Where it stops looking good nobody knows.
Below, a selection of beautiful Benedetto Caroselli covers for ERP’s giallo series I Narratori Americani del Brivido, with various Italian authors such as Aldo Crudo and Mario Pinzauti writing under Anglicized pseudonyms. We have much more from Caroselli. Just click and scroll.
, Editions ERP
, I Narratori Americani del Brivido
, Mike Chandler
, Gene Nelson
, Bill Bristol
, Artie Holland
, dave Granger
, Jeff Freeman
, M.G. Tracy
, Perry Landers
, William Benson Crane
, Aldo Crudo
, Mario Pinzauti
, Benedetto Caroselli
, cover art
The only real shock is how bad the movie is.
1977’s Porno Shock was originally released in West Germany as Der Ruf der blonden Göttin, but was also known as Porno gola profonda, The Call of the Blonde Goddess, and Voodoo Passion. Indeed, there’s voodoo involved, as the film was shot in Haiti, and every film shot there involves voodoo. The movie was directed by Jesús Franco under his Manfred Gregor pseudonym, and starred Vicky Adams, better known as Nanda Van Bergen or sometimes Muriel Montosse. Supporting her were Ada Tauler, aka Annie Sand, Karine Gambier, Siegrid Sellier, Jack Taylor, and others.
Basically, a woman arrives on Haiti to visit her husband who works there, uncovers what seems to be an incestuous relationship between hubby and his sister, has some detailed erotic nightmares, and begins to believe she’s fallen under the influence of a voodoo curse. Probably the only thing you’ll fall under the influence of in this mostly atrocious softcore production is the dancing of Vicky Adams, who as a white voodoo priestess spends long stretches of screen time gyrating naked in the woods. Even the fact that she has to share these scenes with sundry male dancers and their stubby penises doesn't detract from her extreme, er, watchability. You can see for yourself right here at about minute 24:00, minute 38:00, and minute 103:00. Not that we kept track.
But lest we forget, Pulp Intl. is mainly dedicated to art, and the only reason we’re talking about Porno Shock is because the two English language posters above—and obviously the Italian one at right—were painted by Mafé, an Italian master illustrator who five years after we first learned about him remains a total mystery. We have no full name on him, no biography, nothing. But what we do have is more of his work, and you can see that here, here, and here. We also have more of his posters in our hard drive and we’ll get those up in a bit. Meanwhile, help us out Italian friends—who is this guy?
, West Germany
, Porno Shock
, Der Ruf der blonden Göttin
, The Call of the Blonde Goddess
, Voodoo Passion
, Jesús Franco
, Manfred Gregor
, Karine Gambier
, Vicky Adams
, Jack Taylor
, Siegrid Sellier
, Nanda Van Bergen
, Muriel Montosse
, poster art
, movie review
Staring down the barrel.
When we first saw this we weren’t sure what it was—we were thinking soundtrack sleeve. Turns out it’s a super 8 film box for the 1972 Italian crime thriller Milano calibro 9, aka Caliber 9, and it came from an interesting blog called Passione Super 8. The cover star, who we’ve helpfully enlarged below, is Barbara Bouchet, a Pulp Intl. favorite we’ve talked about once or twice before. We actually haven’t seen this film yet, but now it’s next on the list. You can visit Passione Super 8 at this link.
Dressed for eventual success.
Raffaella Carrà is famous enough today to be known in many countries as simply la Carrà, and in Latin America as merely Raffaella. The above photo shows her pre-superstardom, when she was an up-and-coming actress and singer in her native Italy. Back then she was big in sword & sandal epics, among them 1961’s Atlas Against the Cyclops, and 1962’s Ulysses Against Hercules and Caesar the Conqueror. The photo comes from a British magazine called King and it dates from 1968
With the sweet often comes bitter.
La dolce vita, aka The Sweet Life, is one of those movies everyone claims to have seen, but surprisingly few have actually sat through. Fellini’s ironically titled 1960 masterpiece hit American shores for the first time today in 1961. There’s nothing we can tell you about it that hasn’t been said, as reviews both professional and amateur abound on the interwebs. But the two posters above, both painted by Giorgio Olivetti, may be new to you. You can see more examples of Olivetti’s work here. In the meantime watch the movie. Seriously.
An itty bitty glimpse of Vitti is almost as good as the whole thing.
It’s not what you reveal, but how you do it. This shot showing about ten percent of actress Monica Vitti is one of the more provocative images we’ve seen of her. It comes from 1966 and was made when she was filming the adventure Modesty Blaise in Italy.
He may be her pimp, but he certainly isn’t her boss.
In Italian a “magnaccio” is a pimp, and Il magnaccio deals with a pimp nicknamed the Little Prince who is loved by his live-in prostie, but whose affection he either ignores or violently rebuffs. When she disappears the Prince replaces her, but she’s never far from his mind, and this being giallo we know disappearances don’t last. And indeed she turns up again, seemingly by chance, and the dysfunctional lovers get a chance to resolve unfinished business—assuming they don’t kill each other first. The movie stars Franco Citti, Riccardo Salvino, Elina de Witt, and Silvana Venturelli, who we last saw in the Radley Metzger mind trip Esotika Erotika Psicotika.
There’s confusion online about whether Il magnaccio premiered in 1967 or 1969. IMDB says ’69, but a lot of Italian sites say ’67. We say it was 1969. We went outside the film universe, located the soundtrack album, and found that it was released today in 1969. The promo poster above, which is what we really wanted to talk about, was painted by Giovanni di Stefano. He obviously is not the Italian con artist Giovanni di Stefano (though he would fit nicely on Pulp Intl.) nor, even more obviously, the fifteenth century sculptor Giovanni di Stefano. This particular Giovanni di Stefano—who according to all evidence has one of the most common names to be found in Italy—is yet another very good illustrator whose original work goes for exorbitant amounts of money today. We plan to show you more of his output later.
, Arvo Film
, Il magnaccio
, Giovanni di Stefano
, Franco Citti
, Riccardo Salvino
, Elina de Witt
, Silvana Venturelli
, poster art
Need the FBI? Talk to ERP.
FBI Fichiers Secrets was a series of crime novels published in France by Rome-based Editions ERP during the early 1960s. The authors’ names are all pseudonyms—the books were really written by guys like Pino Belli, Aldo Crudo, Gualberto Titta, Nino Giannini, Gianfranco Parolini, and others. Above you see ten covers with top art from Mario Ferrari. You can see more masterworks from Ferrari here, here, and here.
, Editions ERP
, Pino Belli
, Aldo Crudo
, Gualberto Titta
, Nino Giannini
, Gianfranco Parolini
, Joe Vivard
, Mike Chandler
, Sten Cooper
, Janil Niggin
, Johnny West
, Simpson Greene
, cover art
Random acts of lust and violence.
We thought we'd show you one more excellent Red Circle cover by Franco Picchioni, this time for Violenza… forza sette, written by Frank Donovan for Mondadori and published in 1970. The previous Red Circles are here. We were going to share this one later but decided we liked the art so much there was no point in saving it. |
The headlines that mattered yesteryear.
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.