Vintage Pulp Jul 28 2016
LADY LOVE
When girl meets girl sparks fly.

Above and below is a small percentage of some of the thousands of lesbian themed paperback covers that appeared during the mid-century period, with art by Paul Rader, Fred Fixler, Harry Schaare, Rudy Nappi, Charles Copeland, and others, as well as a few interesting photographed fronts. The collection ends with the classic Satan Was a Lesbian, which you’ve probably seen before, but which no collection like this is complete without. Hopefully most of the others will be new to you. Needless to say, almost all were written by men, and in that sense are really hetero books reflecting hetero fantasies (fueled by hetero misconceptions and slander). You can see plenty more in this vein on the website Strange Sisters.

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Vintage Pulp Jul 9 2016
BEGGING FOR IT
Getting what you want is all in how you ask.


It seems as if no genre of literature features more characters in complete submission to others than mid-century sleaze. And how do these hapless supplicants express their desperation? They break out the kneepads. Above and below are assorted paperback covers of characters making pleas, seeking sympathy, and professing undying devotion. Though some of these folks are likely making the desired impression on their betters, most are being ignored, denied, or generally dumptrucked. You know, psychologists and serial daters say a clean break is best for all involved, so next time you need to go Lili St. Cyr on someone try this line: “I've decided I hate your face now.” That should get the job done. Art is by Harry Barton, Barye Philips, Paul Rader, et al.

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Vintage Pulp May 31 2016
HITT AND MISS
Hi, I'm your neighbor from row two, plot nine. I can't believe how massive your unit is. And your mobile home's big too.

A beautiful girl named Cherry Gordon who was abandoned by her birth mother and raised by adoptive parents gets into the porn racket, lets booze take over her life, runs afoul of the law, and even descends so far into depravity as to consort with lesbians. All this happens because she wants to be a singer and actress—so let it be a lesson never to follow your dreams. The story is written from Cherry's point of view, which is hilarious considering how little feel as a writer trashmaster deluxe Orrie Hitt has for women. But what does have plenty of feel is Paul Rader's cover for this 1963 Beacon Signal edition. No trash there.

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Vintage Pulp May 2 2016
CORPORATE RADER
They've been looking forward to this merger for a long time.

A while back we put together a collection of mid-century paperback covers set in offices and depicting hanky panky between bosses and workers. Most of the covers were by Paul Rader because he painted in that theme quite a bit for Midwood-Tower. Well, we've found another—the double novel Always Say Yes by Monty Brian and A Sure Thing by Vin Fields. It's a worthy addition to the collection, which you can see here.

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Vintage Pulp Mar 4 2016
THRILL OF THE CHAISE
I feel like I let people get close to me really quickly, doctor. Probably too close.


Jason Hytes' 1965 psychotherapy sleazer Secret Session was originally published in 1962 as The Doctor and the Dike, so you can probably figure out the plot yourself just based on the titles. Basically, a high-priced headshrinker's roster of female patients heat up his sessions, but it's his lesbian receptionist who really sparks a more-than-professional interest. In mid-century fiction every lesbian is just a man-hungry freak in waiting. Paul Rader is on the cover chores for this one.  

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Vintage Pulp Jan 5 2016
SHADOW AND FRIGHT
The shape of bad things to come.

Above and below are assorted covers featuring yet another fun mid-century paperback art motif—the looming or threatening shadow. The covers are by the usual suspects—Rader, Phillips, Gross, Caroselli, Nik, as well as by artists whose work you see less often, such as Tony Carter’s brilliant cover for And Turned to Clay. That's actually a dust jacket, rather than a paperback front, but we couldn't leave it out. You’ll also notice French publishers really liked this theme. We’ll doubtless come across more, and as we do we’ll add to the collection. This is true of all our cover collections. For instance, our post featuring the Eiffel Tower has grown from fifteen to twenty-two examples, and our group of fronts with syringes has swelled from thirteen to twenty-six images. We have twenty-four twenty-eight—see what we mean?—more shadow covers below, and thanks to all original uploaders.

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Vintage Pulp Aug 25 2015
FREE AS A BIRD
Flight 69, please hold position until further advised.

