|Vintage Pulp||Nov 9 2017|
|Vintage Pulp||Jul 16 2017|
This might be our first piece of Finnish pulp. Actually, nope—we just checked. We have some Finnish items here, here, and here. So this poster is our fourth entry from that country, and it's a promo for Uga-uga ihmishirviöiden maa, aka Creatures the World Forgot. Finnish is a weird language, but even without knowing how to read it you can probably discern that the movie was re-titled. The poster says, “uga uga a country of human beings.” So we guess the creatures the world forgot lived in Uga Uga. We didn't know that. Another online translator tells us the poster actually says, "the upright country of human beings," and a third tells us it says "the land of the sea of magpie." We have a former roommate who lives in Finland, so maybe he'll help us out with this one, especially the "uga uga" part. Did we mention we went to Finland once? Try drinking with that crowd and after a couple of hours, “uga uga,” is all you'll be able to say. You may also have noticed the creatures of the original movie somehow transformed into “greatures,” at the lower right of the art, one of the funnier misspellings we've seen on a foreign version poster. The film starred Julie Ege, who's in no way uga uga, and is probably the best reason to watch the movie. We've mentioned her before, particularly the publicity stunt Hammer Studios cooked up to promote the film. Read about that here, and read a short review here. Greatures—er, we mean Creatures—the World Forgot premiered in Finland today in 1971.
|Vintage Pulp||Mar 14 2017|
Spanish artist Carlos Escobar painted this poster for the sci-fi flick Planeta prohibido, better known as Forbidden Planet, which premiered in the U.S in 1956 and reached Spain today in 1957. Escobar was a master of realistic figures, such as those he painted of Sharon Tate and Beba Lončar, but for this piece he used a more stylized technique to depict Robby the Robot and an unconscious figure we suppose is Anne Francis. We don't remember Robby carrying her in the film, but it's been a while since we watched it, so maybe we've spaced that. But in any case this is a fantastic piece of promo art. We especially love the trippy sky. It reminds us of this time we dropped acid in Bryce Canyon National Park.
|Intl. Notebook||Feb 2 2017|
This winners photo was made today in 1952 at a beauty pageant held at the Civic Auditorium of San Jose, California, and sponsored by Ray Van Cleef and his Gateway to Health gym. Van Cleef was a former competitive weightlifter who became a fitness guru by opening his gym, writing a column for Strength and Health magazine, and serving as a trainer for the 1948 U.S. Olympic Team. The above contest competitors were judged on “physical beauty, facial beauty, personality, and grace,” and the lucky winner, who earned the crown Miss Venus, was Beverly Jocher, a dancer from the Bruce Variety Show in Port Hueneme, north of Los Angeles. We assumed she was trying to break into movies, which is the case for most pageant participants, and indeed when we checked she possessed a single film credit—for the 1954 sci-fi flick Gog. Second place at the pageant went to Jill Gion, and third to the interestingly named Bandy Lee. No word on what any of the contestants actually won.
|Vintage Pulp||Feb 1 2017|
We were dubious toward Santo when we learned of his movies, but after screening three features the guy has really grown on us. So last night we watched Santo contra los asesinos de otros mundos, which was known in English as Santo vs. The Killers from Other Worlds. You know the basics—Santo is a Mexican luchador who is also an ace international crimefighter. Which is convenient, because an evil mastermind named Malkosh is demanding a fortune in gold bars from the Mexican government or he'll unleash a monster on the populace. This terrifying blob, which in the script has been somehow derived from moon rocks, in reality is three guys huddled under a giant shammy. Doubtless bumping heads and asses while crabwalking under this thing, the poor guys move at about the same speed as traffic in central Mexico City. But no matter—the blob is a whiz at triangulation, and its victims are agility challenged. Whoever it chases inevitably finds himself or herself trapped and, after futilely heaving staplers and coffee cups, consumed down to a skeletal state.
The rest of the film tracks Santo's efforts to find Malkosh's partner Licur, who has imprisoned a Professor Bernstein, the only person on Earth who knows how to corral the lunar abomination busily scuttling across the landscape. Locating Licur involves a bit of Holmesian deduction, at which point Santo gains access to the top secret high security lair by scaling a low wall. In the subsequent fistfights, he's ferociously pounded about his face and semi-soft body, yet his gimp mask never slips and his whorehouse drapes never rip. Finally he squares off against Licur himself, who proves to be no match, and at that point all that's left is to defeat the beast, now about the size of a Winnebago. We'll leave the last bit as a surprise, but suffice to say Santo is always one step ahead. In the end, the film was another satisfying outing, with all the hallmarks of the series—terrible dialogue, poorly staged fights, truly atrocious acting, and a script conceived during a blinding mezcal bender. What's not to love? Queue it. Watch it. Santo contra los asesinos de otros mundos premiered in Mexico today in 1973.
