Vintage Pulp Mar 31 2022
THE GIRLFIEND FROM HELL
Most guys would sell their soul for someone this hot.


The 1965 horror novel L'urlo di Satana, the title of which means “the scream of Satan,” is number twenty-five in Rome based publisher Grandi Edizioni Internazionali's series I Capolavori della Serie KKK Classici dell’Orrore. It's credited to René du Car with a translation from French by Renato Carocci, but when GEI made such attributions what it really meant was that the translator wrote the book under a pseudonym. So this was actually written by Carocci, just one of scores of novels he produced under a long list of names. The art on this is another brilliant effort from Benedetto Caroselli, who we've documented extensively over the years. To see everything you can click his keywords below, or, if you're pressed for time, you can skip to our favorites here, here, here, here, and here.

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Vintage Pulp Aug 10 2021
FRESH ORANGES
Filled with great flavor and extra pulp.


Above: a small collection of Benedetto Caroselli covers on which he utilized orange. We put this group together because last week's poster for Le trottoir made us realize we rarely see predominantly orange book covers, then it occurred to us that Caroselli was one illustrator who used the color often. He painted ten of these for Edizioni Periodici Italiani's collection I Capolavori della Serie KKK Classici dell’Orrore, and two for EPI's Agente Segreto series. You can see Caroselli squeeze another cover out of orange here.
 
Note: We put this collection together yesterday. Today a new monitor we ordered arrived and some of the colors that were solidly orange now look, well, red-orange. But you know what? Fuck it.

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Vintage Pulp Mar 26 2020
LA DONNA DENBERG
Caroselli chooses wisely for Italian book cover.


Inspiration is everything. Always draw from the best. Italian artist Benedetto Caroselli used a photo of svelte Austrian model Susan Denberg, aka Dietlinde Zechner, for this cover of Sonnie Hale's La donna bianca. That would translate as “the white woman,” but we think of her as the right woman. So did Playboy magazine, which made her its August 1968 Playmate of the Month. We doubt Denberg ever knew she was on this paperback, but we imagine she'd have been pleased with the result. It appeared in 1967 from Grandi Edizioni Internazionali as part of their I Romanzi Diabolici series. See plenty more from Caroselli, including other pieces he painted for this particular book series, by clicking his keywords just below.

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Vintage Pulp Nov 26 2019
ANOTHER GO ROUND
Time for a fresh spin on the Caroselli.


It's been more than a year since we featured Benedetto Caroselli, the best paperback illustrator Italy ever had to offer, in our opinion. He painted hundreds of covers, all executed at the highest level. Below you see ten more.
 

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Vintage Pulp Sep 21 2018
DATE WITH THE EXECUTIONER
As long as he leaves his work at the office their relationship has a real chance to succeed.


Above, a cover for Macabrus, by Jannet Mills, aka Laura Toscano, for Edizioni Periodici Italiani's series Classici dell'Orrore, copyright 1970. There are actually other great Italian cover artists, but we're Caroselli loyalists because he was the best. See plenty more from him by clicking his keywords below. 

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Vintage Pulp May 2 2018
A WOMAN FOILED
A queen wearies of hoop skirts and powered wigs, but the royal fencing épée should come in handy.


Benedetto Caroselli once again shows his skill as an illustrator with this cover of a fencing foil wielding femme fatale for Mario de Adda's La regina di spade (Cristina di Svezia), aka, The Queen of Swords (Christina of Sweden), 1965, for Italian publishers Edizioni Periodici Italiani. The book is part of the series Ritratti storici: Le grandi peccatrici, or Historical Portraits: The Great Sinners. Was Queen Christina of Sweden a great sinner? Well, she didn't obey the rules as expected of women in the 17th century—even those of royal blood. Abdication was the result, followed by numerous other intrigues and difficulties. But telling her story is beyond our scope. We're just into Caroselli's art, which is brilliant, as always. 

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Vintage Pulp Dec 7 2017
CHEMICAL UNDERREACTION
I'll run for help! Have you seen my red slingback pumps?


