I've brought Madame's cocktails. Is Madame also ready for her daily full body massage and vigorous rear entry coitus?
This is, once again, Robert Silverberg hiding behind his usual pen name Don Elliott for 1965's Only the Depraved from sleaze imprint Greenleaf Classics. This is the second time we've seen a domestic staffer delivering his employer two drinks at once. That's how we order them too. The cover is uncredited.
She can't resist a man in a tuxedo.
Above is another cover from J.H. Moriën for Amsterdam based publishers Uitgeverij Orion, this time fronting Danny slaat geld uit de vrouwen by Loren Beauchamp, aka Robert Silverberg. We're pretty sure this is a translation of his 1959 novel Another Love, Another Night. The title in Dutch means, “Danny beats women out of money,” which we assume refers to a beating of the grifter variety rather than anything physical. Moriën's art, with its beautiful color palette and sheet-wrapped femme fatale, is sublime. Click his keywords below to see more.
Oh, look who it is—the neglectful husband I've been hearing so much about.
Above: a cover for Every Bed Her Own, by Don Elliott for Greenleaf Classics' imprint Leisure Books, 1966. Elliott, in this case, is actually sci-fi author Robert Silverberg, and the art is by Robert Bonfils, the titan of mid-century sleaze illustrators. This is another cover that fits with our collection of cheaters caught red-handed.
Hallo everyone! I am from Holland, I am waanzinnig for seks, and I am told I can find very trashy people here.
Above you see a cool little treat—a colorful cover for Zonde op wielen from Amsterdam based publisher Uitgeverij Orion. It's a Dutch translation of the 1962 Midwood Books sleaze novel Sin on Wheels (larger image for laptop and desktop users here), written by Loren Beauchamp, who was in reality sci-fi legend Robert Silverberg.
The art is a translation too, sort of. It's a new angle on Paul Rader's painting for the Midwood original—and as you can see, it features the same character in the same groovy outfit standing in front of the same trailer, but painted from a different angle. It's the first time we've seen this—an artist painting what another artist painted, but changing the viewpoint. We think the Uitgeverij cover is even better than Rader's. We know—sacrilege, but we really like it. Or maybe we're responding to the impact of its novelty. Let's just say they're both excellent efforts.
The brush responsible for the Uitgeverij art belonged to Dutch illustrator J.H. Moriën, whose distinctive signature you see at the righthand edge. He was born in 1897 and was active during the 1920s and ’30s, then after a mid-life hiatus began producing a lot of art again during the ’50s and ’60s. Maybe he wanted an RV of his own in retirement, but realized he didn't have enough cash. We found other pieces by him, so maybe we'll get back to him later. Though this one will be very hard to top.
Little Schmo Peep is such a creep and doesn't know how to stop.
1965's Passion Peeper, for which you see a Darrel Millsap cover above, is another sleaze novel credited to Don Elliott, but allegedly written by future sci-fi author Robert Silverberg. The blurb tells you all you need to know, as a voyeur named J. Martin Crispian gets his rocks off by spying on his female neighbors who live across the courtyard from his apartment. He describes himself as a schmo and a loser unliked by women, though he certainly likes them. Among his obsessions: a blonde who does nude calisthenics every night, a high school aged nympho, and this pair:
They were in a tight embrace. Mr. Crispian watched, startled by what he saw. These two young girls, framed in the window, were unmistakably kissing. [The redhead] began rubbing her hand over the brunette's blue jean-covered buttocks.
It had to be, Mr. Crispian thought. Two girls who were just roommates or good friends might kiss each other now and then, he figured. But they wouldn't kiss on the lips the way these two were doing. And they wouldn't go in for buttock grabbing and breast squeezing.
That's pricelessly funny. Interestingly, the peeper doesn't appear much through the middle of the story, as Elliott/Silverberg expands his narrative to encompass the lives of other characters. But everything circles back to him, as his spying puts him in the uncomfortable position, Rear Window fashion, of witnessing a possible crime. A clever ending follows, but future sci-fi legend or not, this is mediocre fiction. Silverberg was just trying to pay bills, which we can certainly respect. He later proved he could do much better.
Sir Squeezalot starts slow but once he gets warmed up he's a hell of a lot of fun.
1967's Diary of a Dyke was published by Greenleaf Classics for its imprint Pleasure Readers, and the, er, interesting cover was painted by Tomas Cannizarro. The book was written by Robert Silverberg under his Don Elliott alter ego. The distinguished Silverberg is of course famous as the mind behind award winning novels like A Time of Changes and Lord Valentine's Castle, but early in his career he paid the bills by surreptitiously cranking out sleaze classics like LSD Lusters and Sin on Wheels. When these serious writers are outed for their early smut we always picture them reacting like vampires suddenly exposed to the light, shrinking into a far corner and hissing eternal curses. But Silverberg seems pretty chill about having worked in soft porn. He even wrote the foreword to one of the reprints. We'll undoubtedly run across more from him and his worse half later, but until then feel free to click his/their keywords below and explore our previous postings.
