Vintage Pulp Aug 9 2017
COITUS INTERRUPTUS
Last anyone heard from him he had ventured deep into the bush.


The Japanese didn't mess around when it came to promo posters during the 1970s. This one for 1977's Emanuelle e gli ultimi cannibali, aka Emanuelle and the Last Cannibals gets the point of film across immediately. The promo stars Spanish actress Nieves Navarro, aka Susan Scott, and was taken from a production still—minus actor Percy Hogan, who's been disappeared from the original image. In the movie Hogan plays a bush guide named Salvadore, and now you know exactly what type of bush he guides himself into. It's curious he was excised from the poster, but we're kind of surprised Navarro is on there either, since all by herself she still makes for a shocker of an image. But you have to admit the overall effect is really striking. We'd even say beautiful. Looking at the minimal amount of poster text, it's pretty clear the title of the film changed. Emanuelle e gli ultimi cannibali was deemed a little too unwieldy it seems, so the distributors called it 猟奇変態地獄, which means “bizarre transformation hell.” You see the flipside of the sheet just above. If you haven't seen the movie, we'll tell you that bizarre is a pretty apt description. We did a short write-up of it back in 2013 and included more production photos, so if you're curious have a look here.

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Vintage Pulp Aug 7 2017
AUTO FOCUS
Traffic mishaps reach an all-time high.

Below, assorted paperback covers pairing mortal danger and automobiles, including many examples from France, where the theme was particularly popular. Thanks to all the original uploaders on these.

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Vintage Pulp Aug 5 2017
TOP SCORSOIO
Caroselli bests the competition again.


Above is another beautiful piece painted by Benedetto Caroselli, a man we're going to go ahead and anoint one of the greatest paperback cover artists of all time. His work on Richard Walker's Nodo scorsoio—which means “slipknot”—is simply brilliant, with its red tressed, black dressed femme fatale, and graphic background elements. It dates from 1962 for Grandi Edizioni Internazionali's collection I Gialli dell'Ossessione, and is number ninety-seven in the series. The book was translated from Richard Walker's original English text by Domenico Vitali, and once again we suspected the translator was the author, since we're pretty sure this book was never actually released in English, thus would never have needed a translator. After some searching we confirmed our suspicions—Vitali wrote as Walker on several occasions, including two novels for Éditions S.E.P.'s P.J. Police collection. We're going to keep digging up art by Benedetto Caroselli because it's all good—every piece we've seen. You can see more of his work by clicking his keywords below.

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Femmes Fatales Jul 11 2017
FARINON ENOUGH
I told the waiter I left my cash in my room, and he said the drink was on him. What a nice guy!

Italian actress and television personality Gabriella Farinon relaxes with a cool refreshment in this beautiful shot taken in 1975 on a beach in Mo'orea, Îles de la Société, French Polynesia. Her movies include the vampire flick Et mourir de plaisir, aka Blood & Roses (discussed here), and 1960's Space Men, aka Assignment: Outer Space. We love this shot, not least because it reminds us of our local beach, luckily just a few blocks away. By the time you read this that's where we'll be. 

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Vintage Pulp Jul 5 2017
MALEFICENT 7
And they thought cellblocks 1 through 6 were bad.


Diario segreto da un carcere femminile, for which you see a nice poster above, was released in English as Women in Cellblock 7. Jenny Tamburi is thrown in prison as an accessory to a drug trafficking doublecross that led to the disappearance of twenty kilos of heroin. Interpol agent Anita Strindberg wants to prove her father, also an Interpol agent, had nothing to do with the heist, and has herself and her amazing hair placed in prison in order to ply Tamburi for exonerating evidence. Outside parties think Tamburi knows where the missing heroin is, including her lawyer and the mafia, but she claims to have no idea.

So you have an innocent woman in prison, under threat from convicts connected to the mafia, and into this arrives an undercover agent who soon becomes her protector. The cast, which besides Tamburi and Strindberg includes Eva Czemerys, Olga Bisera, Cristina Gaioni, and Valeria Fabrizi, get to rubbing on each other in beds and showers in cinematic approximations of lesbian sex, which means you've got yourself a classic women in prison sexploitation flick. There's also a plot thread external to the prison involving the mafia trafficantes, and some of this features effective action, but it's the ladies on lockdown that are the draw here.

