Burlesque sensation Blaze Starr takes the obvious next step in nudity related activities.
Blaze Starr was one of the most famous burlesque dancers of the mid-century era thanks to both her on- and off-stage activities. She began headlining in clubs during the early 1950s, soon earned the sobriquet “The Hottest Blaze in Burlesque,” and later became not just famous, but infamous, due to having embarked on a tempestuous affair with Louisiana’s impulsive governor Earl Long, who she was still seeing when he died of a heart attack in 1960. Above is a promo poster for Blaze Starr Goes Nudist, which premiered today in 1962, well after Starr had become a household name.
In the film, Blaze, who plays a mainstream actress rather than a stripper, decides she needs a break from her demanding career and busy public life. She decides to spend weekends at the Sunny Palms Lodge in Homestead, Florida in order to enjoy a little nude rest and recreation under the phony name Belle Fleming. Her sinister looking agent/fiancée is apoplectic about this, but he'd be really annoyed if he knew Starr and the camp administrator were making googly eyes at each other. Aside from flirting, Starr indulges in the usual nudist colony activities—sunbathing, archery, dozing in a hammock, tiptoeing around the communal pool, taking romantic walks in the mosquito infested woods, and listening to some schlub play an accordion.
Forget anything resembling acting ability here—everyone is atrocious, and Starr is worst of all. The blame may not be entirely hers, though. The movie was obviously made fast and cheap, and it was directed by Doris Wishman, who helmed such epics as Nude on the Moon and Bad Girls Go to Hell, and is considered by some to be one of the worst practitioners of her craft ever. But we all know the movie is simply meant to be eye candy. On that score it works. Considering the unflattering range of bodies possessed by normal humans, it's clear that most of the female nudists involved in this production are models, and probably some of the males too. Starr looks pretty good herself, even with her wonky boobs and ridiculous helmet of flaming red hair.
The movie is meant not only to display Starr, but to espouse and promote the nudist lifestyle—and really, considering that there's a little plug for Sunny Palms at the outset, it could actually be considered a long form advertisement for the colony. We bet the membership—so to speak—really expanded—so to speak. We can't say Blaze Starr Goes Nudist is a good movie, but it's totally harmless and infectiously fun. There can never be too much of those things in the world. You can see more of Starr at the bottom of this post, and you can see a fascinating piece of Starr memorabilia here (sent to us by a reader way back before our Reader Pulp uploader bit the dust).
I agree we should put off getting married. For one thing, we'd both have to get divorces first.
We've said it before—you never what you're going to get when you buy vintage paperback digests. The cover art, as in the case of James Clayford's 1949 novel Marriage Can Wait, often has nothing to do with the content. This looks straightforward but it's one of the stranger tales you'll come across. It was written by Peggy Gaddis under her Clayford pseudonym, and it's about a hard partying yacht trip from New York City to Jacksonville, peopled by six jet-set types and one everyman named Tony Ware. As the only unwealthy person aboard aside from the crew, he takes it badly when the yacht's owner Elaine Ellison jilts him one night. She'd invited him to her cabin for nocturnal fun, but he arrived to find another man there. In embarrassment and disgust he jumps overboard and swims ashore. He thinks he's swimming to the Florida mainland. He actually ends up on an island nudist colony. He's horrified, but since supply boats come only once a month the only way he can eat is to doff his garments and join the colony. And it's there that he finds true love in the form of Eve Darby.
Tony's yachting pals, who are habitually hungover each day, assumed he'd abandoned them in port one morning and they'd simply slept through it. Nobody is concerned except Elaine, who realizes she behaved terribly toward him. Weeks later they sail to the nudist island thanks to a bizarre subplot that has them half-jokingly searching for Blackbeard's buried treasure. They don't know the place is inhabited, but they soon find out, and can only stay if they agree to become nudists, which Elaine and her five idle rich friends do in order to secretly search for the treasure. They of course find the long lost Tony, and Elaine is ashamed at how she treated him, then smitten as she realizes she loves this newly bronzed hunk. The only way to try and win him over is to stay at the colony—plus the treasure might be there too—so she settles in for an extended nude sojourn. We'll stop the synopsis there except to say that you have to give Gaddis major points for creativity. The cover art, by the way, is uncredited.
