Vintage Pulp Jan 23 2016
TIGHT SPOT
No place to run, no place to hide.


Today the Noir City Film Festival in San Francisco will be screening The Dark Corner, a movie that starts fast and keeps up a quick pace throughout, telling the story of small-time detective who is tormented and eventually framed by an unknown enemy. The script, which is credited to five writers, is filled with fun jargon and treats viewers to one of the better quotes from film noir when Mark Stevens references the title with, “I feel all dead inside. I’m backed up in a dark corner and I don’t know who’s hitting me.”

Lucille Ball, top-billed, is pitch perfect as Stevens’ secretary, love interest, and driving force, and William Bendix, who made a career out of tough-and-volatile, nails his role even more solidly than usual here. You also get good work from Clifton Webb and femme fatale Cathy Downs. Atypically violent, and brilliantly wrapped in shadows and cut by black silhouettes by director Henry Hathaway and director of photography Joseph MacDonald, The Dark Corner is what watching film noir is all about. Favorite line: after a character is pushed thirty-one floors to his death a witness on the street gestures at a high window and remarks to a policeman, “Brother, he came out of there like a hot rivet. You know it’s a funny thing, I never yet seen one of those guys bounce.” A must-see. 

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Intl. Notebook Jan 22 2016
THE ART OF KILLING
San Francisco welcomes murder and mayhem for the fourteenth time.

San Francisco's Noir City Film Festival remains one of the best of its type in the U.S. Its fourteenth incarnation kicks off today in San Fran with Rear Window and The Public Eye. The first isn't a noir, but fits comfortably on the festival program; the second is a sort of noir, though a newer one, and is an inspired choice, in our opinion. We just wonder whether people who pay for two films noir will be happy with those two selections on opening night. In any case, we take a peek at both films below. Other offerings this year include the Bogart vehicles The Two Mrs. Carrolls and In a Lonely Place, Screaming Mimi, Corridor of Mirrors, The Dark Corner plus more than twenty other titles, and we'll be taking a look at some of these films throughout the next week.

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Femmes Fatales Jan 9 2016
SCREAM PLAY
Okay, Cathy, let’s try it one more time. You’re really scared, okay? Really really scared. Like utterly terrified.

American actress Cathy Downs, shown here in a promo image made for the 1957 sci-fi epic The Amazing Colossal Man, gives the photographer her most convincing scream of terror. Somehow she got the part anyway. Don’t doubt her acting skills, though. She was in one of the best film noirs of all time—1946's The Dark Corner.

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History Rewind
The headlines that mattered yesteryear.
January 16
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
January 15
1919—Luxemburg and Liebknecht Are Killed
Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.
January 14
1967—Summer of Love Begins
The Human Be-In takes place in San Francisco's Golden Gate Park with between 20,000 to 30,000 people in attendance, their purpose being to promote their ideals of personal empowerment, cultural and political decentralization, communal living, ecological preservation, and higher consciousness. The event is considered the beginning of the famed counterculture Summer of Love.
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