Vintage Pulp Feb 12 2021
SLIDING DORS
It's a slippery slope down to the gutter—especially when you're pushed.


This cool British poster was made to promote Passport To Shame, a vice scare flick, a cautionary tale for women about how easy it is to end up a hooker. A number of such films were made back in the day. This one even has some authority figure or other introducing the film in stentorian tones, telling how a dead end life of vice is just one bad decision away. After the oratory, we see how the leaders of a prostitution ring use labyrinthine scams to force women onto the stroll. They frame Odile Versois into debt, lure her from France to London, and convince her she needs a work permit that she can only obtain by marrying a Brit.

The “Brit” is U.S. actor Eddie Constantine, who's being scammed to participate, also by being tricked into debt. We were baffled as to why he needed at all, but hey, it's in the script, so we went with it. The most curious part of the gang's scheme is that they own a boarding house connected to an adjacent boarding house via a secret door. We suppose this portal makes it easy for the ringleaders to get back and forth, but Odile, duly installed in the legit boarding house, finds the secret door to Sodom with the help of her inquisitive kitten, sees all the hookers hooking, and realizes she's been had.

She's going to be had in a different way by multiple men if she can't get out, but it isn't easy. Her keepers threaten her, starve her, and even drug her, which leads to a hallucinatory Spellbound-style sequence in which the addled Odile sees the literal pits of hell filled with half naked guys waiting to ravish her. Yup—she's in deep shit. But somewhere out there Constantine, her sham husband, who agreed to the marriage assuming Odile knew what she was getting into, realizes she's actually a naive young thing in need of help.

Of course the main selling point for film studio United Co-Productions was Diana Dors, an interesting actress, and an outsize personality in real life. Even though she's second billed, and probably third in screen minutes, she gets pole position on the poster because she was who audiences wanted to see. She plays a jaded prostie named Vicki, also in the game against her will, held by the cruelest of means. Her character has a pivotal part in how this drama turns out, but you'll have to watch to movie to find out what that is. We recommend it. Passport To Shame premiered in the UK today in 1959.
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Vintage Pulp Jan 30 2021
MAN'S ON A MISSION
Headquarters, my gas mask has failed! I'm throwing a grenade! How the hell does this thing work? Over!


George Gross art fronts this January 1956 issue of Hanro Corp's bi-monthy magazine Man's Illustrated. It's an interesting image, but here's where we show our age, or lack of industrial background, or something, because we have no idea what the hell Mr. Flinty Eyes on the cover is holding. Hand grenade? Gas mask? Some kind of steampunk style microphone? Combo of all three? Well, not knowing is not a problem. We still like the image.

It's been a while since we featured this magazine, but we're glad to get back to it because inside this issue there's art from Walter Popp and Rudolph Belarski, and a nice feature on Rear Window actress Georgine Darcy, who we've talked about once or twice before. As far as written content, you get plenty of war and hunting action, of course, but we were drawn to, “The Hottest Town North of the Border,” an investigative piece by journo B.W. Von Block. What town is he talking about? Montreal, which apparently back in ’56 was the one of the best places in the world to get your ashes hauled.

These type of stories, which were standard in old men's magazines, always give us a laugh because with their breathless focus on subjects like legal prostitution, nude beaches, and dusk-to-dawn nightclubs they show how repressed the U.S. was compared to so much of the world. It still is, actually. Trust us, we've been around, lived abroad for a long time now, and greatly enjoyed the more permissive societies in which we've resided—including our current one.

The U.S. does have many good points, though, one of which is that no country's inhabitants preserve its popular media so prodigiously—which is why we have so many vintage books and magazines to share on Pulp Intl. in the first place. We've pondered many times why Americans hoard more than other cultures and we've finally come up with an answer: garages. Two thirds of Americans have garages. So here's to American garages. They give millions the joy of being their own museum curators.
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Femmes Fatales Dec 9 2020
RARE GOLD KWAN
From Hong Kong with love (at a price).


