Vintage Pulp May 17 2020
LIP SYNCING
Kiss me and I'll kiss you back.


Below, another collection of covers featuring characters expressing a little affection, a continuation of the lip locks we put together way back in 2013, and an adjunct to our collection of Harry Barton neck kisses from 2017. 

Bonus action: see more kisses here, herehere, here, here, here, here, here, and here.

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Vintage Pulp May 8 2020
EXECUTIVE SWEETIE
I'll have to call you back. Something urgent just landed on my desk.


Above, yet another office sleaze cover from Greenleaf Classics, that most reliable of low rent imprints. Too Many Partners was written by John Dexter, a pseudonym for various authors, in this case one who remains unidentified. This was published in 1966 with Robert Bonfils art.

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Vintage Pulp Dec 24 2018
SHARP DRESSED MAN
Baby, I don’t mind you calling my chest an A-cup, but can you stop calling my penis an A-cup too?
"You actually make a pretty hot chick,” she says, smiling.

“Why are you smiling?”

“I’m not smiling,” she says, laughing.

“You’re laughing at me.”

“I’m not laughing,” she says, hyperventilating.

“Okay, screw this! I didn’t want to do this anyway!

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Vintage Pulp Dec 23 2015
BRANDING STRATEGY
This? This isn’t big. My first one said, “Property of Madame X’s Torture Dungeon—all rights reserved.” That was big.


Above, a cover for Everyone’s Virgin by John Dexter, for Greenleaf Classics, 1967. We’ve talked about the non-existent Dexter several times. This effort is about two young women who pretend to be innocent in order to lure older men into sex, whereupon they blackmail the silly horndogs. We aren’t sure where the branding fits in, but it makes for a fun cover. Thank artist Ed Smith.  

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Vintage Pulp Oct 25 2015
APT PUPIL
Well, okay—since you say it worked for Tom Brady, I guess I can take some of the pressure out of your balls.

The original painting at top, which we ran across on an auction site, was made for the cover of John Dexter’s (Harvey Hornwood’s) 1969 sleaze novel Passion’s Pupil, just above. Like most covers from the genre, it has several raunchy elements. Not only is the femme fatale threatening to go down on her knees, and not only has the football star found the world’s smallest towel (which we guess will make her next manuver even easier), but the jersey peeking out of his locker seems to bear the number 69. Standard stuff.
 
But what isn’t standard is there may be some question about who painted this. According to the vendor selling it—for $800.00, in case you’re looking for something to go above your mantel—the piece is by Robert Bonfils, however, the quite authoritative Greenleaf Classics Books website has this attributed to Darrel Millsap. The two had nearly identical styles during the time they worked for Greenleaf, so there’s no way to look at the painting and discern whose it is, and there’s no signature on the front or rear. We’re sure the mystery will be solved at some point, though, probably by whoever eventually shells out eight bills for the art.
 
We like the painting not only on its own sleazy merits, but because it reminds us of another original painting we posted way back that was used for the front of Amy Harris’s schoolhouse sleaze novel Prize Pupil. In fact, if you click back there you’ll see that the male figures in both scenes are weirdly similar. And of course so are the titles of the books. Did Bonfils/Millsap use that earlier cover as inspiration? It sure looks like it.

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Vintage Pulp Oct 12 2015
STRIKING POSES
We don’t know art but we know what we like.

What do you do when money is tight? In mid-century fiction, you work that body. You find an artist, present your bona fides as a figure model, then peel down for a fee. Or room and board. Or notice from those who guard the doorway to success. Just remember that however much you generate in cash, barter, or recognition, it all inevitably leads to a romp in the sack, often with several participants, and always with disastrous complications because in pulp there’s no such thing as consequence-free sex. Now that you know the rules make that booty work. Above and below you see an assortment of mid-century bookcovers featuring artists and their models. Thanks to all the original uploaders on these, and don’t forget this awesome example and this one.

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Vintage Pulp Jul 17 2015
ULTIMATE FIGHTING
Vintage paperback violence gets up close and personal.


