Another cheapie cover from Greenleaf Classics, Lust Demon by Don Elliott, with a tableau featuring a nipple-less devil woman and her unsuspecting companion. This isn't just any sleaze—it's sleaze by Robert Silverberg hiding behind the Elliott pseudonym. We've read of few of his smut efforts now, and he's better than the average literary perv. That doesn't sound like a compliment, but it really is. 1966 on this with art by uncredited. 

Those are the lyrics, right? We can’t remember. You know, maybe humping a snowman is more fun than it looks, but even so, it seems like a good way to find yourself explaining to a doctor—or a gynecologist—how you got the weirdest case of frostbite ever. Don Elliott was a pseudonym used by science fiction author Robert Silverberg, and we can only guess he’s cringed over this one at least once a day ever since he wrote it in 1967. The art is by Tomas Cannizarro.

We’ve explored several cover motifs in pulp art, and another we’ve grown to appreciate is the use of venetian blind shadows or silhouettes. Always a dramatic addition to a cover, we could probably compile fifty of these, at least, but here are twenty examples. The artists—Olivier Brabbins, Emilio Freix, Robert Maguire, James Hodges, and others—use them to greater and lesser degrees, and opt for both literal and stylized renderings. For instance, the above cover from Maguire shows vertical shadows, but the sense of venetian blinds remains. As always, thanks to all the original uploaders, particularly Pulpnivora for the very nice front to La llamada de la muerte. 

Today we have another cover collection for you. We had noticed quite a few pieces of pulp/sleaze art featuring syringes as a central element, so we’ve gathered up twenty examples, with art by Michel Gourdon and others. Some of these are from Flickr, so thanks to the original uploaders.

Since we mentioned the great Robert Silverberg’s foray into smut, we thought we’d post another one of his dirty books. Here he writes under the name Don Elliott and, believe it or not, we saw this paperback online for $42. Yeah, for real. Since the original only cost ninety-five cents, that represents an appreciation of like… well, we have no idea. What we do appreciate is the masterpiece cover art by Robert Bonfils featuring four girls who like to draw outside the lines.