Lindberg is larger than life in three dimensions.
Have you ever seen a 3D sexploitation movie? Rittai Poruno-Sukoppu: Sentensei Roshutsukyou, which was originally released as Liebe in drei Dimensionen and known in English as Love in 3-D, is a typical piece of West German goofball sexploitation—except it comes right at you! Ingrid Steeger is top billed but the film's Japanese distributors—no fools they—put Christina Lindberg on the promo poster.
There isn't much of a plot to this. It's basically just sex vignettes wrapped around Steeger apartment sitting and dealing with her bad boyfriend. 3D movies always overuse their gimmickry and this effort is no exception. Items thrust at the camera include Dorit Henke's panties, Ulrike Butz's bush, several animatronic monsters in a house of horrors, and of course Lindberg's boobs.
Lindberg was globally famous for her breasts (see what we just did there?), which means her nudity was expected and duly delivered, but watching her tour Munich rocking a red mini-skirt and fluffy pink jacket may impress you even more. Lederhosen must have gotten cramped all over Bavaria when she shot those scenes. Liebe in drei Dimensionen premiered in West Germany in January 1973 and reached Japan today in 1974.
No dream involving Elke Sommer can be bad.
This Japanese poster features the German perfection known by the earthly name Elke Sommer, and it was made to promote her Cold War adventure The Wicked Dreams of Paula Schultz. Generally, long foreign titles were shortened, so in Japan this was called simply “Her Immoral Dream.” It isn't a great film, but it may cause you to have immoral dreams about Sommer. We have some promo photos below showing her in all her incomparable beauty. There's no Japanese premiere date for the movie, but it opened worldwide in 1968.
Medical malpractice reaches epidemic proportions in wartime murder mystery.
This poster for the thriller Green for Danger, which was made in England and premiered there today in 1946, asks about its central syringe image, “Murder weapon or clue?” Psst! It's both. That's not a spoiler. We call attention to it because it's strange that the question even made it onto the poster. It's not as if one answer precludes the other. In any case, there's more than one murder weapon. But the weapon used in the central murder is not a word that rolls off the tongue, so we guess the filmmakers opted to focus on the syringe used in a later murder because it was simple. That isn't a spoiler either.
Green for Danger, which is based on a 1944 novel by Christianna Brand, is set in World War II era London, when the city is being besieged by German V-1 buzz bombs. These bombs, actually more akin to missiles, couldn't be aimed, so instead were designed to run out of fuel over a general area and fall wherever. The point was terror. In the film, when people hear the devices flying somewhere overhead they don't panic, but if the sound of the engine stops, everyone knows death is coming down and runs for cover.
When a victim of one of these bombings dies in surgery in a London hospital, a staff member comes to think it was murder. She voices her suspicions, foolishly as it turns out, and is the next to be dispatched. At that point in comes the shambling detective to solve the crime. He's played by Alistair Sim with considerable humor, which may seem inappropriate in a thriller, but this the movie is also a bit like a wartime soap opera, young doctors in love, that sort of thing, so Sim's wry personality sort of fits.
But it's still mainly a whodunnit, and such movies usually end either with the dick explaining to the assembled suspects who committed the crime, or with him concocting some baroque scheme to cause the killer to unmask himself. This one ends with Sim doing both, which leads to a preposterous set-up for the finale, but we won't spoil that either. In the end Green for Danger—equal parts thriller, melodrama, whodunnit send-up, and comedy—was good fun.
A future literary star puts audiences on notice with a downbeat debut.
Mario Puzo published The Dark Arena in 1955. He would be world famous fifteen years later thanks to his blockbuster novel The Godfather, but here readers find him exploring post-World War II Bremen, Germany, which is bombed out and partitioned between American and Russian troops. His main character Walter Mosca tries to find purpose in this blasted landscape, but his own nature and the chaos around him prevent him finding the humanity he lost in the war. Even the love of his girlfriend Hella can't seem to fill the hole inside him. The book is overwhelmingly tragic in mood from the very first pages, and it becomes obvious which character is going to bear the brunt of the inevitable sad ending, but those aren't criticisms. Puzo's talent in this, his debut novel produced at age twenty-five, shines in the darkness. Like a lot of first books it could be pared down, but on the other hand it's interesting when Puzo stretches his literary wings in lengthy descriptive passages obviously derived from personal observation. He was clearly a star in the making. That may sound like 20/20 hindsight, but it isn't. If The Dark Arena had been the only book Puzo ever published it would be an underground classic today and people would wonder why he never built on his promise. Luckily for world literature, he did.