I knew we'd have to fight to get a train at rush hour. We should have taken the three-fifteen.
Above: an uncredited cover for High Red for Dead, 1951, from William L. Rohde for Gold Medal. An author chooses yet another interesting profession for his protagonist. This time he's a railroad detective named Mo Daniels who sets out to solve what looks like a deliberate train derailment. Could the disaster have been caused by a competing railroad, the airlines, board members betting on the business to fail? None of the above? Rodhe unexpectedly takes the mystery to a nudist colony where there's a bizarre mile-long footchase through the wilderness between Daniels and a femme fatale named Lucretia Polestra, but otherwise the tale sticks to familiar caper territory. Mo is no schmo—he's as tough as they come. We liked High Red for Dead because of the railway backdrop and nudie sidebar, but we wouldn't call it top notch. If you find it cheap, go for it.
*sigh* This was more fun before the social distancing thing.
Orrie Hitt turns his sleazolicious talents to the subject of nudism for the succinctly titled Nudist Camp, published by Beacon Signal in 1957. We're treated to the story of an Icelandic immigrant to the U.S. named Della who finds herself needing to earn her keep due to a looming divorce, and turns her patch of rural land into a nudist resort. Problem is her partner in this scheme is secretly planning to photograph the visitors and blackmail them with the prints. When Della finds out, she's aghast, and bends her efforts toward thwarting this rude plan, leading to a scheme to steal the photos and hopefully burn them. Mixed into the intrigue is a bit of romance, and lots of waxing rhapsodic about Iceland and its beautiful women. That part Hitt actually got right. We've been there, and the women do in fact often have perfect ivory skin. Despite these factoids, and the exploration of body-free culture, Nudist Camp is a preposterous tale, uninspiringly told, signifying very little. You know what would have made it a lot better? More nudity. Go and figure. The cover art here is by Bernard Safran, and was adapted from a piece that originally appeared on the front of 1953's Male Virgin.
Pop culture magazine offers a look at post-Franco Spain.
Ages ago we found a stash of Spanish language magazines and books in a neglected closet in a stairwell in our apartment building. They were caked with dust, so we knew they'd been left to rot. We helped ourselves to a few, but didn't scan much of the collection because it was more contemporary than our usual offerings, and because the magazines were in large formats that needed piecing together in Photoshop. But we had a little time today (plus the Pulp Intl. girlfriends want us to clear out some material) so we have some scans from the Spanish magazine Interviu. This issue hit newsstands today in 1977 and features cover star María Carlos, model Virna Lisa, and Swiss icon Ursula Andress, who's the entire reason we did the scans. There's also a feature on nudism in Spain.
On the whole Interviu is a pop culture magazine, but with the crucial difference that it was published in a Spain recently freed from decades of dictatorship. Therefore the focus on politics and conflict is pretty heavy. We found four of these and all them play the dirty trick of placing photos of nude models on the overleaf of pages showing corpses. You're looking at a beautiful woman, then flip the page to see a dude with his skull smashed open. One issue had a photo of a guy torn to shreds by a bomb. We mean no recognizable body at all, just shoes, mangled flesh, and a few bones. In color. If the idea was to force readers to see the consequences of war, mission accomplished. But don't worry—we didn't include any of those scans, so scroll with confidence.
National Spotlite goes where few tabloids dare to follow.
