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So let it be written, so let it be read. We said we'd get to Whore from Maupin Street and here we are. Of course, that was three years ago, but you know by now that these things take time. Allan Horn, aka Allan Horne, conjured up this intriguingly titled sleaze outing for Vega Books sometime in the mid-1960s. We read it in electronic form and there was no copyright, but Horn's other efforts are from 1966/1967, so this is probably no different.
The book is about an ambitious woman named Barbara Sanders who's determined to marry rich and is engaged to a suitable prospective meal ticket. But she's from the wrong side of the tracks and there's a man from over yonder who's sampled her wares repeatedly and won't let her get on with the business of digging for gold. Predictably, this villain from the past blackmails Barbara into continuing to appease him, then eventually others. She needs to somehow brew a plan to get this guy off her back—and front—before he ruins her engagement.
As always with these sorts of tales, the plot is less important than the eroticism, and Horn delivers explicit action, which is all you can ask for. Well, you can also ask for it to be well written. But you can ask for a Moroccan riad with a roof pool too. Ain't gonna happen. For its type, though, Whore from Maupin Street is enjoyable. The cover art is by Bill Edwards, and we shared it before as part of a collection of his work we put together a while back. Look here.
 It's not me. And it's certainly not you. So then who is this alleged virgin everyone is so jazzed about? 
Above, random sleaze from Tropic Books and Allan Horn, A Virgin in Their Midst, published in 1966 with cover art from Bill Edwards. We've seen a lot of Horn over the years, from A Taste of H to The Teaser. We haven't yet managed to buy one of his books, but don't be surprised if we get Horny eventually. If we do we'll report back.
 Anything that other Betty does can do I can do better. 
Bettie Page wasn't the only mid-century celebrity who made uncredited appearances on book covers. This front for Allan Horn's The Teaser features Betty Brosmer, she of the extreme hourglass figure with its famed eighteen inch waist. This cover appeared at the height of her modeling career, and since Novel Books wasn't a major imprint, we wonder if they paid for her image. We doubt it. The narrative here deals with a young woman who marries a seventy-year-old millionaire, and this is not the first time Horn explored this idea. He used it as the premise for 1966's, The Beast in the Bedroom. He's suspected of being a pseudonym. If so he wrote for several companies—Midwood, Vega/Tropic, Private Editions, and Playtime. That's getting around. We'll keep on the alert for more info on Mr. Horn. Maybe we'll even read one of his books. We saw Whore from Maupin Street cheap, and who can resist a title like that?
 We'll play the corporate merger game later. Just this once I actually need you to type something. 
Above you see a cover for Sin Now, Pay Later, which was written by Allan Horn, the keen literary mind behind such books as Molester's Trap and Whore from Maupin Street. And you wonder why all these guys wrote under pseudonyms. Sin Now, Pay Later is 1967 with cover art by Paul Rader.
 Bill Edwards paperback art gains new recognition. 
Bill Edwards' profile as a paperback illustrator has risen considerably in recent years. Like others who painted for sleaze imprints, it is not so much his technical ability that has garnered the attention, but rather the subject matter and a strong style. Edwards is a guy whose work you can identify in a millisecond. His women almost always have sharp cheekbones, ski jump noses, and a prominent beauty mark. The cover above for Rick Rand's New Girl in Town shows you all three elements up close. Edwards was also prolific like few other painters, which makes finding his work easy. Below are many more illustrations, some for novels with subject matter well beyond the pale, and we have other Edwards pieces populating Pulp Intl., for example here, here, and here.
                
 Needle and threat. 
A Taste of H is supposed to be a cautionary tale, but of course coming from the author of Swap ’n Sisters, Whore from Maupin Street, and Hotel Playgirls, it’s really just a sleaze romp. Plotwise, we gather that a party girl is kidnapped and forcibly addicted to heroin so her captors can have their way with her. The cover art is uncredited. 1966 copyright.
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The headlines that mattered yesteryear.
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54. 1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years. 1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain. 1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
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