Do they make the movie worth watching? We wouldn't go that far, but they're certainly scenic, and they work hard to hold together a ridiculous script. The conundrum of movie acting is that you have to give it your all or be judged unfit for further roles. At eighty-one minutes in length, at least the film lets the cast out early for good behavior even if the warden doesn't. Diario segreto da un carcere femminile premiered in Italy today in 1973, and the poster was painted by Enzo Nistri. You can see more of his work here and here.

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Vintage Pulp Jun 27 2017
THE TROUBLE WITH HAIRY
Eww! No way! If you want them shaved do it yourself!

Non chiamate la polizia would translate as Don't Call the Police, a title chosen because that's exactly what doesn't happen. A Chicago businessman gets out of the shower to find his mistress dead, and he doesn't call the cops, instead relying on a private investigator named—wait for it—Barr Breed. That's one of the better names. This was published by Arnoldo Mondadori Editore for its Biblioteca Economica collection, and it's from 1955 and was written by Bill S. Ballinger, aka Frederic Freyer, aka B.X. Sanborn, aka Barr Breed. Actually, strike that last one. We just wanted to say it again. The book originally appeared in 1948 in the U.S., where it had another precisely descriptive title—The Corpse in the Bed. The art for Signet by Mitchell Hooks was excellent, and you see that below. We'll have more from Hooks later.

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Intl. Notebook Jun 25 2017
TIP OF THE EKBERG
Uncensored turns its unique journalistic eye toward Anita Ekberg.


There's nothing quite like tabloid writing, a fact once again amply demonstrated by Uncensored. This issue is from June 1963, and check out this short paragraph from its feature on Anita Ekberg: “This is the Uncensored story of how Prince Philip bagged a rare and exotic Scandinavian pouter pigeon. Though its native habitat is Sweden, this double-breasted dove prefers the warmer climate of Italy. It also migrates as far from home as London and Hollywood.”

Double-breasted dove? They don't write like that anymore, and a good thing too. It's sexist, of course, but the tabs were generally belittling of both females and males—though in different ways. Women were derided for dating around, such as when Uncensored refers to Ekberg as “Sexberg,” whereas men were usually disparaged for not being manly enough. That typically involved either being rebuffed by women, not scoring with enough women, or sexually preferring men. You see this in the story on Marcello Mastroianni, who's called “lazy” for passing on Brigitte Bardot. And you see it in the story on the United Nations, which is referred to as the “U.N. pansy patch.”

From the perspective of 2017, the heteronormative insecurity is pretty obvious. Men are to be prowling wolves, and any failure to live up to the ideal prompts insults; women are to be readily available for action, but not to other men. The story on Ekberg treads the line of admiring her beauty, but being suspicious about the freeness of her affections. There's a photo of her dancing with a black G.I. in Rome, and while the caption is neutral, in the context of the story the meaning of the shot is clear: “Ekberg will even dance with a black man!

We love the photo. Ekberg looks a bit baffled, as if the soldier is telling her, “We'd be in mortal danger for doing this in most of the United States, you know,” and Ekberg is saying, “What the hell are you talking about?” The photo also shows how tall Ekberg was, almost 5' 7”, probably 5' 10” in heels, which is towering for an actress who needed to star alongside all those mid-sized leading men. We think this is the first time this image has appeared online.

Other elements worth noting in this issue include French actress and Pulp Intl. femme fatale Dominque Boschero as a mermaid, Marlene Dietrich looking dapper in a tux, Jayne Mansfield and one of her famed toy poodles, and burlesque queen Blaze Starr sudsy in a bathtub. There are plenty of other great shots too, and you can see them all below in nearly forty scans. Uncensored will return.

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Intl. Notebook Jun 23 2017
COMING FULL CIRCLE
Famed movie cemetery rises from the dead.