How far did cheapie tabloids go in their quest for continually more outrageous stories? Pretty damn far, as this issue of National Spotlite published today in 1968 shows. The editors give the cover to Gloria Wilmot, but it's Eva Rast who brings the shocks by claiming that her father—in hands-on fashion—taught her about sex when she was thirteen. You know how this works by now. Eva Rast is supposedly one of “the top actresses in Europe,” but has no presence anywhere on the internet. Spotlite claims she starred in The Lotus Flower with Cliff Richard, but while that title is shared by several movies made in different eras, no film called Lotus Flower was made during the mid- to late-1960s, it doesn't appear on Cliff Richard's IMDB page, nor does the page list him as acting in anything between 1968 and 1973.
So what we have is a pretty detailed piece of fiction produced back when there was no handy internet to vet the claims proffered as facts. What does “Eva Rast” say about the event? About what you'd expect: “Mother was out. I asked dad where she had gone and he told me she went to my grandmother's for a week. He said, 'We're on our own and we'll have to make do.' I was real happy about it because it seemed like an adventure that daddy and I were sharing.” And so forth. In the mid-century tabloid lowering-the-bar sweepstakes National Spotlite has taken pole position. Can it be outdone? We have about forty tabs left to look through, so we wouldn't be surprised. We'll report back. See more Spotlite here, and more tabloids at our index here.
It's okay to bend me a little but please don't fold or crease me.
We've had a lot of Bettie Page on Pulp Intl., but there's no such thing as too much, so today on the anniversary of her death eight years ago we thought we'd share a favorite shot of her. She was easily one of the most photographed models of her era. Marilyn Monroe and perhaps a few others surpassed her for sheer volume of images. Despite those thousands of Page shots, this photo has an especially joyful quality we think sets it apart. You can see plenty more of Bettie Page in the website, including a couple of sets of images we were the first to put online, like here and here.
There's nothing standard about this model.
This 1953 wall calendar from the Standard Parts Co. of Memphis, Tennessee features a lovely painting from famed pin-up artist Bill Medcalf. While it looks as if the painting featuring a golfer with a perfect follow through has been pinned to a sunny wall for ages and the colors faded as a result—an assumption seemingly confirmed by looking at Medcalf's original lithograph at right—the image isn't actually faded. A glance at the orange border, which is as vibrant as something harvested by Sunkist, proves it. The makers simply decided for stylistic reasons to go with a monochromatic sepia for the color. Why? We don't know. Maybe because golf is an exercise in serial failure that sucks all the vitality out of you.
The real bonus with this piece, though, comes when you flip it over. There on the other side of the Standard Parts calendar is none other than anything-but-standard model Diane Webber, aka Marguerite Empey, who was America's most famous nudist from the mid-century period. She's popped up on our site several times, usually in rare treasures we've had the pleasure of putting online for the first time, like here, here, and especially here. We're happy to add another find to the collection, and we'll have more from her a bit later.
Delivering thrills all year round.
Stan Borack painted the cover of this issue of Male from January 1958, and the interior art comes from Samson Pollen, Bob Schultz, John Leone, James Bama, Bob Stanley, John Kuller, and Tom Ryan. Not a slouch in the bunch. The magazine contains a preview of Shane author Jack Schaefer’s novel Company of Cowards, the Civil War tale of a group of Union officers who have all been busted down to the rank of private, but who are formed into a special unit and given a chance to earn back their honor. That chance takes them into Comanche country where they face an assortment of deadly challenges.
Also in this issue you get famed model Diane Webber/Marguerite Empey—who we’ve been seeing a lot of recently—doing a nice photo feature and complaining that since being elected Queen of the Nudists by a national sunbathing association all anyone wants to talk about is her naked lifestyle. But we think that’s just the editors trying to come up with an angle for the text. Webber was an official advocate of nudist lifestyle and even promoted her special brand of spiritual nudism in television interviews, so we doubt she was fed up with it at this point. The photos were shot by Russ Meyer, and we’re pretty sure they’ve never been on the internet before, which is always a fun moment for us. Please enjoy. Twenty scans below.
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