Vintage Pulp Jan 11 2018
ALL IN THE SAME BOAT
Bankhead and Co. try to deal with an ocean of differences.


The best thing about Lifeboat is Tallulah Bankhead. Simple as that. Top billed, tasked with bringing a complex character to life, and working in a film with huge expectations because it was written by literary laureate John Steinbeck and helmed by internationally renowned director Alfred Hitchcock, she delivers the goods. If you haven't seen it, it's an adventure and character study about a group of cruise ship passengers who survive a German u-boat attack and find themselves adrift on the Atlantic Ocean. There's a tinge of war propaganda to it, a touch of we're-humans-and-the-other-side-aren't, but when you consider that Germany was a genocidal regime, and news reports had been touching on this fact for two years (though visual evidence wouldn't appear until after May 1945) Lifeboat is remarkably subtle in that regard.

Anyway, if you ever want to see a star go full nova, check this film out—Bankhead is funny, bitter, sly, ironic, desperate, and more, helped along by reliable old William Bendix, as well as Hume Cronyn, Mary Anderson, and Walter Slezak in a pivotal role. And I guess we don't have to tell you one of Hitchcock's most famous stories came from this movie, the one about his camera accidentally getting upskirt shots of a pantyless Bankhead, and the question of whether the problem was one for hair, make-up, or wardrobe.

The poster above is a really nice piece of mid-century promo art and we spent a lot of computer time trying to discover who painted it, but to no avail. That wasn't a surprise, though. It's a painted version of the photo-illustration used on the panel length promo you see below, which means it's basically a copy job that numerous artists could have executed. But it's still nice compositionally, with its beautiful blue coloration, bright yellow title, and diagonal arrangement of faces. Lifeboat premiered in the U.S. today in 1944.

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Vintage Pulp Jan 23 2016
TIGHT SPOT
No place to run, no place to hide.


Today the Noir City Film Festival in San Francisco will be screening The Dark Corner, a movie that starts fast and keeps up a quick pace throughout, telling the story of small-time detective who is tormented and eventually framed by an unknown enemy. The script, which is credited to five writers, is filled with fun jargon and treats viewers to one of the better quotes from film noir when Mark Stevens references the title with, “I feel all dead inside. I’m backed up in a dark corner and I don’t know who’s hitting me.”

Lucille Ball, top-billed, is pitch perfect as Stevens’ secretary, love interest, and driving force, and William Bendix, who made a career out of tough-and-volatile, nails his role even more solidly than usual here. You also get good work from Clifton Webb and femme fatale Cathy Downs. Atypically violent, and brilliantly wrapped in shadows and cut by black silhouettes by director Henry Hathaway and director of photography Joseph MacDonald, The Dark Corner is what watching film noir is all about. Favorite line: after a character is pushed thirty-one floors to his death a witness on the street gestures at a high window and remarks to a policeman, “Brother, he came out of there like a hot rivet. You know it’s a funny thing, I never yet seen one of those guys bounce.” A must-see. 

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Vintage Pulp May 25 2015
WEB OF DECEIT
Was it self-defense or murder? That’s always the question.

Do embezzlers even exist anymore, or is all that legal now? That’s the first question we had about The Web. The second was whether it’s believable for a lawyer to accept a gig moonlighting as a bodyguard for a wealthy and arrogant businessman. Well, maybe, if he wants mainly to get close to his new employer’s hot secretary Ella Raines. And his plan seems to be working, too, but just when things are heating up between them he has to shift into bodyguard mode and ends up killing an intruder bent on ventilating the businessman. But was the shooting legit or was it all a set-up to eliminate a rival? The lawyer starts to have suspicions when the dead man’s daughter appears and accuses him of being a hired murderer. From her perspective, what else could he appear to be? Raines, Edmund O’Brien, William Bendix, Vincent Price, John Abbott, and Maria Palmer do tolerable work here, but director Michael Gordon hits a few snags. For example, he shoots a restaurant scene between O’Brien and Bendix on two different sets and splices the halves together. Did one set burn down? Did the budget not include provisions for continuity? You can spot that gaffe at about 45:00. There are others. If you don’t mind such details there’s enjoyment to be had here, but if you like technical proficiency in your cinema, perhaps steer clear. The Web premiered in the U.S. today in 1947.
 

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Vintage Pulp Aug 4 2014
INSIDE INFORMATION
Good things come in small packages.

Here’s a new addition to the ever expanding roster of mid-century tabloids on Pulp Intl.—Inside, which we mentioned in relation to our post on Liberace a while ago. Inside was a pocket-sized magazine that came to newsstands in 1955 thanks to New York City’s Dodshaw Publishing Corporation. It seems to have lasted only three years. This August 1955 issue, which was originally scanned and uploaded by Darwin’s Scans, features singer Mario Lanza, filmmaker Elia Kazan, and actors George Raft and Gail Russell, among other subjects. Because the print in a pocket publication is readable when scanned and enlarged, we’re going to let you check out the stories yourself. You can read a bit more about Inside here. Enjoy.


 
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History Rewind
The headlines that mattered yesteryear.
January 24
1961—Plane Carrying Nuclear Bombs Crashes
A B-52 Stratofortress carrying two H-bombs experiences trouble during a refueling operation, and in the midst of an emergency descent breaks up in mid-air over Goldsboro, North Carolina. Five of the six arming devices on one of the bombs somehow activate before it lands via parachute in a wooded region where it is later recovered. The other bomb does not deploy its chute and crashes into muddy ground at 700 mph, disintegrating while driving its radioactive core fifty feet into the earth, where it remains to this day.
January 23
1912—International Opium Convention Signed
The International Opium Convention is signed at The Hague, Netherlands, and is the first international drug control treaty. The agreement was signed by Germany, the U.S., China, France, the UK, Italy, Japan, Netherlands, Persia, Portugal, Russia, and Siam.
January 22
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
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