When you're rich you're never insane. You're just a little eccentric.
La notte che Evelyn uscì dalla tomba, aka The Night Evelyn Came Out of the Grave, premiered in Italy today in 1971, and is an Italian made, set-in-England, gothic giallo flick for which we shared an unusual Greek poster some years ago. The art on that was retasked from the original poster, which was painted by Sandro Symeoni, a genius we've featured often. If you don't know his work, click his keywords below and have a look. He's worth your time.
In the movie a British lord violently obsessed with his deceased redheaded wife goes nuts and is committed to a mental institution. When he gets out he immediately brings disrepute to the entire psychiatric profession's notion of “cured” by going on a redhead killing spree. While he's busy reducing rural England's carrottop population one pale person at a time, his headshrinker, who knows nothing of the murders, is encouraging him to remarry in order to get over his dead wife.
That doesn't strike us as responsible psychiatric advice, but as we mentioned, there are lousy doctors in this film, so the Lord indeed picks out a suitable spouse, who's blonde, importantly. Things go fine until Mrs. Lord notices a redheaded maid in the manor. This is impossible, you see, because the Lord hates (and kills) redheads. So it goes without saying he'd never hire one. Who was this woman, and why was she there? Soon we're treated to the reliable giallo staples of imposters, unknown people creeping through the woods at night, disappearing corpses, and the question of whether what's happening is real, or is an attempt to induce insanity.
What might induce insanity for you is the screenwriting of the female characters in this flick. They're pure murder magnets. For example, whenever the Lord meets a redhead he yanks painfully on her hair to see if it's real. “Ouch! That hurt!” “Sorry, I thought it might be a wig.” “Oh.” Here's some advice: kick him in the gonads and run like Flo-Jo. Yet the women instead decide painful hair-pulling is just a cute quirk, and later meet their bloody ends.
There's also an incredible scene where the Lord slaps his wife around until she's bloody-mouthed, only to finally be stopped by the appearance of a friend, who asks, “Why were you fighting?” Why were you fighting? A more appropriate line might be, “Why were you beating the fuck out of your beloved?” But with this latter incident there may actually be a plotworthy reason the Lord is forgiven. We could reveal it, but that would be a spoiler. Of course, saying it would be a spoiler is a spoiler too. Oh no! Everything is spoiled! We have to murder a redhead now. Is that a non-sequitur? No, it's just giallo.
Two bunglers cook up a kidnapping scheme that goes disastrously awry.
It's been a couple of years, so today we're getting back to one of Italy's greatest poster artists—the prolific and eclectic Sandro Symeoni. He painted movie posters, book covers, album sleeves, and ads, and was excellent at all of them. He painted the above poster for the comedy Noi gangster, which was originally made and released in France as Le grand chef, but based on the U.S. writer O. Henry's short story “The Ransom of Red Chief.” We took a look at the film and it's a screwball comedy starring Fernandel and Gino Servi as two bumbling gas station workers who concoct a kidnapping plot in hopes of escaping their poverty. Kidnapping schemes never work. Too many variables. They aren't clued in to this fact but quickly learn when they snatch a millionaire's young son and are dismayed to find that the little terror is too much for them to handle. He climbs onto a high rooftop, goes renegade on a hospital trolley, and generally drives them insane with his unpredictable behavior. Think Martin and Lewis in French with one of the Little Rascals on the side and you'll know what to expect.
This was Fernandel's and Cervi's second team-up after 1955's Don Camillo e l'on. Peppone, and this go-round is inferior to the previous film in every way, but even the dumbest screwball comedies have good moments. An extended gag involving a slippery block of ice works—or maybe we liked it because we too live in a building with a spiral staircase and no elevator, and the scene reminded us of the time we dropped a bottle of wine and it bobsledded all the way to the ground floor. The neighbors don't take kindly to that at 1 a.m., but that's the problem with wooden stairs—most anything you drop survives the entire downward journey. Consider Noi gangster a spiral stair—it sort of goes monotonously in a circle but once it ends you'll have a nice sense of accomplishment. It premiered in Italy today in 1959. Incidentally, are you wondering why there's a smiling woman on the poster? We suppose because Symeoni wanted her there. She sure isn't in the movie. You can see plenty more art from him by clicking here.
Focus on both the writing and the art.
