*sigh* I'm still confused how I was charged for not having something.
They say possession is nine tenths of the law, but that last tenth can get mighty interesting if the thing you don't possess when the cops come along is, for example, identification, or clothing, or, apparently morals. Paul Hunter's 1961 novel Morals Charge deals with an eighteen-year old named Nancy who is lusted after by her mother's boyfriend, falls into the clutches of a big city racketeer, is jailed on a morals charge and abused by cops intent on using her to snare bigger prey. Paul Rader handles the cover work here, and it's a typically excellent effort. Mid-century paperback art would be far less entertaining without him, and though everything he does is great, if you want to see some of our favorites, check here, here, here, and here. We also have a mini-collection here.
She's not the sharpest ho in the toolshed.
Lana, by Joan Ellis, is sleaze fiction about a fifteen-year-old girl with poor critical reasoning skills. Which is to say she's D-U-M. Basically, she falls for an older guy who pimps her out. Her rationalizations around this are hilarious. Prostitutes often form co-dependent bonds with their pimps, so we hear, but Ellis didn't handle that aspect with sufficient skill, instead making poor Lana flat-out superficial. But hey—it's a sleaze novel. You don't go into it expecting Les Miserables. This is copyright 1960 with Paul Rader cover art (of a figure that looks a lot like Elsa Martinelli). By the way, if for some reason you don't know the term “ho,” look here.
We'll play the corporate merger game later. Just this once I actually need you to type something.
Above you see a cover for Sin Now, Pay Later, which was written by Allan Horn, the keen literary mind behind such books as Molester's Trap and Whore from Maupin Street. And you wonder why all these guys wrote under pseudonyms. Sin Now, Pay Later is 1967 with cover art by Paul Rader.
You'll need to use some deodorant before I do anything like that again.
1964's The Mark of a Man tells the story of a mill worker in a dead end town who has simple desires, but whose girlfriend wants him to show more ambition. You know that's a recipe for trouble. Collier's prose is better than normal for Midwood, according to one review we read, but we're more interested, as usual, in artist Paul Rader, who was showcased on scores of Midwood covers and is great here as well. We've featured him often, but if you're unfamiliar with his work we suggest you behold his genius here, here, here, and here. You'll be glad you did.
You know what? Don't worry about it. The first time wasn't that great anyway.
Above, a Paul Rader cover for Twice with Julie by Jason Hytes, aka John Plunkett. The lesson here? Every man has his limitations. Copyright 1962.
Once you go down there's no turning back.
But isn't Third Street in the other direction?
We're gonna go down the third street.
You mean the third street from here?
If you wanna think of it that way.
Why are you holding my hand?
The third street gets slippery. You'll see.
Super rare Joan Ellis authored Midwood-Tower lesbian sleaze novel about a female painter and female model who come together over more than just art, 1964, with Paul Rader on the cover chores.
Why don't you get undressed and we'll have a coming in party instead.
It's mandatory to occasionally share a cover from Midwood-Tower, so above you see Coming Out Party by Kimberly Kemp, who was a pseudonym, in this case occupied by Gilbert Fox. The story involves a homeless beauty picked up on the street by a wealthy NYC couple who give her a place to live but turn her into a plaything—topless chores, nude photographs, sexual duties with the heads of house. You know—the usual maid stuff. They may be dirty people but at least everyone ends up sqeaky clean. The cover art is by Paul Rader, and the copyright is 1965.
It's not the size of the caucus that matters. It's what you do with it.
This one is self explanatory. Nick Vendor's Sabrina and the Senator, published in 1960 by Midwood Books with cover art by Paul Rader, is billed as a behind the scenes story of the private lives and public affairs of politicians and their playmates. Thanks to the current U.S. president, this sort of thing is on people's minds in a way it hasn't been since Bill Clinton. As fans and collectors of pulp fiction, we've always gleefully wallowed in political sleaze. Well we're up to our comb overs in it now.
*sigh* Okay, lesson learned—new sexual orientation, same old crushing regret.
Above is a piece of classic Midwood sleaze, The Drifter, by March Hastings, aka Sally Singer, 1962, with Paul Rader cover art and the staggeringly funny tagline: Any port in a storm—and one of the ports was Lesbos. In the story, a woman has an impotent but deviant husband who seems to be sexually inspired only by his sister, so wifey flees and the drifting begins. As does the slumming, self-hating, and everything else. Since lesbianism is universally understood in mid-century sleaze to be a mental disorder, it's no spoiler to reveal that our heroine doesn't stay docked in Lesbos permanently, but rather learns the usual dubious lesson imparted by these books: the love of a good man fixes everything. It's a sex conversion fantasy written for a male market, and not to be taken seriously in any way. As a side note, since Lesbos is a Greek isle, that means we have a bit of a theme today (see below).
I had new shocks installed, so theoretically nobody outside should be able to tell we're in there humping like beasts.
In Sin on Wheels a virgin moves into a trailer park with her new husband and discovers he and most of the other residents are swingers. He's cheating on her within a week, she's cheating back days later, and pretty soon everyone wants a piece of her wedding cake. Of course, it was always the husband's plan to share his bride, which means the friction, so to speak, derives from her attempts to resist being turned into a trailer park plaything. It's all written from her point of view, so it's basically a male fantasy of a woman's descent into the sexual gutter. This is credited to Loren Beauchamp but it was written by Robert Silverberg. If you're thinking this is somehow a diamond in the rough we'll tell you bluntly it's not distinguishable from most other light sleaze. It's fun and quick, though, with lots of heavy drinking, strip poker, and round robin intercourse. It's 1962 copyright, with Paul Rader cover art of one of his best temptresses, an aspect that contributes to the book's collectibility.
The headlines that mattered yesteryear.
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday
records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
1927—Mae West Sentenced to Jail
American actress and playwright Mae West is sentenced to ten days in jail for obscenity for the content of her play Sex. The trial occurred even though the play had run for a year and had been seen by 325,000 people. However West's considerable popularity, already based on her risque image, only increased due to the controversy.
1971—Manson Sentenced to Death
In the U.S, cult leader Charles Manson is sentenced to death for inciting the murders of Sharon Tate and several other people. Three accomplices, who had actually done the killing, were also sentenced to death, but the state of California abolished capital punishment in 1972 and neither they nor Manson were ever actually executed.
1923—Yankee Stadium Opens
In New York City, Yankee Stadium, home of Major League Baseball's New York Yankees, opens with the Yankees beating their eternal rivals the Boston Red Sox 4 to 1. The stadium, which is nicknamed The House that Ruth Built, sees the Yankees become the most successful franchise in baseball history. It is eventually replaced by a new Yankee Stadium and closes in September 2008.
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