Vintage Pulp Feb 2 2020
A SWING BY THE MALL
It's taken weeks to get here, but it will be worth it—in that fabled place I am told are stores that have shoes, boxer-briefs, bug repellant, and more.


We shared a Robert Stanley cover for Edgar Rice Burroughs' wild adventure Tarzan and the Lost Kingdom a while back. We'd be doing a disservice if we didn't also share the brilliant Frank Frazetta art used for Ace Books on its 1962 re-issue. Frazetta is an artist about whom there is no debate. He was a genius.

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Vintage Pulp Jan 12 2020
BAD MOON ON THE RISE
You'd be vicious too if you ate only once a month.


When we last saw Bertrand the Werewolf—on a very nice 1951 cover of Guy Endore's The Werewolf of Paris—he had been unleashed by the full moon and was dining out in decidedly un-French style. On this 1962 Ace Books edition he's finished his meal and is pondering possible desserts. He looks considerably more menacing here than on that previous cover thanks to the skill of the artist, who is, incredibly, uncredited. For that Ace receives a serious demerit, because this is special work and it should have been attributed. Bad publishers! We'll dig around and see if someone has an idea who painted it. 

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Vintage Pulp Feb 13 2019
ANXIETY ATTIC
As the source of the strange noises you've been hearing, I strongly suggest you resist your innate curiosity.


Louis Trimble's Stab in the Dark is one half of an Ace double novel, the other half of which—Jonathan Gant's Never Say No to a Killer—we powered through in one day back during the fall of 2017. Ordinarily when you finish one of these doubles you start right in on the back side, but you know how easily distracted we are. We finally got around to Stab, though, and it pits a secret agent against a group of blackmailers in possession of dirty photos of important people. Sounds fun, doesn't it? But there's nothing special here. We assume Trimble did better work elsewhere. 1956 on this, with unattributed cover art. 

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Vintage Pulp Sep 25 2018
GETTING HER GOAT
Listen, lady! There's two of us and only one goat on this island! We're going to have to come to an agreement!


No, this cover for William Fuller's 1954 thriller Goat Island is not a duplicate of yesterday's. It's a similar piece painted by the great same artist—George Gross. On both fronts you have the dark-haired femme fatale, the open white shirt, the seated position, the nearby tree, the shack in the distance, and a general backwoods mood. If you must copy, copy yourself. In terms of content the book falls into the category of South Florida detective yarns, a sub-genre scores of writers have found profitable over the decades. It's the second book featuring Fuller's franchise detective Brad Dolan. In 1957 Ace Books republished it with the art redone by John Vernon, which you see below. Yes, they're different. Look closely. Vernon's signature appears at the extreme bottom right, whereas Gross's is absent at top. Duplicating covers was common during the mid-century paperback era but we've rarely seen an artist as accomplished as Vernon given the task. Both covers are good, but Gross gets the nod of quality for only copying himself.
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Vintage Pulp Dec 6 2017
CALLING HER SHOT
Yes, I'd like to report a murder. A man murdered every last bit of my patience.


Above, a nice cover for Day Keene's 1954 thriller Death House Doll, with excellent art by Harry Barton. In the story, a Korean War vet has promised his fatally wounded brother he'd look after his wife and baby daughter, but when he gets back to the world (Chicago) he's stunned to find that she's sitting on death row for murder, and unwilling to spill the truth even if it saves her. The attraction with this one is watching a decorated war hero run riot on hoods and thieves, while up against the always effective ticking clock gimmick—an execution date, which in this case is five days hence. The book was an Ace Double with Thomas B. Dewey's Mourning After on the flipside, and the art on that one, just above, is by Victor Olson. We put together a nice collection of Harry Barton's work back in May that we recommend you visit at this link

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Vintage Pulp Nov 10 2017
COUNTER INTELLIGENCE
Sorry losers and haters, but my I.Q. is one of the highest—and you all know it!

You know the aphorism about intelligence, right? The one where smart people never feel smart enough and stupid people never realize they're stupid? The lead character in Jonathan Gant's, aka Clifton Adams' Never Say No to a Killer constantly brags about how smart he is. He even claims to have a genius I.Q. He puts this brainpower to use in escaping prison, setting himself up in Lake City, gaining possession of a million dollars worth of blackmail material, and sparking interest from the most beautiful woman he's ever seen, but you have a sneaking suspicion the entire time he isn't really that smart.