You're amazing. This whole reputation you have for evil is totally undeserved. Wait, what are you doing? Hey, I can't bre— *glug*
Another cheapie cover from Greenleaf Classics, Lust Demon by Don Elliott, with a tableau featuring a nipple-less devil woman and her unsuspecting companion. This isn't just any sleaze—it's sleaze by Robert Silverberg hiding behind the Elliott pseudonym. We've read of few of his smut efforts now, and he's better than the average literary perv. That doesn't sound like a compliment, but it really is. 1966 on this with art by uncredited.
I had new shocks installed, so theoretically nobody outside should be able to tell we're in there humping like beasts.
In Sin on Wheels a virgin moves into a trailer park with her new husband and discovers he and most of the other residents are swingers. He's cheating on her within a week, she's cheating back days later, and pretty soon everyone wants a piece of her wedding cake. Of course, it was always the husband's plan to share his bride, which means the friction, so to speak, derives from her attempts to resist being turned into a trailer park plaything. It's all written from her point of view, so it's basically a male fantasy of a woman's descent into the sexual gutter. This is credited to Loren Beauchamp but it was written by Robert Silverberg. If you're thinking this is somehow a diamond in the rough we'll tell you bluntly it's not distinguishable from most other light sleaze. It's fun and quick, though, with lots of heavy drinking, strip poker, and round robin intercourse. It's 1962 copyright, with Paul Rader cover art of one of his best temptresses, an aspect that contributes to the book's collectibility.
Frosty the Snowman was a jolly happy soul, with a corncob pipe and a button nose and a nympho on his pole…
Those are the lyrics, right? We can’t remember. You know, maybe humping a snowman is more fun than it looks, but even so, it seems like a good way to find yourself explaining to a doctor—or a gynecologist—how you got the weirdest case of frostbite ever. Don Elliott was a pseudonym used by science fiction author Robert Silverberg, and we can only guess he’s cringed over this one at least once a day ever since he wrote it in 1967. The art is by Tomas Cannizarro.
Where the wild things are.
Above is the cover of New Texture’s 2012 book Weasels Ripped My Flesh!, which co-editor Robert Deis sent to us back in December. It took a while, but we finally finished reading it, and as expected, it’s a supremely satisfying compendium. All the tales were drawn from men’s adventure magazines of the 1950s, ’60s, and ’70s, and authors include Robert Silverberg, Lawrence Block, Jayne Dolinger, Walter Kaylin, and Mike Kamens, who wrote the improbable but now classic crazed weasels story after which this collection is named.
We were particularly gratified by Harlan Ellison’s presence in the form of his 1956 yarn “Death Climb,” in which an alpine guide is caught mid-ascent in a deadly dilemma—both halves of the wealthy but unhappily married couple he’s guiding up Mt. Keppler have secretly offered him money to push the other off the top. That story exemplifies what can be so fun about this type of fiction—the way it often begins with no set-up or preamble, in this case launching at high speed with the line, “It was either climb Mt. Keppler—or die.” Likewise the story ends sans denouement—the climax is quick and brutal.
Ellison has always been renowned for banging out stories quickly. This one feels quicker than usual—the femme fatale’s hair color even changes from blonde to auburn. But the fun factor more than compensates for that little slip. In addition to fiction you get (ostensibly) true stories such as “I Went to a Lesbian Party” by Joanne Beardon, “Eat Her… Bones and All,” as told to Bruce Jay Friedman, an interview with Godfather author Mario Puzo, and many other treats.
Along with He-Men, Bag Men & Nymphos, which is also from New Texture, Weasels Ripped My Flesh! gives us two of the best men’s magazine fiction anthologies on the market. New Texture also has other enticing items in its catalog, such as Chris D.’s Gun and Sword, an encyclopedia of Japanese gangster and pinku films. You can find out more at the New Texture blog or at the website Menspulpmags.com.
The headlines that mattered yesteryear.
1969—The Krays Are Found Guilty of Murder
In England, twins Ronald and Reginald Kray are found guilty of the murder of Jack McVitie. The Kray brothers had been notorious gangsters in London's East End, and for their crimes both were sentenced to life in prison, and both eventually died behind bars. Their story later inspired a 1990 motion picture entitled The Krays.
1975—Charlie Chaplin Is Knighted
British-born comic genius Charlie Chaplin, whose long and turbulent career in the U.S. had been brought to an abrupt end when he was branded a communist and denied a residence visa, is bestowed a knighthood at London's Buckingham Palace. Chaplin died two years later and even then peace eluded him, as his body was stolen from its grave for eleven weeks by men trying to extort money from the Chaplin family.
1959—Lou Costello Dies
American comedian Lou Costello, of the famous comedy team Abbott & Costello, dies of a heart attack at Doctors' Hospital in Beverly Hills, three days before his 53rd birthday. His career spanned radio and film, silent movies and talkies, vaudeville and cinema, and in his heyday he was, along with partner Abbott, one of the most beloved personalities in Hollywood.
1933—King Kong Opens
The first version of King Kong
, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
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