Tropical storm Anita blows into Port-au-Prince.
Set in Haiti, the Italian thriller Al tropico del cancro follows the story of a doctor who invents a powerful hallucinogenic drug that interests various parties who believe it to be priceless. In addition to being a giallo, some people consider this film a classic of—what would you call it?—not blaxploitation, but that unofficial sub-genre of movies (which we also wrote about yesterday in assessing Emmanuelle IV) in which white women go to the tropics and jettison their inhibitions. Though the promise of Renato Casaro's brilliant poster art undoubtedly draws many viewers to the film, star Anita Strindberg's interracial coupling is a highly stylized hallucination or dream, ancillary to the plot. She gives it her theatrical best, though, gangbangy subtext and all. The scene was bold in 1972's racial landscape—and still is today, which shows you how little progress we've made in half a century.
Strindberg is a favorite around Pulp Intl. She was one of our early femmes fatales—in fact the one that made us decide to feature the occasional frontal nude on the site. Otherwise we wouldn't have been able to share this shot. Under a ridiculous crown of sculptural ’70s hair, she's all high cheekbones, icy eyes, and a recurved mouth. Everything below her neck looks good too, although she sports a pair of early breast implants, but hey—her body her choice. Her nordic looks juxtapose nicely against Haiti's tropical setting. She's a gleaming alien there, which is important for the sense of disconnection her character feels as the various male cast members busy themselves trying to outsmart each other to acquire the drug formula.
Al tropico del cancro features awesome location shooting in Port-au-Prince, not only in the streets and estates, but in unlikely locales like a functioning abattoir where island beef production is depicted in full gore. Cows aren't the only animals that fare poorly, so be forewarned. The movie eventually ends in foot chases and gunshots, as greed for the formula triggers a spate of violence. Reaching this climax isn't the most gripping ride, but we've been on worse. We recommend the movie for fans of Strindberg, as well as for people interested in historic Port-au-Prince, much of which—the prized Cathédrale de Port-au-Prince, the capital building, the parliament, et al—was destroyed in a 2010 earthquake. Al tropico del cancro premiered in Italy today in 1972.
, Al tropico del cancro
, Tropic of Cancer
, Peacock's Place
, Anita Strindberg
, Gabriele Tinti
, Anthony Steffen
, Renato Casaro
, poster art
, movie review
I usually wear floor length hoop skirts but for certain occasions this crimson mini is just the number.
Sometimes when classic literature was remarketed for mid-century audiences the pulp style makeovers were stretches. But in this case it works. Le amicizie pericolose is a 1964 Italian translation of Pierre Choderlos de Laclos's 1782 French epistolary novel Les Liaisons dangereuses, aka Dangerous Liaisons. The story features one of history's greatest femmes fatales—Marquise de Merteuil, whose pride and sexual vanity is the seed of an unspeakable tragedy. There's also an homme fatale—the serial seducer Vicomte de Valmont, whose dick eventually gets him in a crack so tight he can't escape.
The book has been filmed six times, and cinephiles argue which version is the best. While Glenn Close as the Marquise in 1988's Dangerous Liaisons was astounding, and Annette Bening's turn as the character in 1989's Valmont was also good, we recommend checking out Roger Vadim's 1959 adaptation, which was set in modern day Paris. Actually, even the 1999 Gen-X version Cruel Intentions is pretty good, which just goes to show how rich the source material is. There are also Korean and Chinese versions from 2003 and 2012 respectively.
The amazing femme fatale in red mini-dress and spike heels on the Grandi Edizioni Internazionali edition above—who of course looks nothing like the hoop skirted and white-powdered Marquise de Merteuil described by Laclos—was painted by the abundantly talented Bendetto Caroselli. Repackaging classics in this way (such as we've shown you before here and here) is usually a form of false advertising, but in this case we suspect many readers came away satisfied. Italy
, Grandi Edizioni Internazionali
, Le amicizie pericolose
, Les Liaisons dangereuses
, Dangerous Liaisons
, Cruel Intentions
, Pierre Choderlos de Laclos
, Pierre Laclos
, Benedetto Caroselli
, Glenn Close
, Annette Bening
, Roger Vadim
, cover art
She doesn't meet the Vatican dress code but she does meet the man of her dreams.
