code is part of what makes him such an interesting character. If you want to k
now more about The High Window you can find an extra detail or two in our write-up on Time To Kil
l here

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Vintage Pulp Dec 24 2017
A LETHAL REWRITE
Michael Shayne stabs Phillip Marlowe in the back.


Above you see a promo poster for the detective yarn The Time To Kill, a movie that premiered in the U.S. today in 1943 and has a mildly convoluted provenance that will be interesting to pulp fans. Mystery authors Brett Halliday and Raymond Chandler were both popular writers, but Twentieth Century Fox had already made six movies based on Halliday's novels. So they bought Chandler's The High Window and changed the main character from Phillip Marlowe to Halliday's franchise detective Michael Shayne. We don't know if Chandler and Halliday had any sort of rivalry to that point, but we wouldn't be surprised if one started.

Fox had made the previous Shayne flicks in just two years, and they're light in tone, which is one reason we think websites that label The Time To Kill a film noir are stretching. The lead character is not a driven loner, the general sense of corruption is nowhere to be found, and most of the usual noir iconography, such as rain or water, neon, newspapers, sidewalks, etc., is absent. No flashbacks. No voiceover. Nothing. Co-star Doris Merrick is a femme fatale perhaps, but virtually any woman in a crime thriller can fit that cubbyhole. Then surprise—four fifths of the way through its running time the movie shifts gears—Shayne walks into a nighttime murder scene that's draped with shadows and ill portent, but even this is played for laughs when he pratfalls down a staircase. And the ultimate fate of the villain is basically a bad barroom joke.

Director Herbert Leeds had worked on a variety of low budget westerns, comedies, and serials, and was a technician, not a stylist. His spliced in noir sequence is a nice nod to an emerging trend, but we don't think it pushes what is mainly a goofball detective film into noir territory. In general, his were a safe pair of hands tasked with churning out movies at high speed. The Time To Kill is a typically perfunctory Leeds effort—one hour and one minute long, meant to be consumed like penny candy. So we don't think it's a film noir, but hey—we just run a silly website. What do we know? And does it even matter? The Time To Kill is a decent enough distraction, however you categorize it.

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History Rewind
The headlines that mattered yesteryear.
March 28
1910—First Seaplane Takes Flight
Frenchman Henri Fabre, who had studied airplane and propeller designs and had also patented a system of flotation devices, accomplishes the first take-off from water at Martinque, France, in a plane he called Le Canard, or "the duck."
1953—Jim Thorpe Dies
American athlete Jim Thorpe, who was one of the most prolific sportsmen ever and won Olympic gold medals in the 1912 pentathlon and decathlon, played American football at the collegiate and professional levels, and also played professional baseball and basketball, dies of a heart attack.
March 27
1958—Khrushchev Becomes Premier
Nikita Khrushchev becomes premier of the Soviet Union. During his time in power he is responsible for the partial de-Stalinization of the Soviet Union, and presides over the rise of the early Soviet space program, but his many policy failures lead to him being deposed in October 1964. After his removal he is pensioned off and lives quietly the rest of his life, eventually dying of heart disease in 1971.
March 26
1997—Heaven's Gate Cult Members Found Dead
In San Diego, thirty-nine members of a cult called Heaven's Gate are found dead after committing suicide in the belief that a UFO hidden in tail of the Hale-Bopp comet was a signal that it was time to leave Earth for a higher plane of existence. The cult members killed themselves by ingesting pudding and applesauce laced with poison.
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