When you toast them the aroma is mouthwatering.
Since we neglected to share any Technicolor lithographs for several months before we got back to them recently, here's another one close on that one's heels entitled “Fair and Warmer,” from A. Fox Corp., circa 1955, with an unidentified model. We've wondered in the past whether a single ass comprised one bun or two buns. For example, should our header be “bun warmer” or “buns warmer”? It's a subject that requires deep exploration, and we've already put substantial thought into it.
A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
First you need my shirt, now my pants? I believe you when you say we'll go faster. My question is faster at what?
Technicolor lithograph queen and nudist icon Diane Webber, aka Marguerite Empey returns on this print from A Fox. Corp from 1957 entitled “Clear Sailing Ahead.” We've shared three other lithos of hers, which you can see here, here, and here, and we have a couple more in reserve we'll get up later.
They say less is more, but in this case more is less.
Our ongoing exploration of mid-century Technicolor lithographs continues with this nice image from A. Fox featuring an unknown model in lingerie that simultaneously covers nearly her entire body yet is sheer enough to show nearly everything. The image is titled “Naughty Nightie” and it dates from around 1960. If you want to see dozens more of these just click the appropriate keywords below.
Bad news: the dye job was expensive. Good news: she has the same hair color today for free.
An unidentified model appears above on two 1965 Technicolor lithographs, the first of which, from A. Fox Corp., is called “How Nice,” and the second of which, from KLM, is called “Silver Siren.” The model sports striking silver hair in both, and we've noticed this trend has gotten pretty big of late, so these serve as a reminder that, once again, your grandmother beat you to it.
The woods are lovely, dark, and deep.
Above, a Technicolor lithograph, entitled “Aim To Please,” starring an unknown model looking for something to kill with her longbow and quiver of arrows. This is dated 1959 and comes from Corp. A. Fox.
A bouquet so nice it needed to be delivered twice.
Does this model look familiar? She might, if you visit here frequently. She’s the same unidentified star of an undressable Technicolor lithograph we shared around Christmas time. In the above image her pose is almost—but not quite—identical to that in the December image. You can compare them by looking here. The earlier shot was from K.L.M., while the one above was published by J.S.I. Both of them are from the early 1950s. Now look below. Yes, you’re seeing double. Well, almost. The print down there came from Corp. A. Fox in 1956. If you look closely you’ll see that the logo at lower right and title at lower left are different than above. The above shot is titled “Secret,” as in secret admirer, we presume, and the below shot is titled “Remembrance,” as in we hope the florist remembered to remove the thorns.
The change of logo and title shows how these images spread from company to company. Possibly each publisher bought the rights for a short time, leaving the owner free to peddle the same shots again later. Alternatively, K.L.M. bought the negs for a long period but was absorbed by A. Fox at some point. We wouldn’t doubt it—there were many publishers of these shots, and it seems unlikely they all thrived. Buying out a failing company and acquiring its images would be good business. It gets complicated, though, because as we now know, some of these pin-ups come from negatives owned by Playboy and were printed with the bunny logo, which suggests licensing deals. We’re still doing research on that aspect of the industry, so maybe we’ll know more later. In meantime, anyone recognize the model?
When the photographer called her a living doll she didn’t suspect he’d turn her into one.
This is a really striking Technicolor lithograph. Produced by Corp. A. Fox (or Fox A. Corp, or Copr. Fox A.) in 1955, it could be mistaken at first glance for a painting, but it’s actually a retouched photo—the details in the towel give it away. Even though the image is arresting, we don’t think the photographer/artist quite got the look he/she was seeking. To us, there’s an unpleasant and sinister edge to the scene, mainly due to the model’s expression shading more into horror than mere surprise. Don’t think so? Take a closer look below. Now imagine that face when you turn out the lights to go to sleep tonight. But if you think she looks horrified now, just try to imagine her expression when she saw the final result and realized she’d been turned into a lifeless porcelain figurine.
Which came first—the nightgown or the nudity?
Above, two Technicolor lithographs of an unknown model against a blue velvet backdrop. These were published separately, with the bottom shot “Blue Mood” appearing in 1951, and the top shot entitled “Red Hot & Blue” appearing much later in 1966. Strange that the clothed image came later, but in any case they complement each other nicely, with the second featuring an almost “ta-dah!” pose from the model. It’s as if she’s saying, “You wanted the nightie gone—it’s gone.” Chronologically speaking, it would be more accurate to say she started naked and got dressed, but where’s the fun in that? Using old negatives was common practice for the makers of Technicolor lithos—Champion Line, U.I. Co., A. Scheer, J.S.I., Corp. A. Fox (also referred to as A. Fox Corp.), and others. It was Fox that published these, and we’ll have more of their output later. You can see about a dozen more Technicolor lithos by clicking here.
Take... picture quick. Can’t hold this pose… much longer.
Above, a familiar looking but as yet unidentified model posing for one of Corp. A. Fox’s Technicolor pin-ups. This makes the eleventh one of these we’ve shared and you can see the others by clicking its keywords below.
Update: It's Madeline Castle, who was a Playboy Playmate of the month back in October 1954 and a popular pin-up model for many more years. The shot above isn't the most flattering of her, so we've uploaded another one below, from Folies de Paris et de Hollywood #288, 1964. Yes, we know the two look like different women entirely, but they aren't, we promise. She just looks better below, and as a bonus she's smiling instead of grimacing.
Update on our update: Turns out she was under our noses the entire time. We shared a
Man's Life featuring Castle back in January 2013. You know when you have so much stuff you can't keep track of it? Yeah, exactly.
The headlines that mattered yesteryear.
1919—Pollard Breaks the Color Barrier
Fritz Pollard becomes the first African-American to play professional football for a major team, the Akron Pros. Though Pollard is forgotten today, famed sportswriter Walter Camp ranked him as "one of the greatest runners these eyes have ever seen." In another barrier-breaking historical achievement, Pollard later became the co-head coach of the Pros, while still maintaining his roster position as running back.
1932—Entwistle Leaps from Hollywood Sign
Actress Peg Entwistle
commits suicide by jumping from the letter "H" in the Hollywood sign. Her body lay in the ravine below for two days, until it was found by a detective and two radio car officers. She remained unidentified until her uncle connected the description and the initials "P.E." on the suicide note in the newspapers with his niece's two-day absence.
1908—First Airplane Fatality Occurs
The plane built by Wilbur and Orville Wright, The Wright Flyer, crashes with Lieutenant Thomas Selfridge aboard as a passenger. The accident kills Selfridge, and he becomes the first airplane fatality in history.
1983—First Black Miss America Crowned
Vanessa Williams becomes the first African American Miss America. She later loses her crown when lesbian-themed nude photographs of her are published by Penthouse magazine.
1920—Terrorists Bomb Wall Street
At 12:01 p.m. a bomb loaded into a horse-drawn wagon explodes in front of the J.P.Morgan building in New York City. 38 people are killed and 400 injured. Italian anarchists are thought to be the perpetrators, but after years of investigation no one is ever brought to justice.
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