Left brain calling right brain. Left brain calling right brain. Wake up, convict—you're daydreaming.
Here's a fun Robert Bonfils cover for Kitty Morgan's 1967's sleazer Turn-On. The art was recycled from March Hastings' 1962 book Design for Debauchery, with bars added to give the later art a jailhouse theme. It's kind of funny how shoddily original art was sometimes treated in efforts to adapt it for later usage: "Just paint some black bars over the earlier piece and we're good to go." We doubt Bonfils was the person tasked with defacing his own work, but you never know. In any case, the imagery makes us imagine some poor convict enjoying a beautiful cellblock daydream, which is then ruined when his fantasy girl says in a prison guard's baritone, “Hey convict! Who you think you eyeballin' like that?” As penal cover art goes, this is nice, but it isn't even in the same class as our favorite. Check here.
You wanna do something really wild? How about you and my husband swap bank accounts instead?
Robert Bonfils is on cover duty for G.A. Graeme's The Wife Traders, from Newsstand Library, circa 1959. Here a weekly bridge game turns into a swinging free-for-all, which of course leads to death. The story is written in the form of an investigation of two murders by an intrepid reporter who has to go undercover to crack the case wide open. Nothing new, but we always dig Bonfils.
It actually hurts me when you call me a tramp. Know what I bet hurts you more? That you can't afford me.
Monte Steele's Million Dollar Tramp should not be confused with William Campbell Gault's Million Dollar Tramp. Gault was a serious author of some acclaim, while Steele was serious about claiming a paycheck. We last saw him authoring a 1964 literary epic called Campus Chippies. This earlier effort is from 1963 for Playtime Reading with art by Robert Bonfils.
Yeah, wow, nice. I've never seen one without hair. It's slick as a— Wait, did you say you tore it out with hot wax?
Above, the cover of Orgy Man by Dean Hudson, a Greenleaf Classics house pseudonym used in this case by veteran sleaze author Evan Hunter, writing for Greenleaf's Idle Hours imprint, with cover art by Robert Bonfils, copyright 1964. Hah. We did that all in one sentence.
I always get confused about this. So, like, if you're my mother's husband does that mean you can or can't spank me?
Above, a cover for My Mother's Husband, written by M. Anderson for Newsstand Library, a company based in Chicago. M. Anderson is obviously a pseudonym whose real identity seems lost to time, and believe it or not, this is actually a detective story. It's copyright 1960, with Robert Bonfils art.
Now I'll show you what we oilmen call directional drilling.
We always have to circle back to Greenleaf Classics because their covers are so brazenly funny. Oiled for Lust appeared in 1967 with the pseudonymous J.X. Williams credited as author. Many writers used the Williams name, but in this case even the Greenleaf Classics website is stumped as to who the author really was. Slide this into the unknown bin for now.
You excite me so much, darling, but that's not my heart making that noise. That's my gastrointestinal tract.
Above, a cover for the medical romance novel Amorous Dietician by Mary Shomette Gooch, 1961, with art by Robert Bonfils. Gooch, who has such a ridiculous name you have to suspect it's real, also wrote Cheating Woman, The Tainted Rosary, and The Lusting Breed as Mary S. Gooch. And if you say that fast, you can make it sound like “Mary's gooch,” which would be funny but it turns out women don't have have gooches. Only men do—we looked it up.
Hi! I'll be filling in for your regular wife this evening. How many times do I have to ask you to take out the damn garbage?
We saw this Robert Bonfils piece at pulpcovers.com and couldn't resist re-using it. Bill Russo's Substitute Wife, 1962, from Playtime Reading. Remember—there's nothing like the real thing.
Whoever told me Tappa Tappa Ass is the nice guy frat was wrong!
We really should put together a group of frathouse sleaze covers sometime. The pervasive trope in mid-century fiction of educated women somehow still being mere male property is worthy of deeper examination. For instance in this book female characters are literally given away to horny fraternity boys. Of course, there's little we can add to what's already well known: these books were seriously sexist. We still may put together something on this. In the meantime consider Campus Chippies an entry in the collection (along with this example from last year). It comes from Playtime Reading, 1964, was written by Monte Steele, author of numerous novels along the same lines, and the cover art is from Robert Bonfils.
I've been practicing by milking Daisy. Just sit back and enjoy this.
Above, a Robert Bonfils cover for Andrew Shaw's sleazer Bad Town, copyright 1966. Shaw was a Greenleaf Classics house pseudonym used by Lawrence Block and others, and was credited with books such as Sin Sucker, Sin Seer, Sintown Setup, Sin Alley—are you sensing a theme here?—Sin Bum, The Sin-Damned, Sin Hellcat...
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