Our ongoing showcase of Italian artist Benedetto Caroselli continues with the above cover for Crise Pounds' novel Faust “61,” a horror update of the classic German folk legend. It was published in 1961 by Grandi Edizioni Internazionali for its series I Capolavori della Serie KKK Classici dell’Orrore. Pounds was a pseudonym used by Maria Luisa Piazza, who wrote three other novels for Grandi Edizioni Internazionali. Caroselli's cover work here shows his command of both subject matter and color. And fashion, as his stylish bystander looks on in terror.

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Vintage Pulp Aug 5 2017
TOP SCORSOIO
Caroselli bests the competition again.


Above is another beautiful piece painted by Benedetto Caroselli, a man we're going to go ahead and anoint one of the greatest paperback cover artists of all time. His work on Richard Walker's Nodo scorsoio—which means “slipknot”—is simply brilliant, with its red tressed, black dressed femme fatale, and graphic background elements. It dates from 1962 for Grandi Edizioni Internazionali's collection I Gialli dell'Ossessione, and is number ninety-seven in the series. The book was translated from Richard Walker's original English text by Domenico Vitali, and once again we suspected the translator was the author, since we're pretty sure this book was never actually released in English, thus would never have needed a translator. After some searching we confirmed our suspicions—Vitali wrote as Walker on several occasions, including two novels for Éditions S.E.P.'s P.J. Police collection. We're going to keep digging up art by Benedetto Caroselli because it's all good—every piece we've seen. You can see more of his work by clicking his keywords below.

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Vintage Pulp Feb 13 2017
HELLA HOOP
You're wondering how I got this thing stuck in my panties? It defies reason.

The pulpification of ancient literature takes another strange turn as Edizioni Le Lucciole presents this 1970 paperback L'antiragione, or “the anti-reason,” which, incredibly, is a collection of writings by the Greek astronomer and mathematician Aristarchus of Samos, the guy who lived from 310 to 230 B.C. and presented the first model that placed the Sun at the center of the known universe with the Earth in orbit around it. Yeah. And when you can solve a mystery that vast, the question of how a femme fatale got a hoop stuck in her undies is really nothing. The art, which conversely is really something, is by the always great Benedetto Caroselli.

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Vintage Pulp Dec 15 2016
CHRISTMAS SPIRITS
Where there's a will-o'-the-wisp there's a way.


We probably should have shared this cover from Grandi Edizioni Internazionali's series KKK Classics around Halloween, because it's a bit scary. Then again, maybe now is better, because Christmas is possibly even a little scarier. The art here, from Benedetto Caroselli, has a red-eyed cover figure sitting atop what is supposed to be a giant skull, which, again, is a bit scary. However, if you look at it the right way she could be sitting on a giant nose. Again, possibly even scarier.

Inside the book you get two tales—the introductory “Welcome to Blackstone, Mister Clift,” by Silvano Alessandrini, followed by the full length title story. Fuochi fatui, by the way, translates as “fatuous fires.” What the hell does that mean? Fuochi fatui are basically analogous to will-o'-the-wisps, alluring lights in the wilderness that prove eternally elusive and lead to frustration and possibly danger. You can fill in your own Christmas shopping metaphor here.

Author Sean Alexander was aka Silvano Alessandrini. The pseudonym thing with French and Italian authors back in the day is a bit strange. Since they were selling to their home markets you'd think indigenous names would be an advantage, but it's clear that the type of mayhem and terror they were going for were thought to be more credible if written by Americans. Which when you think about it is possibly the scariest thing of all. Anyway, the copyright on this is 1969, and it's beautiful.

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 22
1942—Ted Williams Enlists
Baseball player Ted Williams of the Boston Red Sox enlists in the United States Marine Corps, where he undergoes flight training and eventually serves as a flight instructor in Pensacola, Florida. The years he lost to World War II (and later another year to the Korean War) considerably diminished his career baseball statistics, but even so, he is indisputably one of greatest players in the history of the sport.
May 21
1924—Leopold and Loeb Murder Bobby Franks
Two wealthy University of Chicago students named Richard Loeb and Nathan Leopold, Jr. murder 14-year-old Bobby Franks, motivated by no other reason than to prove their intellectual superiority by committing a perfect crime. But the duo are caught and sentenced to life in prison. Their crime becomes known as a "thrill killing", and their story later inspires various works of art, including the 1929 play Rope by Patrick Hamilton, and Alfred Hitchcock's 1948 film of the same name.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
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