Vintage Pulp Apr 23 2018
BIG TROUBLES
Film noir with an Irish accent.


Odd Man Out, for which you see the promo poster above, is a beautifully shot thriller about a group of Irish political separatists who rob a mill in order to help finance their organization. The group is obviously based on the Irish Republican Army, whose actions helped fuel the Troubles—that period of violence that engulfed Ireland mainly during the 1960s The film takes no sides, at least not overtly, while presenting the separatists as fully realized, complex human beings. Needless to say, a movie of this depth and thoughtfulness would never be made today on the subject of terrorists. James Mason is the titular odd man out, the leader of the gang who's left behind after the robbery and must somehow survive alone, wounded and sick, as the police close in. The bad luck, deceptions and palpable sense of doom are standard for film noir, but what isn't is the location work in the backstreets of Belfast. The screen grabs below are all from around the forty minute mark, and their deep shadows, angular light, and inky blacks show how much planning and effort director Carol Reed and cinematographer Robert Krasker put into making the film visually perfect. We doubt it's the most exciting motion picture ever made, as claimed on the poster, but we recommend it. Odd Man Out premiered in the UK in January 1947 and opened in the U.S. today the same year.


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Vintage Pulp Sep 3 2010
VIENNESE WALTZ
The Third Man is a stiff drink, with a twist of Lime.

The 1949 film noir The Third Man is a best-case-scenario of what can happen when great talents collaborate. Carol Reed directs, Orson Welles, Alida Valli and Joseph Cotten act from a screenplay penned by master storyteller Graham Greene, and the cinematographer is Robert Krasker. Krasker won an Academy Award for his work here, and when you see the velvety blacks and knifing shadows of his nighttime set-ups, as well as the famed scenes shot in the cavernous Vienna sewers and bombed out quadrants of the city center, you’ll understand why. The story involves a pulp writer named Holly Martins who arrives in a partitioned post-war Vienna only to find that his friend Harry Lime is dead, run down by a truck. When Martins learns that the police are disinterested in the circumstances of Lime’s demise, he decides to do what one of his pulp characters would do—take matters into his own hands. But nothing adds up. He learns that Lime died instantly, or survived long enough to utter a few last words. He finds that Lime was a racketeer, or possibly not. And he discovers that two men were present when Lime died—or possibly three. That third man seems to be the key to the mystery, but he proves to be damnably elusive. We can’t recommend this film highly enough. Above you see a pair of rare Japanese posters from The Third Man’s premiere in Tokyo today in 1952. 

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History Rewind
The headlines that mattered yesteryear.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
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