Vintage Pulp Mar 23 2011
THE SECRET OF HIS SUCCESSOR
Hitler’s attempt to handpick the next ruler of Germany didn’t work out quite as planned.

This March 1955 issue of The National Police Gazette is beat all to hell, but then again so are the Gazette’s stories about Adolf Hitler. In a previous post we showed you nine Hitler covers from the 1950s and 1960s, and we know of at least a dozen more. As it happens, the story inside this particular issue isn’t only about Hitler, but about his naval commander Karl Dönitz. Dönitz was due to be released from prison in 1956 and Gazette writer George McGrath sounds the alarm that, once sprung, the admiral planned to revive the Nazi empire. Dönitz had indeed been specifically mentioned in Hitler’s last will and testament as a successor, but a lost war, a discredited movement, and ten years behind bars will tend to have a detrimental effect on even an admiral’s ambitions. After his release Dönitz settled in the village of Aumühle and lived out the rest of his life in tranquility. He wrote two books, Zehn Jahre, Zwanzig Tage (Memoirs: Ten Years and Twenty Days), and Mein wechselvolles Leben (My Ever-Changing Life), and corresponded with memorabilia collectors, but basically stayed out of the limelight. He died in December 1980 aged eighty-nine and was buried without military honors, having made no attempt to conquer the world. So the Gazette got that one wrong. It wasn’t the first time, and it wouldn’t be the last. 

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Intl. Notebook Dec 30 2010
TRUE ROMANCE
Traveling a road without an end.

A couple of days ago we did a post of Mexican film magazines and basically, we knew none of the cover stars. But we were curious, especially about the interestingly named Viviane Romance, and decided to dig a bit more deeply. Born Pauline Arlette Ortmans in 1912, her career began in 1925 at age thirteen, when she danced at the Sarah Bernhardt Theatre in Paris. The next year she scored a spot as a Moulin Rouge dancer, and at sixteen moved on to dance at the famed Bal Tabarin nightclub. At eighteen she entered and won the Miss Paris pageant but was stripped of her title when she was found to be pregnant. However, the scandal generated headlines and she parlayed the notoriety into a film role in 1935’s Princess Tam Tam, which starred American dancer Josephine Baker. In 1936’s La belle équipe, she played the role of a young woman who destroyed the friendship of co-stars Jean Gabin and Charles Vanel. The film was a hit, and a series of bad girl roles followed in Naples au baiser de feu, La Maison du Matais, Prisons de femmes and Le puritain. She had become one of cinema’s first femmes fatales.

When the German army swept into France in May 1940, Romance found herself caught in a dilemma. The Nazis were eager to create a veneer of normalcy. That meant they were willing to allow the French film industry to function, though under the auspices of their Propagandastaffe, which would censor any content deemed disrespectful or harmful toward Germany. Faced with the choice of working for the Nazis or retiring—which might not have been allowed without serious consequences—Romance chose to continue performing, and starred in Vénusaveugle, Feu sacre, Une femme dans la nuit, and Cartacalha, reine des gitans. In the last, she sang the hit song “Chanson gitane (Sur la route qui va).” It’s worth pointing out that Romance wasn’t alone in her decision to perform for the Nazis. Many of France’s top stars, including Danielle Darrieux, Junie Astor, René Dary, Suzy Delair, Albert Préjean and others did the same. In most instances, some type of pressure was brought to bear. For instance, in Darrieux’s case, the Nazis had imprisoned her husband Porfirio Rubirosa, and her acting was the price for his freedom.

But of course, giving the Nazis an inch meant they would take a mile. Ever vigilant for propaganda opportunities, party officials pressured Romance, Darrieux and the other actors into traveling to Germany for a highly publicized visit to several Berlin film studios. Newspapers and newsreels touted the appearances in a blatant attempt to burnish the Nazis artistic bona fides. For the segment of French citizenry opposed to the occupation, the actors had crossed the line. It was one thing to continue working—everyone needed to do that. But to allowthemselves to be used to legitimize the Nazi agenda was an entirely different story. When the Germans were finally expelled from France in 1944, Romance was thrown in jail. We don’t have much information about this event. We can only say she was eventually forgiven—officially at least—for what many perceived as her feeble level of the resistance to the Nazis.

After the war, Romance immersed herself in work, making eight movies in the next three-plus years. In 1949 she played the role of Bella in the film Maya, for which you see the promo art at top. Her performance was lavishly reviewed—she was the toast of Paris again. Romance worked steadily through the next decade until her star began to dim in the early 1960s. She grappled with financial difficulty in the mid-1960s, and at one point had to sell off her possessions to survive. She made her last film, Nada, in 1974, and died in 1991 in Nice, on France’s Côte d’Azur, at age seventy-nine.

It would be journalistically tidy to write that Viviane Romance lived a life that somehow embodied her stage surname, but it would also be glib and untrue. The scandal of unwed motherhood, the climb up the ladder while still just a teenager, the shadow of Nazism over the prime of her career—none of it can be romanticized. Nor can her three failed marriages. If anything, Romance was like the narrator of the song she once memorably performed, “Chanson gitane.” That woman was strong enough to pass “with a noise of horses” but fragile as “a shiver of tinsel.” Like Romance, she set out too early on a road that was always incomplete. 

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Vintage Pulp Oct 21 2010
WAR ECONOMY

Five reprints of U.S. war bonds posters, four from the Second World War, and one from the First World War. The last poster, in panel five, was created in 1942 by famed social realist painter Joseph Hirsch. 

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Vintage Pulp Sep 22 2010
AMERICANUS INTERRUPTUS
Beyond the villa of the dolls.

Above, a September 1964 Action for Men adventure magazine containing assorted WWII and Korean War tales. The cover art is by Charles Copeland, and it depicts American soldiers and partially dressed Italian “call dolls” aka prostitutes, capturing a group of Nazi officers who we’ll assume are pretty bummed the raid didn’t happen about an hour later. 

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History Rewind
The headlines that mattered yesteryear.
October 15
1945—Laval Executed
Pierre Laval, who was the premier of Vichy, France, which had collaborated with the Nazis during World War II, is shot by a firing squad for treason. In subsequent years it emerges that Laval may have considered himself a patriot whose goal was to publicly submit to the Germans while doing everything possible behind the scenes to thwart them. In at least one respect he may have succeeded: fifty percent of French Jews survived the war, whereas in other territories about ninety percent perished.
1966—Black Panthers Form
In the U.S., in Oakland, California, Huey P. Newton and Bobby Seale form the Black Panther political party. The Panthers are active in American politics throughout the 1960s and 1970s, but eventually legal troubles combined with a schism over the direction of the party lead to its dissolution.
October 14
1962—Cuban Missile Crisis Begins
A U-2 spy plane flight over the island of Cuba produces photographs of Soviet nuclear missiles being installed. Though American missiles have been installed near Russia, the U.S. decides that no such weapons will be tolerated in Cuba. The resultant standoff brings the U.S. and the Soviet Union to the brink of war. The crisis finally ends with a secret deal in which the U.S. removes its missiles from Turkey in exchange for the Soviets removing the Cuban weapons.
October 13
1970—Angela Davis Arrested
After two months of evading police and federal authorities, Angela Davis is arrested in New York City by the FBI. She had been sought in connection with a kidnapping and murder because one of the guns used in the crime had been bought under her name. But after a trial a jury agreed that owning the weapon did not automatically make her complicit in the crimes.
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