Vintage Pulp Feb 20 2018
No, there's two in every town. Unless you showed up here for some other reason, manslut.

Above, a Signet paperback edition of James Aswell’s There’s One in Every Town, originally published in 1951, with this edition appearing in 1956. Aswell conducts readers into Erskine Caldwell country with a tale of sex and consequences. This genre was absolutely bursting back in the 1950s. We never stop running across entries that were previously unknown to us. This particular story is about young—very young—Jackie Vose, who by mere association ruins any male who comes near her. She's seen as salvageable by at least one man—or rather boy, since he's the seventeen-year-old heart-smitten narrator. But he never has much of a chance. It's the town doctor who actually gets in too deep, and it doesn't end well. South, sin, and sadness.


Vintage Pulp Feb 11 2018
Al Wheeler gets caught in an explosive situation.

Barye Phillips art adorns the cover of Carter Brown's The Bombshell, first published in 1957, with this Signet edition appearing in 1960. The book features his franchise police detective Al Wheeler, who's assigned a murder case where there's no body. He protests because it's really a missing persons investigation, but his boss is convinced young Lily Teal's corpse is somewhere to be found. Even so, a previous investigation came up empty and Wheeler is assigned the case with the expectation he won't get anywhere. But failure is for lesser detectives. Our favorite exchange in this one:

Femme fatale: “Maybe it's something to do with me being born in the South—a girl matures early in a hot climate.”

Al Wheeler: “And you've been carrying that climate around with you ever since.

We shared this cover as part of a
collection several years ago, but hadn't read the book. The scan above is from our own copy. This is the third Al Wheeler book in the long running series, but it already feels a bit perfunctory. The narrative doesn't really take off until Wheeler is framed for attempted sexual assault. At that point, based on how far his still unknown enemies are willing to go, he realizes there's more to the case than just a possible murder. Overall, not a bad outing, but nothing special. We have more Al Wheeler mysteries we acquired recently, so we'll see how those go. 


Vintage Pulp Jan 3 2018
Okay, okay. I wanted pizza, but we'll order the damn Thai food instead.

You don't know pressure until the Pulp Intl. girlfriends have applied it, believe us. We'd almost rather face what the protagonist of Charles Francis Coe's Pressure deals with—going from an obscure lawyer trying to scrape by to a crucial cog in an organized crime cartel. It's a bit Breaking Bad in the sense that he initially does it for his family, but ends up alienating them. The pressure really mounts when he decides he has to get out or lose everything. The book first appeared in 1951 and the above Signet edition came in 1952, with cover work by Harry Schaare. 


Vintage Pulp Aug 20 2017
I hereby claim this land and everything in it for the British Emp—er, I mean for me!

Since we're on the subject of tropical islands (see below), here is a really beautiful cover for Adam Shaw's 1966 novel Pleasure Island. We first saw it at killercoversoftheweek, which informed us that it was painted by Ron Lesser, one of top illustrators of the mid-century era. Taking a close look at the art, it seems to us that the characters depicted are thinking two entirely different things at this moment.

Him: Wow, she's hot! I can't wait to have her. I think I'll call this place Pleasure Island.

Her: *sigh* It was nice while it lasted. Looks like we'll have to invent clothes and self defense classes now.

The locale in the story is one of the Marquesas Islands. Shaw's characters made a habit of stumbling upon natural wonders, because he followed Pleasure Island with Isle of Delight and Shipwrecked on Paradise. Safe to assume pleasures, delights, and paradise-like qualties were quickly ruined in each place. See more Lesser cover art


Vintage Pulp Aug 17 2017
True, neck rubs aren't in your job description, but they're in your husband description. So get to rubbin'.

We often take liberties interpreting cover art, and Jerry Weil's 1957 novel Office Wife has given us just such an opportunity. The woman is supposed to be the man's “executive sweetie,” but we see it the opposite way. Also, the book doesn't really involve an office marriage. The term “wife” is meant loosely—i.e. the main character Eileen enjoys wifely liaisons with guys at her chic NYC advertising firm. Ultimately she taps into her executive ambitions and, in order to get what she wants, transforms from used to user. You can see a collection of entries from the office sleaze bin at this link, and we have individual entries here and here


Vintage Pulp Mar 23 2017
Wait. Okay, you're right. No argument. I really messed up. But wouldn't it be an even bigger sin to shoot me?

Verne Tossey's cover art on this 1953 Signet paperback edition of Jack Webb's The Big Sin suggests that the sinner of the title is either the armed woman or her unseen target, but actually the sinner is someone who isn't even alive. It's a beautiful Mexican showgirl named Rose Alyce whose death has been ruled suicide by gunshot. But protagonist Father Shanley believes her death had more sinister origins, because Alyce was a devout Catholic he knew as sweet Rosa Mendez, and he's convinced she would never commit “the big sin.” You can only truly know someone inside the confessional booth, apparently. Shanley uncovers government corruption and teams up with detective Sam Golden on the way to solving the mystery, of which mobsters are an integral part. We ran across a beautiful dust jacket for the book from British publishers T. V. Boardman, which came from an interesting site called that reproduces hardback sleeves for vintage books. That strikes us as a pretty cool idea. You can have a look at that site here.


