Vintage Pulp Apr 4 2017
BIG MACK ATTACK
It's hard out there for a pimp.


The Mack is about pimping. Let's just get that out there. Those with twenty-first century sensibilities will probably hate the film on principle. But is there anything more to it than sexual exploitation? Well, it's an offering in the blaxploitation genre that deals with an ex-con's plan to rise to the top of the macking game in the city of Oakland. The main character, named Goldie, has a brother who intends to rid the streets of crime. Goldie's main antagonists are a pair of corrupt cops who see no difference between him and his brother. The subtext is interesting. Goldie and his brother represent opposite forms of direct engagement—one works to improve his environment while opposed by authorities who see political activism as a threat; the other works illegally to get ahead and get out while opposed by authorities charged with fighting crime.

The movie chooses as its backdrop one of the most activist cities in the U.S., with one of the most corrupt police forces. Both of these facts were true when The Mack was made and remain true today. For example, while Oakland police are tasked with preventing crime, they repeatedly and brazenly break the law, and have paid out more in civil damages than almost any police force in the nation. This dichotomy callsinto question whether the police actually exist for the good of the community at all, or for a more complex purpose—say to protect the interests of elites by both containing crime and hemming in the possibility of political empowerment. Actually, the question is rhetorical. We've been to many countries, and in all of them police suppress political activity among the underclass. So yeah, there's more to The Mack than just pimping.

The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.

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Vintage Pulp Jan 27 2017
THE WORKING CLASS
Just being able to survive feels like success.


Tonight the Noir City Film Festival is screening the urban drama Blue Collar, possibly the best film on the ten-day slate. Richard Pryor, Harvey Keitel, and the underrated but indispensable Yaphet Kotto star, but this is Pryor's show, his star turn. A trio of Detroit auto workers are driven by financial desperation to rob their own union hall. They end up netting three-hundred dollars. Trouble is the union, seeking insurance money, claims it was twenty thousand. The organized crime guy who backed the job isn't interested in stories about a three hundred dollar take—he's owed ten percent and that's two grand. But there's hope—the robbery also netted a notebook filled with information on illegal loans, and if Pryor and company can sell it maybe they can come out on top after all. But just how likely do you suppose that is?

Blue Collar is a brilliant work of art. Cinematic maverick Paul Schrader directed it, operating in a gritty milieu that would become his trademark. But the pressurized lives of the working class heroes are truly brought to life by the cast. Keitel studied under Stella Adler and Lee Strasberg, as well as at the HB Studio, while Kotto is a guy who studied at the Actors Mobile Theater Studio and made his professional acting debut in Othello, but Pryor the stand-up comic outacted them both, using self-contained fury, razor sharp humor, and just the right amount of improvisation. The man was a once-in-lifetime talent. His comedy was fused with desperation and pain, but Hollywood tried to harness the funny Pryor and jettison the rest. It was like removing his heart. He truly shone only in serious films, where he would break high tension with moments of humanizing comedy. Blue Collar was the best of the lot.
 
By today's movie standards a couple of thousand dollars hardly seems like much to fret over. Audiences are used to crime films dealing with millions. But the small amounts here make the movie feel real. A 2016 study showed that half of adult Americans would not be able to come up with $400 in an emergency—they would have to sell something, borrow money, or not pay. Back in 1978, when Blue Collar wasmade, real wages in the U.S. were higher than they are now, so the movie depicts travails among working class people who were better off than working class people are today. Let that sink in. We think this is a perfect movie to show in San Francisco in 2017, a city overrun by tech workers contentedly pushing longtime residents out. The movie won't change anything in the city. But it will be remembered by the ticketholders at the screening.

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Vintage Pulp Jan 20 2011
FOXY BROWN
Soul sister number 1.


Above, three covers of Soul, with the immortal Pam Grier, along with an inset of her boyfriend Richard Pryor,1973, 1976 and 1977. 

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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