You got anything to eat around here? I'm famished.
|Femmes Fatales||Jan 18 2017|
American actress Virginia Leith had a perfectly respectable show business career, appearing in the thriller Violent Saturday and on hit television shows such as Baretta and Barnaby Jones, but what she'll always be remembered for is her turn as a decapitated head in the 1962 schlock sci-fi flick The Brain that Wouldn't Die. Have you seen that one? You really should check it out. It's a hoot. In the film Leith is beheaded in a car accident and her scientist fiancée just can't let go. Well, looking at the rest of Leith at top, now we see why. We don't have a date on the photo, but we're guessing it's from around 1955.
|Vintage Pulp||Dec 23 2016|
This Japanese poster for 20,000 Leagues Under the Sea is damaged but still amazing. It was made for the 1954 movie's premiere in Japan today in 1955. Jules Verne's classic novel about Captain Nemo and his futuristic submarine has been mined often. There have been other films, a mini-series for television, a cartoon, and we understand a new cinematic version is in the works for 2017. We have low expectations for that. In today's Hollywood environment, with its thirst for bland global blockbusters, its aversion to storytelling depth, and its addiction to mindless and often pointless computer graphics, Verne's great story could finally be ruined. But we shall see. We're pretty sure the promo poster won't be as good either.
|Vintage Pulp||Nov 14 2016|
This is a pretty unassuming poster considering A Boy and His Dog is one of the top cult films of the 1970s. Based on a novella by Harlan Ellison and starring a young Don Johnson and co-starring early Pulp Intl. femme fatale Susanne Benton (who you can see in all her glory here), the movie is a post-apocalyptic tale of desperate survivors wandering radioactive wastelands scratching out a hard fought existence. Mutations have done a number on living creatures, which is why Johnson's co-star is a shaggy telepathic dog named Blood. Man and dog have a symbiosis, with Johnson offering protection, the dog sniffing out food and women, and both profiting companionship. Sounds goofy, we know, but the telepathic dog bit really works. Blood is irascible, but funny, smart, and warm, while Johnson is a slave to his id and libido. Ultimately, circumstances offer a choice between a dangerous and unpredictable freedom on the wastelands, or a secure but tedious existence in an underground sanctuary. The final question becomes whether conventionality diminishes a man. Playing like a bizarro prequel to The Road Warrior, and ultimately revealing itself to be a barroom joke stretched out to feature length, this is a film we recommend, however be forewarned that Harlan Ellison's post-apocalypse is a tough place for women. A Boy and His Dog premiered in the U.S. today in 1975.
|Modern Pulp||Oct 8 2016|
These two pretty posters were made to promote the sci-fi movie Embryo. It hit cinemas stateside in 1976 but didn't reach Japan until today in 1977. What you get here is a research biologist, played by Rock Hudson, who in classic mad scientist style learns he can accelerate gestation and decides to experiment on humans. He acquires an early stage fetus and dumps it in his magic tank. In hours it's born, in days it's a child, and in short order it's Barbara Carrera. So he's the smartest scientist who's ever lived. At least until one figures out how to create a test tube Elke Sommer. Carrera is super beautiful and super smart, but has one big problem. Can you guess what it is? We'll give you a hint—if you think too long she might be dead before you answer. The threat of early death will throw anyone for a loop so we'll forgive poor Barbara her transgressions. She dances naked—and that's worth all the forgiveness in the world.
|Modern Pulp||Oct 6 2016|
Above, a very nice chirashi mini-poster made in 1995 to promote a cinematic triple-bill of three Ed Wood films—Plan 9 from Outer Space, Glen or Glenda, and Bride of the Monster. None of the three played in Japan when originally released—and if you've seen any of them you realize there's no reason they should have—so this poster is for their premieres. The reason this happened is because Tim Burton's biopic Ed Wood became a hit in the U.S. in 1994 and this triple bill occurred about a month in advance of that film's arrival in Japan.