Since the story is told from first person point-of-view you have no evidence he's a blowhard, but for a guy who's allegedly so much smarter than everyone else plenty of things go wrong with his schemes, and the corpses he generates don't inspire confidence in his self assessment. And indeed, later you discover definitively that he isn't bright at all—he just has an enormous ego, one that allows him to bluster his way through problems, but which keeps him from spotting obvious dangers and prevents him from understanding it's he who's being played.

He believes beautiful women are his reward for being so much better than everyone else, which makes it especially satisfying when these women begin giving him trouble. If he were really a genius he'd have known that you never cross a femme fatale. Never Say No to a Killer is not an especially well written book, but the story is great and the character of Roy Surratt is rare. Well, rare in fiction. In real life people like him are everywhere. Overall this is decent-but-not-great stuff from Ace Double Novels, circa 1956, with uncredited cover art, and Louis Trimble's Stab in the Dark on the flipside.

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Vintage Pulp Aug 23 2017
TOOLS BEFORE SWINE
Don't worry—last time I saw your husband he was making a spear to kill some pig he claims is lurking around.


How many times have we talked about Harry Whittington? Plenty, but he wrote so many books, and had a habit of making them consistently interesting. In The Naked Jungle a plane crash leaves three survivors stranded on a deserted tropical island. There's Krayer, who's driven and a bit crazy; there's his wife Fran, who's lusty and unhappy; and there's Webb who wants Fran—badly. Three people, limited resources, and zero trust. On the flight Webb had overheard Fran tell her husband that their marriage is over, so he's not too worried about sticking his nose—or any other body part—where it doesn't belong. And Krayer didn't want to share survival supplies with Webb in the first place, so you can imagine how he feels about sharing his wife. It's all a recipe for more Whittington fun. The dramatic cover art is, sadly, uncredited, though it looks a lot like James Meese to us. Just a guess.

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Vintage Pulp Aug 4 2017
ENGINEERING FEET
It's time you got your hands dirty, tough guy. We'll start with a pedicure.

Above, an Ace double consisting of John Creighton's Trial by Perjury and Louis Trimble's The Smell of Trouble. Cover art is by uncredited and his twin brother unattributed. You can see another Ace double here

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Vintage Pulp Feb 4 2017
CUTS LIKE A WIFE
I think we should consider a separation. And I have just the body part in mind.

A gringo detective with an agency in Mexico City is hired to locate his crooked ex-partner, who has bailed with the agency's money, and now is causing trouble for the client. The PI takes the job, glad to be paid to track down his betrayer, and starts in the Mexican town of Rio Bravo where the partner immediately turns up dead. From there the hero delves into local corruption, crosses the border to Texas, uncovers a human trafficking ring, meets a cantina dancer named Arden Kennett, deals with a dangerous wife, watches murders pile up and the police begin to suspect him, and learns that knives can be thrown just as effectively as they can be brandished.

The book was published in the U.S. as an Ace Double in 1959 with Paul Rader art and bound with Charles Fritch's Negative of a Nude, but the rare edition above is from Aussie imprint Phantom Books and appeared in 1960. We can't identify the artist, which is an affliction we've been dealing with quite a bit of late. But don't blame us—as we've mentioned once or twice before, including just a few days ago, Phantom didn't credit art, possibly because much of it was copied from U.S. editions. Many of the covers do, however, look like the same hand, so hopefully someone will be able to ID the owner of that hand at some point in the future.

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Vintage Pulp Jan 18 2017
NEXT OF KIN
You might as well stop lurkin' and join the party. We already cousins—no harm bein' kissin' cousins too.

Actually, this book has nothing to do with cousins, but the art spoke to us that way. Guess we've read too many Midwood sleaze novels. Ace Books is generally a bit more highbrow. The main character in 1957's Desire in the Ozarks is Shoog Dawkins, a happy-go-lucky hillbilly stereotype who, after some years of matrimony to his sweetheart Docey and the birth of a son, has his head turned by a girl named Genevy Trone. He's constitutionally unable to resist the basic pleasures of life, so trouble soon results. This was marketed as an authentic slice of rural life in the vein of Erskine Caldwell—unsuccessfully it seems, because though Steger authored numerous short stories, this seems to have been his/her only novel. Turning to the art, it's uncredited. We did a little digging and found that the original painting for this recently went up for auction and the sellers confirmed that it's unsigned. We figure if they can't identify the artist, nobody can, so this one will likely remain unattributed.  

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Next Page
History Rewind
The headlines that mattered yesteryear.
February 26
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
February 25
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
February 24
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
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