Random acts of lust and violence.
We thought we'd show you one more excellent Red Circle cover by Franco Picchioni, this time for Violenza… forza sette, written by Frank Donovan for Mondadori and published in 1970. The previous Red Circles are here. We were going to share this one later but decided we liked the art so much there was no point in saving it.
Three Italian covers offer three visions of Mickey Spillane’s hard-boiled Mike Hammer classic.
The top cover for Mickey Spillane’s Ti ucciderò was painted by the excellent Giovanni Benvenuti for Garzanti in 1957. You can see the artist’s signature more or less in the middle of the cover. The title Ti ucciderò means “I will kill you,” which is considerably less evocative than the original title I, the Jury, but maybe that just doesn’t translate well in Italy for some reason. The second cover is also from Garzanti and dates from 1972. The shifty eyes at top were a design element on all the Spillane covers from Garzanti during the period. Last you see a 1990 edition of I, the Jury published by Oscar Mondadori, and though we don’t know the artist, it’s interesting to see a book appear so late with a painted cover. The detective on that one, if you take a close look, is the actor Stacy Keach. He was starring as Mike Hammer on an American television show called The New Mike Hammer, from which you see a still at right, and the Mondadori book was a tie-in for when the show hit Italian television. All three covers are nice, but Benvenuti is tops, as always.
, Oscar Mondadori
, Ti ucciderò
, I the Jury
, Mickey Spillane
, Giovanni Benvenuti
, Stacy Keach
, cover art
Straight to the toplessness.
This issue of the Swedish magazine FIB Aktuellt appeared today in 1973 and its cover star, Sophia Loren, is exposed inside in exklusivt! photos from her 1951 campfest Era lui... sì! sì, aka It’s Him!... Yes! Yes! You probably know the story by now. Loren described the decision that led to her toplessness this way: “The scene involved several girls like myself in harem costume and, for the Italian version it was all right to wear clothes. The director asked that we do one take topless for the French version. I did not want to, but I was hungry. The other girls obliged him and, after a moment’s hesitation, I did too.” Loren said later that in general she couldn’t bear to be naked. “I’m not exactly a tiny woman. When Sophia Loren is naked, this is a lot of nakedness.”
It’s interesting that the photos are labeled exclusive by FIB Aktuellt, considering images from Era lui... sì! sì! had been floating around for years. We shared a page from the low rent Goodtime Weekly Calendar of 1963 featuring the same topless shot you see above. But we suppose in the days before the global internet the images were a scoop each time a new magazine acquired them. Playboy made a big deal of printing them in 1966. Loren’s nudity remained mildly controversial for decades due to her superstar status, but time marches on, and in 2011 she appeared on prime time television on Italy’s RAI 1 with a humungous topless still from Era lui... si! sì! in the background. That’s progress.
Mario de Berardinis makes the Mos of his considerable talent.
We’ve shared the work of Italian poster illustrator Mario de Berardinis several times and thought today would be a good day to revisit him. De Berardinis began painting movie posters in the late 1940s, but most of his output seems to have occurred during the 1960s and 1970s, when he created scores of brilliant promos, including the iconic Barbarella poster you see above. He usually signed his work Mos, or sometimes Almos, but some pieces bear his full name. He worked until his death in 1977, and his posters today are collectible and expensive. You can see three of our previous posts on De Berardinis here, here, and here.
Think you have trouble getting laid? Try dealing with this guy’s problem.
Above are assorted covers of the Italian fumetto Pig, which first appeared in 1983 from Ediperiodici. Pig was reprinted in both French and Spanish, though the French editions ran into trouble from authorities that saw the content as promoting bestiality. You’d have to be a real prude to see it that way, because this is pretty funny stuff. An experiment gone awry has given the protagonist a pig’s head, and if he doesn’t have sex regularly he’ll transform past the point of no return. Since he has a pig’s head, the sex thing is a bit tricky, but through sheer animal charm he manages. So what’s your excuse for not scoring? We bet you have a human head, so quit your bellyaching.
As a side note, this comic brings to mind the time we worked for a production company in L.A., which at some point began scouring the country for graphic novels with cinema potential. Once word got out in the comic community we began receiving dozens of submissions a week, all of which had to be evaluated for merit. There was one guy who sent in something called Pork, and the idea was that a pig was elected to the U.S. Senate. We loved that one and gave it highest marks, but others in the company just didn't get it. Disagreement over the concept contributed to us getting fired. Which just goes to show how stupidly literal some people are.