We have another collection today as we prepare to jet away on vacation with the girls. Since the place we’re going is known for rowdy British tourists (what place isn’t known for that?), we thought we’d feature some of the numerous paperback covers featuring fights. You’ll notice, as with our last collection, the preponderance of French books. Parisian publishers loved this theme. The difference, as opposed to American publishers, is that you almost never saw women actually being hit on French covers (we’d almost go so far as to say it never happened, but we’ve obviously not seen every French paperback ever printed). The French preferred man-on-man violence, and when women were involved, they were either acquitting themselves nicely, or often winning via the use of sharp or blunt instruments.

Violence against women is and has always been a serious problem in the real world, but we’re just looking at products of the imagination here, which themselves represent products of the imagination known as fiction. Content-wise, mid-century authors generally frowned upon violence toward women even if they wrote it into their novels. Conversely, the cover art, stripped of literary context, seemed to glorify it. Since cover art is designed to entice readers, there’s a valid discussion here about why anti-woman violence was deemed attractive on mid-century paperback fronts, and whether its disappearance indicates an understanding of its wrongness, or merely a cynical realization that it can no longer be shown without consequences. We have another fighting cover here, and you may also want to check out our western brawls here.

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Vintage Pulp May 2 2015
BLOOD BATHS
They’ve gotten themselves into hot water for the last time.

There’s no safe place in pulp—especially not the bathtub. Above and below is a collection of vintage covers featuring various unfortunates who chose the wrong time to be naked and defenseless. Well, most of them are naked. A few have clothes on for reasons we cannot discern. Art is by Willard Downes, Barye Phillips, Robert Bonfils, Jef de Wulf, and others. See another good example here.

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Vintage Pulp Feb 7 2015
UNHAPPILY CARRIED
For better or worse, in sickness and health, women in pulp don’t have a heck of a lot of choice about it.
 
Pulp is a place where the men are decisive and the women are as light as feathers. We’ve gotten together a collection of paperback covers featuring women being spirited away to places unknown, usually unconscious, by men and things that are less than men. You have art from Harry Schaare, Saul Levine, Harry Barton, Alain Gourdon, aka Aslan, and others.
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Vintage Pulp Apr 5 2013
HIGH ART
Considering I’m utterly tripping balls this actually came out okay.

Above is the cover of the sleaze novel LSD Lusters, published by Greenleaf Classics for their Nightstand Books line in 1967. Author John Dexter was a pseudonym inhabited by a number of writers, including Robert Silverberg. Because of that, we don’t know who actually wrote the book. But they must have been high when they agreed to do it. Art is by Darrel Millsap.

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Next Page
History Rewind
The headlines that mattered yesteryear.
February 01
1920—Royal Canadian Mounted Police Forms
In Canada, The Royal Canadian Mounted Police, aka Gendarmerie royale du Canada, begins operations when the Royal Northwest Mounted Police, founded 1873, and the Dominion Police, founded 1868, merge. The force, colloquially known as Mounties, is one of the most recognized law enforcement groups of its kind in the world.
1968—Image of Vietnam Execution Shown in U.S.
The execution of Viet Cong officer Nguyen Van Lem by South Vietnamese National Police Chief Nguyen Ngoc Loan is videotaped and photographed by Eddie Adams. This image showed Van Lem being shot in the head, and helped build American public opposition to the Vietnam War.
January 31
1928—Soviets Exile Leon Trotsky
Leon Trotsky, a Bolshevik revolutionary, Marxist theorist, and co-leader of the Russian October Revolution, is exiled to Alma Ata, at the time part of the Soviet Union but now located in Kazakhstan. He is later expelled entirely from the Soviet Union to Turkey, accompanied by his wife Natalia Sedova and his son Lev Sedov.
January 30
1933—Hitler Becomes Chancellor
Adolf Hitler is sworn in as Chancellor of Germany in President Paul Von Hindenburg's office, in what observers describe as a brief and simple ceremony. Hitler's first speech as Chancellor takes place on 10 February. The Nazis' seizure of power subsequently becomes known as the Machtergreifung.
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