Nancy Kwan poses in costume as the title character of her hit 1960 film The World of Suzie Wong, which is about a romance between an American painter in Hong Kong and a local “yum yum girl”—i.e. a prostitute. This shot is excellent, we think. Kwan made numerous movies in Hollywood, including 1961's Flower Drum Song and 1968's The Wrecking Crew, but Suzie Wong remains her legacy, a subject of much debate due to its sex trade subject matter, and a source of interesting memomorabilia, such as here and here. Maybe we'll talk about the movie later.

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Vintage Pulp Mar 24 2020
EVENING SHIFT
Citywide virus lockdown continues, with exceptions made for essential workers.


Who constitutes an essential worker is really a matter of opinion, isn't it? In pulp terms, a city without vice can't claim to be a functioning city at all. And since they say prostitution is the oldest profession, it follows it would be the last to shut down. Brothels in various cities are now requiring customers to wear masks when having sex, and the international gimp crowd is like: “Right? You see? It's hella fun. You should try it with leather.” We wonder what happens when the brothels run out of masks (The international gloryhole crowd is like, “You can't guess? Really?”). You won't find any such dickulous variations in Women of the Evening, written by Peggy Gaddis and published by Belmont Books in 1962. In fact, you won't find much sex at all, if our previous Gaddis experiences are an indication. We just finished a Gaddis a few days ago—Once a Sinner, which she wrote as Gail Jordan—and it was more like a romance novel. Well, we'll keep looking. She wrote not only as Gaddis and Jordan, but as Peggy Dern, Sylvia Erskine, Roberta Courtland, Perry Lindsay, et al. One of those alter egos has to be the dirty version of Peggy. We'll find her. She can't hide. Not from us. See more from her extensive bibliography here, here, here, and here.

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Intl. Notebook Jul 15 2019
MADE IN HONG KONG
Suzie Wong gets with the program.


When we watched The World of Suzie Wong several years ago we were aware that it had been a pretty big hit. It's no surprise, then, that we keep running across memorabilia from the film. Here we have a promotional pamphlet from Hong Kong, with a very cool cover of the prostitute title character, who was played by Nancy Kwan. Yes, it's faded as hell, but we kind of like that. These Hong Kong items are often in terrible shape, but there's such a thing as beautiful squalor. Is it the humidity that did this? Check out this other Suzie Wong item we shared way back, made with better paper, and seemingly stored with better care. We have scans of a few deteriorated but still interesting interior pages below, and if you read Chinese, all the better.

We may talk about The World of Suzie Wong a bit later. We watched it without the Pulp Intl. girlfriends, and we imagine they would have hated it—as any contemporary woman would, when it comes to romanticizing prostitution. Additionally, since PI2 is Filipina, we suspect she'd have a particularly incisive perspective. Yes, the Philippines are a long way from Hong Kong, but considering how encompassing attitudes were in mid-century Hollywood toward Asian women, we think she's well qualified to comment on a set-in-Hong Kong movie. In any case, it's a discussion for another day, perhaps. Scans below.

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Hollywoodland May 28 2019
CONFIDENTIAL REPORT
Everybody who was anybody was fair game in Harrison's Hollywood.


In independent journalism there's a battle raging at all times, as those with power attempt to intimidate the press, make its work difficult, control its narrative, restrict its access, redefine what constitutes journalism, or even cast individual members of the press as public enemies. It's a battle that never ends. Confidential magazine was an important soldier on the journalistic battlefield. For ages anything that appeared in Hollywood gossip magazines was carefully crafted and groomed by the studios, which maintained power by denying access to all but officially accredited press outlets.
 
Maverick publisher Robert Harrison was a visionary who realized the public would open their wallets and pay for the lurid truth—even if the rush to get startling scoops meant the truth was sometimes only half-correct. Confidential appeared in 1952, and had the studios quivering in their boots by 1954. The issue you see here came later, this month in 1963, in what is acknowledged as the magazine's later, tamer period, a defanging that came about thanks to numerous lawsuits launched by Hollywood stars, backed by powerful California politicians.

