|Vintage Pulp||Jul 16 2019|
|Vintage Pulp||Jun 24 2019|
The cover for Arnold Marmor's Ruthless Fraternity features possibly the least hidden camera in paperback history, but you have to love the art anyway. We've seen several blackmail covers, and they're tricky in that the artists are constrained by having to show both the camera and the intended victim of the set-up. It always turns out ridiculous in terms of believability, but they're always fun covers. The fraternity of the title is not literal. It refers to the proverbial journalistic boys club, and the story deals with the ins and outs, double-dealing, and machinations of a scandal magazine called Tell. We've featured Arnold Marmor books twice before, but had no idea how prolific the guy was. He wrote such sleazers as Bed Bait, Lust Lodge, and Boudoir Treachery, but also dabbled in spy novels and short stories. We'll probably run into him at a later date. This effort was 1960 and the art is by Bill Edwards.
|Vintage Pulp||Dec 3 2017|
It's another humorous Bill Edwards cover for Saber Books, this time fronting Jack Moore's 1965 sleazer Party Girl. Wanna know what it's about? No need to be coy. We read them so you don't have to. Twenty year-old Sally Logan applies for an executive secretary position and is immediately made into a sex object, starting from the interview when the company president quizzes her about her bedroom habits, and the personnel manager makes her strip so he can check out her body. It's ridiculous, of course, especially in 2017's cultural landscape, but this being sleaze Sally is willing to do anything—just anything—to please her boss. And after all, the reason she decided to seek work in the first place was to meet a man. Mission accomplished. And accomplished again. And again. A good book? Of course not, but at least everyone gets a happy ending. And as a side note, we'd be remiss if we didn't thank Bill Edwards for being so good to us over years—his are by far the easiest covers to caption. Check here, here, here, and here to see what we mean.
|Vintage Pulp||Aug 25 2017|
“Are you sure, Tom?” she whispered.
“Do the other women I've had bother you?”
“No, but men are supposed to be different. They're supposed to want virgins.”
“Every girl's a virgin to me, until I've made love to her.”
The government is interested in Tom's girlfriend and her Cuban connection, so he's brought back into the CIA, given a hot partner and—this being a sleaze novel—the partner is a woman with whom he has a steamy history. But they don't get together—the partner is gay now, prefers the Cuban girlfriend, and gets her. Thomas's reaction? “It's a waste of a beautiful woman as far as I'm concerned, but it's your life.” You may be wondering if there's any actual plot here. Not enough to matter. The anti-commie aspect is a mere placeholder between love scenes. The book was bad. We knew it would be bad. But we had to find out what it was about. It wasn't about clones the way the cover art might make you think, but maybe it should have been. That art, by the way, is by Bill Edwards—the mole on his female figures always gives it away.
|Vintage Pulp||Nov 30 2016|
Last week we shared a collection of Bill Edwards paperback covers, but this piece of his needed to stand alone, if for no other reason than its absurdity. A prison built within feet of an apartment building? A scantily clad woman encouraging a convict to seek an early release—right in her window if his aim is good enough? This one is sublime. 1965 copyright.
|Vintage Pulp||Nov 25 2016|
Bill Edwards' profile as a paperback illustrator has risen considerably in recent years. Like others who painted for sleaze imprints, it is not so much his technical ability that has garnered the attention, but rather the subject matter and a strong style. Edwards is a guy whose work you can identify in a millisecond. His women almost always have sharp cheekbones, ski jump noses, and a prominent beauty mark. The cover above for Rick Rand's New Girl in Town shows you all three elements up close. Edwards was also prolific like few other painters, which makes finding his work easy. Below are many more illustrations, some for novels with subject matter well beyond the pale, and we have other Edwards pieces populating Pulp Intl., for example here, here, and here.
|Vintage Pulp||May 4 2016|
We've seen more paperback covers featuring dancers than we can count. No surprise—they are after all an essential element of crime fiction, and many of the covers depicting them are excellent. But as you might imagine, novels that feature strippers, showgirls, and burlesque dancers as characters also fall into the sleaze genre quite often, which in turn makes for a lot of low budget cover work. So we have the full range for you today in a collection depicting the kinetic art of stage dancing, with illustrations from Bernard Safran, Robert Maguire, Robert McGinnis, Gene Bilbrew, Doug Weaver, and others, as well as numerous unknowns. Enjoy.
|Vintage Pulp||Apr 16 2016|
|Vintage Pulp||Dec 29 2015|
Above, the cover of Stella Gray's lez sleaze classic The Naked Archer, for Vega Books, 1966. We haven't read this one—it sells for way too much money. But the cover blurb gives the gist, and typically, because the readers were mostly male, lesbians in these books didn't stay lesbian for long, so we're pretty sure we know how this one goes. The art is by the underrated Bill Edwards.
|Vintage Pulp||Dec 5 2014|