Vintage Pulp Mar 25 2024
HER EYE ON YOU
In the land of the blind the one-eyed woman is queen.


We've done a lot on Sandro Symeoni, which means that just for the sake of completeness we can't overlook these. They're his Italian posters for the Christina Lindberg grindhouse classic Thriller, which was originally made in Sweden as Thriller - en grym film, and in English speaking countries was known as Thriller: A Cruel Picture and They Call Her One Eye. We've already talked about it, and its star.
 
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Vintage Pulp Nov 15 2023
SWEDISH CLASSIC
Life-Size Co. reproduces cinema giant.

Above is Swedish star Anita Ekberg posed for the last of the posters published during the mid-1950s by the Life-Size company of Redstone, New Hampshire. As the company's name suggests, it was human sized, sixty-two inches. Well, more like small human-sized—five feet, two inches. That's several inches short of Ekberg's height, but not enough to disturb any fantasies. See the rest of the lithographs (Marilyn Monroe, Pat Hall, Lili St. Cyr, Madeline Castle, and Joanne Arnold) by clicking here and following the subsequent links. 

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Femmes Fatales Sep 2 2023
PLANETARY BODY
I'm going out for a spin. If you need me just look for the brightest light in the evening sky.

There's a common assumption that Swedish actress Anita Ekberg began her acting career in Europe and later appeared in Hollywood productions, but the opposite is true. She debuted onscreen in 1953's The Mississippi Gambler, and her first credited role was in Abbott and Costello Go to Mars, for which the above promo image was made. She had competed in the 1951 Miss Universe Pageant, and as one of six finalists been awarded a contract with Universal Studios. In Abbott and Costello Go to Mars she played a member of the Venusian Guard (Abbott and Costello's ship landed on Venus by mistake). By 1955 she was a regular supporting player, and by the next year was earning $75,000 a movie. Not a bad way to fly. 

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Intl. Notebook Aug 19 2023
WHEN NATURE CALLS
This place is so unspoiled. It'd be perfect for an ecolodge with Mayan saunas and an infinity pool.


Once upon a time, when headshops were the rage, some sold posters for the entertainment and edification of young male customers, as we discussed not long ago. This one was printed in 1972 by Platt Poster Co. of Los Angeles, and is titled “Lady Barbara.” Actually, though, the model is Swedish beauty Annika Salmonsson, who usually posed under the name Anita Hemmings, and appeared in scores of magazines. She's previously appeared in Pulp Intl. too, inside a 1977 issue of the Aussie men's magazine Adam. Though the poster is faded from hanging on some horndog's wall for years, it's not so damaged that Salmonsson's marvelous beauty doesn't shine through. We'll bring her back in a bit. Until then, see her in that Adam here, and on a paperback cover here.

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Intl. Notebook May 18 2023
A PUBLIC DISPLAY
Lindberg unveils more than just her movie for the Cannes press corps.


The above image shot today in 1971 shows Swedish star Christina Lindberg in Cannes, France, where she was promoting her movie Exponerad at the Cannes Film Festival. She was also at the prestigious event in 1973 to promote Thriller - en grym film, aka Thriller: A Cruel Picture, so you have to give her production companies Olympic Film and BAV points for effort, even though Lindberg's movies are just arthouse sleaze when boiled down to their essence. And when your movies are not of particular merit what better way to bring attention to them than with random nudity? Shedding clothing was a go-to gimmick for Cannes starlets back when the line between mainstream and erotic film was blurrier than today.

In the first photo Lindberg is on the patio of a Cannes bar, and from her perch atop a table she stripped off everything except her panties while dozens of photographer captured her likeness and bystanders gawped at the spectacle. You can see some of assembled press in the fuzzy reverse angle at right. A bit later, on the terrace of the Majestic Hotel where she was staying, her clothes hit the tiles again, as you see below.

She wasn't remotely finished. Here's her memory of a publicity stunt that set Cannes ablaze: “I was going to meet the press out on a pier over the water. After having signed about a thousand invitations, which were given out to select people, I was lowered down from a rented helicopter to the pier topless. There were hundreds of photographers.”

We find it amazing that so few photos of such an event seem to survive today. There must have been thousands of frames shot of that helicopter stunt. Lindberg's recollection of so many photographers shows you the sheer volume of imagery that's lost to time. Luckily, she's well documented anyway thanks to the photo sessions she made for various international magazines and her 1973 photo book. A few of our favorites are here, here, and here. She'll return to Pulp Intl. soon.

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Vintage Pulp Mar 25 2023
HAPPILY WOODED BLISS
Marie Forså starts an uncontrollable forest Feuer.


Did you think you'd seen the last of Marie Forså? We can promise you, that won't happen soon. We love all the old sexploitation stars of the ’70s because their breed is extinct now, but Forså is particularly special because of the heat of her performances. Could she act in the thespian sense? Hell, we have no idea. All her dialogue was in Swedish or dubbed. This West German poster was made for her 1975 erotic classic Butterflies, sometimes known as Butterfly, but which was called Feuer der lust in Germany—“Fire of Lust.” And she's about to burst into flames here. We talked about the movie a couple of years ago. The unidentified head belongs to co-star Eric Edwards. Below is another promo of the pair, as happy as two people can be.

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Intl. Notebook Jan 3 2023
IN-FLIGHT ENTERTAINMENT
Plane lands on autopilot after pilots spend entire flight in passenger cabin hanging with Swedish actress.