Confidential still managed to entertain, even if its stories were of a less invasive nature than before. But notwithstanding the new rules of engagement, some targets received particularly scathing treatment. Liz Taylor and Richard Burton were among them. The magazine says their legendary affair on the set of Cleopatra began as a studio publicity stunt, which backfired when Taylor actually fell for Burton—and into his bed. That may be true, but failure can be relative. On one hand Taylor's squeaky clean image was ruined forever, but on the other the story of her affair generated immense amounts of free press for Cleopatra.
 
Other celebs who get cooked on the rotisserie include Joan Collins, Anthony Newley, Rex Harrison, Vince Edwards, and pioneering trans entertainer Christine Jorgensen. The magazine also tackled the issue of street prostitution in New York City and an epidemic of glue sniffing among American teens. We have a set of scans below and—stop us if you've heard this before—an entire tabloid index with thirty more posts about Confidential, to be found here.

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The Naked City Feb 23 2019
BITTER PILLS
She was mysterious in life but all her secrets came out in death.


This National Insider published today in 1964 highlights an event that was of global interest at the time, but which has since been forgotten. Julie Molley, pictured on the cover, led a double life. She worked in a dentist's office by day and was a party girl by night. Apparently this hidden life began with placing newspaper ads for a friend who wanted to hook up with men but needed to protect his reputation. The responses seemed almost innumerable, and exposed her to the world of clandestine sex in repressive 1960s Britain. This in turn eventually led to full-fledged participation in underground bdsm orgies. Wealthy men rewarded her with money and expensive gifts for whipping and humiliating them.

When she was found dead of an overdose of sleeping pills in a Buckinghamshire mansion in November 1963, police labeled it suicide, but friends said it had to be murder. Found in her effects were 3,500 photos of her in compromising positions with various men. Two diaries she wrote contained the names of numerous high profile figures. Police believed Molley was involved not only in an underground sex ring, but may have been part of an extortion racket that took advantage of various well heeled Brits' kinky sex preferences. But as late as 1966—the last year we found articles about the case—police still had not found evidence of foul play.

This National Insider labels Molley the “High Priestess of Love” and "Pocket Venus," and compares her underground parties to those at the center of the Profumo Affair. But her death is today still officially a suicide. Police believed she was depressed, basically friendless, and they noted that her pill usage had been increasing for months before her untimely end. In the final analysis, authorities decided she ended it all because she was simply fed up with an unhappy existence. The general sentiment was summed up by her mother, who said, “I sent her to a convent school because I wanted her to be a good girl. But she wanted a good time—and it ended like this. It always does.”

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Mondo Bizarro Nov 22 2018
A HIGHER CAUSE
Most parents would do anything to give their kids a good education. Or would they?


Today in 1964, when this National Star Chronicle hit newsstands, the headline was supposed to be outrageous. Today it's just sound fiscal strategy. The average U.S. college student graduates with more than $30,000 in debt. Figure about $200 a go and the average mother would have to prostitute herself 150 times to generate thirty g's. Of course thirty grand is the outstanding debt. That amount doesn't count what's spent apart from going hat in hand to a bank or loan company. So let's break it down from the top to get a better sense of the actual costs of higher education in the currency of tricks.

Say you have a daughter who wants to go to a good school. Tuition at the school we attended, for example, is $51,000 per year now, so let's round that down to 250 tricks. Plus room and board, figure another 100 tricks. Add in occasional doctor visits, court costs, and freebies extracted by dirty cops and you're looking at probably another 100 tricks. Ancillary costs, such as condoms, Astroglide by the case, a fly wardrobe to attract clients, various stints in therapy, figure another 100 tricks. Or maybe the therapist takes payment in sex. They certainly do in pulp fiction. Could be a bit of a savings there.

The final tally scales up or down based on level of attractiveness, reputation for good service, self-promotional ability, etc., but pencil in 550 tricks—a rough average—to send your daughter through a good school. If it's a son you're sending add another 175 tricks because he'll turn into a total fuck-up at some point before straightening his shit out and managing to graduate late. Say you go though all that effort. Know what happens at the end? The thankless kid never fulfills their career ambitions and accuses you of ruining their life. That's the worst trick of all. But hey—nobody ever said parenting was easy.
 
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Vintage Pulp Oct 3 2018
UNDERCOOKED HAMBURG
Always make sure your sexploitation is heated to the proper temperature.


