Vintage Pulp May 9 2019
THE BLACKEST CAT
Disturbed characters populate pointlessly offensive book about a traveling circus.


It's been a long time since we saw any cover art from Stanley Zuckerberg—almost ten years, or about fifty-seven in cat years. Zuckerberg's work fronts Edward Hoagland's Cat Man, a gritty 1958 novel that delves into the world of the traveling circus and life of the lead character who works with the big cats. Hoagland had the same job in real life for a while and he wants you to know it, which is why his book is dense with circus jargon. It's also dense with racism. If there were a point being made à la William Styron or Ben Winters, then okay, but there isn't. The novel earned some acclaim, which doesn't surprise us—pointlessly racist books often did back then. But this example is especially indefensible.

We know what some would suggest—that the attitudes on display are historical realism. But that hoary old excuse doesn't hold water, considering Hoagland takes the time to create detailed characters of Native American and Latino descent. Those portrayals are—of course—caricatures by today's standards, but Hoagland does try to make them resonate. The African-American characters, conversely, are just rabble in the background, referred to only collectively, and using the most offensive possible terminology. Worse, at least a dozen of the circus animals have names and personalities, while the black characters have neither. We're not joking—the animals are more human than anyone with a black skin. This was Hoagland's first novel and he later went on to become a respected nature essayist. Hopefully he learned something about the nature of people.

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Vintage Pulp Apr 28 2019
WANTED MEN
Sorry to disappoint you, but we're into each other.


Well no, Leonhard Frank's novella Desire Me isn't about two men in love, but we think it should be, based on the cover art. It's actually a story centered around a clever idea that has been borrowed often since it was first written by Frank in 1926 as the play Karl und Anna. Basically, two men in a prison camp have plenty of idle time to get to know each other. The married prisoner speaks in detail about his wife. When the unmarried one escapes, he seeks out the married one's wife and the two fall in love. Naturally the husband, who his pal had claimed was dead, eventually resurfaces in the town to complicate matters.

This prison identity theft concept is the basis or backstory of many movies, including The House on Telegraph Hill. Returning from presumed wartime death to ruin a wife's new love affair has also been used often, notably in Casablanca. Frank was considered a leading German writer, but his legacy was destroyed when his books were burned by the Nazis before World War II. He actually wrote about this later and noted that even though Hitler lost the war, he largely succeeded in altering Germany's literary history, because many of the authors whose works were burned never regained their former stature. Frank's is a cautionary example about censorship—governments do it because it works.

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Vintage Pulp Nov 16 2018
JURY RIGGED
Spillane solves a tough case in more ways than one.


If you're on this site you almost certainly know already about Mickey Spillane's I, the Jury, so instead of talking about how it's a trailblazing hard boiled detective novel with a sledgehammer ending that's one of the most famous in pulp history, we'll share a true story with you. You know one of us went to the U.S. recently. Well, the one of us who went—PSGP—has had lots of problems getting into the country. We're talking baggage searches, being conducted to the special room for questioning, the whole deal.

Customs agents always say these stops are random but when it happens three times in five trips that's an obvious lie. Probably—and this is a guess, because we have no idea what customs agents see when they scan a passport—these stops have to do with PSGP's travel history, which includes visits to such dubious countries as Russia, Honduras, and various nations and islands in the vicinity of Cuba. One time an agent even asked him casually, “So how did that trip to Cuba work out for you?” even though there was no visa—obviously—to that effect in PSGP's passport.

Anyway, during one of these searches the agent in charge saw a giant
pulp anthology in PSGP's luggage and immediately got all friendly, like, “Oh, you dig this kind of stuff, do you?” PSGP: “Of course.” Agent: “What do you like about it?” PSGP: “Cops, crooks, corruption, violence, you know.” Agent: “Well, you can close your bag up. I think we're done here.” Ever since then whenever PSGP goes Stateside he carries a pulp novel prominently placed on his person. And there have been no problems in customs since. Coincidence? Maybe.