We have two great posters to share today for Piero Costa's La ragazza di piazza San Pietro, aka The Girl of San Pietro Square, starring famed director Vittorio De Sica along with Walter Chiari, Susana Canales, and Mary Martin in the tale of a widower and his three children. The setting is in and around St. Peter's Square in Vatican City, where the main characters are souvenir sellers, and a chance meeting results in romance. The movie is widely available, including on YouTube, but our primary interest is in the art. It has a nice femme fatale look to it. The first poster is signed Crane, and the second, using the same elements, is unsigned but obviously is by the same person. Both are top efforts. We'll dig for more on this Crane character and see what we can find. La ragazza di piazza San Pietro premiered in Italy today in 1958.
, Vatican City
, La ragazza di piazza San Pietro
, The Girl of San Pietro Square
, Vittorio De Sica
, Susanna Canales
, Mary Martin
, Walter Chiari
, Piero Costa
, poster art
Cut, cut, cut! Wardrobe! Make-up! Somebody! Can't you come up with any way to make her look average?
Above, a rather awesome image of Sophia Loren printed from the negative from Vittorio De Sica's 1960 drama La Ciociara, aka Two Women. Even when she looks bad she looks good.
Another blonde stirs up trouble in the benighted jungle.
Amazonia: Kopfjagd im Regenwald, for which you see a West German promo poster above, was originally Italian made as Schiave bianche: Violenza in Amazzonia, and was titled in English White Slave. We really enjoy lost world movies and this one looked like it fit the bill—fierce looking blonde woman on the poster holding a sword, jungle setting—so we tracked down a copy and had a look. We were imagining something along the lines of those entertaining ’80s actioners that all ended with big battle sequences and climactic decapitations. It was only after acquiring the film that we learned it was also known by another title—Cannibal Holocaust 2: The Catherine Miles Story. Uh oh. We are less fond of cannibal movies than lost world movies, but we forged ahead, bravely, with popcorn and beer.
Basically, a woman played by Elivire Audray is kidnapped by Amazon tribesmen and must submit to tribal customs in order to survive. But considering the fact that various loin-clothed alpha males soon begin to fight to possess her, the real question might be whether the tribe can survive her. All of this is wrapped inside a murder trial taking place after Audray's rescue, where a courtroom learns not only every sordid, sexual detail of her time with her tribe, but that her very presence in the jungle may have been part of a conspiracy, and her kidnapping might have been in reality a rescue. We can't really recommend this movie, but its eventual anti-capitalist twist is interesting, and at least you get to see plenty of Audray, below. Amazonia: Kopfjagd im Regenwald premiered in Italy in 1985 and opened in West Germany today in 1986.
, Schiave bianche: Violenza in Amazzonia
, Amazonia: Kopfjagd im Regenwald
, White Slave
, Cannibal Holocaust 2: The Catherine Miles Story
, Elvire Audray
, poster art
, movie review
It's really impossible to measure the Worth of this film.
What more do you need to know about a movie than the fact that cheeseball actor Ken Clark plays a main character named Dick Worth and he spends ninety minutes trying to get his dick's worth of action? The Fuller Report is a half baked espionage caper set in Sweden, involving Clark's smug race car driver who gets swept up in a frantic search for the eponymous report. What's in these papers? References to a Soviet defector, who it turns out is a kidnap and blackmail target. But the villains have more complex plans for her—they intend to turn her into an assassin. And of course the racing comes into play too, but not as much as you'd think based on the Japanese promo poster above.
Jointly made by the Italian company Fida Cinematografica and French based Les Productions Jacques Roitfeld, this is high budget schlock with Americans in three of the four main roles, and the fourth slot occupied by Serbian star Beba Lončar, who plays the defector. Lončar is a real beauty, but Ken Clark wins the production value award hands down—dude is seriously ripped. There's a steam bath scene involving Lončar, but we think it was actually put in the film so Clark could get his chest all oiled up.