Anyway, we have some interior scans from issue number 63 of Pig below. In those pages the hero calls himself Dick Saroyan and seemingly is a writer or journalist. However, we’ve seen online that the pig is actually named Mark, so maybe in this issue he’s involved in some sort of undercover caper. Regardless, he ends up getting laid and that's all that really matters for him, lest he transform into 100% swine. Have a look below. The art, which is by Averardo Ciriello, is pretty graphic, but that's why it's per adulti.
She’s got a Ralli nice way about her.
Above, Italian actress Giovanna Ralli, who appeared in such films as Los fríos ojos del miedo, aka The Cold Eyes of Fear, and Era notte a Roma, aka Escape by Night, seen here in 1975.
What a strange country. I was arrested for baring my breasts but called a hero for carrying a gun.
Bersaglio a 5 was published in 1968 by E.P.I./Ottimo as entry fifty in their series Agente Segreto. The title means “Target 5,” and the art by Benedetto Caroselli hits the target too.
It’s got tough spies, fast cars, big boats, dangerous women and great scenery. What could possibly go wrong?
It’s amazing how awful and ineffectual 1960s anti-drug movies were. Massimo Mida’s spy caper LSD—Una atomica nel cervello, aka LSD—Inferno per pochi dollari, aka LSD—Flesh of the Devil, falls into that category. It isn’t quite Reefer Madness silly, but it comes close, with an unintentionally hilarious opener featuring a child blowing up two men with a toy car, then using a blowgun to take down a third who runs so slowly he might as well have canoes for feet. That bit is followed later in the film by giggly, spastic, tearful acid trip sequences put together by someone who maybe listened to Surrealistic Pillow but never actually tried drugs. Mida created the moniker Mike Middleton for his directorial credit, and we have to wonder if he was afraid having his real name attached to the film would shame his family. What saves the movie is that it’s got a touch of that ineffable Italian style, numerous location set-ups along the Lake Como shoreline, and plenty of the beautiful Franca Polesello, who you see below. There are worse ways to spend ninety minutes, but this feature is mainly for Italophiles and those with Mystery Science Theater 3000 wit. Others may want to steer clear. At least the poster art, by Moroni (first), and Diovano (second) is great. LSD—Una atomica nel cervello premiered in Italy today in 1967.
, LSD—Inferno per pochi dollari
, LSD—Una atomica nel cervello
, LSD Flesh of the Devil
, Massimo Mida
, Mike Middleton
, Guy Madison
, Franca Polesello
, poster art
, movie review
They call me Signore Tibbs!
1966 cover for La calda notte di Virgil Tibbs—better known as In the Heat of the Night—from Milan based Edizioni Mondadori for their Il Giallo Mondadori series, number 907. The cool cover art is by Carlo Jacono, who we’ll get back to in a bit.
, Edizioni Mondadori
, La calda notte di Virgil Tibbs
, In the Heat of the Night
, John Ball
, Sidney Poitier
, Carlo Jacono
, cover art
The headlines that mattered yesteryear.
1930—Movie Censorship Enacted
In the U.S., the Motion Pictures Production Code is instituted, imposing strict censorship guidelines on the depiction of sex, crime, religion, violence and racial mixing in film. The censorship holds sway over Hollywood for the next thirty-eight years, and becomes known as the Hays Code, after its creator, Will H. Hays.
1970—Japan Airlines Flight 351 Hijacked
In Japan, nine samurai sword wielding members of the Japanese Communist League-Red Army Faction hijack Japan Airlines flight 351, which had been en route from Tokyo to Fukuoka. After releasing the passengers, the hijackers proceed to Pyongyang, North Koreas's Mirim Airport, where they surrender to North Korean authorities and are given asylum.
1986—Jimmy Cagney Dies
American movie actor James Francis Cagney, Jr., who played a variety of roles in everything from romances to musicals but was best known as a quintessential tough guy, dies of a heart attack at his farm in Stanfordville, New York at the age of eighty-six.
1951—The Rosenbergs Are Convicted of Espionage
Americans Ethel and Julius Rosenberg are convicted of conspiracy to commit espionage as a result of passing nuclear secrets to the Soviet Union. While declassified documents seem to confirm Julius Rosenberg's role as a spy, Ethel Rosenberg's involvement is still a matter of dispute. Both Rosenbergs were executed on June 19, 1953.
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