Focus was Arthur Miller's first novel, written in 1945, with this Ace Books edition appearing in 1960. If you haven't read it, basically it tells the story of a man who buys a new pair of glasses that alter his appearance to the extent that he is constantly mistaken for being Jewish. From harboring the same prejudices as others, he is suddenly cast as an enemy, as the hatreds around him are revealed. It's a very good, very earnest book. We've actually shared this, though, because the cover was painted by the Italian artist Sandro Symeoni, and it's the first time we've found his work on a paperback. The art reflects nothing of the book's content, but it's amazing just the same.
Sandro Symeoni presents an Italian vision of Japan.
We often share Japanese movie posters, but today we thought we’d look at Japan through the eyes of Italian illustration master Sandro Symeoni. This poster is for La strada della vergogna, which was a Japanese movie made by Kenji Mizoguchi entitled Akasen chitai, aka Street of Shame. No shame in this art. 1956 on the original film, 1959 on this poster.
Sandro Symeoni comes down with a case of Vertigo.
After focusing on Italian paperback artists lately, we thought today would be good for getting back to poster artists—namely Sandro Symeoni, who we’ve marveled at before. Symeoni veered from the realistic to abstract in style, and this very graphic poster for Dario Argento’s Profondo Rosso, aka Deep Red, sees him working in the latter mode, which we’ve also noted on pieces like the Suono Libero album sleeve, viewable in panel four here. This is also a clear homage to Saul Bass’s famed Vertigo poster. For a look at many more Symeonis, just click his keywords below. Profondo Rosso, by the way, premiered in the U.S. this week in 1976, and is well worth a look for fans of Argento and/or giallo.
Sandro Symeoni proves once again that his poster art is unparalleled.
While we’re aware that web searches generate different results depending on the where and when, we were still a bit thrilled when we did a random search today on Italian poster artist Sandro Symeoni and came up as the number one result. That has to do with having featured his art in three different posts over the last couple of years. Today, we have another rare Symeoni, a piece of production art he painted for the Clint Eastwood western A Fistful of Dollars in 1964. It’s truly brilliant. We also located several more of Symeoni’s posters and uploaded those below. Symeoni died in 2007. There was a posthumous exhibition in Italy last year that raised his profile a bit, and we suspect collectors will focus on his work even more in the coming years. If you want to see a bit more on him, definitely do so at our previous posts here, here, and here.
The headlines that mattered yesteryear.
1971—Mariner Orbits Mars
The NASA space probe Mariner 9 becomes the first spacecraft to orbit another planet successfully when it begins circling Mars. Among the images it transmits back to Earth are photos of Olympus Mons, a volcano three times taller than Mount Everest and so wide at its base that, due to curvature of the planet, its peak would be below the horizon to a person standing on its outer slope.
1912—Missing Explorer Robert Scott Found
British explorer Robert Falcon Scott and his men are found frozen to death on the Ross Ice Shelf in Antarctica, where they had been pinned down and immobilized by bad weather, hunger and fatigue. Scott's expedition, known as the Terra Nova expedition, had attempted to be the first to reach the South Pole only to be devastated upon finding that Norwegian explorer Roald Amundsen had beaten them there by five weeks. Scott wrote in his diary: "The worst has happened. All the day dreams must go. Great God! This is an awful place."
1933—Nessie Spotted for First Time
Hugh Gray takes the first known photos of the Loch Ness Monster while walking back from church along the shore of the Loch near the town of Foyers. Only one photo came out, but of all the images of the monster, this one is considered the most authentic.
1969—My Lai Massacre Revealed
Investigative journalist Seymour Hersh breaks the story of the My Lai massacre, which had occurred in Vietnam more than a year-and-a-half earlier but been covered up by military officials. That day, U.S. soldiers killed between 350 and 500 unarmed civilians, including women, the elderly, and infants. The event devastated America's image internationally and galvanized the U.S. anti-war effort. For Hersh's efforts he received a Pulitzer Prize.
1918—The Great War Ends
Germany signs an armistice agreement with the Allies in a railroad car outside of Compiègne in France, ending The Great War, later to be called World War I. About ten million people died, and many millions more were wounded. The conflict officially stops at 11:00 a.m., and today the eleventh hour of the eleventh day of the eleventh month is annually honored in some European nations with two minutes of silence.
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