Only my friends get to call me Corny. And you're not a friend.
This United Artists promo photo was made for the political thriller The Next Man and it shows U.S. actress Cornelia Sharpe, who was actually never known as Corny, at least not professionally. She had a minor career dotted with a few notable movies, including Serpico and The Reincarnation of Peter Proud. The Next Man was not one of those notable films, but it did star Sean Connery and was directed by Richard C. Sarafian, who helmed the counterculture classic Vanishing Point. This image dates from 1976.
Frank McCarthy's hyper-detailed Bond painting requires a second glance.
Every James Bond movie has been exhaustively pored over online, which makes them not particularly discussion worthy for our website. But we're making an exception for You Only Live Twice for two reasons. First, because of the promo painting above. It's an amazing visual masterpiece created by the realist painter Frank McCarthy, and it was used in various types of promos, tilted to the left, as you see in the example just below. Looking at the painting oriented correctly, we see that Bond is actually defying gravity, and if you look super close you'll see he's wearing a pair of slippers and is managing to hang on using his strangely prehensile toes. The canvas is filled with intricacy, and within the whole there are various secondary set pieces. We've isolated a few areas below so you can see what we mean.
The second reason we decided to talk about this movie is because it has amas in it. Yes, we just talked about amas a couple of weeks ago when we shared a poster for Woman Diver's Beach: Red Pants. But if you missed that, we're referring to female Japanese skin divers who forage in shallow waters for pearls and aquatic delicacies. The entire concept of the ama was obscure at best in Western culture until they appeared onscreen in You Only Live Twice. They first appear in the film briefly when Bond looks at a surveillance photo, but later he goes undercover as a Japanese man (we know, we know) and has to pretend to marry an ama named Kissy Suzuki. The character is played by Mie Hama, who we've featured a couple of times. See here and here. Oh, and You Only Live Twice had its world premiere in London today in 1967. That's the third reason we decided to talk about it.
Something about Paris just makes you want to dance.
This issue of Cancans de Paris, which is number 10, hit newsstands this month in 1966 featuring cover star Virginia Litz, someone we saw a while back in Folies de Paris et de Hollywood, but modeling under the pseudonym Arabelle. Turns out Litz may be a pseudonym too, as we've determined she's also known—and better known—as Christine Aarons. She pops up inside Cancans along with Gloria Paul, Dany Carrel, Sylvia Sorrente, and Uta Levka, as well as Sean Connery and Claudine Auger, who were starring together in Thunderball. We have Virginia Litz/Christine Aarons on at least one other mid-century magazine, which we'll post a bit later. In the meantime below are assorted scans from today's issue.
Getting down to the fine details.
Two issues of Adam to share—one from Australia and one from the U.S.—proved too much work for one day, so we posted Aussie Adam yesterday, and today we’re on to the American Adam. These magazines have no relationship to each other apart from coincidentally sharing a name. U.S. Adam relies on photo covers rather than painted art, shows a dedication to cheesecake photography that far outstrips its Australian cousin, and also has less fiction. However, what fiction it does offer extends beyond Aussie Adam’s adventure and crime focus, such as the short piece from counterculture icon Harlan Ellison called, “The Late Great Arnie Draper.” We’ve scanned and shared the entirety of that below if you’re in a reading mood.
The striking cover model here goes by the name Lorrie Lewis, and inside you get burlesque dancer Sophie Rieu, who performed for years at the nightclub Le Sexy in Paris, legendary jazzman Charles Mingus, and many celebs such as Jane Fonda, Claudia Cardinale, Sharon Tate, and the Rolling Stones. There’s also a feature on the Dean Martin movie Murderer’s Row, with Ann-Margret doing a little dancing, and blonde stunner Camilla Sparv demonstrating how to properly rock a striped crop-top. We managed to put up more than forty scans, which makes this an ideal timewaster for a Monday. Enjoy.
Eew, you mean you want me to, like, hug her and stuff?
When we saw this we had to share it. It’s a centerfold from Belgium’s Ciné Télé Revue magazine featuring Claudine Auger and Sean Connery. Made when they were promoting their pairing in the James Bond actioner Thunderball, the dubious expression on Connery’s seemingly lipsticked face is exactly the same as if he’d been forced to hug an octopus, while Auger seems to be having fun, but ended up with a double chin that probably made her shriek in horror when she saw the shot. But even though we suspect both actors probably fired their publicists after this, the result is a rare, candid photo showing that even the prettiest stars are, in the end, imperfect.
James Bond’s cruel nature is exposed on comic book cover.
This amazing Italian comic book cover for Ian Fleming’s Missione Royal, aka Casino Royale, with excellent cover art by Franco Picchioni, was printed in 1965. We found it over at the blog illustrated007, and there are other items there worth taking a look at if you’re inclined. Casino Royale was the first James Bond adventure written by Ian Fleming, but when it eventually hit the big screen in 1967 it was a Royale with cheese. Or more accurately, it wasn’t a Royale at all because it was a spoof that had nothing in common with Fleming’s work except the title and some characters. Still though, in its own way it was a good movie. But this cover reminds us that one thing we like about Bond as written by Fleming is his seriousness. Fleming more than once described Bond as having a “cruel mouth.” This doppleganger of Sean Connery has a cruel everything. No compassion in those eyes at all. We love it.
The man with the Midas touch.
The Japanese weren’t the only ones who produced amazing 45 sleeves for James Bond music. Above you see art for Shirley Bassey’s Bond theme “Goldfinger,” released by Columbia Records and EMI in Italy in 1965, with Sean Connery and gold plated Shirley Eaton caught during a moment between takes on the set. In Italy the movie was called Agente 007, Missione Goldfinger, which is why the title on the reverse differs from the front. Check out those Japanese Bond sleeves here.
We’ve got something special up our sleeves.
Above and below are the front and rear sleeves of four Japanese soundtrack pressings for the 1960s James Bond films Thunderball, From Russia with Love, You Only Live Twice, and Goldfinger. The themes were sung by Tom Jones, Matt Munro, Nancy Sinatra, and Shirley Bassey respectively, and pictured along with Sean Connery you see Bond beauties Claudine Auger and Shirley Eaton. Ms. Eaton, as wrong-place wrong-time Jill Masterson, had the dubious honor of being suffocated under a coating of gold paint, certainly one of the most infamous deaths of any Bond femme. We think these sleeves are great, and if you agree and want to see a lot more excellent 007 soundtrack art, check our previous posts here, here, and especially here.
On a related note, the Bond franchise’s fiftieth anniversary is next month, and in honor of the occasion former star Roger Moore, along with co-stars Britt Ekland and Richard Kiel, are touring around England with a Blu-ray box set of all the films, which are stored inside a gold case that is in turn comfortably riding in one of Bond’s preferred vehicles, an Aston Martin DBS. Actors, auto, and discs are visiting some of the iconic locations of the Bond series in advance of the release of the next film, which is entitled Skyfall. You can read more about all that here.
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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