But it's best to be equipped anyway, so this time he carried the above edition of I, the Jury sticking out of the breast pocket of his jacket, and customs was even smoother than usual. Also a beautiful Lufthansa flight attendant on one of the planes was even like, “Oh, passion, crime, and suspense, eh? Sounds like fun.” Yes, customs agents are soothed and even the most jaded of stews gets chatty when those words are sticking out of your breast pocket. So consider this a piece of advice: if you're concerned with customs carry a pulp novel, and if you carry a pulp novel, carry Spillane


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Vintage Pulp Aug 28 2018
NOT HER DREAM JOB
Maybe I should have listened to my parents and stayed in community college.


Above, a nice James Avati cover for Nightmare Alley by William Lindsay Gresham, copyright 1949. The hardback of this came out in 1946, and it was adapted to the big screen in 1947 with Tyrone Power in the lead role, so this art reflects the movie, which is why the cover femme looks like and is dressed like co-star Colleen Gray. This is one of many mid-century novels set in and around carnivals, and it's one of the better ones, we think. The film version adheres reasonably close to Gresham's original vision. We talked about it several years ago, so check here if you're interested. We've also talked about several other carnival books over the years and now we have an idea to put together a cover collection along those lines. We'll have to see if there are any examples left to find. But in the meantime you can see what we've already collected here, here, here, and here.

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Vintage Pulp Jul 1 2018
ANGEL FALLS
Being good is okay, but being bad is a whole lot more fun.


We've seen May Britt in exactly one movie but we thought she was quite good in it. That was 1959's The Blue Angel. Above you see the Signet tie-in edition of Heinrich Mann's source novel, which was called Professor Unrat when it was published in Germany in 1905. Britt fronts this paperback looking alluring but a little shabby too, which is of course what her character is all about. You can read a bit about the film here.

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Vintage Pulp Jun 25 2018
LUNAR EVENT
The sky's the limit in third Bond thriller.


Ian Fleming's Moonraker is James Bond's third literary outing and it sees him trying to prevent the detonation of a loose nuke. If you've never read a Bond book, you may want to know that in addition to being thrillers they're hardcore car and food porn. Fleming takes pains to describe engines, exhausts, gearing; then he'll turn toward flavors, ingredients, and vintages. In Moonraker a chapter long car chase is a tour de force. A meal in a private club is almost as exciting. The rarefied world of three digit speed and three star dinners drew us in almost as much as the plot. But the main takeaway from this book for us is that it was absolutely murdered by United Artists when adapted for the screen. They left nothing but the title and the name of the villain. It's worth reading just to experience Fleming's original vision. This 1960 Signet edition has Barye Phillips cover art, and it's a bit different for him but very nice. 

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Vintage Pulp Apr 19 2018
ROYALE TREATMENT
Bond is born in Ian Fleming's 1953 Cold War thriller.


We've read a few Bond novels, but not his debut in 1953's Casino Royale. When it comes to secondhand bookstores and yard sales you read what you find. But we decided to finally made a deliberate effort to go back to the beginning with an edition from Signet, which appeared in 1960 with Barye Phillips cover art. The debuts of franchise characters leave room for continuing adventures by design but we've never read a book that was so deliberately a prequel as Casino Royale. It's the essential novel for understanding Bond. You know the basics already: Cold War intrigue, opposing teams taking the field for a long struggle, a Soviet spy named La Chiffre who's dipped into funds not his and who hatches a desperate plan to restore them via the baccarat tables of a famous French casino, Bond dispatched to outplay him, break him, and ensure his downfall for stealing the money.

The book is fantastic from its opening, through its tremendously tense middle sections, and on to its brutal punchline of an ending. Bond is imperfect as both a spy and a man. He's sometimes kind, prone to sentiment, and philosophical about his work; he's also sexist, racist, and generally regressive. Casino Royale is designed to explain how the first three qualities were destroyed, making him a perfect spy. The latter three qualities remain. While in serious fiction many authors of the period were writing about racial equality and the essential sameness of people, Ian Fleming was declaring that Asians are terrible gamblers because as a race they lack resolve. None of this is a surprise because much is known about Fleming's personal views. Bond is an icon, but of a less enlightened era. We're readers, of ours. Yet we can meet on the page, and—with a tolerance Fleming never showed others—still manage to have a little fun.

