Sometimes you can't even give it away.
This poster was made for the Japanese roman porno flick Kanjirundesu, known in English as I Am Aroused and I Can Feel It, and it stars the lovely Jun Izumi, making her film debut. She plays a beautiful young virgin who's fearful of sex. Her friend Panko is already sexually active, but Jun—who's learning how to be a seamstress or tailor at a local vocational school, a fact that causes us to assume she's at least eighteen—is strictly hands off. We can sympathize. We were hands off at eighteen too, though most assuredly not by choice.
When Jun catches her brother Chin masturbating to her, she decides to facilitate the relief of his tensions by asking the always eager Panko to have sex with him. From there the movie evolves into a sort of softcore coming-of-age comedy, with the usual crossed signals and sexual failures. The whole thing has a juvenile feel to it, and no wonder—it's based on Daihachi Izumi's youth sleaze novel Jun-chan. If you're looking for the film's western analog, think Fast Times at Ridgemont High or Sex Drive. We mean in terms of mood, not plot. Kanjirundesu has more nudity, lesbian undertones, and far more premature ejaculation.
Does Jun finally find someone to be the first entry on her ledger? Well, it wouldn't be a softcore movie if she didn't. A little face-sitting—someone else's face, not hers—gets her started down the road to pleasure. That may sound weird, but actually the best thing about this movie is that it's from Nikkatsu Studios but doesn't get too crazy. There's some peeing, though. Whaddaya gonna do? If you've read our other write-ups of Nikkatsu's output you know how far beyond the pale those folks could venture, so a little urine is acceptable. Kanjirundesu is dumb but worth a watch. It premiered in Japan today in 1976.
She's been around to visit once or twice.
You may think we posted this kneeling image of Japanese actress Reiko Ike back in November, but it isn't the same. We had to reverse it to match the previous shot to see the subtle differences. The facial expression, details of the hair, the angle of the camera, and especially the position of her hands are all new. Reiko has also covered herself more fully in today's pose. In the earlier one—let's just say censorship standards were being pushed. In addition, this photo is more retouched. In the previous one you can see the blue veins in her skin. That image was published in Weekly Playboy in 1974, but this one appeared two years earlier as part of the magazine's 1972 Reiko Ike calendar, which we've been documenting since January. There are only four short months to go until that project ends, but fret not, Reiko lovers—we have enough photos of her to last long past December.
These sisters do everything together—including men.
This unusual poster was made to promote the Nikkatsu Studios roman porno flick Yogisha no Onna, starring Mari Tanaka, one of hardest working women on Nikkatsu's roster. She made eighteen films from 1971 to ’73, streaking like a comet across the sexploitation firmament. In Yogisha no Onna she stars as an obviously disturbed woman living with her sister Keiko Tsuzuki in a big, Western style house with their invalid father. The sisters have a love-hate relationship. The love: they share baths. The hate: they share a man. The latter occurs after their father finds Tsuzuki what he thinks is a suitable fiancée, jealousy results, and Tanaka decides that what's good for the sis is good for the sibling. Where does it all lead? If you want the answer you'll have to find out for yourself. We'll just say that as a somewhat early film from the roman porno cycle, Yogisha no Onna is neither unbearably weird nor unconscionably misogynistic, though it's not exactly a portrait of normal social adjustment either. It's possible serious fans of the genre will find the movie too tame, but personally, considering where some of the subsequent roman pornos went, tame was just fine with us. Yogisha no Onna premiered in Japan today in 1972.
You can attain enlightenment through years of mental discipline, rigid study, and incessant ritual. Or you can just get properly laid once.
Above you see a poster for Yakuza kannon: Iro Jingi, known in English as Yakuza Justice: Erotic Code of Honor, and to dive right into this one, the movie starts bizarrely when a fisherman hooks the corpse of a drowned woman. She died pregnant, and defying all scientific laws, the fisherman delivers the child, though a cadaver obviously can't produce the labor contractions needed to push a baby out. But perhaps there's something mystical at work.
The infant grows into handsome Jirô Okazaki, who has been indoctrinated into monkdom and lives and works on the grounds of a vast temple complex. Onto those grounds one day comes Nozomi Yasuda, who is the daughter of a yakuza boss, and is promised to another yakuza boss. But she's broken the engagement, and when her erstwhile fiancée sends men to kidnap her the attempted snatch happens right in front of Okazaki. Boy saves girl, and sparks fly.
Okazaki's days had been filled by the typical meditation and drudgery of monks, but dealing with the slick yakuza and getting some sweet, sweet Yasuda lovin' changes him to the point where he soon sees the world through a modern, violent, sexual lens. He says at one point (speaking about himself in third person, which we guess monks do): “Seigen has had a taste of earthly life—starting with the tip of his cock.” The eloquence of the man is stunning.
The tale then takes a circular route that explains how Okazaki's mother ended up dead in that river in the first place. It's a stretch, but when it comes to Japanese films from this era that was their stock-in-trade. Okazaki continues down a dark path and eventually risks losing himself. Or finding himself, if you believe this is always who he was under his monk's robes. Birth or rebirth—in either case, Yakuza kannon: Iro Jingi is a pretty interesting story of transformation. It premiered today in 1973.
He doesn't know art but he knows what he loves.
