| Intl. Notebook | Apr 5 2020 |
It's time for a Man to Man discussion.
Man to Man magazine was launched in December 1949 by New York City based Volitant Publishing, the same company behind Sir, Laff, and True. And indeed, sir, the magazine's a laff, true enough, not in the sense that it's terribly funny, but in the sense that it's wonderfully distracting. The issue you see here was published this month in 1952, with cover model Loris Pederson, and interior photos of other models, showgirls, and beauty pageant contestants, all striving for celebrity status, but all pretty much lost in the mists of time. Not that we're denigrating them in any way. With celebrity status usually comes financial independence, and the possibility of achieving that is reason enough to grasp for the brass ring, even if, like all the women here, you don't make it. Besides, we all grasp for that ring, one way or another. It's just that in show business, you do it in public.
Along with the many figures in Man to Man, there are also facts. At least, things purported to be facts. For instance, you learn that in 1952 London was the “world's largest paradise of prostitutes.” By definition, that sounds more like an opinion, but whatever. It struck us that only in a men's magazine would you come across the words “paradise” and “prostitutes” in the same sentence about civilization's oldest vice. There's also an article about taxi dancers, women who worked at nightclubs and took payment to dance with men. Apparently the going rate was a dime, and the article asks if the practice was immoral, its insinuation being that the practice groomed women for prostitution. We suspect most customers probably just wanted momentary companionship, but it only takes a minority of bad apples to spawn more vice, and those unpleasant men—like death, elections, and the end of baseball season—always seem to come around no matter what you do.
At least women get their revenge in this issue. An article on supernatural strength features art by Mark Schneider depicting an angry woman slinging a seated guy airborne across a room, chair and all. It's possible she had just learned what's in a typical men's magazine. If the photo had a caption it might be, “For the last time my name's not honey, cutie, baby, or sweetie!” We wouldn't even think of defending men's magazines from accusations of sexism—it's their overriding characteristic. But we will say that they're gold mines for Hollywood anecdotes that have been long forgotten and obscure celeb photos previously unseen online. Since many of our visitors are by now under some sort of quarantine or other, we recommend killing time with a digital stroll through our website, where you'll find many other men's magazine. We'll start you off with this one, this one, and this large group, plus, of course, the forty scans below.
LondonNew York CityMan to ManLoris PedersonMark SchneiderJean GemeyLinda WilliamsJune CornhillHarry MatthewsBob MurphyHarry P. CainJana EcklundEve Bodinemagazine artburlesqueboxingprostitution
| Vintage Pulp | Feb 9 2013 |
Obscure artist brings an exotic and creepy touch to Sir!
We said we’d get back to Mark Schneider’s work, so today we have seven more Sir! covers to add to the one we posted earlier in the week. His style is certainly unique. These are all from the mid- to late-1950s.
| Vintage Pulp | Feb 4 2013 |
The case of the missing voodoo sex fiends.
Above and below, the mix of fiction, fact, hysteria, photos, and art that is NYC-based Volitant Publishing’s Sir! This February 1954 issue has a great portrait of Gina Lollobrigida, along with articles on the danger of Peeping Toms, “Hungarian” dancer Yvonne Davis, and how to spot frigid women. The promised story on sex in the Caribbean, which the cover art is supposed to illustrate, does not appear in the magazine. We’ve never seen that happen with a tabloid. Maybe the writer had a Eureka! moment during his field research: Wait—I'm having sex in the Caribbean. Why would I ever go back to New York? In any case, the story is MIA.
Sir! had a few different looks over the years, but the 1953 and 1954 issues, with covers painted by Mark Schneider, were particularly interesting. After 1954 Sir! mixed in photographed covers, which it had already done during earlier years. The post-1954 paintings were mostly by other artists, though Schneider’s work appeared on at least three post-1954 Sir! annuals. The quality of his covers varies, but all had a uniquely lurid mood that many supposedly better artists couldn’t touch. He sure had us looking forward to that Caribbean voodoo sex story. Anyway, we’ll put up a collection of Schneider’s work later so you can see what we mean.
In other news, we recently bought a stack of fifty mid-century tabloids from the U.S., and assuming the international mails work as they should, we will have those in hand soonish. We got the lot for fifty bucks, which was really exciting, since we’ve seen some individual issues from the stack being auctioned elsewhere for as much as $100.00. There’s no thrill quite like finding a great bargain. Wait—did we really just say that? God, we’re starting to sound like our girlfriends.
HungaryNew York CityVolitant PublishingSir!Gina LollobrigidaYvonne DavisHoward HughesMark Schneidermagazine arttabloidcommunism
