These? These are all for me.
Elli Parvo was also known as Elly Parvo and Elly Pardo, but was born in Milan as Elvira Gobbo. In Italian, “gobbo” would most likely be pronounced with a long “o,” like “hobo,” but most English speakers would pronounce it sonically close to “garbo.” That word—garbo—brings up good associations because of the actress Greta Garbo, and as a bonus it’s actually a Spanish word that means “grace” or “elegance.” So that got us pondering how gobbo sounds so bad to our brains, while garbo sounds so good, though they’re nearly identical words. This in turn got us to thinking gobbo might actually mean something lovely in Italian, and if we learned its translation we’d have a new association for the word, and in the same way garbo must have sounded weird to English speakers until it became associated with a beautiful actress, gobbo could be transformed from sounding like something you dredge up from your lungs, similar to an Affleck or a Ruffalo, to something beautiful. So we plugged the word into the translator and you know what it came up with? “Hunchback.” Really. So, from humble beginnings, Elvira Gobbo made the smartest move of her life by changing her name and, as Elli Parvo, became one of the biggest stars and most desired sex symbols of Italian cinema, appearing in fifty films between 1934 and 1960. The above shot is from 1947’s I fratelli Karamazoff, and she’s hoping to down enough shots to black out any recollection of being a member of the hunchback family.
Am I cold? No. The top is of this suit is so much worse than the bottom I’ve decided to spend the day in this position.
Born in Pakistan in 1940, Rosemarie Dexter, aka Rosemary Dexter, established an acting career mainly in Italy and appeared in about forty films between 1963 and 1976, including Casanova 70, For a Few Dollars More, and El desperado. This shot of her in an unusual ruffled swimsuit is from the late 1960s.
Italian thriller offers viewers an entertaining world of trouble.
It’s probably fair to say Duello dans le monde, aka Ring Around the World has been pretty much forgotten in filmdom, but maybe it shouldn’t be. With a good premise, groovy-jazzy soundtrack, and location shooting in global hotspots like Bangkok, London, Hong Kong, and Rio de Janeiro, this was better than we had any right to expect. Richard Harrison investigates a series of seemingly natural deaths only to find that they were murders—in reality an assassin has shot the victims with pellets made of a frozen concoction that induces heart attacks. The pellets of course then melt and leave no trace behind.
We were drawn to this film by the excellent French language promo poster above painted by Giuliano Nistri, but were surprised to find a semi-competent thriller in the vein of James Bond. Interestingly, there’s a skydiving stunt here that predated the famous Moonraker opening sequence by more than a decade. The stunt isn’t exactly the same, but the idea is close, done low budget. The movie is probably too goofy and cheap to be called good, but on the whole it’s worth a look, and as a bonus it co-stars the wonderful Dominique Boschero. Originally released in Italy in 1966 and called Duello nel mondo, it opened in France as Duel dans le monde today in 1967. France
, Duel dans le monde
, Duello nel mondo
, Ring Around the World
, Richard Harrison
, Hélène Chanel
, Giacomo Rossi
, Dominique Boschero
, Giuliano Nistri
, poster art
, movie review
Building a better future through movies.
María Baxa was born in 1946 in Belgrade, which in today’s deconstructed Yugoslavia makes her Serbian. She appeared in a few Serbian-language films, then ascended into Italian cinema, appearing in productions such as Il commissario Verrazzano with Janet Agren and Patrizia Gori, and Incontri molto... ravvicinati del quarto tipo, aka Very Close Encounters of the Fourth Kind. According to Michele Giordano’s 2000 retrospective La commedia erotica Italiana: vent’anni di cinema sexy, Baxa left the movies in the late 1980s and became an architect. This shot is from 1970. Yugoslavia
, Il commissario Verrazzano Incontri molto... ravvicinati del quarto tipo
, Very Close Encounters of the Fourth Kind
, La commedia erotica Italiana: vent’anni di cinema sexy
, María Baxa
, Janet Agren
, Patrizia Gori
Symeoni brings bad things to life.
Italian artist Sandro Symeoni painted posters for all genres of film, from zany comedies to spaghetti westerns, but we like him in thriller mode best. Above are five examples of his work promoting 1950s and 1960s crime and horror movies. Their English titles are, top to bottom, The Mistresses of Dr. Jekyll, Deadly Inheritance, Scandal Incorporated, Grisbi, and The Revenge of Frankenstein. Plenty more Symeoni to see—just click his keywords below.