Above is a super promo poster for the 1944 film noir Laura, which starred Gene Tierney, Dana Andrews, and Vincent Price. The figures, painted by an unknown, don't look anything like Tierney, Andrews, and Price, but still, we love it. The film premiered in Japan today in 1947 and was called ローラ殺人事件, which means “Laura murder.” Many film experts have written about Laura, but everything they say boils down the same conclusion—see it. Any perceived flaws are due to contemporary societal changes. Specifically—falling in love was accepted by World War II-era movie audiences as something that could happen easily, therefore filmmakers didn't have to expend much effort explaining it. In Laura, Andrews falls in love with a woman via her painted portrait. That's actually somewhat understandable, because he can make up anything he wants about her. But the movie's second instance of falling in love is more like, “Oh, this guy loves me, so I guess I love him too.” Modern filmgoers don't really buy that sort of thing, but when it comes to old films we consider it a feature, not a bug. Just skip the preliminaries and get to the lovin'. Hmm... we like that. Maybe we'll put that on a t-shirt.
You'll really believe a girl boss can fly.
Above: an alternate poster for Document porno: Shin sukeban, which is a roman porno flick from Nikkatsu Studios that in English was called Semi Documentary: Truly High School Girl Boss. It premiered in Japan today in 1973. The poster is worth sharing mainly because it features a different—and more modest—martial arts kick than on the tateken promo we showed you before. What do we mean by more modest? Look here and find out.
She knows what you're thinking, because she's thinking the same thing.
It's the first of the month, which would normally mean a new shot from the Reiko Ike Weekly Playboy calendar of 1972, but the magazine doubled up for June and July, using the same image for both months. That means we needed a substitute for this month, so above you see a lovely shot of Reiko that first appeared in 1971. You've heard the phrase “Mona Lisa smile.” This is a Reiko Ike smile—a little mysterious, a little amused, a little bit knowing, and she looks a hell of lot better than the Mona Lisa. We have plenty of images of this cinematic icon in the website, so feel free to look around.
They're trouble in triplicate.
The above poster was made for Sanbiki no mesubachi, usually known in English as Three Pretty Devils, starring Reiko Ohara, Yoko Ichiji, and Junko Natsu. It concerns three female con artists who are running loose during the gigantic World Expo in Osaka. They engage in every type of grift—they pick pockets, sell counterfeit parking passes, coax free meals from bedazzled older men, engage in a little sexual blackmail, and more. Eventually they get the bright idea to put together an escort service for foreigners, but in order to do so have to cross the local yakuza. Needless to say, that's a bad idea.
The yakuza boss, who's played to the edge of caricature by a frowning, sneering Tsunehiko Watase, perceives the girls more as an opportunity than as competition, and wants to turn them into escorts. Ohara's mancrush Saburo, a yakuza footsoldier, tells her to leave Osaka before it's too late, but when the yakuza find out about his betrayal they shoot the poor sap dead. No self-respecting devil gives up easily, so even cold-blooded murder doesn't end the girls' scheming ways. Eventually their chance for a big score finally comes when Natsu appropriates a bank document worth 200 million yen. The yakuza, as always, stands in their way.
Our synopsis makes this all sound dramatic, but the movie is mostly lightweight, with serious moments but a lot of comedy and music. Regarding the latter, legendary gay performer Pītā has a featured role as a transvestite nightclub singer. It was an early role for him. He's on the promo art in the red turtleneck, which is why there are seemingly four pretty devils on a poster where you'd expect three. While he serves as local color in a nightclub that features prominently in the plot, his treatment by the filmmakers is completely respectful, which is noteworthy considering the year. On the whole, Sanbiki no mesubachi is a pretty good movie. It premiered today in 1970.
They mix just fine as far as we're concerned.
As summer and the endless possibilities of that time of year approach, a person's thoughts turn naturally to— Oh, screw it. Let's not intellectualize it. It's basically always summer where we live, so who are we bullshitting anyway? We just like nude images. Here's an excellent example featuring one of our favorite actresses, Hitomi Kozue, star of Sukeban Deka: Dirty Mary, New True Story of a Woman Condemned to Hell, Confessions of a Female Secretary: Juice from the Fruit, and other worthy efforts, and who, like Pam Grier, Christina Lindberg, Reiko Ike, and other stars of obscure ’70s b-movies, we're determined to document in her entirety. This image came from a 1974 issue of Heibon Punch and it's part of a series, the amazing remainder of which we'll show you later. Teaser: they're even slipperier.
Every flight was a one-way trip.
Above is a photo of a Word War II era Yokosuka MXY-7 Ohka, or “cherry blossom”—not a legit airplane, but rather a barely aerodynamic, wooden-winged, jet propelled craft released from on high and meant to be steered into enemy ships, whereupon the massive bomb that made up the nose of the ungainly contraption would detonate. Piloting one was considered a great honor, though few hit their targets due to their fragility and lack of maneuverability. These were dubbed by American servicemen “flying coffins,” for obvious reasons. This example was captured on Okinawa, which is why you see a “keep out” sign and a U.S. military policeman standing guard. The photo, which is one of the better ones we've seen, was published today in 1945.
The headlines that mattered yesteryear.
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
1942—Blimp Crew Disappears without a Trace
The two-person crew of the U.S. naval blimp L-8 disappears on a routine patrol over the Pacific Ocean. The blimp drifts without her crew and crashes in Daly City, California. The mystery of the crew's disappearance is never solved.
1977—Elvis Presley Dies
Music icon Elvis Presley is found unresponsive by his fiancée on the floor of his Graceland bedroom suite. Attempts to revive him fail and he's pronounced dead soon afterward. The cause of death is often cited as drug overdose, but toxicology tests have never found evidence this was the case. More likely, years of drug abuse contributed to generally frail health and an overtaxed heart that suddenly failed.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.