Vintage Pulp Oct 11 2017
REST IN PEACE
I'm not judging you for being an easy lay, baby. I'm judging you for not letting me get any damn sleep.


This is a nice effort from illustrator Barye Phillips for John D. MacDonald's 1951 thriller Judge Me Not. Everything Phillips does is beautiful, of course, but we were particularly stuck by the pastel pinks and blues here. As for the writing, this is early John D., and the story concerns a burned out war vet having an affair with the mayor's wife in a small town, and the events set into motion when she turns up dead. We've been making our way through MacDonald's bibliography. His renown makes us sure we'll soon come across the book that truly thrills us, but this wasn't the one.

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Vintage Pulp Sep 19 2017
STRANGER THINGS
That famous southern hospitality must happen in some other part of the south.


Charles Williams' 1954 thriller Go Home, Stranger doesn't take place entirely at sea like fun efforts such as Dead Calm and Aground, but it does have an aquatic focus, with much of the action taking place in swamps and bayous along the Gulf Coast, as lead character Pete Reno tries to prove to the yokel police force that his famous actress sister didn't murder her husband. Though the cops aren't much help he finds an ally who doubles as a love interest. The Gulf feel is strong, the story is interesting, and the writing is typically solid, but this is not Williams at his best. Relegating the sister—who has the most at stake—to a mainly off-the-page role possibly saps the story of urgency. But of course middling Williams surpasses many thriller authors' best work. The cover art is by Barye Phillips, and its dark and moody nature illustrates the prose nicely. The copyright on this Gold Medal edition is 1963.

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Vintage Pulp Aug 7 2017
AUTO FOCUS
Traffic mishaps reach an all-time high.

Below, assorted paperback covers pairing mortal danger and automobiles, including many examples from France, where the theme was particularly popular. Thanks to all the original uploaders on these.

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Vintage Pulp May 20 2017
OUTSIDER CANDIDATE
No, I really think you should run, Chico. True, you're just an amoral hustler, but people like that get elected now.


Obviously, Run, Chico, Run has nothing to do with running for office, but metaphorical running, as in trying to survive in a teen gang in Spanish Harlem. The lead character Francisco, aka Chico, yearns to escape the slums, and actually succeeds, at least for a time, by getting tossed into reform school. Four years later he's a changed man. Or is he? By hook or by crook, he finds himself being dragged back into his old life of street crime, and that isn't going to end well at all. No spoiler there, though—the book opens in court and tells the story of poor Chico's downfall working backward. Wenzell Brown wrote other novels in this vein, including Gang Girl, The Wicked Streets, and Teen-Age Mafia. Run, Chico, Run is 1953, with cover art from Barye Phillips. Another nice cover came with the 1960 re-issue, below, but that one's uncredited. 

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Vintage Pulp May 8 2017
HELL NO
Lady, I just want to get laid. But the crazy way you're talking, I might as well go home to my wife.

Above, a pair of covers from Barye Phillips for H. Vernor Dixon's To Hell Together. The first edition is from 1951, and as a Gold Medal Giant is about twice the length of the average mid-century paperback thriller, more than 100,000 words. The reprint came in 1959, and you'll notice it's an uncensored abridgement. Which means they cut it but kept the dirty parts in. And people say short attention spans are a new phenomenon. 

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Vintage Pulp Feb 19 2017
18 TO LIFE
Age is just a number—a prison sentence is real.

The cover blurb on this 1957 Crest paperback for Gil Brewer's Little Tramp is a case of false advertising. The femme fatale is not jail bait—she's eighteen. Which might make involvement with her a case of bad judgment, but not one of illegality. An important detail, that. But even if young Arlene isn't jail bait, she still might be the reason the down-on-his-luck protagonist Gary Dunn goes to prison. She's decided to stage her own kidnapping to pry money from her rich father, and has set Dunn up to look like the perpetrator. The scheme goes wrong when a sleazy private investigator decides to use the scam to kidnap Arlene for real. This is typical Brewer—an everyman finds himself in over his head with a woman. The art however, is not typical. It's first rate stuff, painted by the always great Barye Phillips for Fawcett-Crest in 1957.

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Vintage Pulp Oct 30 2016
PUBLIC PURSE
No, I'm not going out. I just thought you'd feel better about me taking your money if I formalized the process.

Above, Barye Phillips cover art for Mike Skelly's Halo for a Heel, 1952, from Red Seal Books. This one is about a crooked big city mayor named Danny Dolan, and the subject matter is why the cover appealed to us. Strip away all the trappings and ceremony and we think this is a fairly accurate representation of what politicians in the U.S. really do.

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Vintage Pulp Sep 2 2016
FROM BAD TO WORSE
My life has gone horribly wrong, but at least I still have my digni— Oh, great. My fly was open this whole time, wasn't it?


In David Goodis' 1954 thriller Street of No Return, a down-on-his luck nobody named Whitey, who had been a great singer years ago only to lose his voice, career, and sobriety—thanks to a dame, of course—finds that even for a man at rock bottom things can get worse. And it involves something more serious than discovering his fly is open, though that would be funny. What happens is an impulsive act of compassion drags him into a pit of murder and corruption, set against the backdrop of Puerto Ricans-vs-cops race riots in Philadelphia. There are plenty of reviews of this online, so for details just look around. This one caught our eye because of the intricate and gritty cover art, yet another top effort from Barye Phillips.

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Vintage Pulp Aug 30 2016
GRUMPY BOGART
This is my disappointed face. You know why I'm making this face? Because I'm fucking disappointed is why.


Originally written by the mysterious B. Traven and published in 1927, The Treasure of the Sierra Madre appeared in the above Pocket Books version in 1948 with Barye Phillips on the cover chores. We have to say, he did a bang-up job capturing Bogart's world weary mug. You already know the story in this book: lust for riches lays a greedy man low. But it's a particularly good riff on that theme. A highly recommended read. 

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Vintage Pulp Aug 22 2016
CHANGING SPILLANES
Five different covers, one great artist.


Above, a small collection of Mickey Spillane covers illustrated by Barye Phillips in similar style for Signet Books published throughout the 1950s. Spillane had many cover treatments over the decades but these are among the best. Phillips did other art for Signet, including illustrating the fronts of James Bond and Al Wheeler novels. We're also big fans of this piece, and this one too. And you can also see another Spillane collection we put together here.

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Next Page
History Rewind
The headlines that mattered yesteryear.
October 20
1947—HUAC Hearings Begin
The House Un-American Activities Committee begins its investigation into Communist infiltration of Hollywood, resulting in a witch hunt that destroys lives, ruins careers, and makes Senator Joseph McCarthy the most feared politician of the era.
1968—Jackie Kennedy Marries
Former First Lady Jacqueline Kennedy marries Greek shipping tycoon Aristotle Onassis. The marriage comes as a total surprise to the American public, and results in a terrible backlash against her and also makes her the number one target of paparazzi for years.
October 19
1989—Guildford Four Exonerated
The men known as the Guildford Four, who were imprisoned for a series of bombs attacks on British pubs that left five dead and 100 injured, are decreed not guilty after an investigation reveals that police colluded in doctoring statements that appeared to incriminate the defendants.
October 18
1968—Olympic Committee Suspends Carlos and Smith
The U.S. Olympic Committee suspends African-American track & field athletes Tommie Smith and John Carlos for saluting the crowd with raised, gloved fists during a medal ceremony at the Mexico City games. The salutes represented the black power and civil rights movements in the United States. Both athletes also received their medals shoeless to represent black poverty.
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