What is it about flights to London? First Rita Hayworth arrives a mess from Los Angeles, then Swedish star Christina Lindberg arrives missing some clothes. We've shown you three other photos made of her on the Heathrow tarmac that were shot the same day (today in 1972) which indicate that she did not in fact travel in this outfit. But we do enjoy imagining the reaction on the plane if she had. These photos were used as press handouts promoting both Lindberg and her 1970 movie Rötmånad, which played in England in 1972 as What Are You Doing After the Orgy? We watched it several years ago and it's an odd little film, meant to be comedic, we suppose, about a very bad mother who tries to turn her daughter into a prostitute. The ’70s, right? There was nothing filmmakers wouldn't try back then.

The rear of the photos both say the following: In her native Sweden, Christina Lindberg has fashioned a successful career for herself almost overnight. Less than one year ago she was an unknown schoolgirl with Latin and archeology as special interests. Then, suddenly she was discovered by one of Sweden's biggest weekly magazines. They widely publicised her as a pin-up girl and she created a tremendous stir with her innocent yet voluptuous beauty. Soon she was discovered by leading Swedish film directors, and now plays the part of Sally in the new film What Are You Doing After Orgy?, a very black comedy set in the Swedish archipelago. Christina is twenty-one, unmarried, and at one time girlfriend of Prince Gustav. The film opens at the Cinephone, Oxford Street, January 6th.

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Vintage Pulp Nov 22 2022
OVERWHELMING FORSA
She's small but she has enormous appetites.

What would ’70s erotic cinema be without Swedish movies? And more importantly, without Swedish actresses? Above is a Japanese poster for the softcore film Justine och Juliette, known in English as Justine and Juliette, or sometimes Swedish Minx, and it starred the small wonder known as Marie Forså, who pound for pound was probably the best performer to come out of Swedish sexploitation cinema. That's what we think, anyway. We talked about the movie last year, so all we're doing today is showing you this eye-catching piece of art. Oh, and the rare image of Forså below. Let's not forget about that. We also have the rear of the poster. In addition, you can see a colorful Japanese promo for Forså's movie Butterflies here, and a very, erm, interesting one for her movie Bibi here.

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Vintage Pulp Oct 18 2022
ANIMAL IN HEAT
It's a different kind of jungle book.


When we saw this cover for Stan Shafer's Heat, we had to have the book, because that's Kitty Swan, Swedish b-movie actress from the 1960s, hanging on a vine and looking good doing it. The shot is an unretouched promo image from her 1968 lost world flick Gungala la pantera nuda. You can see the studio lights behind her and a guy's hand on the ropes at lower right, providing a step for her foot. If this had been used for the movie, the studio would have cleaned those elements off the final version, so we think of this as an outtake image, borrowed by Midwood Books. Because of the publisher, we figured Heat would be light sleaze, but we were wrong—it's pure triple-x raunch.

In short, a sexually precocious girl named Anna is taken from her father and sent to a nunnery, where her corrupting influence prompts her being shipped off to Brazil, a place where she presumably can do less harm. Unfortunately, her plane crashes (it's partly her fault, if you'd like to imagine how it happened) and she's lost in the jungle, there to be rescued by tribesmen who think her the earthly incarnation of a fabled sex goddess. She becomes a pawn in a power struggle between the tribe's leader and its head priest, as well as their sexual plaything, and that of a horny puma.

Most of the events in this bizarre tale take place during the 1930s, and are related via a contemporary frame that features an elderly Anna narrating her own extraordinary life story to a reporter—and you just know that's going to get weird too, because the reporter is beautiful and Anna remains hot, a youthfulness she attributes to daily orgasms. We'll stop there, except to mention that several early plot events situate this book waaaaay beyond the pale for the sleaze genre. In fact, if not for the ultra rare Swan photo we wouldn't write about it at all. Actually, that's not true. We considered not writing about it, but we don't self censor. So let's just say you've been warned.
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Vintage Pulp Oct 9 2022
A LITTLE SOMETHING EXTAS
Why stop at a little pleasure when more is so much better?


This poster is just a quick u-turn back to the landmark Czech movie Extase, which gave the world eternal star and electronics genius Hedy Kiesler, better known as Hedy Lamar, and treated moviegoers to the first orgasm ever put on the big screen. The poster is from Sweden, where the film was called Extas and opened today in 1933, about nine months after the Czech premiere. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
April 12
1945—Franklin Roosevelt Dies
U.S. President Franklin D. Roosevelt dies of a cerebral hemorrhage while sitting for a portrait in the White House. After a White House funeral on April 14, Roosevelt's body is transported by train to his hometown of Hyde Park, New York, and on April 15 he is buried in the rose garden of the Roosevelt family home.
April 11
1916—Richard Harding Davis Dies
American journalist, playwright, and author Richard Harding Davis dies of a heart attack at home in Philadelphia. Not widely known now, Davis was one of the most important and influential war correspondents ever, establishing his reputation by reporting on the Spanish-American War, the Second Boer War, and World War I, as well as his general travels to exotic lands.
April 10
1919—Zapata Is Killed
In Mexico, revolutionary leader Emiliano Zapata is shot dead by government forces in the state of Morelos, after a carefully planned ambush. Following the killing, Zapata's revolutionary movement and his Liberation Army of the South slowly fall apart, but his political influence lasts in Mexico to the present day.
1925—Great Gatsby Is Published
F. Scott Fitzgerald's novel The Great Gatsby is published in New York City by Charles Scribner's Sons. Though Gatsby is Fitzgerald's best known book today, it was not a success upon publication, and at the time of his death in 1940, Fitzgerald was mostly forgotten as a writer and considered himself to be a failure.
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