We think the fabled mile high club is like the original Woodstock—400,000 people showed up, but if you count everyone who claims to have been there attendance was actually something like 8 million. If you’ve never had sex in the sky, let Paul Rader’s cover for Mike Skinner’s 1962 sleaze novel Flight into Sin inspire you (even if the cover figure hasn't gotten airborne yet). Skinner is a bit of a mystery, but we know he was credited with other books in a similar vein for Midwood, such as So Wild, The Undoing of Jenny, and The Passionate Virgin, and he seems also to have written Blondes Don’t Give a Damn as Michael Skinner for Kozy Books. As for Rader, there’s little more to add—he was one of the kings of mid-century paperback art. You can read a full bio on him here. 

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Vintage Pulp Jul 3 2015
ALL THUMBS
Well, mostly thumbs.

The hitchhiker has been a central element of many a mid-century thriller, with the results of these rides ranging from hot sex to bloody murder, and several outcomes between. Below is a collection of paperback covers depicting various characters casting their fates to the road. Wish them luck—they’ll need it. And thanks to all the original uploaders on these. 

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Vintage Pulp Mar 4 2015
TOUCH OF EVIL
Um, I think we’re going to need some revisions to this script.

Above, the cover of Amy Harris’s 1962 novel Touch Me Gently, in which a woman’s personality changes after she’s attacked and violated during a midnight dip in the local swimming hole. The virgin-to-vengeful-vamp transformation triggered by a rape is an all-too-common scenario found everywhere from sleaze fiction to ’70s sexploitation cinema to Japanese pinku films. On the one hand it’s always highly distasteful; on the other it acknowledges the existence of these terrible events and allows women violent revenge. In terms of artistic merit, you have to judge on a case-by-case basis. But that’s what it’s always about with difficult subjects, isn’t it? Done right, valuable understanding can result. The cover art by Paul Rader is excellent. No problem understanding that at all. 

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Vintage Pulp Jan 22 2015
NAME BRAND PULP
What’s in a name? Everything, if it’s the title of a vintage paperback.

Above and below you will find a large collection of pulp, post-pulp, and sleaze paperback fronts that have as their titles a character’s first name. There are hundreds of examples of these but we stopped at thirty-two. The collection really highlights, more than others we’ve put together, how rarely vintage paperback art focuses on male characters. The prose is virtually all male-centered and male-driven, of course, but because the mid-century paperback market was male-driven too, that meant putting women on the covers to attract the male eye. We tell our girlfriends this all the time, but they still think we just don’t bother looking for male-oriented vintage art. But we do. For this collection we found two novels that have male characters’ names as their titles, and we looked pretty hard. If we had to guess, we’d say less than 5% of all pulp art is male-oriented. In any case, the illustrations come from the usual suspects—Barye Phillips, Robert McGinnis, Jef de Wulf, Paul Rader, et al., plus less recognized artists like Doug Weaver. Thanks to all the original uploaders for these.

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History Rewind
The headlines that mattered yesteryear.
August 30
1918—Lenin Shot
Russian political revolutionary Fanny Kaplan shoots Bolshevik leader Vladimir Lenin, wounding him in the shoulder and jaw. Lenin survives, she doesn't—she's executed three days later.
1963—Washington-Moscow Hotline Established
A hotline between U.S. and Soviet leaders, known as the Washington-Moscow hotline or Red Telephone, goes into operation. It linked the White House to the Kremlin at the height of the Cold War, and presumably still does today.
2006—Glenn Ford Dies
Canadian actor Glenn Ford, who starred in some of the best films ever made, including Gilda, The Big Heat, and the original 3:10 to Yuma, dies in his home in Beverly Hills, USA. He was still in love with Rita Hayworth, his one-time co-star who had died years earlier. Reputedly, his last words were, "You don't keep Rita Hayworth waiting."
August 29
1949—Soviet Union Joins Nuclear Club
The Soviet Union detonates a nuclear weapon at a test site in Kazakhstan. American experts are shocked and dismayed because they had thought the Soviets were still years away from having a workable bomb. The resultant fear helps trigger an arms race that would see the Americans and Soviets stockpile approximately 32,000 and 45,000 nuclear devices.
August 28
1963—King Gives Famous Speech
In the U.S., Martin Luther King, Jr., at the culmination of his march on Washington for jobs and freedom, gives his famous "I Have a Dream Speech," advocating racial harmony and equality.
1981—Scientists Announce Existence of New Disease
The National Centers for Disease Control announce a high incidence of pneumocystis and Kaposi's sarcoma in gay men. These illnesses are later recognized as symptoms of a blood-borne immune disorder, which they name AIDS. The disease is initially thought to have developed in the late 1970s among gay populations, but scientists now know it developed in the late 1800s or early 1900s in Africa during the height of European conquest of the continent.

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