|Femmes Fatales||Jul 15 2017|
We have to bring Pam Grier back every once in a while. This breezy shot currently making its way around the internet certainly ranks among the best promo images ever made of a classic figure. Whoever took this photo captured Grier in a seaside mode we've never seen before, and whoever originally uploaded it deserves thanks, but only partially—Grier deserves most of the credit just for being her.
|Vintage Pulp||Jan 4 2017|
Above is an Italian poster for the American financed, Philippine shot sexploitation actioner The Big Doll House, which starred Roberta Collins, Brooke Mills, Pat Woodell, Pam Grier, and Judy Brown. This wasn't the first women in prison movie—those had been appearing for decades—but it was the one that got the ’70s prison sexploitation ball rolling in the U.S. It offers a full slate of whippings, waterboardings, overheated isolation, and bizarre snake tortures, orchestrated by the evil wardeness Christiane Schmidtmer. Collins leads the beautiful convicts' eventual escape from bondage and hers is the most memorable character in the ensemble, though all the personalities are interesting. Don't get us wrong—the acting is of course atrocious, and the production values aren't high, but that didn't bother us and it didn't bother American audiences either. They made the movie a hit and the women-in-prison conveyor belt quickly cranked out other Filipino bondage productions like Women in Cages, The Hot Box, The Woman Hunt, The Big Bird Cage, and many others. The Big Doll House wasn't the best of the lot, by any stretch, but hey—being a trailblazer matters. We think it's worth a viewing.
|Vintage Pulp||Dec 14 2016|
Coffy is not a movie we planned to write about, due to the fact that it's been covered by so many websites. But then we came across this French poster made for its release in Paris today in 1973—where it was called Coffy: la panthère noire de Harlem—and we changed our minds. The movie possibly falls into the category of those everyone has heard about but few have seen, so we gave it a run for the first time in some years. The story is straightforward—a teen girl is in the hospital suffering from the effects of an overdose, and her sister, played by Pam Grier, goes looking for revenge. She kills the dealer who sold heroin to her sister, but soon learns there's another dealer behind that one, and so forth. In a world that's corrupt to the core, revenge is a maze where the center is impossibly difficult to find.
Coffy was really an envelope pushing film. We'll just highlight one scene to make that point. Pam Grier's title character has sex with her boyfriend then heads toward the bathroom. On the way there, but off-camera, we hear her say, “Oops! Oh, you shouldn't have made me laugh.” What do you supposed happened? Here's a hint—it involves spillage, and not from a glass. It may well have been the first movie ever to hint at post-coital drainage. Later it does another off-camera bit with oral sex when Grier pours wine in her boyfriend's lap and proceeds to clean it up. Coffy may not have been well acted, but it had moments of earthy realism that were almost microscopic in focus. You also get plenty of action and a fierce, single-minded heroine you can root for. Coffy opened in France today in 1973. Check out a rare U.S. promo poster for it here.
|Femmes Fatales||Mar 28 2016|
Pam Grier was one of Pulp Intl.’s first femmes fatales so it seems only right to bring her back every once in a while. This shot of her appeared on the May 1975 cover of New York magazine and is probably one of the best images of her ever made. The accompanying text called her “a new kind of Hollywood star.” That was true of her and several other women who came up through the blaxploitation ranks, but Grier was really top of the heap—she was the best, the bravest, and by far the most famous. She's had steady success for more than forty years, but we really enjoy those old movies of hers, and this photo captures her at the peak of that period.
|Vintage Pulp||Jan 10 2016|
Remember the two excellent Italian posters for the 1974 swords-and-sandals/blaxploitation epic The Arena? Usually the American posters for films from this era compare unfavorably to the foreign versions, but in this case the U.S. promo is also very good. And as a bonus Grier actually gets to star on this one. On the Italian versions she was entirely whitewashed from one, and relegated to secondary status on the other. Not only that—on the text of both posters Italian actress Lucretia Love is given top billing, though she’s actually a supporting character in the film. We can only assume the distributors thought Italian audiences wouldn’t flock to cinemas to see a movie headlined by Grier, and dissed her twice over. Well, above we see her where she belongs.
|Vintage Pulp||Dec 27 2015|
|Vintage Pulp||Jul 30 2015|
|Vintage Pulp||Jul 1 2014|
A little while ago we shared an image of American actress Judy Pace, and that got us thinking about some of her blaxploitation flicks. One we hadn’t seen was Cool Breeze, a reworking of the classic 1950s crime drama The Asphalt Jungle, which was in turn based on W.R. Burnett’s novel. We watched it last night and enjoyed it, though like many movies of the genre it’s the grittiness and other intangibles that make it good, as opposed to the acting and directing, which aren’t great.
Moving on to the poster, it was made for the movie’s Italian run as I diamanti sono pericolosi, which means “diamonds are dangerous.” This piece of art is rare not just in the real world, but on the internet, which means that, like the Grier photo, you probably won’t find it on any other website (at least not an unwatermarked version). Cool Breeze premiered in the U.S. in 1972. No info on when it debuted in Italy.
|Vintage Pulp||Apr 5 2014|
|Intl. Notebook||Dec 20 2013|
Here’s a little something different—you're looking at a foot-high statuette of Pam Grier as Foxy Brown. It comes from Mark Alfrey Studios and goes for $70, or thereabouts. He also has a version of Grier as the immortal Coffy, seen below. They’re done in stylized proportions, but amusingly, their extreme shapes are not too far off Grier’s actual mid-20s physique—all praises to genetics. By the way, someone asked us recently why Coffy never had a last name. When you consider Grier has played such characters as Sheba Shayne, Friday Foster and Jackie Brown, Coffy no-last-name would seem to be a grave omission, but she actually does have a last name—it’s Coffin (see what we did there with that “grave” omission thing?). Her character is called Coffy as a nickname, (much better than Coffin, considering she’s a nurse), so what she actually lacks is a first name. It never occurs in the film.
Last time we watched Coffy we made a game of coming up with a first name. Her sister is named LuBelle, so that gave us a general sense of which way to go, but we settled on something ridiculous, owing to the brain-muddling influence of demon alcohol. Next time you watch the movie try some names on for size—it’s kind of fun. Anyway, back to the figures, these things are licensed, so Alfrey got some signed by Grier, and those go for a cool $145. But for the blaxploitation fan who has everything price is no object. And for Grier, statuettes are great, but how about a star on the Walk of Fame? She’s had far greater cultural impact than many of the recipients.