, Confidential: Anonima scandali
, Omicidio per vocazione
, Le amanti del Dott. Jekyll
, La vendetta di Frankenstein
, The Mistresses of Dr. Jekyll
, Deadly Inheritance
, Scandal Incorporated
, The Revenge of Frankenstein
, Sandro Symeoni
, poster art
Where it stops looking good nobody knows.
Below, a selection of beautiful Benedetto Caroselli covers for ERP’s giallo series I Narratori Americani del Brivido, with various Italian authors such as Aldo Crudo and Mario Pinzauti writing under Anglicized pseudonyms. We have much more from Caroselli. Just click and scroll.
, Editions ERP
, I Narratori Americani del Brivido
, Mike Chandler
, Gene Nelson
, Bill Bristol
, Artie Holland
, dave Granger
, Jeff Freeman
, M.G. Tracy
, Perry Landers
, William Benson Crane
, Aldo Crudo
, Mario Pinzauti
, Benedetto Caroselli
, cover art
The only real shock is how bad the movie is.
1977’s Porno Shock was originally released in West Germany as Der Ruf der blonden Göttin, but was also known as Porno gola profonda, The Call of the Blonde Goddess, and Voodoo Passion. Indeed, there’s voodoo involved, as the film was shot in Haiti, and every film shot there involves voodoo. The movie was directed by Jesús Franco under his Manfred Gregor pseudonym, and starred Vicky Adams, better known as Nanda Van Bergen or sometimes Muriel Montosse. Supporting her were Ada Tauler, aka Annie Sand, Karine Gambier, Siegrid Sellier, Jack Taylor, and others.
Basically, a woman arrives on Haiti to visit her husband who works there, uncovers what seems to be an incestuous relationship between hubby and his sister, has some detailed erotic nightmares, and begins to believe she’s fallen under the influence of a voodoo curse. Probably the only thing you’ll fall under the influence of in this mostly atrocious softcore production is the dancing of Vicky Adams, who as a white voodoo priestess spends long stretches of screen time gyrating naked in the woods. Even the fact that she has to share these scenes with sundry male dancers and their stubby penises doesn't detract from her extreme, er, watchability. You can see for yourself right here at about minute 24:00, minute 38:00, and minute 103:00. Not that we kept track.
But lest we forget, Pulp Intl. is mainly dedicated to art, and the only reason we’re talking about Porno Shock is because the two English language posters above—and obviously the Italian one at right—were painted by Mafé, an Italian master illustrator who five years after we first learned about him remains a total mystery. We have no full name on him, no biography, nothing. But what we do have is more of his work, and you can see that here, here, and here. We also have more of his posters in our hard drive and we’ll get those up in a bit. Meanwhile, help us out Italian friends—who is this guy?
, West Germany
, Porno Shock
, Der Ruf der blonden Göttin
, The Call of the Blonde Goddess
, Voodoo Passion
, Jesús Franco
, Manfred Gregor
, Karine Gambier
, Vicky Adams
, Jack Taylor
, Siegrid Sellier
, Nanda Van Bergen
, Muriel Montosse
, poster art
, movie review
Staring down the barrel.
When we first saw this we weren’t sure what it was—we were thinking soundtrack sleeve. Turns out it’s a super 8 film box for the 1972 Italian crime thriller Milano calibro 9, aka Caliber 9, and it came from an interesting blog called Passione Super 8. The cover star, who we’ve helpfully enlarged below, is Barbara Bouchet, a Pulp Intl. favorite we’ve talked about once or twice before. We actually haven’t seen this film yet, but now it’s next on the list. You can visit Passione Super 8 at this link.
Dressed for eventual success.
Raffaella Carrà is famous enough today to be known in many countries as simply la Carrà, and in Latin America as merely Raffaella. The above photo shows her pre-superstardom, when she was an up-and-coming actress and singer in her native Italy. Back then she was big in sword & sandal epics, among them 1961’s Atlas Against the Cyclops, and 1962’s Ulysses Against Hercules and Caesar the Conqueror. The photo comes from a British magazine called King and it dates from 1968
With the sweet often comes bitter.
La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously. |
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