“Eros center,” or sometimes “eroscenter,” is a term used in Germany to refer to a street or building where sex is for sale. Every major city has one. We wrote about Cologne's eros center Pascha a long while back. In Hamburg, the eros center is a street known as the Herbertstraße, which is where some of the action in Eros-Center Hamburg takes place.
 
Gunter Hendel directed and stars as a journalist who arrives in town to interview eros center prostitutes just as a knife killer begins terrorizing the district. We know even before we see Hendel practicing karate that he's going to be the hero here. But Eros-Center Hamburg is supposed to be a sexploitation movie, so how does it fare on that front? Sadly, not well.
 
We remember reading somewhere that Hendel clashed with his producer over Eros-Center's sexual content. He managed to keep it down to a few bare bosoms and asses, which suggests he saw the film not as sexploitation but as a vehicle to promote himself as a serious director, a screen star, or both. He must have been smoking something imported from Amsterdam, because he's a terrible director and a charisma challenged actor.
 
The truth is the only reason we watched this movie is because the angel who goes by the earthly name Doris Arden is in it, but she makes a criminally early exit thanks to the slasher and our attention bled out at that point too. There are some hilarious moments, but overall we suggest you save yourself the time. Eros-Center Hamburg premiered in West Germany today in 1969.

Hey Gunter, can I get some lip balm for this scene? I'm all dried out.

Don't worry, sweetie. I've got extra. Just lean down here and pucker up.

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Vintage Pulp Apr 4 2017
BIG MACK ATTACK
It's hard out there for a pimp.


The Mack is about pimping. Let's just get that out there. Those with twenty-first century sensibilities will probably hate the film on principle. But is there anything more to it than sexual exploitation? Well, it's an offering in the blaxploitation genre that deals with an ex-con's plan to rise to the top of the macking game in the city of Oakland. The main character, named Goldie, has a brother who intends to rid the streets of crime. Goldie's main antagonists are a pair of corrupt cops who see no difference between him and his brother. The subtext is interesting. Goldie and his brother represent opposite forms of direct engagement—one works to improve his environment while opposed by authorities who see political activism as a threat; the other works illegally to get ahead and get out while opposed by authorities charged with fighting crime.

The movie chooses as its backdrop one of the most activist cities in the U.S., with one of the most corrupt police forces. Both of these facts were true when The Mack was made and remain true today. For example, while Oakland police are tasked with preventing crime, they repeatedly and brazenly break the law, and have paid out more in civil damages than almost any police force in the nation. This dichotomy callsinto question whether the police actually exist for the good of the community at all, or for a more complex purpose—say to protect the interests of elites by both containing crime and hemming in the possibility of political empowerment. Actually, the question is rhetorical. We've been to many countries, and in all of them police suppress political activity among the underclass. So yeah, there's more to The Mack than just pimping.

The movie was actually inspired by the real life struggle between the Ward Brothers, who were leaders of Oakland's black underworld, and the Black Panthers. Both groups wanted to bring Oakland under their respective control for opposite reasons. Film critic Elvis Mitchell described The Mack succinctly in 2013, saying: “Do you become this horrible kind of mutation of free enterprise, or do you take the nationalist route and help your people?” But the Oakland police ultimately considered power achieved through crime and power achieved through politics to be equally unacceptable. And that may be the entire disturbing point of the film. The Mack premiered in the U.S. today in 1973, and the awesome poster was painted by Fred Pfeiffer.

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Next Page
History Rewind
The headlines that mattered yesteryear.
April 21
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
April 20
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
April 19
1927—Mae West Sentenced to Jail
American actress and playwright Mae West is sentenced to ten days in jail for obscenity for the content of her play Sex. The trial occurred even though the play had run for a year and had been seen by 325,000 people. However West's considerable popularity, already based on her risque image, only increased due to the controversy.
1971—Manson Sentenced to Death
In the U.S, cult leader Charles Manson is sentenced to death for inciting the murders of Sharon Tate and several other people. Three accomplices, who had actually done the killing, were also sentenced to death, but the state of California abolished capital punishment in 1972 and neither they nor Manson were ever actually executed.
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