Vintage Pulp Oct 12 2016
Heads for sale! Got them shrunken heads for sale! Why dry 'em when you can buy 'em! Got them heads for sale!

Shrunken Head à la Pulp Intl.

You will need: One human head freshly cut from an enemy*. One large iron pot. Six to eight gallons of water. Five bundles of firewood. One pound of small stones. One pound of sand. Five ounces of plant seeds. Several small wooden pegs. Needle and twine. One bay leaf (optional).

1: Carefully remove skin and hair from head by making incision in back of neck. Sew eyelids shut, seal mouth with wooden pegs, and sew neck slit closed, but leave large neck hole where head was severed open. Discard skull or offer as sacrifice to cruel primitive god.

2: Simmer head in water for one to two hours. Be to careful not to over boil, as this will cause the hair to come off. Remove head and discard liquid, or add bay leaf and use as soup base.

3: Head should now be one third normal size and rubbery. Carefully turn inside out and scrape remaining flesh away. Discard scraps or save as dog treats.

4: Invert head skin side out once more. Heat stones and sand over fire and insert into head. This will cause more shrinkage.

5: Once head has reached desired size pack in hot sand to set shape and facial features and let bake at low temperature.

6: Remove from sand. Rub wood ash on head to prevent muisak, or avenging soul, from escaping. If you are not superstitious or prefer a lighter colored head skip this step.

7: Fill head with seeds and sew neck hole shut. Hang head several feet over fire to slowly harden. Be careful not to overheat, as hair can ignite.

8: Wear shrunken head around neck to instill terror and revulsion in onlookers. Optionally, it can be fitted with a tiny hat and sunglasses.

And that's all there is to it, kids. If you want a more detailed recipe or just some interesting context read Lewis Cotlow's Amazon Head-Hunters and learn how the Jivaro people of Ecuador did it. 1954 copyright on the Signet Giant edition with James Meese cover art.  

*Pulp Intl. disavows any responsibility for heads actually cut from enemies.

Vintage Pulp Sep 10 2016
It ain't your lucky day anymore, is it, mister?

Mafia is a non-fiction rundown of the Italian organized crime rackets up to 1952, which is when the book first appeared in hardback. The above edition from Signet appeared in 1954. Author Ed Reid, who was an associate of organized crime crusader Charles Kefauver, covers cosa nostra personalities such as Vito Genovese, Lucky Luciano, the Fischetti Brothers, Albert Anastasia, and many others. Though non-fiction, Reid presents the information as a narrative, and we gather he took a bit of license. But he was a Pulitzer Prize winning reporter and Mafia was an eye-opener when it was published. Cover art is by James Avati, and serves as a reminder that the person with the pistol always has the best hand.


Vintage Pulp Aug 22 2016
Five different covers, one great artist.

Above, a small collection of Mickey Spillane covers illustrated by Barye Phillips in similar style for Signet Books published throughout the 1950s. Spillane had many cover treatments over the decades but these are among the best. Phillips did other art for Signet, including illustrating the fronts of James Bond and Al Wheeler novels. We're also big fans of this piece, and this one too. And you can also see another Spillane collection we put together here.


Vintage Pulp Jul 14 2016
I could screw my way to the top but this method is so much more satisfying.

Above you see the covers for the 1958 and 1954 Signet editions of Death Before Bedtime, by Edgar Box, who was in reality literary legend Gore Vidal. This novel is the middle entry of a trilogy—the first is Death in the Fifth Position and the third is Death Likes It Hot. All feature public relations exec/amateur detective Peter Sargeant II, and the story in this one takes place in Washington, D.C., and involves a murdered senator, his promiscuous daughter, his widow, and various figures ranging from pure to corrupt. It owes plenty to Agatha Christie in that the murder—via dynamite, by the way—occurs in a house and everyone who was on the premises is a suspect. Unsurprisingly, there's almost as much sex as sleuthing, but there's also plenty of Vidalian wit. The top cover was painted by Robert Maguire and the second was the work of Clark Hulings. 


Next Page
History Rewind
The headlines that mattered yesteryear.
March 22
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals of the Cold War.
March 21
1963—Alcatraz Closes
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
March 20
1916—Einstein Publishes General Relativity
German-born theoretical physicist Albert Einstein publishes his general theory of relativity. Among the effects of the theory are phenomena such as the curvature of space-time, the bending of rays of light in gravitational fields, faster than light universe expansion, and the warping of space time around a rotating body.
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