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Vintage Pulp Feb 20 2018
COMMUNITY RELATIONS
No, there's two in every town. Unless you showed up here for some other reason, fuckboy.

Above, a Signet paperback edition of James Aswell’s There’s One in Every Town, originally published in 1951, with this edition appearing in 1956. Aswell conducts readers into Erskine Caldwell country with a tale of sex and consequences. This genre was absolutely bursting back in the 1950s. We never stop running across entries that were previously unknown to us. This particular story is about young—very young—Jackie Vose, who by mere association ruins any male who comes near her. She's seen as salvageable by at least one man—or rather boy, since he's the seventeen-year-old heart-smitten narrator. But he never has much of a chance. It's the town doctor who actually gets in too deep, and it doesn't end well. South, sin, and sadness.

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Vintage Pulp Feb 11 2018
FULL BLAST
Al Wheeler gets caught in an explosive situation.



Barye Phillips art adorns the cover of Carter Brown's The Bombshell, first published in 1957, with this Signet edition appearing in 1960. The book features his franchise police detective Al Wheeler, who's assigned a murder case where there's no body. He protests because it's really a missing persons investigation, but his boss is convinced young Lily Teal's corpse is somewhere to be found. Even so, a previous investigation came up empty and Wheeler is assigned the case with the expectation he won't get anywhere. But failure is for lesser detectives. Our favorite exchange in this one:

Femme fatale: “Maybe it's something to do with me being born in the South—a girl matures early in a hot climate.”

Al Wheeler: “And you've been carrying that climate around with you ever since.

We shared this cover as part of a
collection several years ago, but hadn't read the book. The scan above is from our own copy. This is the third Al Wheeler book in the long running series, but it already feels a bit perfunctory. The narrative doesn't really take off until Wheeler is framed for attempted sexual assault. At that point, based on how far his still unknown enemies are willing to go, he realizes there's more to the case than just a possible murder. Overall, not a bad outing, but nothing special. We have more Al Wheeler mysteries we acquired recently, so we'll see how those go. 

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Vintage Pulp Jan 3 2018
RESISTANCE IS FUTILE
Okay, okay. I wanted pizza, but we'll order the damn Thai food instead.


You don't know pressure until the Pulp Intl. girlfriends have applied it, believe us. We'd almost rather face what the protagonist of Charles Francis Coe's Pressure deals with—going from an obscure lawyer trying to scrape by to a crucial cog in an organized crime cartel. It's a bit Breaking Bad in the sense that he initially does it for his family, but ends up alienating them. The pressure really mounts when he decides he has to get out or lose everything. The book first appeared in 1951 and the above Signet edition came in 1952, with cover work by Harry Schaare. 

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History Rewind
The headlines that mattered yesteryear.
June 16
1961—Rudolph Nureyev Defects from Soviet Union
Russian ballet dancer Rudolf Nureyev defects at Le Bourget airport in Paris. The western press reported that it was his love for Chilean heiress Clara Saint that triggered the event, but in reality Nuryev had been touring Europe with the Kirov Ballet and defected in order to avoid punishment for his continual refusal to abide by rules imposed upon the tour by Moscow.
June 15
1978—Hussein Marries Halaby
King Hussein of Jordan, who had claimed direct lineage from the Prophet Muhammad and the most ancient tribe in the Arab world, marries American Lisa Halaby, who renounces her American citizenship, converts to Islam, and takes the name Queen Noor. Noor soon becomes one of the most glamorous and recognized royals in the world.
June 14
1995—Roger Zelazny Dies
American fantasy and science fiction writer Roger Zelazny dies at age fifty-eight of kidney failure related to colo-rectal cancer. Zelazny won the Nebula award three times, and the Hugo award six times, for novels such as ...And Call Me Conrad and Lord of Light, but was best known for his fantasy serial The Chronicles of Amber.
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