Overall, we recommend you break out either a twelve-pack or the weed pipe for this flick—it's rife with awful acting, clunky staging, and loaded lines of dialogue any cleverhead could riff on all night. Our favorite? Clark and Lončar are in bed enjoying post-coital bliss and Lončar gushes, “I love you so much.” Clark's response: “Me too.” Invite your funny friends, sit back and enjoy Lončar's beautiful face, Clark's steely torso (without the fur he's wearing below), and the great soundtrack by Armando Trovajoli. The movie opened in Italy as Rapporto Fuller, base Stoccolma in early 1968, and sped into Japan today in 1970.
, Soviet Union
, Fida Cinematografica
, Les Productions Jacques Roitfeld
, The Fuller Report
, Rapporto Fuller base Stoccolma
, Beba Lončar
, Ken Clark
, Armando Trovajoli
, poster art
, movie review
It's all about natural balance.
The Gaia theory suggests that organisms interact with the inorganic world to form a synergistic system that maintains the conditions for life on Earth. None of that has anything to do with Italian actress Gaia Germani, née Giovanna Giardina, save that she's part of that synergistic system, and a particularly good part. Her film career included the 1965 spy movie OSS 77—Operazione fior di loto, 1967's Bang Bang, and 1974's Seduzione coniugale, which we talked about here. This photo is from around 1970.
Focus on both the writing and the art.
Focus was Arthur Miller's first novel, written in 1945, with this Ace Books edition appearing in 1960. If you haven't read it, basically it tells the story of a man who buys a new pair of glasses that alter his appearance to the extent that he is constantly mistaken for being Jewish. From harboring the same prejudices as others, he is suddenly cast as an enemy, as the hatreds around him are revealed. It's a very good, very earnest book. We've actually shared this, though, because the cover was painted by the Italian artist Sandro Symeoni, and it's the first time we've found his work on a paperback. The art reflects nothing of the book's content, but it's amazing just the same.
Hitchcock's epic thriller shows his directorial gifts but misses the mark.
This Italian poster for Io ti salverò, aka Spellbound is wonderful. The movie, directed by Alfred Hitchcock, isn't. The central plot device involves a man who may have blacked out committing a murder. That's a good place for a thriller to start, but the actual psychiatric science is approached clumsily, the love story is overwrought, and the orchestral musical score is omnipresent and overbearing. You have to wonder if composer Miklós Rozsa actually watched the film, because while Spellbound is big, his music is positively galactic. A re-edit with 60% of his output removed would make this one a much smoother ride. It's always a danger to criticize a classic film, we know, but not all classics are created equal. This one lives on Hitchcock's reputation, the overall technical execution, and a groundbreaking dream sequence designed by renowned artist Salvador Dalí. At the end of the dream a faceless man drops a wheel. Maybe it was a steering wheel, because despite all the money and star power poured into Spellbound, somehow it went down a middling road. It premiered in 1945 and reached Italy as Io ti salverò today in 1947. Italy
, Io ti salverò
, Ingrid Bergamn
, Gregory Peck
, Alfred Hitchcock
, Miklós Rozsa
, Salvador Dalí
, poster art
, movie review
The headlines that mattered yesteryear.
1951—Churchill Becomes Prime Minster Again
The Conservative Party wins the British general election, making Winston Churchill prime minister for the second time. Churchill is nearly 76 at the time, making him the second oldest prime minister in history after William Gladstone. Churchill remains PM until 1955, when he steps down at 81 due to ill health.
1964—The Night Caller Is Executed
In Australia, Eric Edgar Cooke, who had earned the nickname Night Caller, is hanged after being convicted of murder. He had terrorized Perth for four years, committing 22 violent crimes, eight of which resulted in deaths. He becomes the last person to be executed in Western Australia.
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.
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