The deeper you go the tighter it gets.
We've all seen movies about the long con, the elaborate, drawn-out, multi-participant scam. The Crooked Web, aka The Big Shock, starring Frank Lovejoy, Richard Denning, and Mari Blanchard, is an early example of the sub-genre. The plan is for a group of crooks to sell a cache of gold one of them found in Germany during World War II, but the con takes an unexpected twist early, and we learn that the trap being set is deeper than it first seemed. We can't share more details, but we can tell you the film strives greatly to rise above its b-movie constraints with plenty of exterior shooting and a script with international scope. The plot even takes the principals to post-war Germany—which looks a lot like Southern California even with matte work designed to put the foreign illusion across. But you have to forgive budget woes. The flaw that's difficult to overlook is the unbelievable carelessness of the central scam artists, who are posing as brother and sister, but are really lovers and can't keep their hands off each other even when their mark is just around the corner. They're almost busted while in the clinch multiple times, which is a laughable lack of restraint when there's so much at stake. But the shortest route to dramatic tension is to make characters behave like morons. We've talked about it before. It's lazy screenwriting, but that's okay—The Crooked Web is still a fun movie. It premiered in the U.S. today in 1955
The best-laid plans of mice and miscreants often go awry.
This is a striking poster. It was made for the 1970 West German movie Mädchen mit Gewalt, which in Japan was called Shiki-jou Gunrentai, and in English was called The Brutes, among other titles. Basically it's about two sexual predators who meet Helga Anders at a go-kart track and manage to maneuver her to a remote quarry, where they intend to have their way with her. It's an indication of how strange the movie is that its remainder, all seventy minutes of it, takes place in that quarry. Without getting into too much detail, cooperation between the two guys devolves into a deadly enmity, leading to an ending that will provoke comment. It all sounds pretty dodgy, we know, but it's a serious movie, not any sort of nudie flick meant to appeal to your mini-brain. In fact, the most titillating moment you'll get is when you see Astrid Boner's name in the credits. This is real cinema, with a real attempt at a message. Successful? Well... Mädchen mit Gewalt premiered in Germany in 1970, and reached Japan today in 1971.
Nobody ever said finding the right balance in life was easy.
Above is a striking image of German-born Norwegian ballerina and actress Vera Zorina holding a very difficult pose. We know it's difficult because when we tried it we smashed a coffee table and crippled a cat. Just kidding. The table turned out to be fine. Zorina was born Eva Hartwig, a name that probably sounds beautiful to the German ear, but when she went to the U.S. most people she introduced herself to probably went, “You've a heart what?” So she changed her name to something more mellifluous and proceeded to showcase her dance skills throughout the ’40s, ’50s, and ’60s in eight films and seven Broadway productions, some choreographed by her husband, the legendary George Balanchine. This photo was shot at their home in Beverly Hills in 1941.
Continental Film Review ties modern cinema up in a tidy little package.
Above and below, the cover and assorted interior pages from Continental Film Review, with all the rare imagery and erudite commentary from the European cinema scene readers had come to expect. The cover features German actress Brigitte Skay bound with rope, and those of note inside include Anna Gaël, Romy Schneider, Alain Delon, Serge Gainsbourg, Jane Birkin, and Edwige Fenech. Skay and Gaël are featured because of their roles in the 1969 sci-fi film Zeta One, aka The Love Factor, which it happens we discussed way back in 2010. Shorter version: Barbarella it ain't. Continental Film Review had a secondary focus on non-performance visual arts. This issue looks at animation from Sweden and talks about some hot illustrators of the time, including Jan Lenica and Per Ahlin, drawing comparisons between them and famed painters like René Magritte. All of that and more in thirty-plus scans.