Spaghetti westerns earned their name because they generally premiered in Italy and the studios that financed them were usually Italian, but the films were often predominantly shot in Spain. The climax of The Good, the Bad and the Ugly, with its unforgettable three-way gunfight between Clint Eastwood, Eli Wallach, and Lee Van Cleef, was shot outside the town of Santo Domingo de Silos, Spain, in the province of Burgos, in a unique circular cemetery put together by set builders. In the script it was called the Sad Hill Cemetery. After the shoot Sad Hill was abandoned, and soon nature began to overtake the set.

That would have been the end of the story, but a group of film fans calling themselves the Sad Hill Cultural Association decided Sad Hill was a historic film treasure deserving of resurrection, and pledged to rescue it from oblivion. Toiling in their spare time, they labored with pick, hoe, and shovel to clear the site. They needed money to accomplish the work, so they set up a crowdfunding campaign with a unique enticement—those who contributed would have their names inscribed on the restored grave markers. The restoration efforts are finally complete, and the famous graveyard has been returned to its former state.

Spanish filmmaker Guillermo de Oliveira shot a documentary about the salvation efforts, and hopes to release a film titled Sad Hill Unearthed. He's now trying to raise money to pay for the rights to clips and music from The Good, the Bad and the Ugly, with the plan to premiere thefinished product at film festivals and share the restorer's unique dedication with the world. Meanwhile Sad Hill will become not only a tourist attraction for people passing through the province of Burgos, but a destination for those who contributed to its renewal. As Oliveira commented, “It’s the only cemetery in the world where you can visit your own grave.”

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Vintage Pulp Jun 21 2017
TANGLED UP IN BLUE
Dylan—Rab Dylan, that is—plays in Hong Kong.

Above, a nice cover for Azzurro è l'inferno, aka Hell Is Blue, 1968, by Rab Dylan for the Italian publishers Silpe as part of its Giallo 70 line. This was Silpe's first publication of many. The story is espionage set in Hong Kong, with all the James Bond style trappings. The author Dylan was pseudonymous, in this case for Italian writer Gualberto Titta, who we assume was worried people would laugh at his last name. What's notable about this book, at least for us, is that the company was founded by genius illustrator Mario Ferrari, who we've featured several times. And once we knew that, it was suddenly obvious this was also Ferrari's work on the cover. He's top tier, and you can see plenty more from him here, here, and here.

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Femmes Fatales Jun 11 2017
COFFEE FOR ONE
Personally, I find that I can't wake up in the morning without stimulation. What about you?

Elvire Audray was one of the more faces famous in 1980s Italian b-cinema, appearing films such as Lys, Nosferatu a Venezia, and the cannibal movie White Slave, which we discussed a while back. Here she gets her day off to a good start in a couple of photos made around 1985.

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Next Page
History Rewind
The headlines that mattered yesteryear.
August 17
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
August 16
1942—Blimp Crew Disappears without a Trace
The two-person crew of the U.S. naval blimp L-8 disappears on a routine patrol over the Pacific Ocean. The blimp drifts without her crew and crashes in Daly City, California. The mystery of the crew's disappearance is never solved.
1977—Elvis Presley Dies
Music icon Elvis Presley is found unresponsive by his fiancée on the floor of his Graceland bedroom suite. Attempts to revive him fail and he's pronounced dead soon afterward. The cause of death is often cited as drug overdose, but toxicology tests have never found evidence this was the case. More likely, years of drug abuse contributed to generally frail health and an overtaxed heart that suddenly failed.
August 15
1969—Woodstock Festival Begins
The Woodstock Music & Art Fair, which was billed as an Aquarian Exposition, takes place on a 600 acre dairy farm in Bethel, New York. It would run for three sometimes rainy days and feature thirty-two acts performing at all hours of the day and night. Today the festival is regarded as one of the greatest events in popular music history.
1977—Radio Signal Arrives from Deep Space
An unidentified radio signal, nicknamed the WOW Signal for the notation a scientist made on a computer readout, is briefly detected by the SETI (Search for Extra-Terrestrial Intelligence) project's Big Ear radio telescope. Despite a month of searching the same section of space, the signal is never found again.
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