|Vintage Pulp||Apr 27 2016|
Martians decide they want to study a thousand Earthlings, including protagonists David and Janice, with the eventual goal of turning the entire human species into love slaves. Sounds easy, but of course unpredictable consequences result. The rear of the novel describes the story as “unbelievable but possible.” We think a better description would be, "Impossible, but you'll want to believe." 1960, with cover art from Basil Gogos.
|Intl. Notebook||Apr 21 2016|
|Femmes Fatales||Apr 20 2016|
|Intl. Notebook||Mar 16 2016|
A newly discovered manuscript written by otherworldly horror writer H.P. Lovecraft has been found in a collection of magic memorabilia in Chicago. The 31-page piece, titled "The Cancer of Superstition," is said to have been originally commissioned by Harry Houdini in 1926. Houdini died that year and the project fell by the wayside, but the typewritten pages were conserved by Houdini's widow Bess, and her manager, Edward Saint. The sheaf of pages will be auctioned April 9th, with bids starting at $13,000 and a final price estimated to reach $25,000 to $40,000—a pittance considering Lovecraft's fans will probably pay plenty to buy anything published bearing the icon's name.
This story dusted off some nice memories for us and brought a smile to our faces because—as any Call of Cthulhu geek knows—the real-life pairing of Lovecraft and Houdini is like ice cream paired with caramel sauce, or a census-taker's liver with a fine Chianti. We'd go so far as to say that any Call of Cthulhu keeper worth the title incorporates Houdini into the game eventually. In our long-running C of C campaign—years before we had girlfriends and an inkling that there were equally sticky but much more enjoyable ways to spend a Saturday night—Houdini appeared in a session only to promptly have his head melted by an interdimensional horror.
There's some small question whether "The Cancer of Superstition" was written by Lovecraft, or if it was actually penned by fellow author C.M. Eddy and merely polished by Lovecraft, but we suspect doubts on that score will always remain. After years of doing this site and trying to track the original authors of numerous obscure novels we know some questions about the provenance of literature are destined never to be answered.
So get your bidding hats on. Since anyone out who's seriously into Lovecraft and Call of Cthulhu is a supernerd (we mean that affectionately, as former nerds ourselves), you've probably squirrelled away plenty of cash from your career in computer sciences or botany or something. Don't let the manuscript fall into the hands of some empty suit hedge fund manager from upper Manhattan. And for those of you who haven't read Lovecraft and have no idea what we're talking about, we highly recommend you give him a try if you feel like a little literary horror. Just don't read too much about Lovecraft as a person. Some of his views were even more terrifying than his stories.
|Intl. Notebook||Feb 27 2016|
Star Trek icon Leonard Nimoy died a year ago today, an event we noted at the time with a brief tribute and a photo, though of Nimoy in human form rather than as Spock. Today, for the anniversary, we're going full Spock because we stumbled across this rare promo poster of Nimoy in character holding a model of the Enterprise. While the poster is similar to a widely circulated image available on the Memory Alpha website, as far as we know this particular item has never been posted online without a watermark. So that's our achievement for today.
|Femmes Fatales||Jan 9 2016|
|Modern Pulp||Dec 15 2015|
Mad Max premiered in Australia in April 1979 and made its way to Japan a few months later. Significantly, the U.S. premiere came after Japan—as well as Portugal, Italy, Holland, and Spain—and when it finally happened it was at The Motorcycle Film Festival in Seguin, Texas, several months before a wide U.S. release. The point is it’s amazing how careful the filmmakers were about releasing the movie in what was the world’s most lucrative film market. They weren't sure how American audiences would react to something so leftfield, but of course it did well enough there to become a series, and now a rebooted franchise helmed by original director George Miller. The Japanese poster above, painted by Tom Beauvais, was made for the movie’s Tokyo premiere today in 1979.
|Vintage Pulp||Dec 15 2015|
David V. Reed’s, aka David Vern’s The Thing That Made Love was originally published in Mammoth Detective in 1943 as The Metal Monster Murders. The first paperback version appeared in 1946 as I Thought I’d Die, and the above version from New York City’s Universal Publishing and Distributing Corporation, which marketed digest sized paperbacks under the imprint Uni-Book, hit stores in 1951 with Robert Stanley cover art. What you get here is a man blamed for murder, but who claims the slayings were the work of a metal swamp monster. The women die battered, but with ecstatic facial expressions. Which raises the question—what exactly is happening to them? You can read a review of the book here.
Update: We learned that Stanley's cover art also appeared in 1952 on Florenz Branch's Whipping Room, for Intimate Novels. Often these cover reworks are clumsy, but we think this makeover is actually pretty good. Not as good as the original, but close.
|Femmes Fatales||Nov 14 2015|
Star Trek featured a range of female personalities, from the innocent Angelique Pettyjohn, to the cerebral Marianna Hill, to the coolly professional Majel Barrett, to the supersexual Yvonne Craig. And of course there’s everyone's favorite yeoman Janice Rand, wilting under Captain Kirk’s lack of attention. And then there’s Lieutenant Nyota Uhura. As played by Nichelle Nichols she was the only fully realized woman on the show, and the most fully realized character after Kirk and Spock. She was African and American, spoke Swahili, was reliable at her job, was self-secure enough to freely express wonder and fear, could fight with deadly ability, could sing and play music, could navigate the ship, make technical repairs, and helm the science station. This is one of the best promo photos of one of television’s most capable characters. It’s post-Star Trek, probably 1974.
|Modern Pulp||Nov 13 2015|
It’s appropriate The Thing is about a monster that constantly evolves, because it’s another of those ’80s sci-fi movies, like Blade Runner, where most reviews of the day were unflattering, but have since evolved to acknowledge the high quality of the film. The Thing isn’t just great—it’s visionary. The cold, the vastness, the silence, the bone weariness of a bunch of working class scientists pitted against an interstellar horror right out of Lovecraft—a movie of this type could never be made today, as the less effective 2011 prequel proved. The ’80s Thing took the ’50s original and gave it grit and terror. The 2011 version lost the grit and, with its abundant CGI, managed only a few scares. You know, here’s the thing about CGI—producers always want the cutting edge of possibility, but those effects never look real. They’d be better off asking CGI techs to do only what they’ve truly mastered. Just because you can get the computers to render it doesn’t mean it looks good, or that it’s good storytelling. But don’t get us started. The above poster and promo pamphlet were made for the premiere of the second version of The Thing in Japan today in 1982.