High quality poster art for a high quality film noir.
As far as posters go for the seminal Gene Tierney film noir Laura, this, we think, is the best of the lot. It's the West German promo, a real work of art, signed, but illegibly. We scoured the internet for hours for clues to the creator of this, but with no luck, so put it in the unknown file. Laura premiered in the U.S. in 1944, and reached West Germany today in 1947.
Bad guys turn island of delights into gangster's paradise.
L'ultima isola del piacere is the Italian title of a West German flick originally made as Die Insel der tausend Freuden, and known in English as Island of 1000 Delights and Triangle of Venus. Filmed in Mauritius, this is a disjointed sexploitation thriller about a tennis pro who squanders his fortune due to bad gambling habits, which culminates in him losing his wife in a poker game against an evil casino owner who is also a—wait for it—white slaver. You may ask yourself why the wife agreed to be wagered. The answer is she sort of hates her husband. Hubby has a mistress, so he isn't too broken up about the outcome of the bet either. Unfortunately, his sidepiece is a greedy sort who convinces him that murdering his own aunt for her fortune might be a good idea. Meanwhile Olivia Pascal plays a private investigator working for the aunt and charged with investigating the casino owner's trafficking ring. The two plot threads weave together shabbily at best, with the murder plot taking an unexpected turn.
We watched this flick solely for the beautiful Pascal, but we have good news for our female readers: although these ’70s sexploitation movies usually have male stars of dubious physical grooming and charms, this time the male lead is Philippe Garnier, and we're pretty sure you'll like him. Unfortunately, he plays a total asshole, plus in order to see him—or Pascal for that matter—you'll have to wade through bad editing, terrible acting, a mean-spirited script, several scenes of torture, and, worst of all, an almost continuous Euro disco soundtrack. We certainly can't recommend this one, but we do like the poster. The production photos, few of which hint at the ugly subtext of the film, are interesting too. Maybe just look at those and call it a day. Die Insel der tausend Freuden premiered in West Germany today in 1978, and reached Italy at an indeterminate date sometime thereafter. |
The headlines that mattered yesteryear.
1917—First Jazz Record Is Made
In New Orleans, The Original Dixieland Jass Band records the first ever jazz record for the Victor Talking Machine Company in New York. The band was frequently billed as the "Creators of Jazz", but in reality all the members had previously played in the Papa Jack Laine bands, a group of racially mixed performers who helped form the basis of Dixieland while playing under bandleader George Laine.
1947—Prussia Ceases To Exist
The centuries-old state of Prussia, which had been a great European power under the reign of Frederick the Great during the 1800s, and a major influence on German culture, ceases to exist when it is dissolved by the post-WWII Allied Control Council comprised of the United States, the United Kingdom, and the Soviet Union.
1964—Clay Beats Liston
Heavyweight boxer Cassius Clay, aged 22, becomes champion of the world after beating Sonny Liston, aka the Dark Destroyer, in one of the biggest upsets in boxing history. It would be the beginning of a storied and controversial career for Clay, who would announce to the world shortly after the fight that he had changed his name to Muhammad Ali.
1920—The Nazi Party Is Founded
The small German Workers' Party, or DAP, which was under the direction of Adolf Hitler, changes its name to the National Socialist German Workers' Party. Though Hitler adopted the socialist label to attract working class Germans, his party in fact embraced mainly anti-socialist ideas. The group became known in English as the Nazi Party, and within the next fifteen years expanded to become the most powerful force in German politics.
1942—Battle of Los Angeles Takes Place
A object flying over wartime Los Angeles triggers a massive anti-aircraft barrage
, ultimately killing 3 civilians. Initially the target of the aerial barrage is thought to be an attacking force from Japan, but it is later suggested to be imaginary and a case of "war nerves", a lost weather balloon, a blimp, a Japanese fire balloon, or even an extraterrestrial craft. The true nature of the object or objects remains unknown to this day, but the event is known as the Battle of Los Angeles.
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